Here are 100 books that The Trauma Beat fans have personally recommended if you like
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I was a broadcast journalist for many years and I’m fascinated by the experiences of others doing that work. I love everything about it in my rearview mirror! From gossip about how famous newspeople behave behind closed doors to the nitty gritty of gathering facts to shaping a story–once it’s in your blood, it’s there for life. I’ve also spent a fair bit of energy defending journalism from people who are only guessing how it happens. Each of these books reveals a different but genuine reality about it. I hope you find them as compelling as I did.
Connie Chung was a trailblazer in network TV news. But she’s sometimes overshadowed by the likes of Barbara Walters and Jane Pauley. Not only did she have to deal with blatant sexism, but racism as well. She was one of the first to experience deception and gaslighting by a powerful male counterpart. (I’m looking at you, Dan Rather.)
I love that she fought back and ultimately turned defeat into a better life for herself and her family. She’s still in the record books for many firsts on network television, and her story about the inner workings of network news is nothing short of jaw-dropping.
AN INSTANT NEW YORK TIMES AND USA TODAY BESTSELLER A NEW YORK TIMES EDITOR'S PICK A LA TIMES AND PEOPLE BEST BOOK OF THE MONTH
"This delightful memoir is filled with Connie Chung's trademark wit, sharp insights, and deep understanding of people. It's a revealing account of what it's like to be a woman breaking barriers in the world of TV news, filled with colorful tales of rivalry and triumph. But it also has a larger theme: how the line between serious reporting and tabloid journalism became blurred." - Walter Isaacson, New York Times bestselling author
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I was a broadcast journalist for many years and I’m fascinated by the experiences of others doing that work. I love everything about it in my rearview mirror! From gossip about how famous newspeople behave behind closed doors to the nitty gritty of gathering facts to shaping a story–once it’s in your blood, it’s there for life. I’ve also spent a fair bit of energy defending journalism from people who are only guessing how it happens. Each of these books reveals a different but genuine reality about it. I hope you find them as compelling as I did.
I could identify with a lot of what Katie went through in her long career as a television icon. Of course, my experiences were on a much smaller scale, but Katie’s memoir showed me that the same b.s. in corporate media happens at every level. She names names and tells everything we’ve ever wondered about Matt Lauer and her (now defunct) friendship with her longtime costar.
This book is simply another highlight in a career full of them.
This heartbreaking, hilarious, and brutally honest memoir shares the deeply personal life story of a girl next door and her transformation into a household name.
For more than forty years, Katie Couric has been an iconic presence in the media world. In her brutally honest, hilarious, heartbreaking memoir, she reveals what was going on behind the scenes of her sometimes tumultuous personal and professional life - a story she’s never shared, until now. Of the medium she loves, the one that made her a household name, she says, “Television can put you in a box; the flat-screen can flatten. On…
I was a broadcast journalist for many years and I’m fascinated by the experiences of others doing that work. I love everything about it in my rearview mirror! From gossip about how famous newspeople behave behind closed doors to the nitty gritty of gathering facts to shaping a story–once it’s in your blood, it’s there for life. I’ve also spent a fair bit of energy defending journalism from people who are only guessing how it happens. Each of these books reveals a different but genuine reality about it. I hope you find them as compelling as I did.
I loved the way Ronan Farrow not only broke the Harvey Weinstein story but fought off repeated attempts to kill it. Much of a journalist’s work is a little mundane–checking facts, interviewing people by asking the same questions over and over–but it can end up in something that literally moves pop culture, like this story.
Farrow takes us step by step. He also had resources and support that many other journalists simply don’t have and this book profoundly illustrates why real journalism matters.
'Dripping with jaw-dropping revelations' Telegraph
'Absorbing' New York Times
In a dramatic account of violence and espionage, Pulitzer Prize-winning investigative reporter Ronan Farrow exposes serial abusers and a cabal of powerful interests hell-bent on covering up the truth, at any cost.
In 2017, a routine network television investigation led Ronan Farrow to a story only whispered about: one of Hollywood's most powerful producers was a predator, protected by fear, wealth and a conspiracy of silence. As Farrow drew closer to the truth, shadowy operatives, from high-priced lawyers to elite…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I was a broadcast journalist for many years and I’m fascinated by the experiences of others doing that work. I love everything about it in my rearview mirror! From gossip about how famous newspeople behave behind closed doors to the nitty gritty of gathering facts to shaping a story–once it’s in your blood, it’s there for life. I’ve also spent a fair bit of energy defending journalism from people who are only guessing how it happens. Each of these books reveals a different but genuine reality about it. I hope you find them as compelling as I did.
