316 books like Colonel Race

I’ve always been deeply moved by how people of substantiative faith translate it into literature. After all, an important difference exists between Christian fiction and fiction by Christian authors. The author, who understands that this life is not everything, is able to infuse so much more depth, emotion, and truth into the narrative than his counterpart.  Shortly after watching the movie The Song of Bernadette in Oxford, J.R.R. Tolkien wrote to his son in the RAF to say, “My mind and heart are still filled with Bernadette Soubirous, and long may they be so. Every quality of a ‘fairy story,’ plus truth and sanctity, is an overwhelming mixture.” 

I adore crime fiction, especially mysteries. They make sense. In the real world, crime rarely has the resolution of fiction, and almost never has Belgian detectives with very neat moustaches, or old ladies solving a who-dunnit… I grew up reading these books, mentally inhaling everything from Christie to Rankin to McDermid, and now I spend my days writing brutal but quite silly murders solved by a woman who would really rather wear an old grey fleece and jeans than a sparkly dress, and her friends, the fictional TRASH drag family. Murder mysteries are fun – perfect escapism. In a world so messed up as ours is right now, don’t we need to escape into fiction?

I came to writing crime late after reading a P.D. James novel on my honeymoon. Previously a travel and ghostwriter, I became fascinated by the challenge of creating a whodunnit plot that fools the reader while simultaneously playing fair by giving them plenty of juicy clues. Agatha Christie said you should get to the end of your book and then choose the least likely person as the murderer. Quite often, I don’t know who the killer is myself until the end. If I’m kept guessing, hopefully my readers are too. I love the fact that whodunnits are a way of writing about all sorts of worlds within a compelling structure.

I started my motherhood journey when I was barely out of my teens. For the next two decades, I only knew myself as a wife and mother. As my brood of five children grew into adults, I found myself poorly equipped to parent independent Gen X and Z’ers. Then, at 46 years of age, when perimenopause hit me like a hurricane, I found myself evolving into another woman altogether. The good news was – I really liked her! I hope you enjoy these books about mid-life women parenting adult children and rediscovering themselves in the never-ever-done-aftermath of motherhood.

Whenever in Oxford, I feel I’ve come “home.” It’s a magical city steeped in beauty, history, literature, culture, and fascinating people. I’ve been blessed to have taken graduate courses at the University, participated in numerous conferences, brought tour groups, lived “in college,” and conducted walking tours of the town. My familiarity with the city enabled me to write the original chapter on Oxford for Rick Steves’ England guidebook, and it’s where I set my fictional series, The Oxford Chronicles. When I can’t be there in person, I love to visit vicariously through good books. I hope these novels will enable you to experience some of the magic of Oxford too.

I’ve loved mysteries since I gobbled up Nancy Drew and the Encyclopedia Brown books in grade school. As I grew older, I got hooked on Agatha Christie’s Miss Marple, Sue Grafton’s Kinsey Milhone, and Sara Paretsky’s VI Warshawski. Besides being a diehard fan of female sleuths, I have a B.S. in Journalism, which drummed the importance of “who-what-when-where-and-why” into my brain. I definitely take a reporter’s mindset into my story-telling, particularly when it comes to the “who.” Breathing life into characters is crucial. Maybe that’s why I used bits and pieces of my grandma Helen in order to create my fictional Helen. Plus, it gives me a chance to spend time with her again, if only in my imagination.

I was twelve years old when I first read Jane Eyre, the beginning of my love for gothic fiction. Murder mysteries are fine, but add a remote location, a decaying old house, some tormented characters, ancient family secrets, and I’m all in. Traditional Gothic, American Gothic (love this painting), Australian Gothic, Mexican Gothic (perfect title by the way), I love them all. The setting in gothic fiction is like a character in itself, and wherever I travel, I’m drawn to these locations, all food for my own writing.

I have always loved ‘whodunit’ mysteries and the crime genre. When I was in my early teens, I read a couple of dozen Agatha Christie books and was hooked from then on. I was determined to tackle this genre for my 7th novel and (as with several previous novels) wanted to incorporate historic elements into the story because of my fascination for social history. My objective was to immerse the reader in the mid-sixties and then layer in the murder mystery element. The books I’ve recommended are all very different but offer a good grounding in the genre.

People behave rationally and irrationally. Observing and thinking about human nature is the sport of my lifetime. In literature and art, I worship real wit. I thirst for the unusual, the deadpan, the acknowledging of one thing while another slips in unseen. Wit has been, for me, a shield and a tool for good. I try not to use it as a weapon because wit as a weapon often damages a wider target than one intends. I strive to endow my fictional women, my protagonists, with sharp yet understated wit that spares no one, not even themselves. Especially not themselves. The books I recommend here live up to my standards.

Even though I’m an engineer and accountant by education, I love to write and growing up, I read many historical fiction and murder mysteries. History spanning from the Victorian Era until the mid-twentieth century has always fascinated me, and I’ve studied various events from that period. Therefore, I wrote A Bloody Hot Summer, a crime novel using some historical events as a background. The interwar years were the heyday of crime fiction, and that is why I set my novel during that period. While researching, I get to expand my knowledge regarding history, culture, art, language, and values of those times, which I add to the novel.