My psychotherapist has always described me as a black and white thinker. Good and evil. Happy or sad. Up or down. I struggle with shades of gray in my day-to-day life. Which is maybe the reason I am drawn to literature that explores morally ambiguous characters and settings. Not only does every book on this list have no clear hero or villain, but each story forces the reader to question what they think they know about right and wrong. I may be a black and white thinker in every practical sense, but I read and write about people and situations that occupy that very human space of in-between.
Kazuo Ishiguro is known for stories rooted in real world contexts. Even his various forays into science fiction (Never Let Me Go and Klara and the Sun) are deeply grounded in contemporary, true-to-life settings. So, when I stumbled upon this classic fairytale by one of my favorite authors, I didn’t know what to expect. Talk about a gut punch!
This book explores morality and hope in creative and magical ways. And the twist at the end will leave you reeling—in true Ishiguro form.
*Kazuo Ishiguro's new novel Klara and the Sun is now available*
The Romans have long since departed, and Britain is steadily declining into ruin.
The Buried Giant begins as a couple, Axl and Beatrice, set off across a troubled land of mist and rain in the hope of finding a son they have not seen for years. They expect to face many hazards - some strange and other-worldly - but they cannot yet foresee how their journey will reveal to them dark and forgotten corners of their love for one another.
I love a good fight scene! It doesn’t need to be long and gruesome, but it must be visceral and make me nervous for those involved. Don’t get me wrong, I also love a good first-kiss scene but unfortunately, my past has made me more adept at recognizing and writing one over the other. I started training in martial arts at the age of nine and continued for thirty years. I don’t train much these days but I took up bowmaking a few years back and now spend a lot of time carving English longbows and First Nations’ bows. I recently also took up Chinese archery.
Bernard Cornwell’s fight scenes are what I would call emotional rather than technical. You feel his fights, the vibration of sword against shield, the panic of your feet slipping in the mud, the fear rising up in your guts that will allow only a half-crazed scream to come out of your mouth. If you’re looking for a manual on sword fighting, Cornwell is not your man. But if you want to be put in a character’s armor while someone is trying to skewer him with a spear, no one does it better. I was drawn to this book because it was about an archer, and I know how hard it is to write fight scenes with archers in them. I am an amateur bowyer and having made more than a few bows I know how much skill it takes to make and use these weapons. Cornwell did a lot of…
Harlequins are lost souls, so loved by the devil that he would not take them to hell, but left them to roam the earth. In French the word is hellequin - the name given to the English archers who crossed the Channel to lay a country to waste.
Thomas of Hookton is one of those archers. When his village is sacked by French raiders, he makes a promise to God: to retrieve the relic stolen from Hookton's church. Escaping his father's ambitions, he becomes a wild youth who delights in the life of an army on the warpath.
If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.
This is a book written in its own language: one that is derived from Old English. It is written from the viewpoint of a Saxon native, a freeman, whose liberty is threatened by the outside world, invaders who respect no moral laws. Through this method, we enter the minds of the protagonist – Buccmaster of Holland – and a worldview is constructed in which the local is in a shifting balance with external sources of power. The book demonstrates how our thoughts and worldviews are realised by, and dependent upon, the language through which they are articulated. Without explicitly intending to do so, it also provides insight into much of the psychology behind Brexit.
Winner of the Gordon Burn Prize 2014 and The Bookseller Industry Book of the Year Award 2015. Longlisted for the Man Booker Prize, the Desmond Elliott Prize and the Folio Prize and shortlisted for the Goldsmiths Prize.
A post-apocalyptic novel set a thousand years ago, The Wake tells the story of Buccmaster of Holland, a free farmer of Lincolnshire, owner of three oxgangs, a man clinging to the Old Gods as the world changes drastically around him. After losing his sons at the Battle of Hastings and his wife and home to the invading Normans, Buccmaster begins to gather together…
Brandon Sanderson takes a hard left turn into a world of wizards mashed up with sci-fi technology. As a lover of mixed-genre stories, I greatly enjoyed the human and self-awareness of this witty tale. The story jumps back and forth between the handbook itself, and an amnesiac man who awakes in medieval England with only a half-fried handbook to guide him into the weird and wonderful world of wizardry.