I think most investigative journalists aim to be as good as Kevin Donovan.
This creepy double murder of a billionaire drug company founder and his wife is still unsolved and the investigation was botched from the start. Donovan’s knowledge of the case and discovery of more potential suspects and witnesses boggle the mind. It’s not surprising that police are now following Donovan’s leads.
A top journalist crosses the yellow tape to investigate a shocking high-society crime.
Billionaires, philanthropists, socialites . . . victims. Barry and Honey Sherman appeared to lead charmed lives. But the world was shocked in late 2017 when their bodies were found in a bizarre tableau in their elegant Toronto home. First described as murder-suicide — belts looped around their necks, they were found seated beside their basement swimming pool — police later ruled it a staged, targeted double murder. Nothing about the case made sense to friends of the founder of…
My name is Cecilia Ruiz and I am a Mexican author and illustrator living in Brooklyn. Apart from desperately trying to make more books, I teach design and illustration at Queens College and the School of Visual Arts. I’m fascinated by visual storytelling and its evocative power. One of my idols, the French filmmaker Robert Bresson, says that art lies in suggestion. Bresson believed that things should be shown from one single angle that evokes all the other angles without showing them.All the books in this list do that—they show us death but they make us think about the mysterious and poetic ways in which life operates.
The photographs compiled in this book were all captured by Enrique Metinides, my favorite Mexican photographer.
Enrique worked as a crime photographer for over 50 years, capturing murders, crashes, and all kinds of catastrophes for Mexico’s infamous tabloids. This photo book is a great testament of Mexico’s palpable surrealism, where death is just one more component of the chaotic landscape.
Even though Metinides worked for the sensationalist press, none of the images in this book could be called that. His photos emanate an enormous respect for the victims and for tragedy itself.
The beauty of his shots do not romanticize the “real-life horror” that we are looking at. Rather, they remind us that sometimes, when in the presence of the devastating forces of life, there’s nothing else to do but be a humble spectator.
I came to Montgomery, Alabama, in 1988 to serve as a law clerk for a prominent federal judge (played by Martin Sheen in the movie Selma). I was convinced that the death penalty could be justly administered, and seeing Ted Bundy’s final appeal did little to change my mind. Subsequent cases, however, slowly worked a change in my attitude as I saw an execution’s effect on everyone involved in the process. My passion comes from this behind-the-scenes look at capital punishment in America.
I really appreciated reading a book where the character on death row is not himself an innocent victim. As a former federal law clerk who worked on death cases, I eventually came to oppose capital punishment, but Lippman presents a character who seems to deserve death.
I liked being confronted once again with the fundamental question of what constitutes justice for the worst among us.
“Laura Lippman is among the select group of novelists who have invigorated the crime fiction arena with smart, innovative, and exciting work.” —George Pelecanos
“Lippman’s taut, mesmerizing, and exceptionally smart drama of predator and prey is at once unusually sensitive and utterly compelling. —Booklist
Laura Lippman, New York Times bestselling author of What the Dead Know, Life Sentences, and the acclaimed Tess Monaghan p.i. series, delivers a stunning stand-alone novel that explores the lasting effects on lives touched by crime. With I’d Know You Anywhere, Lippman—master of mystery and psychological suspense, winner of every major literary prize given for crime…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
In high school (the best time for doing this) I read the first two volumes of Carl Sandburg’s six-volume biography of Lincoln. A year or so later I made my first trip on an airplane (Saint Louis to Detroit) and an easily recognizable Sandburg was one of the few passengers on our small commercial prop-plane. I was too shy to approach him, but I did sidle up the aisle to see what he was reading or writing (nothing that I could make out). He had boarded the plane alone, but there was a small party meeting him when we landed. I suppose it was Sandburg’s poetic approach to Lincoln that made me alert to the President’s astonishing feel for the English language.
When newspapers were the only medium before radio and TV and the internet, they were omnipresent in their own way, and highly partisan. They played dirty, and Lincoln did too. He knew that his careful words would have no impact unless he could get them printed in at least some of the papers he favored, bribed with access and rewards, or helped outflank their (and his) rivals.
