I've been drawing for over 68 years and carrying a sketchbook for over 60 of those years. I've seen success as an author, I'm an award-winning illustrator of books and magazines and animated many classic Disney features. Am I an expert on sketching humans and animals? ...No. I'm constantly learning in my effort to capture humans and animals in action by following the basic principles of drawing as they apply to quick sketching. My learning is aided by these books as I prepare lesson plans or the encouragement and inspiration found within their pages. I'm married to LaVonne, my high school sweetheart of 50 years, and have three grown children and six grandchildren.
This book laid the foundation of the importance of anatomy for me. I was first introduced to the pages as a college student and over fifty years later I use it as reference for myself and the students I teach. The author, through the use of his thorough, detailed illustrations, charts, photographs and explanations guide us through a maze of complicated body parts. His mastery of the human body allows him to visually present this complex topic into easily understandable material. The information contained within its pages has also been invaluable to me over the years as a constant reference in my quick sketching, illustration, and animation projects.
Stephen Rogers Peck's Atlas of Human Anatomy for the Artist remains unsurpassed as a manual for students. It includes sections on bones, muscles, surface anatomy, proportion, equilibrium, and locomotion. Other unique features are sections on the types of human physique, anatomy from birth to old age, an orientation on racial anatomy, and an analysis of facial expressions. The wealth of information offered by the Atlas ensures its place as a classic for the study of the human form.
I'm a philosopher with a specialization in bioethics. My work is at the intersection of policy and practice. It is grounded in a deep commitment to public education, engagement, and empowerment, as well as a strong desire to “make the powerful care.” I maintain that “the human genome belongs to us all. It’s something we have in common, and so we all have the right to have a say.” I believe the pivotal question that we all need to ask is “What kind of world do we want to live in?” Once we have an answer to this question, we can meaningfully address the more pointed question, “Will CRISPR technology help us build that world?”
This book starts and ends with the story of Dr. Jiankui He, the infamous Chinese researcher responsible for the first CRISPR experiment resulting in genetically modified children.
It chronicles Dr. He’s “meteoric rise to fame” followed by his “dramatic fall from grace.”
In telling this story Kirksey, a cultural anthropologist, entertains the reader with details about interesting characters he meets and places he visits in his quest to both situate this debacle in relation to earlier efforts at genetic engineering and cell therapy in the United States and to confirm some of the contested details about what did or did not happen in China in the years leading up to this “first”.
Along the way, Kirksey lays bare salient facts about conflicts of interests among scientists, the corporate world’s vaunted pursuit of profit, and the ways in which nationalistic aspirations seed unhealthy competition.
Longlisted for the Baillie Gifford Prize 2021 An anthropologist visits the frontiers of genetics, medicine, and technology to ask: whose values are guiding gene-editing experiments, and what are the implications for humanity? At a conference in Hong Kong in November 2018, Dr. Jiankui He announced that he had created the first genetically modified babies-twin girls named Lulu and Nana-sending shockwaves around the world. A year later, a Chinese court sentenced Dr. He to three years in prison for "illegal medical practice." As scientists elsewhere start to catch up with China's vast genetic research programme, gene editing is fuelling an innovation…
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
Andrew Loomis worked in editorial and advertising in 1930s America. At the time, most skilled artists were preoccupied with experimenting and high art. Meanwhile, the growing consumer culture required a lot of professional artists to work also on advertisements. This Andrew Loomis’ work is a manual meant to explain complicated human anatomy concepts in a simple manner – a sort of an ABCs for visual artists. It’s an excellent book for beginners!
The human head and hands are the most difficult elements in figure drawing, but world-class illustrator Andrew Loomis' classic primer offers the solution. Revered among artists for his mastery of figure drawing and clean, realist style, Loomis' hugely influential art instruction books have never been bettered. "Drawing the Head and Hands" is the second in Titan's programme of facsimile editions.
My interest in medieval history comes from a love of language. My favourite Old English word is wordhord, which refers to a poet’s mental stockpile of words and phrases. My word hoarding (and sharing) started with tweeting the Old English word of the day in 2013. This spread to other social media platforms, a blog, an app, and now two books. I have a PhD in English from King’s College London (my thesis was on blood in Old English, even though blood actually makes me squeamish). I enjoy histories that make me think about the past from a different perspective.
