I have been writing and illustrating books for fifteen years, and I am passionate about the art of making picture books. I love music and dance too. While making this list, I was amazed by how different visual artists that I admire—and who have very different styles—were able to capture movement, rhythm, and energy. I was also fascinated by how the different authors crafted their stories and yet all of them managed to celebrate Black culture and resilience.
Bryan Collier’s watercolor and collage illustrations are amazing. They are warm and joyful, just like Troy Andrews’s story.
In the book, Andrews, aka “Trombone Shorty,” recalls growing up in the Tremé neighborhood of New Orleans. He remembers playing non-stop a broken trombone he found on the street and eventually—as a young kid—getting to play on stage with the legendary Bo Diddley at the city’s Jazz Festival. This is an inspiring story and a visual delight.
Hailing from the Treme neighborhood in New Orleans, Troy "Trombone Shorty" Andrews got his nickname by wielding a trombone twice as long as he was high. A prodigy, he was leading his own band by age six and today this Grammy-nominated artist headlines the legendary New Orleans Jazz Fest. Along with esteemed illustrator Bryan Collier, Andrews has created a lively picture book autobiography about how he followed his dream of becoming a musician, despite the odds, until he reached international stardom. Trombone Shorty is a celebration of the rich cultural history of New Orleans and the power of music.
Ever since I read this collection I’ve become unapologetically evangelical about it.
I’ve gushed about it to friends and put it on course lists for classes I’ve taught. There’s something strangely timeless about the writing of this book, like it’s from both the past and the future at the same time. Ballingrud has a supernatural ability for using the otherworldly as a lens to examine the struggles and horrors of our own reality. There are monsters here, sure, but the real horror comes from humans and the systems we create and perpetuate; poverty, abuse, control.
A stylistic blend of noir, Southern gothic, and horror featuring elegantly sinister prose and characters that will haunt you, North American Lake Monsters is utterly unforgettable. Ballingrud is a class of his own.
Nathan Ballingrud's Shirley Jackson Award winning debut collection is a shattering and luminous experience not to be missed by those who love to explore the darker parts of the human psyche. Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible. These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they…
I wrote my first short story eleven years ago for a flash fiction class, found my character Zebadiah Creed, and kept writing. In January 2017, at the age of fifty-nine, Five Star Publishing released An Eye for an Eye, Book One of The Tales of Zebadiah Creed worldwide, winning the American Fiction Award for Best Historical/Adventure. The Great Texas Dance, Book Two, was released in April 2020. Blue Rivers of Heaven, Book Three will be released in September 2022. I'm a member of the Western Writers of America and was a Spur Award judge for Short Fiction, 2019, and Best Traditional Novel, 2020. I’m currently writing my first stand-alone book entitled Sisters of the Field.
This is what I wrote when, as a judge in 2020, I recommended All God’s Children win the prestigious Spur Award for Best Traditional Western:
“From the opening sentence, the opening paragraph, and page, Aaron Gwyn sweeps us into an early nineteenth-century America bursting at the seams. He tells the tale of two very different folks, a young man disowned by his family in Kentucky, and a young slave girl from Virginia who refuses to accept her lot in life. Both their paths lead them to Texas. For Duncan, to fight in the revolution and serve heroically with the Texas Rangers, yet can never have true love; for Cecelia, to know freedom and love on the frontier, only to have both brutally snatched away in an instant. Beautifully written in simple, classic prose, Gwyn offers us a fresh, yet timeless glimpse into two American lives that finally find, in themselves…
This sweeping novel set in the province of Texas is “a powerful depiction of the rough realities of frontier life [and] the vicious influence of racism” (The New York Times).
Finalist for the Reading the West Book Award for Fiction
In 1827, Duncan Lammons, a disgraced young man from Kentucky, sets out to join the American army in the province of Texas, hoping that here he may live—and love—as he pleases. That same year, Cecelia, a young slave in Virginia, runs away for the first time.
Soon infamous for her escape attempts, Cecelia continues to drift through the reality of…
I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
Jessica Marie Johnson’s award-winning Wicked Fleshis a masterpiece of historical writing that takes an in-depth look at the stories of Black women in search for freedom. Connecting the lower Mississippi Valley to an Atlantic World dominated by slave trading, the intimate histories of Black women take center stage as Johnson chronicles the ways they sought to counter the power white men attempted to claim over their bodies.
