Janet Somerville taught literature for 25 years in Toronto. She served on the PEN Canada Board and chaired many benefits that featured writers including Diana Athill, Margaret Atwood, Roddy Doyle, Stephen King, Alice Munro, Azar Nafisi, and Ian Rankin. She contributes frequently to theToronto StarBook Pages, and has been handwriting a #LetterADay for 8 years. Since 2015 she has been immersed in Martha Gellhorn’s life and words, with ongoing access to Gellhorn’s restricted papers in Boston. Yours, for Probably Always: Martha Gellhorn’s Letters of Love & War 1930-1949 is her first book, now also available from Penguin Random House Audio, read by the Tony Award-winning Ellen Barkin.
Like their male counterparts, Virginia Cowles, Martha Gellhorn, Clare Hollingworth, Helen Kirkpatrick, Lee Miller, and Sigrid Schultz faced the danger inherent in reporting from war zones, but, unlike the men, these women often had to improvise to get access. Ever intrepid, Gellhorn noted, “If they don’t want to accredit you, you just do it, any little lie will do.”
By 1945 there were 250 women accredited to the Allied armies as reporters and photographers. Everyone had something to do that felt necessary, though post-war many were “shredded up inside.” With the narrative drive of a well-paced thriller, Mackrell’s essential work will have you reaching for more about the words and lives of these trailblazing six.
The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent.
"Thrilling from the first page to the last." —Mary Gabriel, author of Ninth Street Women
"Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories." —New York Times Book Review
I am a Professor at the University of California, Los Angeles, where I teach in the Department of African American Studies and the UCLA Institute for Society and Genetics. I also direct the UCLA Lab for BioCritical Studies and am the principal investigator of the Coroner Report Project within the UCLA Lab for BioCritical Studies. My research team is documenting how the death investigation system is failing to tell us the truth about Americans who lose their lives in jail and during arrest. I've written about this problem in several reports, journal articles, and now my latest book, The Coroner's Silence.
Many people who are unsure about police or prison abolition ask if we should still use carceral spaces for violent repeat offenders.
I have always found this question problematic because it assumes, firstly, that our criminal justice system, as currently constructed, actually arrests and convicts violent offenders to begin with. It also assumes that more police and more jails make us safer.
If that were true, the United States would be the safest of all advanced industrial democracies. It surely is not, and No Human Involved helps us understand that police continue to fail Black communities, especially Black women, who have been killed by violent repeat offenders.
Neely chronicles a series of unsolved murders involving Black women whose perpetrators are never found because of police indifference.
An urgent examination of the invisibility of Black women and girls as victims of targeted killings, and the lack of police intervention and media coverage
When Black women and girls are targeted and murdered their cases are often categorized by police officers as “N.H.I.” – “No Humans Involved.” Dehumanized and invisible to the public eye, they are rarely seen as victims. In the United States, Black women are killed at a higher rate than any other group of women, but their victimhood is not covered by the media and their cases do not receive an adequate level of urgency.
I was a broadcast journalist for many years and I’m fascinated by the experiences of others doing that work. I love everything about it in my rearview mirror! From gossip about how famous newspeople behave behind closed doors to the nitty gritty of gathering facts to shaping a story–once it’s in your blood, it’s there for life. I’ve also spent a fair bit of energy defending journalism from people who are only guessing how it happens. Each of these books reveals a different but genuine reality about it. I hope you find them as compelling as I did.
Author Tamara Cherry found the words to articulate what so many journalists like me have felt and experienced while covering stories. She explores the question of whether reporters revictimize victims of tragedies. Not only that, but she also looks at the impact on the reporter, too.
I haven’t read another book that does this as well with so much data to back up her theories. I have also knocked on the door of a bereaved parent because a producer assigned it to me, and felt sick to my stomach, wishing I’d gotten into another line of work instead. We don’t have to do it this way and this book proves it.
A groundbreaking and thorough examination of the trauma caused by the media covering crimes, both to victims and journalists, from a respected journalist and victim advocate
In The Trauma Beat, an eye-opening combination of investigative journalism and memoir, former big-city crime reporter Tamara Cherry calls on her award-winning skills as a journalist to examine the impact of the media on trauma survivors and the impact of trauma on members of the media. As Tamara documents the experiences of those who were forced to suffer on the public stage, she is confronted by everything she got wrong on the crime beat.…
Journalism and history have been my dual obsessions since high school, and my work for the past 13 years has focused on the intersection between them. The pressures of journalism, its tremendous impact, and the extraordinary characters who tend to be drawn to the profession are endlessly fascinating to me. In my time as a PhD student, professor, researcher, and book review editor for an academic journal, I have read hundreds of books about American journalism and its past (maybe over 1,000 now that I think about it, but I haven’t kept count!). I’ve also reviewed several for the Washington Post. These are some of my favorites.
Some books center on an argument, some focus on narrative, and some revolve around characters. What impressed me about this book is that it does all three remarkably well.