This book is filled with fascinating facts about medieval medicine, surgery, humoural theory, disease, and diagnosis. But what is surprising is how many other aspects of the Middle Ages are covered through the theme of bodies.
We learn about strange creatures like blemmyae (who have no heads and faces in their chests) and cynocephali (dog-headed people), saints and relics, race relations and politics, manuscript manufacture, religion, literature, travel, eating habits, love, sexuality, and gender identity.
I love how the chapters are organized by body part, from head to feet, a clever approach I have never seen in a history book before. Hartnell demonstrates how the medieval past is "an uncanny place at once startlingly different from and strangely familiar to our own."
Just like us, medieval men and women worried about growing old, got blisters and indigestion, fell in love, and had children. And yet their lives were full of miraculous and richly metaphorical experiences radically different from our own, unfolding in a world where deadly wounds might be healed overnight by divine intervention, or where the heart of a king, plucked from his corpse, could be held aloft as a powerful symbol of political rule.
In this richly illustrated and unusual history, Jack Hartnell uncovers the fascinating ways in which people thought about, explored, and experienced their physical selves in the…
Ever since I traveled to Ethiopia as a child and saw its forms of Christianity, I’ve been fascinated with the ways that a religion that seems to be “pure” and ethereal actually gets mixed with folk traditions. I came to specialize in the ways that Egyptian Christianity became Egyptian. But I have also noted this phenomenon throughout religions: Buddhism, Judaism, and Islam all assimilated themselves to particular regions and village expressions. This dynamic exchange between the “great tradition” and resilient local traditions is fascinating to trace even today when many leaders claim that nothing exists except for pure religious teaching. But historians of religions know that every religion is constantly “syncretizing.”
Where most people imagine Christian belief and experience as something that takes place in the heart and mind, Cox Miller looks at the many ways that early Christianity worked through the senses.
Touch and taste, the visual experience of spectacle and image, the scents of churches and tombs, and the powerful presence of material “things” like relics all rendered Christianity a religion of physical experience more than mindful faith.
With few exceptions, the scholarship on religion in late antiquity has emphasized its tendencies toward transcendence, abstraction, and spirit at the expense of matter. In The Corporeal Imagination, Patricia Cox Miller argues instead that ancient Christianity took a material turn between the fourth and seventh centuries. During this period, Miller contends, there occurred a major shift in the ways in which the human being was oriented in relation to the divine, a shift that reconfigured the relationship between materiality and meaning in a positive direction.
The Corporeal Imagination is a groundbreaking investigation into the theological poetics of material substance in…
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
Frédéric Delavier is an artist and a bodybuilder, and he’s written a unique book. Although Strength Training Anatomy is popular with the bodybuilder audience, it is very useful for visual artists as well. Instead of just showing muscles in static positions, this book emphasizes motion and demonstrates how muscles look when being worked.
Over 1 million copies sold! With new exercises, additional stretches, and more of Frederic Delavier's signature illustrations, you'll gain a whole new understanding of how muscles perform during strength exercises. This one-of-a-kind best-seller combines the visual detail of top anatomy texts with the best of strength training advice.
Many books explain what muscles are used during exercise, but no other resource brings the anatomy to life like Strength Training Anatomy. Over 600 full-color illustrations reveal the primary muscles worked along with all the relevant surrounding structures, including bones, ligaments, tendons, and connective tissue.
“Natural history” may have been my first words. As a college biology major, I came to deeply appreciate the diversity and adaptations of animal life. In medical school, I learned how human tissues, especially bone, work and fail. Orthopedic surgery residency allowed me to drill down, literally and figuratively, on living bone. I have traveled extensively on all continents and, in so doing, continue to expand my passion for learning about bone’s historical and cultural aspects along with its marvelous biological properties. In 2017, I began blogging (aboutbone.com), and in 2020, I published Bones, Inside and Out. Now I’m also biting into teeth. I love life’s hard stuff.