“Lincoln believed that ‘with public sentiment nothing can fail; without it, nothing can succeed.’ Harold Holzer makes a significant contribution to our understanding of Lincoln’s leadership by showing us how deftly he managed his relations with the press of his day to move public opinion forward to preserve the Union and abolish slavery.” —Doris Kearns Goodwin
From his earliest days, Lincoln devoured newspapers. As he started out in politics he wrote editorials and letters to argue his case. He spoke to the public directly through the press. He even bought a German-language newspaper to appeal to that growing electorate in…
I’ve been curious about how reporters covered D-Day, and their interactions with the army, for more than thirty years, and my research into media-military relations, begun in earnest fifteen years ago has led to more than a dozen archives in several countries. Most accounts suggest that the press and the military fully cooperated during World War II, but documentary evidence reveals a far more nuanced story, with far more conflict between officials and the press than is supposed. After publishing work about the campaign in French North Africa, and a book about Ed Kennedy’s scoop of the German surrender, I’m now back where I started, working on a book about press coverage of D-Day.
Moseley was the Chief European Correspondent for The Chicago Tribunefor the last forty years of the twentieth century and although published by a university press is more a work of journalism than original scholarship.
It is based largely on the memoirs of an extraordinary number of reporters, many American but many more not. The real virtue of this book is how wide-ranging it is, covering the entire war and reporters from all of the combatant countries.
Readers get a vivid sense of how World War II was just that—a war that raged across the globe.
Luminary journalists Ed Murrow, Martha Gellhorn, Walter Cronkite, and Clare Hollingworth were among the young reporters who chronicled World War II's daily horrors and triumphs for Western readers. In this fascinating book, Ray Moseley, himself a former foreign correspondent who encountered a number of these journalists in the course of his long career, mines the correspondents' writings to relate, in an exhilarating parallel narrative, the events across every theater-Europe, Pearl Harbor, North Africa, and Japan-as well as the lives of the courageous journalists who doggedly followed the action and the story, often while embedded in the Allied armies.
Against all odds, women journalists have built a robust tradition of telling the truth and getting to the heart of the story no matter the obstacles. In a world where the Fourth Estate is ever more crucial, the history of female reporters is all the more relevant as a source of information and inspiration for the next generation of correspondents. As a woman’s historian and passionate supporter of freedom of the press I’m always on the lookout for great histories of these intrepid reporters whose lives also happen to make for great reads.
Vietnam was a big war, as they say, and though it ended almost 50 years ago, its full story has yet to be told. However, many of its pieces lay in the much-overlooked yet incredibly nuanced reporting that women did in the war.
Elizabeth Becker’s book explores the legacy of three of Vietnam’s unsung journalistic heroes. Each covered the war with a different angle, sense of purpose, and understanding of its—and their—place in geopolitical history.
Becker’s vivid writing puts you next to photojournalist Catherine Leroy in the plane as she prepares to jump with the 173rd Airborne Brigade in the war’s only airborne assault. Readers can almost hear the glasses clinking with ice around the Hotel Continental pool while intellectual Frances Fitzgerald shrewdly plums the unsuspecting diplomatic class for details that she’ll weave into her groundbreaking long-form reporting on the war. And my only heart nearly stopped the minute Kate…
The long buried story of three extraordinary female journalists who permanently shattered the official and cultural barriers to women covering war.
Kate Webb, an Australian iconoclast, Catherine Leroy, a French dare devil photographer, and Frances FitzGerald, a blue-blood American intellectual, arrived in Vietnam with starkly different life experiences but one shared purpose: to report on the most consequential story of the decade.
At a time when women were considered unfit to be foreign reporters, Frankie, Catherine and Kate paid their own way to war, arrived without jobs, challenged the rules imposed on them by the military, ignored the belittlement and…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I am driven to tell the stories of important but often forgotten women journalists from the 1940s through the 1970s. They were pioneers who also created deep connections in their communities. Over the past few years, I have published several books about women in mass media. My 2014 book documented the history of newspaper food editors– an often powerful and political position held almost exclusively by women. My third book, Women Politicking Politelylooked at the experiences of pioneering women’s editors and women in politics which allows for a better perspective of women in journalism today and adds to women’s history scholarship.
From the country’s capital, the city’s journalists translated political power and social news – as well as a thriving social scene. They covered stories that were shared across the country. A mix of men and women, big names and freelancers, these journalists reveals behind-the-scenes reporting and relationships. The stories reveal how and why news is made. These watchdogs of government were often intertwined with politicians professionally and sometimes personally. This book offers a helpful understanding of Washington, D.C. journalism – and is highly entertaining.
An irreverent, warts-and-all look at the Washington Press corps--from big name stars to lowly stringers--offers fascinating insights into the Washington news pack and the people and events they cover
