Savannah, Georgia is one of my favorite cities. My family visits there at least once a year for a work conference or soccer tournament or another event. It is an old city full of beauty, history, art, and good food. So why not also enjoy a historical fiction novel that takes place there!

Surviving Savannah blends the past with the present and nonfiction with fiction into a mysterious and moving story about strong women and their will to survive the most perilous of times. The story centers around the 1838 sinking of the steamship Pulaski, in which 128 people tragically lost their lives.

Peachtree Road is considered a modern-day Gone with The Wind, in that it is set in the pivotal, changing times of 1960’s Atlanta, and concerns the opulent area of Buckhead, where the privileged who built modern-day Atlanta live. The story is narrated in lyrical language by Shep Bondurant, an insightful young man born to privilege, who tells the coming-of-age story of Southern traditions and hypocrisy, and the impact of growing up alongside his troubled cousin, Lucy. A deeply probing story on multiple levels concerning society and the impact of family. 

This story starts with Harper getting kicked out of a foster home before being sent off to the spooky Shadowford Home for Girls in the fictional town of Peachville, Georgia. Things go from bad to worse when a local cheerleader is found dead, and Harper gets sucked into a small-town mystery.

The book reads like a paranormal detective story, with a touch of romance. Harper is no P.I., but she is magic, and the twin mysteries of her origins and the town’s history dovetail nicely as the story progresses.

I particularly sympathized with the heroine’s plight as an outsider at a new school, something I’ve experienced many a time myself. The good thing about it is, it makes for some moving storytelling.

Spend time with a young child, and you’ll immediately notice how intrigued they are by the smallest, seemingly insignificant things. A crack in the sidewalk. The glimmer of a shiny stone. A pill bug scuttling across the dirt. Everything is cause for noticing, wondering, and myriad questions.

Welcome to the Wonder House is the collaboration of poet/teachers Georgia Heard and Rebecca Kai Dotlich. Their poetry invites readers to wander and wonder, notice, ask questions, and reflect on rooms such as time and place, curiosity and praise.

Luminous, mixed-media illustrations by Deborah Freedman make the journey from room to room to room a visual adventure of its own.

The Sweetness of Water is historical fiction that captures the reality of the human issues – the opportunities, the hopes and fears, the dreams and taboos – of life in the American South in the years just after the Civil War.

The characters are complex, the history solid, the writing gorgeous. It is rare that one encounters historical fiction that is truly fictional and yet also “fictionally true” – that is, accurate to small historical details even though the story is made-up. But this book is that, and I’m glad to have it part of me not only as a historian of the nineteenth century, but also for what it brought me and taught me.

Alice Walker is one of my all-time favorite authors and inspirations, and not just because she’s from Georgia, like me. The Third Life of Grange Copeland is my favorite novel of hers; in it, she captures beautifully the fraught relationship between a hardened old man and his granddaughter, who he is determined to do right by after a lifetime of doing wrong. It is a heartbreaking, stark, beautiful novel. 

Focusing on Georgia, this study answers the question of just what rich Confederates were doing during the Civil War. It turns out that they were not sacrificing all for the Confederate cause but pursuing their self-interests by continuing to grow cotton, speculating in goods, and finding ways to use their class position to stay out of Confederate armies. By so doing, they aroused the class resentments of the plain folk who increasingly turned against the Confederate cause.

I knew E.L. Doctorow from his gangster novel Billy Bathgate and loved his quirky characters and beautifully controlled prose. The March is a story set in the American Civil War, more specifically, General Sherman’s famous scorched-earth march through the Confederate South from Atlanta to Savannah.

We don’t see a lot of Sherman, though he’s well drawn: the book centres on the oddball mix of soldiers, deserters, civilians, and photographers caught up in the army’s slipstream and how it changed their lives.

I admired it for its realism and the clear sense of the randomness of war: who survives, who dies, who flourishes, and who is overwhelmed. An army is far less of a man’s world than one might expect, and Doctorow draws some memorable female characters.

This book provides an excellent overview of Atlanta’s rise from humble beginnings as a rail hub before the Civil War to a thriving commercial center by the end of the century. Russell argues that the war accelerated Atlanta’s commercial and industrial development, but its path was already set before General William T. Sherman’s army arrived during the Civil War. White business elites dominated city politics until the election of Atlanta’s first Black mayor, Maynard Jackson, in 1973.

Erskine Caldwell is deeply underrated; for my money, he’s one of the best southern gothic writers in the genre. Perhaps it’s down to the risque nature of his books and characters, which were especially provocative (and in some cases, downright despicable) for the time period. However, beyond the depravity there is a real beating heart in his books that perfectly capture the desperation and grief of depression-era Georgia.