Two of my three novels have young women protagonists. I find young adulthood a fascinating time in women’s lives and I enjoy creating a character and putting her in a historical setting. The Second World War offers fertile ground for storytelling, and I grew up south of London after the war. My father’s unpublished memoir, in which he describes an event that he experienced in the war, inspired me to write about it, but I told the story through the eyes of the protagonist, Kate.
I loved this book because Grace, the young woman in the story, was able to find meaning even in the face of war. She discovered the power of storytelling and used it to raise morale when bombs were falling on London. I found the book easy to read, and I felt sympathy for Grace and other ordinary people whose lives were upended by the war.
“An irresistible tale which showcases the transformative power of literacy, reminding us of the hope and sanctuary our neighborhood bookstores offer during the perilous trials of war and unrest.”
—KIM MICHELE RICHARDSON, author of The Book Woman of Troublesome Creek
August 1939: London prepares for war as Hitler’s forces sweep across Europe. Grace Bennett has always dreamed of moving to the city, but the bunkers and drawn curtains that she finds on her arrival are not what she expected. And she certainly never imagined she’d wind up working at Primrose Hill, a dusty old bookshop…
My first animal story, Lost in the Snow, was based on stories that my mum and I invented together when I was very small, about our stray cat Rosie. She walked into my dad’s office and sat down in his chair when he was out at lunch! I loved imagining her adventures as a stray kitten, and those stories could be scary, sad, emotional as anything – because we knew she came home to live safe and happy with us. I’ve been creating stories about animals ever since.
This gorgeously illustrated book is the story of Morgan, who becomes the Book Cat at the real publisher Faber. I adored TS Eliot’s Old Possum’s Book of Practical Cats as a child, and Morgan was a real cat who was one of the inspirations for the poems. These are his adventures during the London Blitz – in some ways a familiar story, but so moving from a cat’s point of view!
This is a classic wartime tale of a (real!) cat who made his home at the Faber offices and decided he'd never leave.
'This time we need to get you - get all of the kittens, safe out of London,' said Morgan decisively . . . 'To have a chance for a better life, well, let's just say, I've got an idea.'
Morgan is a young orphan who lives off scavenging - until he finds a cosy home at a famous London publishing house. Over time he learns a trade - and soon becomes the very best book cat in…
I am an unextraordinary individual with an ordinary skill set including strengths and weaknesses. Yet, my life experiences have caused me to reach deep inside and find my own greatness to face seemingly impossible obstacles in my path. My writing reflects this hopeful overcoming and undaunted spirit. I have learned that heroes only exist because they must face daunting villains. Such villains can arise from other individuals, outside forces, life circumstances, and even from within ourselves. Yet, I have learned that villains are not a threat to destroy us, they are in fact the vehicles by which we become heroes in our own story. There are no heroes without villains.
I love this departure from the other books mentioned. These two completely separate groups of people whose lives intersect in a horrible tragedy illustrate the randomness and brutality of war.
Each group is sympathetic in their attempt to carve out a meaningful existence amidst the chaos and loss of all-out war. I find the experiences of occupants of the doomed German town juxtaposed with the character and daily courage of the members of the bomber squadron fascinating and compelling.
I find the author’s ability to bring us into the lives of each character and walk with them almost magical. This book changed my life and view of all wars.
The classic novel of the Second World War that relates in devastating detail the 24-hour story of an allied bombing raid.
Bomber is a novel of war. There are no victors, no vanquished. There are simply those who remain alive, and those who die.
Bomber follows the progress of an Allied air raid through a period of twenty-four hours in the summer of 1943. It portrays all the participants in a terrifying drama, both in the air and on the ground, in Britain and in Germany.
In its documentary style, it is unique. In its emotional power it is overwhelming.…
I am fascinated by the extraordinary things ordinary people do, particularly women. Women show such strength; they juggle so many things every day, and they can draw on huge reserves of power in a crisis. Time and time again, I see how when women pull together, they can conquer anything. A woman on her own can do many things, but when we band together, nothing can stop us. So often, others concentrate on the negative aspects of a group of women together, but I have seen the power of female friendship and how we can reach the stars when we hold each other up.
