I love the ocean, and love stories about strong, ground-breaking young women. This tale is beautifully set in a coastal town in New Zealand. Kahu, a young girl from a lineage of Maori leaders, can communicate with whales. Her grandfather does not expect this and rejects her because of her gender. Kahu proves without a doubt that she is a competent and natural leader. I love how Kahu prevails. She is strong in herself, and she never shies away from the truth – that she is the natural leader and a whale rider like her ancestor.

A houseful of women, moving from their long-term home in New Zealand to a new location by the sea. What you get in this short tale is an accumulation of moments that add up to an intense mosaic of the life of women in a male-dominated family.

From the little girl Kezia to the pregnant wife Linda, from the sometimes benevolent grandmother to the handyman who chops off the head of a live duck to see it still running, this book enthralls in its detail, its poetic and emotional resonance, and the insights it gives into female consciousness in a world of constrictions.

Don’t look for ‘what happens next’; look instead for the diamond facets the story reveals in every sentence. When you get to the end, you may feel that this book is a jewel beyond price. 

Laura Chant knows the world can wobble. She knows the boy at school, Sorry Carlisle, is a good deal more than he seems. When her little brother is lost to a vicious predator, Laura has to find a new self, or perhaps her own hidden depths, and face the changeover, which will remake her into another form. To do this, she has to place her trust in Sorry and his strange family, but she’ll do anything to save Jacko. Margaret Mahy is one of my favourite writers, and I think this book is her best. It is beautifully written in her inimitable style. 

Just a few years after New Zealand became a British crown colony, armed conflict broke out in 1845 between representatives of the crown and local Māori. These frontier wars continued to be fought, particularly across New Zealand’s North Island, up until 1872. Understanding New Zealand in the present requires gaining an understanding of the New Zealand Wars. Vincent O’Malley’s book provides an insightful introduction to these complex conflicts. He explores in some detail what caused these conflicts, where and how the various battles that make up the wars were fought, and who might rightfully claim the various victories involved. O’Malley also usefully examines the consequences flowing from the New Zealand Wars. His book is richly illustrated with many evocative full color and black and white images depicting key participants, places, and moments in the New Zealand Wars.

Two Worlds, by Dame Anne Salmond, is another crossover work—part history and part anthropology. The author, an eminent New Zealand anthropologist, uses her knowledge of traditional Māori culture (what people believed, what they ate, how they lived) to flesh out the historical record left by early European visitors to Aotearoa/New Zealand. The result is a rich, authoritative account of encounters that for far too long have been described from only one point of view.

Perhaps our greatest writer for children and young adult fiction, two-time Carnegie Medal winner Margaret Mahy, this book won the 2005 Phoenix Award from the Children's Literature Association. Essentially it’s a love story, but not as you’ve ever experienced it before. It’s brainy, surprising, endearing, and really, really worth a read!  

Mansfield is another pioneering, modernist writer, whose psychologically driven characters have sudden epiphanies. Insights of this kind are extremely difficult to make credible in stories yet she invariably succeeds. Understanding how she pulls this off enriched my understanding of how plots work and how personalities are depicted. I might also add that I am married to a New Zealand and some time in that country, so nice to have a local, so to speak, author.

I love that this book tells a bleak migration story–the stories of those for whom migration was the beginning of a period of struggle. The most often told migration stories are the successful ones. The migrants who arrived in their new land and excelled–built a business empire, became prime minister, bought up huge swathes of land, and passed their wealth onto their descendants. Even at the time, letters home to family who stayed behind seldom spoke of hardship or difficulties.

Taking lunatic asylum records as its core source, this book allows this other end of the settler experience spectrum to be examined through an institutional lens that is perhaps less widely consulted than it deserves to be.

I waited so impatiently for Blood and Dirt to be published!

It’s a compelling history that reveals how prisoners were forced to labour over many years to build colonial New Zealand ‘one cartload of stone at a time’. Evocatively illustrated, this book profoundly alters readers’ perceptions of the picturesque New Zealand landscape by vividly recasting it through imprisoned eyes.

Whether journeying through a built urban landscape or the nation’s large forest plantations, Davidson reveals how prison labour was instrumental in shaping the built and natural environments of the modern nation.

He explores schemes that were put into practice as well as grand plans that were never realised, consistently demonstrating the underlying human cost of ‘progress’. New Zealand will never look the same to me again!

I was privileged to be asked to mentor Lilia as she wrote of her life in and escape from the Gloriavale religious cult, a community of about 500 people living a secluded and strictly controlled life in a remote part of the South Island of New Zealand. Her life was like my fictional book, but on steroids. Four years after leaving the pain of knowing she’d never again see those she loved was still so acute that she wept as she wrote of it. Life inside Gloriavale fascinated and horrified me. But while Lilia gained the freedom to forge her own life she lost the closeness and love of wider family and friends. A heart-wrenching but ultimately triumphant story.