The story of freedom pivots on the choices black women made to retain control over their bodies and selves, their loved ones, and their futures.
The story of freedom and all of its ambiguities begins with intimate acts steeped in power. It is shaped by the peculiar oppressions faced by African women and women of African descent. And it pivots on the self-conscious choices black women made to retain control over their bodies and selves, their loved ones, and their futures. Slavery's rise in the Americas was institutional, carnal, and reproductive. The intimacy of bondage whet the appetites of slaveowners,…
I am not a historian. I am a retired entomologist with a love for history. My first real experience with history was as a child, reading about Ernest Shackleton's Antarctic adventure on the Endurance—a story I must have re-read 50 times. I have come to recognize that much of the history I learned growing up was either incomplete or was just plain wrong. I am drawn to the arcane aspects of historical events, or that illustrate history from a different angle—which is shown in my list of books. The Silken Thread tells about the history that occurred because of, or was impacted by, just five insects.
Yellow fever, like many feared diseases, conjures up an image of faraway, steamy rain forests. At one time, yellow fever really was found there. But the disease—and the mosquito that carries it—didn't stay there. I was surprised to learn how prominent and feared yellow fever was in early Colonial America and that it persisted in the United States through the early 20th Century. Crosby provides background on the disease from Africa, its path to the Americas, and routine epidemics in New Orleans, but the book's primary focus is the account of the Yellow Fever Epidemic of 1878 that decimated Memphis, Tennessee, and other towns along the Mississippi River. I liked this book for filling in the blanks in my awareness and understanding of this American plague.
In this account, a journalist traces the course of the infectious disease known as yellow fever, “vividly [evoking] the Faulkner-meets-Dawn of the Dead horrors” (The New York Times Book Review) of this killer virus.
Over the course of history, yellow fever has paralyzed governments, halted commerce, quarantined cities, moved the U.S. capital, and altered the outcome of wars. During a single summer in Memphis alone, it cost more lives than the Chicago fire, the San Francisco earthquake, and the Johnstown flood combined.
In 1900, the U.S. sent three doctors to Cuba to discover how yellow fever was spread. There, they…
Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.
I came across this book as a young teen and was riveted by the colorful, behind-the-scenes depiction of Mardi Gras in New Orleans, as well as the intimate stories of three generations of star-crossed lovers.
The characters were so well drawn that they seemed real, as if they must have loved and grieved, lived and died, as given. I felt as if I had walked the streets of the city and could recognize the places described.
I was also impressed by the Author’s Note detailing Keyes’s exhaustive research; reading it allowed me to accept the story as being as true to its place and time as possible. Years later, I followed her fine example, adding an Author’s Note with research details to my own books.
The first of Keyes' novels set in Louisiana was Crescent Carnival, which tells the story of three generations of two intertwined families. The Breckenridges are Protestants, while the Fontaines are Catholic Louisiana Creoles. The plot hinges on the way that pride and misfortune conspire with cultural and political differences to keep prospective lovers from marrying. The cycle of failure only ends when two people have the courage to defy the odds and accept their love for each other. Carnival celebrations and Mardi Gras parades form the backdrop of many scenes. Captures the social mores, Carnival season, and the French Quarter…
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
I discovered and used The World That Made New Orleans as a source for my book.
Upon opening the book, I was gleefully surprised to discover what an informative, interesting, and fun read it is. Sublette describes the French origins of the city in the early 1700s which involved wild parties, debauchery, tragic exploratory expeditions, and a massive Ponzi scheme that used Louisiana and the fictional gold mines there to defraud most every rich person in France, eventually crashing the entire French economy.
He then took me on a thrilling journey through the Spanish and early American periods to quadroon balls, Congo Square, and so many other fascinating places. I knew the city’s history was interesting, but reading The World That Made New Orleans blew me away.
Named one of the Top 10 Books of 2008 by The Times-Picayune. Winner of the 2009 Humanities Book of the Year award from the Louisiana Endowment for the Humanities. Awarded the New Orleans Gulf South Booksellers Association Book of the Year Award for 2008.
New Orleans is the most elusive of American cities. The product of the centuries-long struggle among three mighty empires--France, Spain, and England--and among their respective American colonies and enslaved African peoples, it has always seemed like a foreign port to most Americans, baffled as they are by its complex cultural inheritance.
