14 books like Hendrik Groen

The author of this novel is, like me, a doctor-writer. I imagine we share the same motivation to tell stories. As a psychiatrist, Joanna Cannon’s writing portrays her compassion and deep understanding of the human condition. In this novel, the mundane existence of eighty-four-year-old Florence in her care home is upset by the arrival of a man she is convinced she recognizes from her past, a man who supposedly died years before. Only her lifelong friend, the eponymous Elsie believes her. My favorite author Somerset Maugham (also a doctor) attributed his success as a writer to his powers of observation rather than his imagination. What makes this novel so compelling in my eyes are the astute observations and the easily overlooked details that hold the clues to solving the mystery.

This book inspired me to write my own account of dealing with my mum’s Alzheimer’s.

This darkly comic yet gripping novel reveals the humorous aspects of the disease. Maud, an eighty-year-old who grapples with forgetting even the cup of tea she just made or recognising her own daughter, surprisingly unravels a seventy-year-old mystery.

The story delicately weaves warm and uplifting moments with touches of comedy, anxiety, and sheer terror that arise when one realises the advancing years and the struggle to be heard in a society that often overlooks the elderly. The portrayal of dementia in this novel is both sympathetic and profoundly moving, capturing the emotional complexity of the experience.

Maud's character is both exasperating and compelling, embodying the kind of older protagonist I yearn to encounter more in literature.

Kent Haruf wrote Our Souls at Night as he was dying. What happens in it? Not a lot. It’s much easier to write stories in which things blow up, plot devices creak, and an ending ties everything up neatly. This quiet, elegiac novel is not that.

Addie and Louis, elderly neighbors, begin sleeping together because the nights are long and they are lonely. Her young grandson, Jamie, visits. Louis gives him a catcher’s mitt and brings home a shelter dog, Bonnie. Their grown children interfere. Complications ensue. And there are no quotation marks to indicate dialogue.

Yet, here I am telling you to go, now, find this book and read it today? Am I crazy? You decide (after you read the book).

P.S. Skip this film. Jane Fonda’s Stepford Wives’ perfection ruins a movie that needed its female beauty defined by wrinkles and gray hair, and an aging, infirm body.… show more.

I was taken by surprise by this unassuming man and his measured journey.

The premise didn’t sound like a page turner. I expected the pacing to be slow, and it is. But in my opinion, his pilgrimage is anything but dull. Life is messy, and his regrets are many, and just the fact that he embarks on this journey is pretty miraculous. I didn’t think he had it in him to finish the 627-mile trek, but I stayed with him—for along the way his observations were profound.

Ms. Joyce’s use of plain language captures the ordinariness of Harold, but his insights are a treasure trove.  Like Harold says, “A journey isn’t measured in miles but in moments that change us forever.”

There is so much to love, perhaps in the first place, the bond between tragic hero Fitz and the irresistible Fool. But even more moving is that the series shows you how deeply human beings can be bonded to non-human beings. The world is so much alive that even wood harbours intelligence; and even if human beings arrogantly fail to acknowledge it, there are more magnificent intelligent creatures around than human beings. This series makes me all the more aware of the broken beauty of our own nature, and the need to take good care of it.

Shapeshifting lizard people. Oh. You want me to say something else?

How about... a world like no other, peopled by all manner of beings (but no humans, which is honestly a delight). The setting is so fantastic, but also so meticulously designed—every settlement and civilization feels organic, fully realized, and unlike anything else. But what about the story—?

Moon doesn't know where he's from, but he knows he's the only shapeshifter he's ever met, and the only person with wings...and worse, he thinks he's part of the terrible Fell, a species that seems to be invasive and hostile and looks a lot like him.

Then he meets another Raksura, and learns how wrong he's been about everything, including himself. 

When I was young I devoured Bullfinch's Mythology from cover to cover. Looking back, I am amazed that I had the time and the devotion to read the whole 900-odd pages, which give short, matter-of-fact recaps of the Greek and Roman myths, as well as the legends of King Arthur and Charlemagne. You'll find these tales far more beautifully told in the original Ovid or Virgil versions, I suppose, but if you just want the facts, Ma'am, the who's who of it all, then this is a fine place to start.

The 19th-century Scottish writer George MacDonald is said to be the father of the modern fairy tale, inspiring C.S. Lewis, Tolkien, and many others. I chose The Light Princess because I find it his most charming tale: it's about a princess under a wicked spell who has been made weightless, unable to obey the laws of gravity. As in all good fairy tales, a prince eventually comes along to drag her back down to earth. He must sacrifice himself for her, but in the end, it is she who rescues him – from a feminist perspective, a most gratifying conclusion.

My inner child is still captivated by the Lilliputian world of T.H. White's Mistress Masham's Repose every time I read it. I don't know why the idea of discovering a secret miniature kingdom is so alluring: I think it may have something to do with my love for dollhouses when I was a child. T.H. White was best known for The Once and Future King and The Sword in the Stone, based on the Arthurian legends; he was a master at taking an old story (Gulliver's Travels in the case of Mistress Masham's Repose) and making it truly his own.

I am a huge fan of the very-brief gothic. It’s so hard to do well; trivial jump-scares are easy, but to produce a meaningful effect in only a few pages takes real precision. Shirley Jackson holds the crown with "The Lottery," but my second favorite instance of a surprisingly quick read that produces a real gasp is Angela Carter’s mini-treasure, "The Werewolf."

It manages to be a fairy tale, feminist critique, a witch, and a werewolf story all at once—and, like the beast in the title, it may not be what it appears. Also wonderful to me are "The Company of Wolves," "The Snow Child," and the eponymous "The Bloody Chamber," that one a revisioning of "Bluebeard"—essentially, Carter updates all kinds of dark fairy tales, bringing out their subversive shadows for a savvy reader. Still so fresh to this day.