I read this book when I was just out of journalism school and finding my way in the world of journalism and writing. For me, Maeve Binchy was already an icon because she managed to juggle journalism and writing. All these years later, I am doing the same, but the seeds were grown back then with this book.
I love this novel's depiction of a three-decade-long friendship between two women. The strength of the female characters shines through, and I remember thinking when I was reading it that was Maeve Binchy’s secret weapon; she made her characters so human.
This is a story of endurance, love, and the power of friendship. I loved it when it first came out in the '80s, and it gave me heart that books about strong women and the bonds of friendship didn’t necessarily have to have a bright pink cover.
Beloved author Maeve Binchy's first published novel, an engrossing coming of age tale about the incredible bond of friendship.
To escape the chaos of London during World War II, young Elizabeth White is sent to live a safer life in the small Irish town of Kilgarret. It is there, in the crowded, chaotic O’Connor household, that she meet Aisling—a girl who soon becomes her very best friend, sharing her pet kitten and secretly teaching her the intricacies of Catholicism.
Aisling’s boldness brings Elizabeth out of her proper shell; later, her support carries Elizabeth through the painful end of her parents’…
I loved the exploration of family dynamics, of the long-term effects of trauma in refugees and of memories. Although it dealt with some difficult topics, the author's ability to learn and grow and look forward to the future meant that this was a positive and uplifting read, even if it was tough in places.
Partly autobiographical, this is the third title in Judith Kerr's internationally acclaimed trilogy of books following the life of Anna through war-torn Germany, to London during the Blitz and her return to Berlin to discover the past...
Berlin is where Anna lived before Hitler, when she was still a German child; before she spoke a word of English, before her family had all become refugees. Long before her happy new existence in London. But Mama is there, dangerously ill. Anna is forced to go back, to deal with questions of life and death, to face old fears, and to discover…
From books to television, one of my favorite qualities of good writing is a rich, inter-generational cast of characters, especially ones that feature significant roles for characters young and old. These stories do not span multiple generations; instead, they showcase characters of all ages interacting at one time, which makes for dynamic plots and relationships.
Easily one of my top favorite books, this novel captures so much: the great character of Lovejoy, the realities of post-war London, and a plot that reflects the human search for beauty amid horror, life amid death.
The motifs, settings, and themes have such a strong impact on me to this day after having read it for the first time so long ago. There is something neat about the older folks thinking of the neighborhood “orphans” as sparrows, frittering away at the building of something special.
'A masterpiece of construction and utterly realistically convincing' JACQUELINE WILSON
'Author Godden here tries her deft writing hand at landscaping a child's heart' TIME
'It is a sentimental tale, well told, with an unlikely and entirely satisfactory ending' NEW YORKER
Someone has been digging up the private garden in the Square. Miss Angela Chesney of the Garden Committee is sure that a gang of local boys is to blame, but her sister, Olivia, isn't so sure. She wonders why the neighbourhood children - 'sparrows' she…
I’ve always loved history, and especially those small stories, so often about women, that never made the history books. No big surprise then that as an author I eventually gravitated to historical fiction, and that all of my novels have featured strong, independent women. Women were wonderful sources for the kinds of stories I wished to tell – they kept journals and diaries; they wrote voluminous letters; they were excellent chroniclers of their time; they were clever and witty and brave, and they bared their souls. To be able to bring some of these women to life has been a most rewarding experience for me. I hope reading my books proves as rewarding for you.
There are a lot of World War II books out there, and in truth, I was growing tired of them until I read Sarah Blake’s. Partially located on my home turf of Cape Cod, Massachusetts, the brush against our local history pre-World War II fascinated me. But Blake doesn’t stay local; she leaves the postmistress to do—or not do—her job and flies off to London with a female war correspondent. How their stories cleverly intertwine is part of my fascination with this tale. Blake has a habit of dropping unforgettable characters on my doorstep, where they tease and tantalize long after I’ve turned the last page.
Experience World War 2 through the eyes of two very different women in this captivating New York Times bestseller by the author of The Guest Book.
"A beautifully written, thought-provoking novel."-Kathryn Stockett, #1 New York Times bestselling author of The Help
In 1940, Iris James is the postmistress in coastal Franklin, Massachusetts. Iris knows more about the townspeople than she will ever say, and believes her job is to deliver secrets. Yet one day she does the unthinkable: slips a letter into her pocket, reads it, and doesn't deliver it.
