Before W. Somerset Maugham became the most popular writer in the world, he spent five years as a doctor in a London hospital. He says it was perfect training to be a novelist: he learned everything about human behavior from his patients. I’ve been a criminal lawyer for more than 33 years, and every day, someone tells me a story I could never dream up. I meet my clients at the point of crisis and work with them through shock, anger, depression, denial, bargaining, and acceptance. It’s the same for my characters, who are as alive to me and my readers as anyone in my life.
Sometimes, when I talk about this book when I’m teaching writing students, I like to joke: “Luckily, I’m Jewish, so I can say this: Fleming was sexist, racist, and anti-Semitic, but boy, could he write!”
It always gets a laugh. And indeed, I don’t think it’s true. He was a writer in his time. I take pride in my writing being clean, clear, and simple. My inspirations were writers such as Chandler, Hammett, Hemingway, and Fitzgerald. Fleming took the lessons he’d learned from them and created a whole new genre. Pick up any of his novels and see how they are far more complex, compelling, and, as you’ll see, beautifully written.
As an autistic person, I was a deeply unhappy and anxious child, so naturally I grew up to be a goth, with scary stories becoming a way for me to manage my constant fear. The Gothic became one of my special interests, and something I’ve always enjoyed studying. Additionally, I’ve always loved imaginative, fantastical tales that helped me feel like I was escaping from the real world I hated (and honestly, still hate) so much. As a result, there’s a special place in my heart for books that combine the weird Gothic trappings I hold so dear with the action and magic of a fantastical adventure novel.
Werewolf James Bond killing Nazis in World War II. I’ll say it again: Werewolf James Bond killing Nazis in World War II. What more do you need to know?
Robert R. McCammon’s 1989 horror-adventure imagines the classic Gothic monster of the werewolf as a spy traversing a crumbling Nazi-occupied Europe. The book has an incredible sense of scale and incorporates both stomach-churning body horror and blistering action sequences, including a set piece on a train filled with deadly Saw-style traps and a shootout inside a Parisian opera house.
The Wolf’s Hour is ridiculous, and I love it for that. I love that it isn’t afraid to delve into the cheesier elements of the Gothic genre, without letting that detract from the real-world horrors of what the Nazis did. I’ve always felt that many of the best Gothic stories have some form of monster vs. man, with man being revealed as…
Master spy, Nazi hunter—and werewolf on the prowl—in occupied Paris: A classic of dark fantasy from a Bram Stoker Award—winning author.
Allied Intelligence has been warned: A Nazi strategy designed to thwart the D-Day invasion is underway. A Russian émigré turned operative for the British Secret Service, Michael Gallatin has been brought out of retirement as a personal courier. His mission: Parachute into Nazi-occupied France, search out the informant under close watch by the Gestapo, and recover the vital information necessary to subvert the mysterious Nazi plan called Iron Fist.
Fearlessly devoted to the challenge, Gallatin is the one agent…
I remember carrying home tall stacks of library books in the summertime and spending entire days immersed in my heroes’ latest adventures as a kid. This continued as I grew up, as I learned that I ought to be a hero, too, by confronting evil both within and without. So I took steps to face my fears, and now when I write about good guys fighting bad guys in my own action fiction, it’s with a real passion for doing what’s right, for making this world better, even if it’s in my own way and only just a little.
I remember binging Bond movies with my brother as a boy. In the early eighties, the glorious days of VCR tapes, the first big-screen TVs, with not a cell phone in sight. I’ve seen them all now, and as an author myself and a reader all my life, I’ve read every one as well. All of Fleming’s originals plus ten or twelve of the newer ones. Those are good, too, and more modern. You’ll see what I mean in a moment.
As usual, the book is better than the movie, but very different, and not just in terms of plot. The first glimpse of action occurs at the 57% mark. The pace does quicken after that, leading to an exciting finale, yet this is a work of art, a piece of literary fiction with carefully crafted passages meant to be read twice, not a macho romp with explosions and violence…
Moonraker is the third of Ian Fleming's James Bond novels and sees the British agent exposing a card cheat and discovering his deadly secret ...
At M's request, Bond confronts Sir Hugo Drax at the card table, on a mission to teach the millionaire and head of the Moonraker project a lesson he won't forget, and prevent a scandal engulfing Britain's latest defence system. But there is more to the mysterious Drax than simply cheating at cards. And once Bond delves deeper into goings on at the Moonraker base he discovers that both the project and its leader are something…
