Here are 80 books that Wicked Flesh fans have personally recommended if you like
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I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
Gwendolyn Hall’s Africans in Colonial Louisianais still a foundational text when it comes to studying African people in the colonial lower Mississippi Valley. Her deep knowledge of the archives and skill in bringing the stories of enslaved Africans to live make this a wonderfully informative book. She draws deep connections between the places that Africans left and their forced new homes in Louisiana, while placing a special emphasis on how that culture turned into an African creole culture in the lower Mississippi Valley.
Although a number of important studies of American slavery have explored the formation of slave cultures in the English colonies, few books have undertaken a comprehensive assessment of the development of the distinctive African-Creole culture of colonial Louisiana. This culture, based upon a separate language community with its own folklore, musical, religious and historical traditions, was created by slaves brought directly from Africa to Louisiana before 1731. It still survives as the acknowledged cultural heritage of tens of thousands of people of all races in the southern part of the state. In this work, Gwendolyn Hall studies Louisiana's Creole slave…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
Voices of the Enslavedis a beautifully written and masterfully researched book (also award-winning) on the French period in colonial Louisiana. White traces the fleeting appearances of enslaved Africans in Louisiana court records to illuminate how they were able to achieve legal recognition where their enslavers tried to give them none. Out of the many fragments of legal documents, White creates a collage of Black lives in French Louisiana that really illuminates the Black contributions to the region.
In eighteenth-century New Orleans, the legal testimony of some 150 enslaved women and men--like the testimony of free colonists--was meticulously recorded and preserved. Questioned in criminal trials as defendants, victims, and witnesses about attacks, murders, robberies, and escapes, they answered with stories about themselves, stories that rebutted the premise on which slavery was founded.
Focusing on four especially dramatic court cases, Voices of the Enslaved draws us into Louisiana's courtrooms, prisons, courtyards, plantations, bayous, and convents to understand how the enslaved viewed and experienced their worlds. As they testified, these individuals charted their movement between West African, indigenous, and colonial…
I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
George Milne writes the definitive history of the Natchez people and how their encounter with the French changed the power dynamics in the lower Mississippi Valley in the eighteenth century. Milne draws on research in French archives to show how French and Natchez built a fragile cultural understanding based on misinterpretation of social and cultural cues. This book is very good at elaborating on the complicated relationships that often turned on questions of race, dominance, and submissiveness in the lower Mississippi Valley. It specifically highlights the way in which the Natchez people became aware of the way the French viewed them as racially inferior and in turn defined their own people as distinct from Europeans and Africans.
At the dawn of the 1700s the Natchez viewed the first Francophones in the Lower Mississippi Valley as potential inductees to their chiefdom. This mistaken perception lulled them into permitting these outsiders to settle among them. Within two decades conditions in Natchez Country had taken a turn for the worse. The trickle of wayfarers had given way to a torrent of colonists (and their enslaved Africans) who refused to recognize the Natchez's hierarchy. These newcomers threatened to seize key authority-generating features of Natchez Country: mounds, a plaza, and a temple. This threat inspired these Indians to turn to a recent…
The Year Mrs. Cooper Got Out More
by
Meredith Marple,
The coastal tourist town of Great Wharf, Maine, boasts a crime rate so low you might suspect someone’s lying.
Nevertheless, jobless empty nester Mallory Cooper has become increasingly reclusive and fearful. Careful to keep the red wine handy and loath to leave the house, Mallory misses her happier self—and so…
I am a historian of race and slavery in the lower Mississippi Valley because the region is a fulcrum of United States history. I was always fascinated by the significance of the Mississippi River for American expansion, society, and culture. Ultimately, this region of the country is so deeply influenced by people of African descent that must be included in all histories, and I wanted to share their stories in a particular place during the colonial period. Telling these stories in places where they have commonly been less well represented is very rewarding and it opens more ways to understand the histories of places like Natchez along the Mississippi River.
Kimberly Hanger’s Bounded Lives, Bounded Placesestablishes the role of free people of color in Spanish New Orleans. She traces families and individuals of color throughout the Spanish decades and weaves a rich tapestry of their world in the Crescent City. Women play an important role in her work, and she teases out the way that free people of color sought to fit in the colonial society of Louisiana. While never able to become equal to white people, they created a space above enslaved people that enabled them to participate as ‘almost free’ in New Orleans’s society.
