I read this book many years ago - loved the strong female protagonist and was impressed by the writer’s detailed knowledge of the period, which must have come from vast research. The setting was familiar to me, as I had spent much of my childhood within view of Whitby Abbey. Though utterly fascinated by the story, I had a somewhat different take on what might have happened there in the year 664 and felt inspired to try my own hand at a historical murder mystery.

Giacomo Casanova, mostly remembered as an adventurous lover, wrote over a million words about his own life.

Here in Casanova’s Women, Summers turns the spotlight onto the women whom Casanova loved. I’ve read Casanova’s memoirs and have written a book about Casanova in Venice, but it was Summers’ chapters that made me reconsider perspective: How true is a story when it’s told from only one viewpoint?

Summers elevates the voices of these women, such as Casanova’s actress mother, the nuns who were his lovers, the adventurous sisters that he lost his virginity to, and the hometown girl who created one of London’s premier social spots. Their voices are invaluable in learning the fuller story.

You don’t have to grow up Catholic to like this play, but It sure doesn’t hurt.

Set in a Catholic elementary school in the Bronx, Doubt introduces us to Sister Aloysius, an uncompromising principal who runs her school as if it were a Marine bootcamp. This regime gets shaken when suspicions of sexual child abuse begin to arise.

What I like most about this play is how four flesh-and-blood characters – a school principal, a history teacher, a priest/gym instructor, and a student’s mother – can bring an entire school and community onstage in an incredibly vital way.

It’s why I think the play is superior to the later film adaptation and also why the play received so many awards, including a Tony for Best Play and a Pulitzer for Drama. 

This book explores the origins and evolution of nuns’ habits, explaining why religious women initially chose distinctive attire and how their relations to what, in the end, we must call fashion, evolved. There is great stuff here on schisms between progressive feminists who called for reform and traditionalists who insisted on elaborate and cumbersome clothing. The book is broadly sympathetic to its subject—unlike some religious studies work that adopts a stance of cosmopolitan opposition to religious faith. But it is also probing and savvy: Kuhn highlights the inherent tension between a garment that is supposed to reflect modesty but is also conspicuous and stylized striking comes through.  

Sister Joan is yet another religious sleuth. Set in the early 1990s, I think this series now qualifies as a historical mystery. It is a lighter read than my other choices, but one I absolutely loved and, like Cadfael, I dived in and devoured the lot. Vow of Silence is the first and hooked me straight away. The religious life fascinates me and I enjoyed the way the ceremonial routine of the convent was woven into the mysteries. This detail serves to immerse you in the life of Sister Joan, a down-to-earth heroine who drew my admiration. The mysteries unfold naturally into the setting and don’t seem incongruous. A more gentle read than the others I have chosen, but acutely satisfying.

The Spiral Staircase is the book I’ve read the most number of times as an adult. It is the autobiography of Karen Armstrong who was a Catholic nun for six years in the 1960s in the UK. The book picks up after she leaves her convent and is studying English literature at Oxford University. She is also suffering from mysterious episodes of fainting and memory loss, and so we are taken into her struggles with both academia and the psychiatry of the 1970s. She then spirals through other careers and eventually returns to God – not now as a person of faith but as a writer about religion – its beauty and its tension.

This is perhaps the most honest book I’ve read, as it unflinchingly describes the experience of making terrible mistakes – as we almost all do – without blame or self-flagellation. Karen Armstrong learns, in the end,… show more.

Anthony Boucher straddles the history of both crime fiction and science fiction.

As the founding editor of The Magazine of Fantasy & Science Fiction he has an oversized role in the history of the genre. As a crime writer, he gave his name to the Anthony Awards, which are handed out every year at the annual Bouchercon.

His SF story “The Quest for Saint Aquin” is a classic. None of this, admittedly, has much to do with Rocket to the Morgue, Boucher’s roman-à-clef mystery set in pre-WW2 California in which the emerging world of science fiction comes to glorious life. A young L. Ron Hubbard makes an appearance, as do Robert A. Heinlein and the rocket scientist and occultist Jack Parsons.

The mystery matters less than the characters, who though moving under different names are all very much true to life.

This is, simply put, a lyrical conversation between two gifted poets. Westlake, like I did, knew that translations of Sor Juana’s poetry just did not do her justice. When writing about Sor Juana, we need to travel a different path; we need to listen to the whispers from centuries ago.

I listened and wrote a biographical novel; Westlake listened and shared the conversation with us. All I can say is “Yes!”

I started this book for the unlikely main character–Sister Holiday, a chain-smoking, tattooed, queer nun–but it was the mystery that kept me reading. I always love it when a writer can make me feel like I am the one on the line, like I am fighting for my life or to prove my innocence. This book did just that.

I found I was holding myself tightly as Sister Holiday investigated but just kept finding more evidence against herself. The snippets of her past life made me feel for her more and more, taking the character from an unlikely hero to someone I cared deeply about. I can’t wait to get my hands on the second in the series.

The curiosities we have about life can be deeply mysterious, and I’ve learned to love that about it. So, it seems, has Jane Christmas; her memoir recounts her exploration of the possibility of living a cloistered life. She feels compelled to take this journey and is willing to follow her instincts even if they lead to some unusual places.

I loved that this writer and human were open to exploring a deeply spiritual existence and then sharing what that experience was like. It’s not every day we get to go behind the scenes on what may be one of the most personal journeys of a human life.