Here are 70 books that Our Souls at Night fans have personally recommended if you like
Our Souls at Night.
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When I was a young adult, I lost someone whom I’d loved intensely. In the aftermath, I experienced a grief that would not subside for more than a year and interfered with my ability to function. This is known as complicated grief. As a result, I’ve done a lot of reading on the subject, looking for books that present complicated grief in a humane and understandable manner. While there is a place for self-help books, I’ve found creative literature to be more helpful, especially books written in the first person that offers a metaphorical hand to the reader. I published a detailed essay in Shenandoah on this topic.
I read this book after I had already sent my manuscript to my agent and was surprised that the plot involved the main character unexpectedly caring for a dog after losing a loved one, as my novel does. Told from the point of view of a writing professor whose best friend and mentor has taken his own life, it traces the protagonist’s slow psychological unraveling as she tries to come to terms with both her friend’s death and the place he had held in her life. Adopting his dog takes her out of her ordinary routine in concrete ways and also grounds her and requires her to take part in the details of a new kind of daily life, even if reluctantly.
Part of what I love about this book is the many ways in which it’s experimental. It combines fiction, autofiction, and essay writing. It contains blank pages. There…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I prefer stories of older characters, who, instead of saying “my best years are in my past,” choose new paths of self-discovery. I see these late-life transformations as quiet odysseys. Because, as we age, we grow more and more invisible. We lose our loved ones, our physicality, sometimes our memories. But then, when is there a better time to become a hero than when you are on the cusp of losing everything? Each of these books explores characters who start new journeys in later life. They find self-worth again, or maybe even for the first time. Now THAT is a good story.
I was taken by surprise by this unassuming man and his measured journey.
The premise didn’t sound like a page turner. I expected the pacing to be slow, and it is. But in my opinion, his pilgrimage is anything but dull. Life is messy, and his regrets are many, and just the fact that he embarks on this journey is pretty miraculous. I didn’t think he had it in him to finish the 627-mile trek, but I stayed with him—for along the way his observations were profound.
Ms. Joyce’s use of plain language captures the ordinariness of Harold, but his insights are a treasure trove. Like Harold says, “A journey isn’t measured in miles but in moments that change us forever.”
'Impossible to put down' TIMES 'Life-affirming delight. A comic pleasure' WOMAN AND HOME 'Profoundly moving' RICHARD MADELEY
OVER 4 MILLION COPIES SOLD. SOON TO BE A MAJOR MOVIE STARRING JIM BROADBENT AND PENELOPE WILTON ____________________
When Harold Fry nips out one morning to post a letter, leaving his wife hoovering upstairs, he has no idea that he is about to walk from one end of the country to the other.
He has no hiking boots or map, let alone a compass, waterproof or mobile phone. All he knows is that he must keep walking. To save someone else's life.
I am passionate about in-depth character development because it’s something I strive for in my own writing. Humans are very complex creatures who are capable of a full range of responses on any given day, moment, or set of circumstances. Offering readers an opportunity to consider what motivates characters to behave in the ways they do makes a story worth sinking your teeth into. I think making these kinds of considerations about characters who are not real also opens up our collective ability to exercise our empathy muscles in real life. These days, we need that more than ever.
I just love this book, and frankly, everything Anne Tyler writes. Her stories are always driven by characters who are just delicious in their complexity.
Being drawn into these characters as their complex relationships evolve is what I find most satisfying about all of Tyler’s work. The characters are quirky, but believable; complicated, but lovable. Tyler is a master at character development.
Discover a beautiful story of what it is to be human from Pulitzer prize-winning Sunday Times bestselling Anne Tyler
How does a man addicted to routine - a man who flosses his teeth before love-making - cope with the chaos of everyday life?
With the loss of his son, the departure of his wife and the arrival of Muriel, a dog trainer from the Meow-Bow dog clinic, Macon's attempts at ordinary life are tragically and comically undone.
**ANNE TYLER HAS SOLD OVER 1 MILLION BOOKS WORLDWIDE**
A Duke with rigid opinions, a Lady whose beliefs conflict with his, a long disputed parcel of land, a conniving neighbour, a desperate collaboration, a failure of trust, a love found despite it all.
Alexander Cavendish, Duke of Ravensworth, returned from war to find that his father and brother had…
I’ve loved cinema since I was 9 years old growing up in New York City and my grandmother took me to see The Ten Commandments at the Paradise Theater, Loew’s magnificent flagship theater in the Bronx. The theater’s famous canopy of twinkling stars on the ceiling was the perfect magical venue, and I was thunderstruck not only by the epic sweep of the movie but also by the opulence of the theater, which mirrored the monumental pyramids that Ramses constructs in the film. Ever since, my passion for movies has been as all-consuming as DeMille’s jello sea was for the infidel Egyptians who doubted the power of special effects and cinematic illusion.
Based on the boyhood memories of author Sherwood Anderson, Winesburg, Ohio is one of the best portraits of small-town American life in the 19th century.