I love historical fiction because it’s the next best thing to the invention of time travel. Books can immerse you in a time and a place in a way that comics and movies can only gesture at. For books likeNever SleepI even make sure to cook the foods my characters are eating, to make sure the era is evoked for the readers in all five sense.I love fantasy and science fiction as the next person, but the idea of transporting people to times and placesthat actually happened, to the best of my skill as a dramatist and researcher, is a challenge I find irresistible as an author.
Right at the end of World War I, a shellshocked cop, a jazz trumpeter, and a Mafia doyenne find their paths cross with an ax murderer in Spanish flu-ravaged New Orleans in one of America’s first true serial killer cases.
A unique structure of interlocking POVs really made the narrative shine for me and straight up stole Rich’s structure for my book! Good writers copy, etc.
New Orleans, 1918. The birth of jazz, the Spanish flu, an axe murderer on the loose. The lives of a traumatized cop, a conflicted Mafia matriarch, and a brilliant trumpeter converge. In Nathaniel Rich's King Zeno, the Crescent City gets the rich, dark, sweeping novel it so deserves.
New Orleans, a century ago: a city determined to reshape its destiny and, with it, the nation's. Downtown, a new American music is born. In Storyville, prostitution is outlawed and the police retake the streets with maximum violence. In the Ninth Ward, laborers break ground on a gigantic canal that will split…
Beyond a passion for yachting and flying, sharing adventures in memoir is my true passion. For better or worse, the soul cannot return from a hair-raising adventure as the same person. From roller skating across France as a teen, to sinking ships, being circled by pirates, or surviving an airplane crash, writing these stories brings true action to the pages. Writing memoir also forces me to learn and share life lessons so others won’t have to do it the hard way. Reading true adventures and memoirs lets me share the soul of my fellow travelers for a moment, and live that adrenaline high from the comfort of a reading chair.
Amazing true adventures are the heart and soul of memoir. As Jimmy Buffet and his crew plan a seaplane adventure to celebrate his 50th birthday down Latin America, across to Colombia, and further into the Caribbean, I was ready to read the depth of stories the likes of which might inspire so many of my favorite songs. The adventure was lost on me when he followed the seaplane by jet, meeting the crew in Costa Rica. Further south, they ran into “trouble in Cartagena.” As a boat captain and pilot with Colombian pirate experience, I was looking for stories of real, relatable trouble. Good stories, but the grit I was looking for from a Jimmy Buffet adventure wasn’t there.
For the millions of fans of Jimmy Buffett's music as well as his bestselling books, Tales From Margaritaville and Where Is Joe Merchant?, here is the ultimate Jimmy Buffett philosophy on life and how to live it. As hard as it is to believe, the irrepressible Jimmy Buffett has hit the half-century mark and, in A PIRATE LOOKS AT 50, he brings us along on the remarkable journey which he took through the Southern hemisphere to celebrate this landmark birthday.
Jimmy takes us from the legendary pirate coves of the Florida Keys to the ruins of ancient Cartegena. Along the…
When I was eight years old, I read a book titled Dar Tellum: Stranger from a Distant Planet, by James R. Berry. It told the story of a boy who communicates with an alien intelligence to save the Earth from… global warming. That was in 1973, and it was the first time I’d heard about “the greenhouse effect”. Some things haven’t changed since then: I still read (and write) sci-fi, and I still have Dar Tellum on my bookshelf. But our climate is changing, and I’ve chosen four books of science fiction and one of science facts that help us think about the future—and present—of our planet.
In the wake of super-hurricanes and the deadly pandemic that follows, New Orleans has been quarantined from the rest of the United States, and those who seek to cross the border wall are killed. Narrator Fen, a member of the clan-based culture that has developed behind the wall, tells the story of her people and her personal quest for freedom in a dialect voice that is both beautifully rendered and brutally honest.
After a string of devastating hurricanes and a severe outbreak of Delta Fever, the Gulf Coast has been quarantined. Years later, residents of the Outer States are under the assumption that life in the Delta is all but extinct…but in reality, a new primitive society has been born.
Fen de la Guerre is living with the O-Positive blood tribe in the Delta when they are ambushed. Left with her tribe leader’s newborn, Fen is determined to get the baby to a better life over the wall before her blood…
