100 Books Like A Small Person Far Away

This gorgeously illustrated book is the story of Morgan, who becomes the Book Cat at the real publisher Faber. I adored TS Eliot’s Old Possum’s Book of Practical Cats as a child, and Morgan was a real cat who was one of the inspirations for the poems. These are his adventures during the London Blitz – in some ways a familiar story, but so moving from a cat’s point of view! 

Today, it is almost impossible to imagine aircraft roaming freely over British cities, disgorging bombs onto the streets below. So, it’s vital for us to have access to the personal, unvarnished stories and contemporary accounts from those that actually lived through this particular horror. In The Secret History of the Blitz Levine pulls no punches as he documents the behaviour of ordinary people faced with extreme experiences. Some reacted with fortitude, uniting in neighbourhood solidarity and extending charity to strangers. Others exploited the chaos, breaking legal and moral codes for their own personal enrichment. To this day, the British psyche collectively benefits from the social concept of a Blitz Spirit. But we should remember it was always a two-sided coin.

Lee was the popular, well-connected military attaché in the U.S. Embassy in London. A staunch supporter of U.S. aid for Britain, he played an important role in preparing for America’s entry into the war. During the Blitz, he castigated American correspondents who described London as “devastated” by the German bombing campaign. “London is not devastated, and if you want one soldier’s opinion, it will not be devastated,” he told them. His diary reflects his determination to counter the defeatist predictions of Joseph Kennedy, who had served as U.S. ambassador in London until 1940.

This book takes the often stuffy genre of historical war fiction and turns it inside out. It opens in London in 1947, when the rubble is cleared, but familiar buildings are still missing windows, and the characters feel untethered from life and from all they’ve lost.

The story moves backward three years at a time to the decisions that set them on these paths. Three queer women are at its center, their lives intersecting in the literal and metaphorical dark, trying to survive air raids, and taking care of the fallen.

I’m always attracted to novels that start in the aftermath and ask “how did we get here?” and I loved this fragmented look backwards through the war.

June Spencer was a debutante. In 1938, she was presented to the King and Queen at Buckingham Palace. A year later, her life changed with the outbreak of war. Always independent, June became an ambulance driver, and later a WREN. At the same time, she continued to go to nightclubs and spend time with well-connected friends, and fall in love. She detailed everything in private diaries which Clifford was given access to by June’s daughter. June was an extraordinary ‘ordinary’ woman, another who lived through ‘history being made.’ This is a wonderful account of her life and times.

An accumulation of memories haunt and inform Noonday, a novel that stands alone as the third in a trilogy spanning both world wars. I particularly love Barker’s avoidance of sentimentality. She is an honest writer who digs deep and gives no easy solutions as she follows a cast of characters who originally met as students at the Slade School of Art in London. Elinor, who is central, still suffers from the death of her brother Toby in the Great War. Barker’s skillful evocation of the past gives weight and resonance to every word, reminding the reader of the increasing complexity of character formation with life’s most intense and sometimes tragic experiences. 

I love cities: Rome, Paris, Madrid. These are easy cities to love; all you need do is stroll around the Colosseum, walk along the banks of the Seine, or hang out in the Puerto del Sol.

I love London as well, but it hides itself better. You have to work to see the real London. Great damage was done during the Blitz, but much greater damage was done over the years by thoughtless development.

These photographs allow me to browse through a landscape that no longer exists.

There are a lot of World War II books out there, and in truth, I was growing tired of them until I read Sarah Blake’s. Partially located on my home turf of Cape Cod, Massachusetts, the brush against our local history pre-World War II fascinated me. But Blake doesn’t stay local; she leaves the postmistress to do—or not do—her job and flies off to London with a female war correspondent. How their stories cleverly intertwine is part of my fascination with this tale. Blake has a habit of dropping unforgettable characters on my doorstep, where they tease and tantalize long after I’ve turned the last page. 

Easily one of my top favorite books, this novel captures so much: the great character of Lovejoy, the realities of post-war London, and a plot that reflects the human search for beauty amid horror, life amid death. 

The motifs, settings, and themes have such a strong impact on me to this day after having read it for the first time so long ago. There is something neat about the older folks thinking of the neighborhood “orphans” as sparrows, frittering away at the building of something special.

I read this book when I was just out of journalism school and finding my way in the world of journalism and writing. For me, Maeve Binchy was already an icon because she managed to juggle journalism and writing. All these years later, I am doing the same, but the seeds were grown back then with this book.

I love this novel's depiction of a three-decade-long friendship between two women. The strength of the female characters shines through, and I remember thinking when I was reading it that was Maeve Binchy’s secret weapon; she made her characters so human. 

This is a story of endurance, love, and the power of friendship. I loved it when it first came out in the '80s, and it gave me heart that books about strong women and the bonds of friendship didn’t necessarily have to have a bright pink cover.