During Louisiana's Spanish colonial period, economic, political, and military conditions combined with local cultural and legal traditions to favor the growth and development of a substantial group of free blacks. In Bounded Lives, Bounded Places, Kimberly S. Hanger explores the origin of antebellum New Orleans' large, influential, and propertied free black-or libre-population, one that was unique in the South. Hanger examines the issues libres confronted as they individually and collectively contested their ambiguous status in a complexly stratified society. Drawing on rare archives in Louisiana and Spain, Hanger reconstructs the world of late-eighteenth-century New Orleans from the perspective of its…
Early in my career, I attended a writer’s conference in southern Louisiana. During a discussion of the best-selling Louisiana-based novels of Vermont-born author Francis Parkinson Keyes, a local historian said with great ire, “That woman came down here and picked our brains for her books!” As a follower of my state’s incredible past, I immediately saw the attraction. Since then, I’ve written more than 65 historical and contemporary novels, most set in New Orleans and broader Louisiana. Hours have been spent at the famed Historic New Orleans Collection, talking to people and walking the streets of the French Quarter—and, of course, collecting a library of famous Louisiana histories.
Though a seventh-generation Louisianian, I was born and raised in the northern portion of the state. When I decided to write about early New Orleans, I realized deep research would be required. The first book my local librarian recommended was Saxon’s Fabulous New Orleans.
I was enthralled, not least because I discovered he was also not a native of the city, though he lived in the French Quarter for many years and was instrumental in preserving many of its historic buildings from demolition.
With a style that immediately draws you in, this book is filled with pageantry and grandeur, personality, and rich detail, which makes researching the Vieux Carré a pleasure rather than a chore.
This classic reprint evokes a city steeped in the traditions and idiosyncrasies of three cultures--French, Spanish, andAmerican. Known widely as one of Louisiana's great writers, Lyle Saxon documented many of the quirks and mysteries of New Orleans. His narratives include a vivid picture of Mardi Gras as seen through the eyes of a young boy, a brief history of the city, and accounts of strange and remarkable events, including the great Mississippi flood of 1927, the year of the great plague, and a voodoo cult ceremony.
By any standards, New Orleans is a unique city, and Saxon depicts it unadorned,…
I’ve loved jazz ever since I learned to play the clarinet as a child. My two great loves in life have been music and books, so it made sense to combine the two things and write novels with a link to jazz. These books are some of my favourites with a jazz theme. I promise that even if you’re not a jazz fan, these are all excellent novels, to be enjoyed with or without music playing in the background!
A young Louis Armstrong as an amateur detective – if that concept doesn’t draw you in, I’m not sure what will!
The year is 1919 and there’s a terrifying serial killer on the loose in New Orleans. This is the first installment in Celestin’s City Blues Quartet. I love all four books but The Axeman is probably my favourite because of the New Orleans vibe. You get jazz, mafia, Pinkerton detectives, crooked cops, and a taste of the macabre.
"Ray Celestin skillfully depicts the desperate revels of that idiosyncratic city and its bizarre legends in his first novel, THE AXEMAN." - The New York Times Sunday Book Review (Marilyn Stasio, Crime Columnist)
The Axeman stalks the streets of New Orleans...
In a town filled with gangsters, voodoo, and jazz trumpets sounding from the dance halls, a sense of intoxicating mystery often beckons from the back alleys. But when a serial killer roams the sultry nights, even the corrupt cops can't see the clues. That is, until a letter from the Axeman himself is published in the newspaper, proclaiming that…
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of…
I have written widely on themes related to race, slavery, 19th-century politics, the Civil War, and its aftermath. The Reconstruction era has sometimes been called America’s “Second Founding.” It is imperative for us to understand what its architects hoped to accomplish and to show that their enlightened vision encompassed the better nation that we are still striving to shape today. The great faultline of race still roils our country. Our forerunners of the Reconstruction era struggled to bridge that chasm a century and a half ago. What they fought for still matters.
This is a fitting companion to Ball’s earlier book Slaves in the Family, a meticulous account of his paternal ancestors’ slave-owning history and their biracial progeny.
In this book, Ball, a talented and engaging writer, dives deep into the buried story of a maternal forbearer in New Orleans, Constant Lecorgne, a working-class white creole. With novelistic flair, Ball takes us along with Lecorgne in his peregrinations through Louisiana’s violent and chaotic reactionary politics in the 1860s and 1870s. Ball faced a daunting challenge: to humanize Lecorgne without either sugarcoating his reprehensible behavior or forgiving him for it.