Centered around the coming-of-age of George Willard, the 22 stories in the book provide numerous character sketches of people in the fictional town of Winesburg. Anderson writes in a plain style that suits the world he describes.
The book pioneers an approach to fictional portraiture also taken up by Wiseman in his later Our-Town cycle of films that focus on individual rural communities—Aspen, Belfast, Maine, In Jackson Heights, and Monrovia, Indiana—and adopt a seemingly similar straightforward style. Like those films, the book features a series of glimpses that together add up more than just the sum of its parts.
Anderson profoundly changed the American short story, transforming it from light, popular entertainment into literature of the highest quality. His art belonged as much to an oral as a written tradition, and, as this collection shows, the best of his stories echo the language and the pace of a man talking to his friends. They explore with penetrating compassion the isolation of the individual and capture the emotional undercurrents hidden beneath ordinary events.
I started my academic life with two passions: listening to those I was researching and writing in ways that were accessible to all readers. I wasn’t willing to bow down to orthodoxies that would stifle my capacity to think and to write and make my way into new and emergent ideas and practices. Questions of ethics threaded their way through it all, not the kind of rule-based nonsense of university ethics committees, but ethics that enabled me to consider how matter matters and to re-think what we are in relation to each other and to the Earth.
There is a purity and grace about this book that is deeply moving; it tells me about the love of a good man, as he explores his own life in the face of death. All he has to leave his small son is not money but the possibility of dedicating oneself to a good life.
It is set in middle America, in 1956, when I, as it happens, was ten years old. Everything that matters to me is captured here in this exquisite book. It is written beautifully, not ever weighed down by mind-numbing cliches. If only everyone would read this book, I thought as I sobbed my way through it, there would be no wars, and there would be time and inspiration for healing the planet. I take it with me wherever I go.
WINNER OF THE PULITZER PRIZE FOR FICTION and THE NATIONAL BOOK CRITICS CIRCLE AWARD
AN OPRAH'S BOOK CLUB PICK
In 1956, towards the end of Reverend John Ames's life, he begins a letter to his young son: 'I told you last night that I might be gone sometime . . . You reached up and put your fingers on my lips and gave me that look I never in my life saw on any other face besides your mother's. It's a kind of furious pride, very passionate and stern. I'm always a little surprised to find my eyebrows unsinged after…
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
InSo Long, See You Tomorrow, an adult narrator looks back at childhood and the lingering effects of childhood loss and displacement. He recalls his mother’s death, his father’s remarriage, and moving from a beloved home. The author also tells a parallel story of the scandal that befell his friend Cletus: his father shot his mother’s lover, and then drowned himself. For the narrator, his lost boyhood home is recalled like a dream of paradise lost, a mirage of another life: “I dream about it, the proportions are so satisfying to the eye and the rooms so bright, so charming and full of character that I feel I must somehow give up my present life and go live in that house: that nothing else will make me happy.” This novel about haunting memories of a lost place and past will haunt the reader. This was one of my father’s…
A novel which charts the lives of two former friends until the father of one was responsible for the murder of the father of the other. They do not speak following the tragedy, but the victims son realises fifty years later that he has failed in a fundamental act of friendship.
The Duke's Christmas Redemption
by
Arietta Richmond,
A Duke who has rejected love, a Lady who dreams of a love match, an arranged marriage, a house full of secrets, a most unneighborly neighbor, a plot to destroy reputations, an unexpected love that redeems it all.
Lady Charlotte Wyndham, given in an arranged marriage to a man she…
I’m the author of the Pulitzer Prize Finalist novel, The Bright Forever, among other books, and I teach in the MFA in Creative Writing program at Ohio State University. I was born in southeastern Illinois, where my father farmed eighty acres in Lawrence County’s Lukin Township. I’ve always been fascinated by the stories of ordinary people, particularly working-class folks in small towns and rural communities. I admire their dignity, their directness, and their big hearts. I’ve spent my life writing about them with help from writers like the ones whose books I’m recommending. I want to speak for those whose voices often get overlooked or silenced.
This short story collection was a very influential book for me because it gave me permission to write about the people I know best. Bobbie Ann Mason’s Western Kentucky characters live just beyond the river from my native Illinois. In fact, my family came from Kentucky by way of Ohio. The characters in Shiloh are just as complicated as characters from urban areas. This book taught me how to write about my own small-town and rural folks.
The stories in Bobbie Ann Mason's remarkable collection read like poetic transcriptions of day-to-day life. With her keen eye and ear for late twentieth-century popular culture, Mason can render a photograph of a brightly lit supermarket or a bit of wisdom from the Donahue show. This special edition of a beloved local author's work includes a new foreword by George Ella Lyon, Kentucky writer and friend of the author.
Like the Bach sisters in my novel Things We Do For Love, my sisters and I have cared for our mother, who battles Alzheimer's. Witnessing her transformation from a vibrant powerhouse to someone resembling the Walking Dead has been heart-wrenching. Despite the emotional rollercoaster, this journey has deeply connected us with our mother. Delving into the depths of her being has been a privilege, offering profound insights into her true essence. This challenging experience has unfolded as a disguised blessing. In this journey, we've discovered the beauty of unconditional love that binds our family together. It reflects the central question of my novel: What truly makes a happy family?