Bryson comes through once again with a comprehensive, fact-filled journey, this time through the human body.
I love the witty anecdotes he peppers throughout. I find myself laughing out loud with his ironic sense of humor as he describes the workings of bones and muscles (along with the lesser tissues) in ways that general readers can understand and appreciate.
NATIONAL BESTSELLERNEW YORK TIMES BESTSELLERINTERNATIONAL BESTSELLER A NEW YORK TIMES EDITORS' CHOICE NAMED ONE OF THE BEST BOOKS OF 2019 BY Maclean's - The Washington Post - USA Today - IndigoBill Bryson, bestselling author of A Short History of Nearly Everything, takes us on a head-to-toe tour of the marvel that is the human body. As compulsively readable as it is comprehensive, this is Bryson at his very best, a must-read owner's manual for everybody.Bill Bryson once again proves himself to be an incomparable companion as he guides us through the human body--how it functions, its remarkable ability to heal…
I have expertise in the area of spirituality and alternative health from working for over 20 years as a shamanic practitioner, spiritual teacher, and healer. I have travelled extensively and trained with many renowned teachers all over the world. I also provide ancestral healing and train students to be ancestral healers. Through my own healing journey, I have studied many healing and alternative approaches to wellness. I have studied extensively with plants and herbs. In 2020 I wrote my award-winning book Illumination of the Shadow, which explores ancestral healing. I have always had an interest in books in the mind, body, and spirit area, and read extensively in this area.
This is a great book, which comprehensively explores the body's immune system. It provides great insights that I was not aware of the various factors that can cause the immunity to breakdown. It is full of information and is easy to read, yet very comprehensive on each area that is explored. I loved the individual exercises included in the book, for example around exploring how toxic your environment is and how this can affect your immunity, which provided great practical information for reflection
This book really helped me with my personal well-being. I am more aware of what can affect my immunity, and how I can live and eat better and enhance my natural defenses.
Based on the author's personal experience of fighting cancer, this study draws on current research in the area of immune efficiency and provides practical guidelines on planning and implementing an enhancement programme which concentrates on mind, emotions, diet and exercise. The author explores the connection between the onset of illness and emotional upsets, and explains how to deal with anger, stress and resentment through a series of visualization and relaxation techniques. She also examines the physiological and psychological effects of exercise, and outlines the "peak immunity" diet. The text includes information on other immune-deficient and auto-immune diseases, such as allergies,…
I’m a traditional sculptor with more than 25 years of experience. Being a dyslectic student in the 2000s, I developed a systematic approach to translating medical anatomy texts into visual information that I could use while sculpting. All the anatomy books for artists at the time were text-centered. My reference sketches became quite popular among colleagues. It was clear that visual artists perceive information best when it’s visual, and that is how I got the idea for my first book. Now the Anatomy for Sculptors handbooks are bestsellers among visual artists striving to better understand the human form.
Eliot Goldfinger’s book is very precise, reliable, and not too lengthy. Its systematic approach reminds me of a medical anatomy book, but it has been adapted for artists. The book is consistent in its depictions of human anatomy, and you will find each anatomical structure depicted from set angles: front, side, top, etc. It’s not always easy to find reliable human anatomy references, but this is one of them.
Eliot Goldfinger, a realistic sculptor and instructor of human and animal anatomy, has designed and written a reference work for artists and art students on the visual and descriptive components of human anatomy. The format is simple and accessible; all information about one aspect of a topic is set forth on facing pages. For example, the anterior leg muscle is illustrated in a series of precise anatomical drawings and well-lit photos, with text on origin, insertion, action, structure, and how it relates to creating surface form directly opposite the pictures. Unique to this book are photographs of a series of…
I
love, love, love fictional worlds that reimagine gender, but nothing can beat real
life!
The Invention of Women is an accessible and riveting description
of how the Yoruba people in West Africa organize a culture based on seniority
rather than Western binary genders. This is a mind-blowing book for anyone who
is interested in gender and how human beings don’t have to be trapped in one
way of doing things.
The "woman question", this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western contruction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed in old Yoruba society, and that social organization was determined by relative age.
