Mental illness has been such a huge part of my life for so long now that it has become second nature for me to incorporate it into my work. After suffering postnatal depression, anxiety, and panic attacks, I’ve been on anti-depressants for 11 years and regularly see a wonderful psychologist. Recently, I added a psychiatrist into the mix who diagnosed me with ADHD, so now I’m learning to juggle ADHD meds alongside the antidepressants. I’ve always been passionate about talking and writing openly and honestly about my own personal experiences because if there is any chance that I can help someone else with my words, then I’m going to take it.
I absolutely love being a mother – but becoming a mum wasn’t the simple experience I thought it would be. I suffered from post-natal depression after the birth of both of my daughters and it was a shock for me to discover that motherhood wasn’t as easy and natural as I’d imagined. That’s why I loved reading Grace Under Pressure – it perfectly captures the ups and downs of motherhood and the terrifying loneliness, while simultaneously incorporating humour, heart, and comradery between women.
'Ignore everything you think you’re meant to be doing, and bunker down with this.’ Better Reading
Big Little Lies meets Marian Keyes with a dash of Donna Hay; a deliciously hilarious, honest and heartfelt portrayal of modern-day motherhood and the saving grace of female friendship.
Grace Harkness looks like she has it all – two beautiful children, four cookbooks under her belt and an idyllic beachside home #blessed. But add another baby on the way (oops), a spouse that is nowhere to be seen and a relentless list of things she ‘should’ be doing, and Grace is starting to unravel.…
I’ve always been fascinated by books that explore the slow, painful unraveling of the human psyche. In part, I think because it’s something so many more of us either fear or experience (at least to some degree) than anyone really wants to admit—but it’s also just such rich material for literary unpacking. I also love books with strong, angry female protagonists who fight back against oppression in all of its forms, so books about pissed-off madwomen are a natural go-to for me. Extra points if they teach me something I didn’t know before-which is almost always the case with historical novels in this genre.
I love this book first and foremost because it is essentially the OG of madwomen narratives. Written in 1892, it is a super-creepy, sensory, trippy exploration of one woman’s sanity slowly being shredded by male medical “expertise”—in this case, a doctor’s prescription for postpartum depression: utter isolation in a bedroom with no intellectual stimulation... in order to alleviate postpartum depression (?!). Unsurprisingly, rather than “recovering,” the heroine drags readers down a terrifying rabbit hole of hallucination, self-destruction, and—ultimately—murder.
It’s a masterful, Hitchcockian deep dive into psychosis written over a half-century before Psycho. But it’s also an extremely satisfying example of feminist revenge-writing; Perkins not only drew on her own experience after suffering this “treatment” but sent a copy directly to her practitioner after its publication. Pow!
The Yellow Wallpaper (original title: "The Yellow Wall-paper. A Story") is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental.
Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As…
Most people don’t realize how deeply ingrained folklore is to our daily lives. Superstitious habits like tossing spilled salt over the shoulder seem silly now, but had grave implications a hundred or more years ago. I love books that draw lines between folklore and reality, that weave tales laced with superstition, especially through the lens of modern issues. Stories like these have always helped me to not only understand myself better, but the world around me. The things people do and say aren’t nearly as important as why. Folklore, like changeling stories, I’ve found, is the key to human understanding.
Little Darlingswas the first book I’d read in a long time that made me feel seen.
When Lauren came home from the hospital after delivering twins only to find her life had not become as picture perfect as she was led to believe, I felt a keen connection. Told with visceral desperation, Lauren’s story is one we can all relate to—a story of self-doubt and a mad scramble for validation.
I so love thrillers because they delve into that area of ourselves that can be ‘safely’ afraid and give you that adrenaline rush that nature taught us is fight or flight. Thrillers teach us lessons, too, about people and the psychology of the most dangerous ones in our society. Through reading into this genre, I learned a lot about life before I even lived it, and I learned to recognize the less wholesome traits that humanity can have. What’s fascinating to me most is exploring those dark sides of the human psyche in order to make comparisons on what is right or wrong with some people’s behavior.
This is a psychological thriller with a difference. This story appears to be one thing and is, in fact, something else. Following the path of a struggling working mother with post-natal depression, we see the world through her paranoid eyes.
What I really enjoyed about this book is the unexpected twists and turns. Is she really imagining this, or did she see that little girl on the platform? It makes you question everything, including the motives of those surrounding the main character (always a good thing!). It is a masterpiece of misdirection and an unreliable narrator.
I am the girl on the platform. When new mother Bridget catches her train home from London, she witnesses something terrible: a young girl is taken from the platform, right before her eyes.
No one knows where I am. But no one is reported missing and with Bridget the only witness, she is written off as an attention seeker. Nobody believes her - not even her own husband.
Can you find me? But Bridget knows what she saw, and becomes consumed with finding the little girl. Only she can save the child's life... but…
