68 Books Like The Girl on the Platform

This was the very first thriller book I read, and it terrified me. I  was 11 years old when I picked this book up and delved into the world of Fred (who calls himself Ferdinand) and his kidnap victim, Miranda. Approaching this from a young mind, I saw something of romance in the obsessive tale, but that romance soon revealed itself to be a terrifying story of abduction, stalking, and murder.

Why do I still love this book? Maybe it was the first time I realized I wanted to be a writer. But it was stunningly written, provocative, and left me thinking about the characters. It is a classic that should always be in print.

This book was an incredible ride all the way through. We have two narrators, one who is clearly dubious and the other is a detective telling the story of how his wife died of a serious illness. The same wife mysteriously turns up at his station asking for him several years after her death.

That premise alone pulled me in, but Weaver has a particular writing style that just flows, and it’s beautiful writing, darkly rich, questioning everything, and a creepy serial killer in the mix. Just the sort of book I love to read!

Maxim Jakubowski is a staple in the crime, thriller, and writing world. Also known as an editor. But this book was a wonderful revelation. A female assassin–which I’m very partial to–and a somewhat perverse love story.

What I like about the main protagonist, Cornelia, is how different she is from anyone portrayed as ‘normal’ in the book. It does buy into my view that someone who is a killer can’t be wired the same way as someone who isn’t. There’s a bleak message in this book, which I’m not going to lie about and I love it. Dark, dark, and more dark. Brilliant!

This book is one of many Mary Higgins Clark books I read in my early teens, but this particular one has stayed with me. It is a domestic noir, somewhat a tale of how never to rush into a marriage with someone you hardly know. Added to this is the peril of involving small children.

I really liked this book–it terrified me beyond belief, but I think this is why it has stayed with me. That first look perhaps at the psychopath hiding in plain sight, appearing to all the world like a safe, kind person, but inside, totally damaged and deadly. Superb.

I love a good historical crime novel that’s set within a time I almost remember. It’s 1966 and Mick Goodenough arrives in Moorabool, demoted and depressed to be back. We all know killers often start by killing animals, so a dead, tortured dog raises Mick’s alert level, even though it’s dismissed by the other cops. A lone woman starts receiving weird, whistling phone calls and from there, the tension gradually racks up. Mick Goodenough has all the qualities I enjoy in a detective—intelligence, good hunches, and he loves his dogs.

Windsor Horne Lockwood III, otherwise known as Win, is Myron Bolitar’s psychotic sidekick in Coben’s long-running series. Win is pure antihero.

He and Myron have been best friends since they roomed together at college. Win is from ‘old money’ and doesn’t try to hide it, he runs Lock-Horne Investments & Security, and is an expert in martial arts and weapons. Other than Myron and Myron’s business partner, Esperanza, and maybe half a dozen others, he has no emotional attachment to humans.

Despite his psychopathy, Win is a very funny character, and his loyalty to his few friends is absolute. Win is the second book on the list in which the sidekick has gotten a book all to themselves and it was a joy to read.

I don’t like blood. That may surprise readers. My novels don’t dwell on gore, but I’ve written my share of grisly murders. (Maybe it’s just my blood that disturbs me?)

Anyway, a few years ago I found myself hospitalized overnight and in desperate need of a distraction. Barelli’s book caught my attention. (A writer who’s just killed her mentor/friend? Perfect!) The story transported me from that miserable ward to a murderous character’s fictional world. Who said crime doesn’t pay?

The book taught me the allure of a criminal protagonist and the healing power of thriller escapism. And it sparked an idea for another book. (Hm. Can you see a pattern developing here?)

As the daughter of a mom who suffered a mental breakdown shortly after my birth, I have always been strongly interested in stories of mothers who experience emotional difficulties following the births of their children. In this book, a young woman abandons her infant in a hospital shortly after giving birth and disappears.

Her husband attributes her behavior to postpartum psychosis, a malady that she’s been monitored for throughout her pregnancy, given her own mother’s struggles with the disorder. But is that what really led to the mom’s sudden disappearance? Told in multiple viewpoints, it’s unclear who is telling the truth about what happened to the young mother. I found the plot twist at the end of this propulsive tale especially satisfying. 

In this gripping courtroom drama, an explosion in Miracle Creek, Virginia, destroys the business of South Korean immigrants Pak and Young Yoo and puts their daughter Mary into a monthslong coma. As arguments mount against the woman accused of starting the fire, Young struggles with a question many immigrants must face. Maybe she shouldn’t have brought her child to the US, where Mary struggles as a teenager and where she was almost killed. The tension between the two generations resonated with me as a parent and immigrant. As Young hopes to discover who caused the explosion that killed two other people, she must also help Mary imagine a future in their adoptive country.

Just about any of Leonard’s several dozen suspense novels could have a top spot in this reckoning, including the better known Get Shorty, Freaky Deaky, and Glitz. My vote for the best goes, however, to Killshot, his dark, deftly plotted, highly comedic 1989 thriller about two bumbling killers and a ballsy middle-aged married couple the killers mistake for easy marks. Armand Degas, a soulful Ojibway known as the Blackbird, has grown tired of being a hit man for the Detroit mob. He’s befriended by a moronic thug named Richie Nix, whose bucket list includes robbing a bank in every state. When they decide that Carmen, a real estate agent, and her steelworker husband Wayne Colson hold the keys to a fortune, they learn that, like the Bible says, the wages of sin is death.