I was amazed to learn how some of the most powerful publishers in the U.S. and U.K. either dismissed the Nazi threat or (like Lord Rothermere and the Daily Mail) openly cheered for Hitler.
It also helps that the five men and one woman included in this “axis” all had fascinating backgrounds and quirky personalities, which Olmsted presents in wonderfully concise sketches.
How six conservative media moguls hindered America and Britain from entering World War II
"A damning indictment. . . . The parallels with today's right-wing media, on both sides of the Atlantic, are unavoidable."-Matthew Pressman, Washington Post
"A first-rate work of history."-Ben Yagoda, Wall Street Journal
As World War II approached, the six most powerful media moguls in America and Britain tried to pressure their countries to ignore the fascist threat. The media empires of Robert McCormick, Joseph and Eleanor Patterson, and William Randolph Hearst spanned the United States, reaching tens of millions of Americans in print and over the…
Against all odds, women journalists have built a robust tradition of telling the truth and getting to the heart of the story no matter the obstacles. In a world where the Fourth Estate is ever more crucial, the history of female reporters is all the more relevant as a source of information and inspiration for the next generation of correspondents. As a woman’s historian and passionate supporter of freedom of the press I’m always on the lookout for great histories of these intrepid reporters whose lives also happen to make for great reads.
Vietnam was a big war, as they say, and though it ended almost 50 years ago, its full story has yet to be told. However, many of its pieces lay in the much-overlooked yet incredibly nuanced reporting that women did in the war.
Elizabeth Becker’s book explores the legacy of three of Vietnam’s unsung journalistic heroes. Each covered the war with a different angle, sense of purpose, and understanding of its—and their—place in geopolitical history.
Becker’s vivid writing puts you next to photojournalist Catherine Leroy in the plane as she prepares to jump with the 173rd Airborne Brigade in the war’s only airborne assault. Readers can almost hear the glasses clinking with ice around the Hotel Continental pool while intellectual Frances Fitzgerald shrewdly plums the unsuspecting diplomatic class for details that she’ll weave into her groundbreaking long-form reporting on the war. And my only heart nearly stopped the minute Kate…
The long buried story of three extraordinary female journalists who permanently shattered the official and cultural barriers to women covering war.
Kate Webb, an Australian iconoclast, Catherine Leroy, a French dare devil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade.
At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate paid their own way to war, arrived without jobs, challenged the rules imposed on them by the military, ignored the belittlement and…
I am an emeritus professor of criminology and criminal justice who came of age in the 1960s at the UC Berkeley School of Criminology where I developed a passion for the administration of criminal justice and the securing of human rights. I have authored more than 20 books, including five award winning titles such as: Criminology on Trump (2022) and Indicting the 45th President: Boss Trump, the GOP, and What We Can Do About the Threat to American Democracy (2024). My third book to complete the Trump trilogy is underway, Regime Change, Authoritarian Treason, and the Outlaw-in-Chief: President Donald Trump’s Struggle to Kill U.S. Democracy & Realign American Global Power.
There is no one better than David L. Atheide when it comes to the digital ecology of mass communications and politics. From numerous vantage points including the history of politicking, presidential campaigning, and mediated manipulation, Altheide explains how Trump used digital networks to emotionally connect with MAGA America.
To promote the Big Lie, to cultivate millions of supporters, to invert social reality, and to flip-flop the dominant political narrative of “law and order.” Trump accomplished this through circulated misinformation, mass-produced disinformation, and blatant propaganda.
Drawing on social science and communications theory, Gonzo Governance offers a new interpretation of presidential power that shifts focus to the media dynamics that surrounded Donald Trump. The former president's unhinged behavior and skilled media and digital manipulations changed the nature and process of significant governance at the federal and state levels, including denying election results and restricting voting opportunities. He went "Gonzo" - promoting himself without regard for conventional norms and practices - and blasted ideological fault lines into explosive political fragments, resulting in so much dissensus that numerous legislators would not recognize the newly elected President Biden, nor…
I began my own writing journey in 2007. I skipped many HS classes just to stay home and read. I want to know the ending of a story. I want happy ending. Life is hard, but when I have the ability to write the stories I write with the ending that so many are deprived of, at least I know I can find it in a book of my own choosing. That is my love of romance.
Okay! I know this isn’t a romance. However, this book did keep me up at night. I couldn’t put it down.
The reason? Fear. It’s shocking to read about going through the last few years and seeing how things played out through another lens. Because, you know you saw the same thing. But Mr. Karl was right there. Up close and personal.
It’s chilling to read how perilous things were, and frankly, still are. This is a very good book.
***THE INSTANT New York Times, Wall Street Journal, USA Today, and IndieBound BESTSELLER***
An NPR Book of the Day
Picking up where the New York Times bestselling Front Row at the Trump Show left off, this is the explosive look at the aftermath of the election—and the events that followed Donald Trump’s leaving the White House all the way to January 6—from ABC News' chief Washington correspondent.
Nobody is in a better position to tell the story of the shocking final chapter of the Trump show than Jonathan Karl. As the reporter who has known Donald Trump longer than any…
