100 Books Like Two Worlds

I like to think of Patrick Kirch as “Mr. Pacific Archaeology”—no one has written more, or more winningly, about Polynesian prehistory—and On the Road of the Winds is his introduction to the field. First published in 2002 and reissued in an updated edition in 2017, this elegant, eminently readable survey not only covers the history of archaeology in Polynesia, Melanesia, and Micronesia but explains how the archaeological findings of the past half-century relate to discoveries in biology, linguistics, cultural anthropology, botany, and countless other fields.

In this book, David Lewis—a physician, anthropologist, and world sailor—traveled around the Pacific, consulting with respected navigators from many islands about their understandings and the natural cues on which they relied for inter-island voyaging. Lewis reinforced many of Gladwin’s points and also made me acutely aware of regional variation.

Along the way, he commented that canoes in the “Polynesian Outliers” (islands inhabited by Polynesian people but located in territory commonly identified as “Melanesia” or “Micronesia”) are built with an interchangeable bow and stern. That was not true on Anuta, the Polynesian Outlier on which I had conducted my doctoral research, and I thought the discrepancy was worth a brief comment in a professional journal. I began writing, and by the time I was done, I had a first draft of my book on Anutan seafaring.

The Australian historian Greg Dening was one of the great creative thinkers of the late twentieth century, and his influence is everywhere in the modern history and anthropology of the Pacific. Dening, who died in 2008, was especially fascinated by ambiguous interactions and encounters between people from different worlds. One of his earliest books, Islands and Beaches, focuses on the period in the Marquesas when Europeans first arrived, bringing God, guns, germs, and a whole host of other complications. At once sparklingly and scholarly, it tells the vivid story of this tragic and consequential period in Polynesian history.

This handsome coffee table book with short, topical essays by Ben Finney, Geoffrey Irwin, Sam Low, and others is focused on Polynesian voyaging. Richly illustrated with paintings, photographs, and maps, it brings together the major threads: oral traditions, canoe design, navigational methods, theories of settlement. Most of the content can be found elsewhere, but the presentation is impressive; if you wanted just one book to browse through, this would be a fun one to have.

Matariki, the Māori new year, comes in late June, winter in New Zealand. It begins when the star cluster known as Matariki first appears in the sky. It’s a time of honoring ancestors, being with family, reflecting on the past, and dreaming for the future.

This moving story by Brianne Te Paa is about a boy who takes the lead in honoring his koro (grandfather), who dies shortly before Matariki. The sadness and warmth come through the night-sky color palette and the grown-up-feeling illustrations. To an American still learning about Matariki and Māori culture, this story feels unique, yet the way it captures the bonds between whānau (family) makes it feel universal.

I love the ocean, and love stories about strong, ground-breaking young women. This tale is beautifully set in a coastal town in New Zealand. Kahu, a young girl from a lineage of Maori leaders, can communicate with whales. Her grandfather does not expect this and rejects her because of her gender. Kahu proves without a doubt that she is a competent and natural leader. I love how Kahu prevails. She is strong in herself, and she never shies away from the truth – that she is the natural leader and a whale rider like her ancestor.

Just a few years after New Zealand became a British crown colony, armed conflict broke out in 1845 between representatives of the crown and local Māori. These frontier wars continued to be fought, particularly across New Zealand’s North Island, up until 1872. Understanding New Zealand in the present requires gaining an understanding of the New Zealand Wars. Vincent O’Malley’s book provides an insightful introduction to these complex conflicts. He explores in some detail what caused these conflicts, where and how the various battles that make up the wars were fought, and who might rightfully claim the various victories involved. O’Malley also usefully examines the consequences flowing from the New Zealand Wars. His book is richly illustrated with many evocative full color and black and white images depicting key participants, places, and moments in the New Zealand Wars.

Displaced is a historical young adult novel rich in detail, atmosphere, and life of a family in New Zealand in the early 1870s.

The main character Eloise is courageous in the way she copes with her life being torn apart by the men she trusted and believed in.

The fate of women in this time in history is completely held by the men of the family.

I loved the characters and I adore historical novels. This one is set in New Zealand when none of the Pakeha (white) settlers had heard the Maori name for the country of Aotearoa. Eloise, the protagonist is a young woman who is forced to forge her own way in an alien society filled with several different, and often conflicting, alien cultures to her. The research the author has done is impeccable so that it’s possible to immerse yourself in the fascinating but difficult life… show more.

I love the setting of this mystery: New Zealand during World War II. Ngaio Marsh was a New Zealander, but most of her well-known mysteries are set in England. This one has fascinating Māori characters as well as the usual blustery English ones.

Add a Nazi spy and our intrepid Inspector Roderick Alleyn in disguise, a complex plot, plus a truly surprising ending, and you’ve got a recipe for exactly the kind of mystery I like to escape into. 

Though not packaged as YA, I think it sits well here. It’s speculative cli-fi, imagining an Aotearoa New Zealand ravaged by climate change. Steeped with Māori references, it’s a rollicking good yarn with a serious undertow and questions about how we care (and don’t care) for our environment, and the things that join and divide us.