This book inspired me to write my own account of dealing with my mum’s Alzheimer’s.
This darkly comic yet gripping novel reveals the humorous aspects of the disease. Maud, an eighty-year-old who grapples with forgetting even the cup of tea she just made or recognising her own daughter, surprisingly unravels a seventy-year-old mystery.
The story delicately weaves warm and uplifting moments with touches of comedy, anxiety, and sheer terror that arise when one realises the advancing years and the struggle to be heard in a society that often overlooks the elderly. The portrayal of dementia in this novel is both sympathetic and profoundly moving, capturing the emotional complexity of the experience.
Maud's character is both exasperating and compelling, embodying the kind of older protagonist I yearn to encounter more in literature.
NOW A MAJOR BBC DRAMA A SUNDAY TIMES TOP FIVE BESTSELLER
How do you solve a mystery when you can't remember the clues?
Maud is forgetful. She makes a cup of tea and doesn't remember to drink it. She goes to the shops and forgets why she went. Sometimes her home is unrecognizable - or her daughter Helen seems a total stranger.
But there's one thing Maud is sure of: her friend Elizabeth is missing. The note in her pocket tells her so. And no matter who tells her to stop going on about it, to leave it alone, to…
As a family doctor working in aged care, I have always felt disappointed by the stereotypical portrayal of ageing in fiction. Older characters are rarely the protagonist of their own story and are more likely to be relegated to minor roles that reflect their marginalization and invisibility in society. And yet, despite their physical limitations, my older patients have taught me that it’s never too late to laugh, love, make new friends or create mischief. Bette Davis once said, “Old age ain’t no place for sissies.” Without sugarcoating ageing, I strive for authenticity and humor in my writing to offer a more uplifting and hopeful portrayal of what lies ahead.
The author of this novel is, like me, a doctor-writer. I imagine we share the same motivation to tell stories. As a psychiatrist, Joanna Cannon’s writing portrays her compassion and deep understanding of the human condition. In this novel, the mundane existence of eighty-four-year-old Florence in her care home is upset by the arrival of a man she is convinced she recognizes from her past, a man who supposedly died years before. Only her lifelong friend, the eponymous Elsie believes her. My favorite author Somerset Maugham (also a doctor) attributed his success as a writer to his powers of observation rather than his imagination. What makes this novel so compelling in my eyes are the astute observations and the easily overlooked details that hold the clues to solving the mystery.
The bestselling author of The Trouble with Goats and Sheep delivers a suspenseful and emotionally satisfying novel “infused with warmth and humor” (People) about a lifelong friendship, a devastating secret, and the small acts of kindness that bring people together.
There are three things you should know about Elsie. The first thing is that she’s my best friend. The second is that she always knows what to say to make me feel better. And the third thing…might take a bit more explaining.
Eighty-four-year-old Florence has fallen in her flat at Cherry Tree Home for the Elderly. As she waits to…
This book follows the journey of a writer in search of wisdom as he narrates encounters with 12 distinguished American men over 80, including Paul Volcker, the former head of the Federal Reserve, and Denton Cooley, the world’s most famous heart surgeon.
In these and other intimate conversations, the book…
As a family doctor working in aged care, I have always felt disappointed by the stereotypical portrayal of ageing in fiction. Older characters are rarely the protagonist of their own story and are more likely to be relegated to minor roles that reflect their marginalization and invisibility in society. And yet, despite their physical limitations, my older patients have taught me that it’s never too late to laugh, love, make new friends or create mischief. Bette Davis once said, “Old age ain’t no place for sissies.” Without sugarcoating ageing, I strive for authenticity and humor in my writing to offer a more uplifting and hopeful portrayal of what lies ahead.
I simply couldn’t resist the combination of the title of this book – a nod to Sue Townsend’s The Secret Diary of Adrian Mole, aged 13 ¾, which I enjoyed many years ago – and its ironic setting of an Amsterdam aged care home. The novel is supposedly an exposé by an anonymous care home resident, although the author was subsequently revealed as Dutch writer, Peter de Smet. Told in the form of a diary, the book portrays the frustrations, indignities, and occasional small victories of Hendrik and his buddies in the Old-But-Not-Dead-Yet club as they fight to maintain agency over their own lives. The interplay between self-deprecating humor and poignancy in exploring the important themes around old age had me laughing out loud on one page and shedding tears on the next.
The hilarious international bestselling novel that has had pensioners ditching their sticks and zimmers to follow the age-defying, youth inducing antics inside The Secret Diary of Hendrik Groen, 83 1/4 Years Old . . .
'Terrific. This geriatric Adrian Mole made me laugh' Woman and Home
'Funny and touching' BBC Radio 4
Meet Hendrik Groen. An octogenarian in a care home who has no intention of doing what he's told, or dying quietly. To that end, he creates the Old-But-Not-Dead Club and with his fellow members sets about living his final years with careless abandon. Such anarchism infuriates the care…