Here are 10 books that A Time for Swords fans have personally recommended once you finish the A Time for Swords series.
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I received the Dungeons and Dragons Basic Red Box as a kid, and I have been hooked on all things fantasy fiction since. It has become a part of my life so much that each character takes on a special importance for me. Some characters exist in worlds full of swords and magic, while others live in realms that are dirty, bleak, and on the brink of utter ruin. As a writer, I enjoy seeing the different perspectives these characters bring to fantasy settings. It makes them unique, each in their own way. Some want to right the wrongs of the worlds they reside in, while others don’t care if it all burns down around them.
This book was my first journey into the Underdark, and I swear I could feel the oppressive dark pressing in while reading it.
Drizzt Do’Urden’s struggle hit me harder than any surface-dweller’s tale—here’s someone born into cruelty, yet refusing to accept it as his destiny. The action is fast and cinematic, but what I loved most is the quiet defiance running through every page.
Drizzt isn’t just fighting with blades; he’s fighting for the right to choose who he is. For me, that made the book unforgettable.
Strange and exotic Menzoberranzan is the vast city of the Drow. This is a world of dark elves, where families battle families and fantastic monsters rise up from the lightless depths. From the author of the "Icewind Dale Trilogy".
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
An oldie, but I loved this book! It was actually two books when originally published (Time of the Dragons and Last of the Zinja). Set mostly in Mongolia and Japan, it tells the story of a warrior monk who falls in love with a Japanese princess who becomes a consort to Kubilai Khan (Ghenghis Khan’s grandson). As a kid, I loved the TV show Kung-Fu with David Carradine and Jebu (the main character) is a much bigger, badder version of Cane. Like Cane, Jebu is a half-blood but his barbarian side is the one that shows through so he is huge and red-haired. Lots of good action in this one.
Beautiful young Taniko struggles under oppression as the mistress of the cruel Kublai Khan, and Jebu, a young monk, is transformed into a fierce warrior, in a saga of the ancient Orient during a time of bloodshed
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Bernard Cornwell’s fight scenes are what I would call emotional rather than technical. You feel his fights, the vibration of sword against shield, the panic of your feet slipping in the mud, the fear rising up in your guts that will allow only a half-crazed scream to come out of your mouth. If you’re looking for a manual on sword fighting, Cornwell is not your man. But if you want to be put in a character’s armor while someone is trying to skewer him with a spear, no one does it better. I was drawn to this book because it was about an archer, and I know how hard it is to write fight scenes with archers in them. I am an amateur bowyer and having made more than a few bows I know how much skill it takes to make and use these weapons. Cornwell did a lot of…
Harlequins are lost souls, so loved by the devil that he would not take them to hell, but left them to roam the earth. In French the word is hellequin - the name given to the English archers who crossed the Channel to lay a country to waste.
Thomas of Hookton is one of those archers. When his village is sacked by French raiders, he makes a promise to God: to retrieve the relic stolen from Hookton's church. Escaping his father's ambitions, he becomes a wild youth who delights in the life of an army on the warpath.
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Mathew Harffy has a lot going for him in the historical fiction world. His fight scenes are not overly technical and are easy to follow. They have just the right amount of blood and gore to make you believe the characters are really in danger but are not simply gratuitous violence. What I really love about this book is his voice when he writes descriptions of the forest and the people who live in it. I grew up in the woods of a small town in Canada, and I know how the forest can be a peaceful, tranquil setting one moment and then suddenly transform into a place of shadows and dread. Judging by the cover of this book, I think Harffy knows this as well.
'Harffy's Dunston is a fantastic creation - old, creaking and misanthropic. The forest is beautifully evoked. A treat of a book' The Times.
AD 838. Deep in the forests of Wessex, Dunston's solitary existence is shattered when he stumbles on a mutilated corpse.
Accused of the murder, Dunston must clear his name and keep the dead man's daughter alive in the face of savage pursuers desperate to prevent a terrible secret from being revealed.
Rushing headlong through Wessex, Dunston will need to use all the skills of survival garnered from a lifetime in the wilderness. And if he has any…
For me, one of the most exciting things about a great book is discovering the world in which the story takes place. I absolutely love it when I find a story with a rich tapestry into which the characters are woven and which brings the story to life. If the world created by an author tantalizes the senses and feels believable (no matter how fantastical), it makes the characters and story feel real. This makes it feel like the stakes and the consequences of the character’s actions matter in the context of the world and brings us along on the journey and all the possibilities that await the reader.
I do not think any list relating to fantasy books would be complete without an entry from David Gemmell, a true gold standard of the genre. Legend is another book I first fell in love with as a teenager. I loved the simple enough premise: countless enemies at the gates of a fortress, and if the fortress falls, the Drenai Empire falls.
The story also introduces what I believe to be one of the most iconic heroes in heroic fantasy, the Deathwalker—Druss The Legend. While there were battles like nothing I had ever read before it was the interaction between the characters and the fellowship of the embattled defenders which brought me into this world fully as I read. The expert craft of the story made me really care about each of the characters and their fate.
There is an expertly realised villain in Ulric, the leader of the enemy,…
“David Gemmell tells a tale of very real adventure, the stuff of true epic fantasy.”—R. A. Salvatore
Druss, Captain of the Ax, is the stuff of legends. Tales of his battles are told throughout the land, and the stories expand with each telling. But Druss himself grows older, until finally, the warrior turns his back on glory and retreats to his mountain lair. There he awaits his old enemy: death.