Few books I’ve read have so vividly captured the mentality of outspoken white supremacist “foot soldier.” I was often repelled by Lecorgne, but I wanted to keep reading. This is an essential book if we’re to begin to understand why ordinary white men were willing, even eager, to participate in the racist counter-revolution…
"A haunting tapestry of interwoven stories that inform us not just about our past but about the resentment-bred demons that are all too present in our society today . . . The interconnected strands of race and history give Ball’s entrancing stories a Faulknerian resonance." ―Walter Isaacson, The New York Times Book Review
A 2020 NPR staff pick | One of The New York Times' thirteen books to watch for in August | One of The Washington Post's ten books to read in August | A Literary Hub best book of the summer| One of Kirkus Reviews' sixteen best books…
I was in the fourth grade when JFK was assassinated. I grew up in the late 1960s as conspiracy theories about ‘who killed Kennedy’ flourished. Jack Ruby’s murder of Oswald made me suspect the mafia played a role. After Oliver Stone’s controversial 1991 JFK film, I convinced a publisher to allow me to reexamine the assassination. I did not expect to solve the case. Halfway through my research, however, I realized there was an answer to ‘who killed Kennedy.’ It was not what I had expected. I discovered that the story of how a 24-year-old sociopath armed with a $12 rifle managed to kill the president was a far more fascinating one than I could have ever envisioned.
In a similar vein to False Witness, Litwin not only exposes the shortcomings of the Garrison investigation into the JFK murder but in the process uncovers the fraud and false information that are cited to support some of the currently popular conspiracy theories about the assassination. It is filled with new information from Litwin’s own extensive research.
Fred Litwin exposes the truth about Jim Garrison, the New Orleans District Attorney, who ‘solved’ the JFK assassination in 1967.
On the Trail of Delusion shows how Garrison persecuted an innocent gay man in order to spout his crazy conspiracy theories. There is also a touch of bribery and intimidation, the story of his attempt to charge a dead man with being a grassy knoll assassin, the former Marine he believed was a ‘second Oswald,’ several con men who turned the tables and fooled Garrison, the use of truth serum and hypnosis to recover memories, the ugly story of Oliver…
I’ve lived in the same place for a long time—a complicated yet beautiful place that I love and love to observe. I’ve seen a lot of change, and a lot of folks come and go in my neighborhood and within the walls of my own house. Looking at a building down the street, I can see it two paint jobs ago, the moods of former owners and friends still imprinted there. I’m becoming a relative old-timer here—while the neighborhood sees repeated turnover, I dig in harder. My long track of settledness has nurtured a tendency to chronicle this humble place, to write one version of its story.
I often wonder about the generations of people who lived in my house before me, but for better or worse, that context is lost to history. Conversely, Sarah M. Broom is privy to 60 years of intimate history of her childhood home in New Orleans East.
Making a home is an act of love; sustaining one hinges on determination, work, and community. It also helps to be treated like you matter by those in power. Broom’s tribute to her tenacious mother and family, who kept their home through times of security and lack thereof, only to lose it to Hurricane Katrina, is stunning. The house still exerts a tumultuous pull on Broom and her family. The crossing threads of love and heartbreak are sewn through this vivid, haunting memoir.
A NEW YORK TIMES BESTSELLER WINNER OF THE NATIONAL BOOK AWARD FOR NONFICTION
'A major book that I suspect will come to be considered among the essential memoirs of this vexing decade' New York Times Book Review
In 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would…
Being from Upstate New York I went to college at Cornell University but headed off to New Orleans as soon as I could. By and by I became an instructor at Delgado Community College. Always a big fan of the city’s amazing historic cemeteries, when teaching a world architectural history class, I took the class to the Metairie Cemetery where I could show the students real examples of every style from Ancient Egyptian to Modern American. After coming to Texas State University, San Marcos (30 miles from Austin), I went back to New Orleans on sabbatical in 2013 and wrote The Cemeteries of New Orleans.
I discovered and used The World That Made New Orleans as a source for my book.
Upon opening the book, I was gleefully surprised to discover what an informative, interesting, and fun read it is. Sublette describes the French origins of the city in the early 1700s which involved wild parties, debauchery, tragic exploratory expeditions, and a massive Ponzi scheme that used Louisiana and the fictional gold mines there to defraud most every rich person in France, eventually crashing the entire French economy.
He then took me on a thrilling journey through the Spanish and early American periods to quadroon balls, Congo Square, and so many other fascinating places. I knew the city’s history was interesting, but reading The World That Made New Orleans blew me away.
Named one of the Top 10 Books of 2008 by The Times-Picayune. Winner of the 2009 Humanities Book of the Year award from the Louisiana Endowment for the Humanities. Awarded the New Orleans Gulf South Booksellers Association Book of the Year Award for 2008.
New Orleans is the most elusive of American cities. The product of the centuries-long struggle among three mighty empires--France, Spain, and England--and among their respective American colonies and enslaved African peoples, it has always seemed like a foreign port to most Americans, baffled as they are by its complex cultural inheritance.
