73 Books Like The Changeover

“Doors are very powerful things. Things are different on either side of them”’

I love this quote. There’s nothing like the threshold of a door when it comes to story magic! It’s steeped in tradition since long before Roman times. And Diana Wynne Jones is the underrated Queen of this whimsical genre. Her words flow so beautifully, and not only that, her characters are the cutest. I fell in love with Calcifer, the little fire demon, and the headstrong Sophie. 

I was instantly pulled into this first book in the Rivers of London series because of the main character. I found Constable Peter Grant to be delightfully awkward. His very much unwanted ability to see and speak to lingering spirits results in his assignment to a secret police unit that investigates crimes involving magic.

He’s stunned to meet gods, goddesses, and more fantastic beings who exist in a hidden world alongside mortals. I loved meeting all of the engaging characters, normal and supernatural. I was totally engaged in the believable world created by the author, where the ordinary ticks beside the extraordinary. Even better, the humorous situations Peter stumbles into as he chases down whodunit made me laugh out loud.

The main character in this book is a badass, snarky, strong female lead and I fell in love with her immediately. But I also loved the humour in this book.

Annette Marie is particularly good at creating humourous dialogue and she did it so well in this book. There is also a reverse harem type of feel with several mages all of whom are kind of competing for the attention of the lead character.

However, unlike some reverse harem series on the market, this one is very clean with light romance – the plot is more focused around mystery-solving and action, my favourite combination! I tore through the entire series in a few weeks. Highly addictive reading!

Princess Theresa-Maria has wonderful breeding but no money and little future in the crumbling Austrian castle where she lives with ancient relations. Rebranding herself as Tessa, our heroine becomes a wardrobe mistress, working for nothing for an opera company almost as destitute as she is. Tessa is much happier until she falls in love with a wealthy man…a poor-boy-made-good, who hires the company to delight his fiancée. With much melodrama, an unlikely pot of yogurt, a drastic haircut, a metaphorical silk purse, and a button, this story wends its opulent way to a happy ending. The hero’s foster mother, Martha, crawling about the castle as a self-ordered penance for telling fibs is a particularly odd moment, but whether she is being Theresa-Maria or plain Tessa, our heroine is a wistful, starry-eyed delight. 

There’s no way to talk about Kiwi KidLit without acknowledging Margaret Mahy, New Zealand’s most celebrated children’s writer and the author of more than 120 books.

The Boy with Two Shadows is a classic from 1971 about a witch who entrusts a boy with her shadow for two weeks.

I love how the playful story and language have some bite—there’s a deliciously sharp edge here that you won’t find in picture books today. Add wonderfully retro illustrations by Jenny Williams, and you feel instantly transported to 1970s New Zealand.

This dark fantasy, about a powerful teenage witch who must travel to the eerie land of Los Lagos to rescue her family, is fast-paced and profoundly moving.

The magic, which is inspired by Mexican Brujería, is a beautiful tribute to a rich cultural history. There is a queer love triangle for any romance lover, but it doesn’t overshadow the exciting adventure and self-discovery at the heart of the story. 

I’m a huge fan of Emily Carroll’s comic art, which is creepy, emotional, and perfectly echoes the tone of McCoola’s story. In this book, teenager Masha runs away from home to live with the terrifying, child-eating witch Baba Yaga. Luckily, Masha is able to impress the Baba Yaga with her wit and knowledge of Russian folklore. But when Masha’s little sister gets captured by the witch, Masha has to finally face the family troubles she’s been avoiding.

As well as the village witch, we have what might be called the ‘folkloric witch’, and other folkloric traditions.

When interrogators asked witchcraft suspects about the Devil, the answers sometimes surprised them. They uncovered beliefs about nature spirits, practices of magical healing and divination, and visionary experience of otherworlds.

Some of this material fed into ideas about the witches’ sabbat, but these beliefs, practices, and visions were not necessarily about ‘witchcraft’ at all. Ronald Hutton’s ambitious book surveys these beliefs, practices, and visions.

He ranges far back into the ancient history of Europe – and adjacent regions, exploring traditions of ceremonial magic from ancient Egypt. If the idea of the witch is frightening, it is partly because of the folklore brought together in this book.

Dragons in the Bag unleashes imaginative fantasy creatures—yes, dragons—in the middle of present-day, gentrifying Brooklyn. The heart (and there’s a strong heart here) of the story is Jax, a Black protagonist. The book combines a real sense of place with magic, family mysteries, and an adventure challenge of managing a bag of dragons. I loved the way that the author, Zetta Elliott, created believable and lovable characters, such as Ambrose, an apparent homeless man, that drive the story forward in unforgettable ways. A solid read even for people like me who don’t normally pick up fantasy stories.  

This young adult novel knocked me out.

It takes place on a small, rocky island, but its themes are huge: revenge; desire; love; jealousy; power; bondage, and transformation. It’s a multi-generational tale that traces an infinitesimally slow-bending arc toward compassion, catharsis, and the restoration of order.

There is a witch who can summon beautiful women out of their bodies as seals; there are the seal-women, themselves, and the men who love them; there are the children, part-selkie, part human.

I loved that, though much evil is done, none of the principal characters are purely evil or good. The prose itself is so beautiful, I sometimes had to stop and reread passages; I didn’t want to let them go. Many spells are cast within this story, and the story itself cast a spell on me. I felt larger after having read it. Maybe a bit wiser, too?

What a stunning book!