But far below, the barbarian Nadir hordes are on the march. All that stands between them and the Drenai people is a mighty six-walled fortress, Dros Delnoch—a great citadel that…
Tom Licence is Professor of Medieval History at the University of East Anglia and a former Fellow of Magdalene College, Cambridge. He is a Fellow of the Royal Historical Society and a Fellow of the Society of Antiquaries. He teaches Anglo-Saxon History to undergraduates and postgraduates.
The Anglo-Saxon World is the best introductory survey for students of Anglo-Saxon history. Experts in their field, the authors flesh out the traditional narrative account with insights from archaeology, numismatics, and DNA analysis. The book is splendidly enriched by almost three hundred colour photographs, tables, maps, and diagrams, while box-out sections in each chapter delve into interesting topics or debates. The authors also outline the historiography for readers who want to know how scholarly understanding of the period has developed.
The Anglo-Saxon period, stretching from the fifth to the late eleventh century, begins with the Roman retreat from the Western world and ends with the Norman takeover of England. Between these epochal events, many of the contours and patterns of English life that would endure for the next millennium were shaped. In this authoritative work, N. J. Higham and M. J. Ryan reexamine Anglo-Saxon England in the light of new research in disciplines as wide ranging as historical genetics, paleobotany, archaeology, literary studies, art history, and numismatics. The result is the definitive introduction to the Anglo-Saxon world, enhanced with a…
Matthew Harffy is the author of ten novels set in the early medieval world. His Bernicia Chronicles, follow the saga of Beobrand as he moves through the echelons of Anglo-Saxon society, fighting in many battles and dealing with the intrigues of the ever-increasingly powerful men and women with whom he mixes. Recently, with Wolf of Wessex and the A Time for the Swords series, Harffy has covered the early Viking Age with his usual eye for detail, historical realism and a gripping plot.
This book covers the entirety of the history of the Anglo-Saxons in their own words. Like Bede’s History, it suffers from bias, depending on the scribe writing each section and what kingdom they inhabited, but it is a fascinating year-by-year account of the rise and fall of kings and clergy, and of the battles and natural phenomena faced by the people of early medieval Britain.
I spent much of my childhood living close to Whitby Abbey and heard many stories of the famous Saint Hilda. As a mother of three, I began writing stories, initially to entertain my children, and eventually published many historical stories for children and young adults – twice shortlisted for the Carnegie Medal. I moved back to the Whitby area in my 60s determined to write for an older age group and indulge my lifelong fascination for the Anglo-Saxon period. I took the half pagan Fridgyth character from my Young Adult adventure mystery – Wolfgirl - and developed her role as a warm, curious, flawed, investigator. I'm working on a third Fridgyth the Herbwife novel.
Good research is so important to me and this is the historical study that I’d recommend to anyone who wants to know more about the Anglo-Saxon Kingdom of Northumbria. Max Adams has studied the period in detail, but his style of writing is easy to read and sometimes exciting, so much so that I almost felt that I was reading a novel. I love the way Max Adams suggests various possible scenarios, from the written evidence, studies, and archaeology that we have. This is a perfect research book for a novelist, wanting to bring the time period to life. I found that I couldn’t put the book down, once I’d started reading it.
'A triumph - a Game of Thrones in the Dark Ages' TOM HOLLAND.
The magisterial biography of Oswald Whiteblade, exiled prince of Northumbria, who returned in blood and glory to reclaim his birthright.
A charismatic leader, a warrior whose prowess in battle earned him the epithet Whiteblade, an exiled prince who returned to claim his birthright, the inspiration for Tolkein's Aragorn.
Oswald of Northumbria was the first great English monarch, yet today this legendary figure is all but forgotten. In this panoramic portrait of Dark Age Britain, archaeologist and biographer Max Adams returns the king in the North to his…
Matthew Harffy is the author of ten novels set in the early medieval world. His Bernicia Chronicles, follow the saga of Beobrand as he moves through the echelons of Anglo-Saxon society, fighting in many battles and dealing with the intrigues of the ever-increasingly powerful men and women with whom he mixes. Recently, with Wolf of Wessex and the A Time for the Swords series, Harffy has covered the early Viking Age with his usual eye for detail, historical realism and a gripping plot.
As close as we come to a first-hand account of events in the first part of the early medieval period. Writing in the early 8th century, Bede was able to interview some of the people who had witnessed events he describes. Bede was undoubtedly writing from the Christian perspective and he was certainly biased in favour of his native Northumbria, but his words are like a window into the past and how people (or at least the clergy) thought.
Matthew Harffy is the author of ten novels set in the early medieval world. His Bernicia Chronicles, follow the saga of Beobrand as he moves through the echelons of Anglo-Saxon society, fighting in many battles and dealing with the intrigues of the ever-increasingly powerful men and women with whom he mixes. Recently, with Wolf of Wessex and the A Time for the Swords series, Harffy has covered the early Viking Age with his usual eye for detail, historical realism and a gripping plot.
This is the granddaddy of history books about the Anglo-Saxons. Much of the history has evolved and moved on since its original publication in the 1940s, but Sir Frank Stenton is comprehensive and thorough and the resulting tome is jam-packed with information.
Discussing the development of English society, from the growth of royal power to the establishment of feudalism after the Norman Conquest, this book focuses on the emergence of the earliest English kingdoms and the Anglo-Norman monarchy in 1087. It also describes the chief phases in the history of the Anglo-Saxon church, drawing on many diverse examples; the result is a fascinating insight into this period of English history.