Meanwhile, Frankie Bard broadcasts from overseas with Edward R. Murrow.…
A lover of fiction since my teens, I only really took an interest in history in my 20s. I’m fascinated with WWII and the 1950s due to family histories and having visited key sites, like Bletchley Park and the Command Bunker in Uxbridge, near where I grew up. I’m not especially patriotic, but I am proud of what Britain had to do in 1940, as well as the toll the war took and the years of recovery. But it’s also the time, albeit decreasingly so, when people still alive today can look back at their youth, and we can all have a nostalgia for that time in our lives.
It is a beautifully atmospheric, Blitz-era novel about passions and complex relationships in the noir blackout and who can be trusted in such times.
Published just after the war, it captures the period in a way that those born decades later can only dream of doing. My mum was an un-evacuated child in London during the Blitz, and her school was bombed to the ground by the Luftwaffe—but luckily, on a Saturday.
England is flawed as a nation, then and now, but it’s important to remember the unique evil of the Nazis. Most individuals are flawed in much more minor ways. The novels I have chosen all contain imperfect people making mistakes. To me, that’s true life. It’s what I relate to.
It is wartime London, and the carelessness of people with no future flows through the evening air. Stella discovers that her lover Robert is suspected of selling information to the enemy. Harrison, the British intelligence agent on his trail, wants to bargain, the price for his silence being Stella herself. Caught between two men and unsure who she can trust, the flimsy structures of Stella's life begin to crumble.
The writing of Mad Hatter (my 7th book), was fueled by curiosity about WW2 and about my absent father. I emigrated to Canada as a young woman and pursued a career in the Arts – theatre, painting, writing. But only when I embarked on this fictionalized family story did I begin to uncover shocking family secrets as I pulled together threads of childhood memory, woven in with research material, trying to make sense of it all. Writing has literally saved my life, and Mad Hatter has liberated me in a manner I could never have predicted. I am an intense, passionate workaholic, writing in many genres, exulting in life's surprises!
An accumulation of memories haunt and inform Noonday, a novel that stands alone as the third in a trilogy spanning both world wars. I particularly love Barker’s avoidance of sentimentality. She is an honest writer who digs deep and gives no easy solutions as she follows a cast of characters who originally met as students at the Slade School of Art in London. Elinor, who is central, still suffers from the death of her brother Toby in the Great War. Barker’s skillful evocation of the past gives weight and resonance to every word, reminding the reader of the increasing complexity of character formation with life’s most intense and sometimes tragic experiences.
A new novel from the Booker Prize winning Pat Barker, author of the Regeneration Trilogy, that unforgettably portrays London during the Blitz (her first portrayal of World War II) and reconfirms her place in the very top rank of British novelists.
London, the Blitz, Autumn 1940. As the bombs fall on the blacked-out city, ambulance driver Elinor Brooke races from bomb sites to hospitals trying to save the lives of injured survivors, working alongside former friend Kit Neville, while her husband Paul Tarrant works as an air-raide warden. Once fellow students at the Slade School of Fine Art before the…
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
Anthony Powell was another fundamentally unmilitary individual pushed into service by the demands of a world war.
However, while Evelyn Waugh depicts the run of regimental life and active service, Powell’s achievement in The Soldier's Art and The Military Philosophers, the seventh and eighth installments of his Dance to the Music of Time sequence, is to show the British bureaucratic war, the battle as (theoretically) run from Whitehall, with an equally acute eye. The central character - Nick Jenkins, a cipher for Powell - finds himself in a London desk job, a liaison officer to variously the Poles, Belgians, and Czechs.
On one occasion in The Military Philosophers an overextended memo - "three and a half pages on the theory and practice of soap issues for military personnel, with special reference to the Polish Women’s Corps" - is appended with the simplest yet most withering of comments. “Please amplify.” Anyone…
Part eight in a 12-part oeuvre of the English upper class, as seen through the eyes of Nicholas Jenkins. It is 1941 and Nicholas settles for a stoical co-existence with the Blitz, though death is thinning the ranks of his pre-war associates.
