Okay, it’s time for some fun. Matthew Field & Ajay Chowdhury have given us a feast with their book: Darker than the Sun.

More than anything, I can say I love this book because the authors know 007 and the business of spy movies better than anyone! If you love spy fiction like I do, you need this book because it takes you to wherever James Bond, aka 007, has been.

What I really love is that you don’t need to travel to these places, because this book gives you all the information on the story, how the movies were filmed, the people, and, of course, stunning photography.

From the Swiss Alps, to Jamaica, to Istanbul, to Thailand, you can plan your own trip, or – like I did – just settle down in a comfortable chair with a Vesper martini and enjoy!

William Le Queux’s Duckworth Drew was a secret agent working for British embassies around Europe reporting to the Marquis of Macclesfield, the Secretary of State for Foreign Affairs. Like many such agents to follow, he worked in diplomatic and aristocratic circles with finesse and had considerable luck with the ladies.

In short stories like “The Secret of the Submarine,” Drew starred in adventures that were precursors to later yarns focused on new technology as when he encountered an "electronic eye," an Italian device that detonated mines. Such playfulness with then cutting-edge tech reflected the author’s interest in merging adventure with weaponized science.

This one’s my go-to fantasy world when I feel middle-aged. Bett runs a mysterious team whose skills include hacking, guns, gadgets, and flying helicopters. When scientist Ross Fleming disappears from his arms research job, Bett calls in the person he knows will do anything to save Ross: his mother, bored housewife Jane Fleming who dreams of adventure. Leaving a trail of broken laws behind her, she gets herself illegally into France to join Bett, where her dreams start coming true: a sports car, a transmitter disguised as an earring, a casino, and a gun she now knows how to fire...  and it’s all narrated with Brookmyre’s trademark humour.

Oh dear, I’m cheating again. Sort of. This isn’t really fantasy, either. It’s an adventure for young adults featuring teenage spy Alex Rider. But I love it too much to care, and besides, cheating is cool, kids! But there’s a specific reason why I’m finishing this list with Stormbreaker. Despite its exciting action, the book is written as a relatable and grounded affair. Alex Rider is an ordinary kid with ordinary problems. He’s ginger, often lonely, underestimated, and regularly cast aside. He’s relatable and that’s why I loved the books.

The film adaptation is a ridiculous charade of impossible stunts starring an incredibly handsome blonde-haired model and it feels like someone threw up confetti over a story that actually meant something to me. Fifteen-year-old me was justified in throwing his popcorn at the screen.

Many children of my generation were turned to the dark side by their parents' collections of Dennis Wheatley's glamorously lurid Black Magic novels.

Key to their appeal was the author's assurance that the diabolical deeds described therein were actually being practised today – from the heart of power in London to the most remote village in the land. Phil Baker's enormously entertaining biography makes it clear that Dennis sincerely believed this, and consulted all the leading magicians of his age – including Aleister Crowley – to get the Goat-based goods from the gate.

Not only that, but his own life was steeped in just as much intrigue and danger as any of his novels, including stints as a WWI solider, peacetime purveyor of Napoleon's own brandy, and WWII member of Churchill's secret services.

Sometimes, when I talk about this book when I’m teaching writing students, I like to joke: “Luckily, I’m Jewish, so I can say this: Fleming was sexist, racist, and anti-Semitic, but boy, could he write!”

It always gets a laugh. And indeed, I don’t think it’s true. He was a writer in his time. I take pride in my writing being clean, clear, and simple. My inspirations were writers such as Chandler, Hammett, Hemingway, and Fitzgerald. Fleming took the lessons he’d learned from them and created a whole new genre. Pick up any of his novels and see how they are far more complex, compelling, and, as you’ll see, beautifully written. 

Jack Reacher can’t catch a break. Who else steps off a bus at a random stop and ends up in a turf war between Ukrainian and Albanian gangs in the middle of the United States. This is one of my favorites from the Reacher series. Lee Child has crafted a character that strikes at the heart of all of us who cheer on the forces of good and want to punish the bad actors. Lovers of justice will love Jack Reacher. His means might be harsh, but the end is satisfactory.

I found this book to be like a mix between Gallagher Girls and Alex Rider, with maybe a bit of Mean Girls in the mix—all in a good way!

One thing that sets this book apart from other teen spy books is that all the characters are damaged and yet they use that to fight back and to show the world what they’re made of. I felt like I was watching a movie while reading the book, and the scenes felt like I was in a James Bond movie! I can’t wait to crack open book 2.

Tom Wood immediately swept to the top of my list of great thriller writers when I read this book. It’s the first in the Victor Assassin series and its adrenaline-fuelled excitement gripped me from the first sentence to the final full stop.

Victor is hired to kill a man in Paris and to take the memory stick he is carrying, but Victor’s paymasters aren’t all they seem, and Victor quickly finds himself at the wrong end of a gun barrel when a hit squad is sent to eliminate him.

But Victor won’t be taken out that easily. He shoots his way free of the ambush and fights to stay alive long enough to work out who’s behind what’s happening. The underlying plot is slowly revealed and leads to a great dramatic conclusion.

From Russia with Love is a short book and is set at the early stages of the cold war. It shakes up the norm by spending close to a quarter of the opening of the novel describing Donald ‘Red’ Grant’s evolution from Irish thug to Russia’s leading spy killer. Bond is targeted by SMERSH to be eliminated by Grant and the lure; a SPEKTOR coding machine that British Intelligence are keen to get hold of. The final showdown between Grant and Bond on a train is a masterclass in tension and violence, like Eric Ambler, Fleming captures Europe and its mindset, this time in its post-war paranoia. It is my favorite Bond book. For me, Fleming never bettered it.