The ending was surprisingly different than the usual Sanderson fare, and I love how this book—unlike Sanderson's other work in a sweeping Cosmere—stands on its own.
From #1 New York Times bestselling author Brandon Sanderson―creator of The Stormlight Archive, the Mistborn Saga, and countless bestselling works of science fiction and fantasy―comes this captivating standalone adventure that meshes Jason Bourne, epic fantasy, and time travel.
A man awakes in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His…
I write and read fantasy that doesn’t play safe—where magic is messy, divine, rotten, or reborn in mud. I’m obsessed with stories that walk barefoot through forgotten folklore, eerie townships, and mythic detours. The Fallow Swallow grew from this exact craving: for fantasy that’s personal, poetic, and just a little unwell. I gravitate toward tales that embrace magical realism, morally grey characters, and dark humour—and these books helped shape my voice as a writer.
Reading this was like drinking tea with a ghost in a dusty library—charming, eerie, and wonderfully slow.
Clarke's ability to mix historical fiction with brooding, folkloric magic was inspiring. I admired how it builds tension not with battles, but with manners, contracts, and impossible choices. It taught me patience in worldbuilding and in life.
Two magicians shall appear in England. The first shall fear me; the second shall long to behold me The year is 1806. England is beleaguered by the long war with Napoleon, and centuries have passed since practical magicians faded into the nation's past. But scholars of this glorious history discover that one remains: the reclusive Mr Norrell whose displays of magic send a thrill through the country. Proceeding to London, he raises a beautiful woman from the dead and summons an army of ghostly ships to terrify the French. Yet the cautious, fussy Norrell is challenged by the emergence of…
Steampunk has always been a fascinating genre to me, especially seeing how different creators play with historical elements. But the question that I’m always looking to answer is, “Why is this history different from our own?” What has allowed this alternate Victorian era to create fantastical technology? As I asked this question about my own steampunk books, I found great delight in how other authors have combined magic with their technology to create delightfully refreshing outcomes. I continue to search out these books as I am always surprised at their creativity and novelty.
I was enthralled by the suspense in this book! Multiple levels of mystery–from anti-government plots to supernatural senses–tugged me along and kept me turning pages past my bedtime! I appreciated that the supernatural element was explained scientifically yet subtly enough that I felt really smart putting it together.
The themes of choice, coincidence, and the ripple effect were so fascinating and intriguing, and well-explored in an entertaining, thrilling way.
SHORTLISTED FOR THE AUTHORS' CLUB BEST FIRST NOVEL AWARD 2016
SHORTLISTED FOR THE BETTY TRASK PRIZE 2016
FINALIST FOR THE LOCUS FIRST NOVEL AWARD 2016
An International Bestseller - A Guardian Summer Read - An Amazon Best Book of the Month - A Goodreads Best Book of the Month - A Buzzfeed Summer Read - A Foyles Book of the Month - AHuffington Post Summer Read - A Yorkshire Post Book of the Week
In 1883, Thaniel Steepleton returns to his tiny flat to find a gold pocketwatch on his pillow. But he has worse fears than generous burglars; he…
In the hands of a skilled horror author, there is something powerful about a slow-burn romance. When two characters are drawn to each other against the backdrop of dread and danger, the stakes are raised. Every moment the two have together is hard-won, special. The romance doesn’t soften the horror; it sharpens it. It gives readers something to invest in and hope for. That intense emotional investment creates tension. Survival isn’t just about escaping the supernatural threat or a human monster; it’s about what might be lost if they don’t. In horror, love is a luxury because it’s risky and a vulnerability. It's a favorite element of good horror.
This Kat Dunn book is an immaculately crafted gothic horror novel that builds tension through atmosphere, character dynamics, and psychological unraveling. I listened to the audiobook, and it became a highlight of my day. The horror elements creep in seductively, rooted more in psychological and emotional distress than terror.
Lenore and Carmilla’s magnetism is intoxicating. The novel stays true to the historical period as Lenore wrestles with her liberation in the hands of her new companion. I was on the edge of my seat with anticipation. Hungerstone is ideal for those who appreciate slow-burning gothic horror with a strong focus on character.
If the moody, mysterious marriage dynamic and tension of Rebecca paired with the vampiric, sapphic yearning of Carmilla sounds interesting to you, this book will utterly consume you.
THE FIERCEST, MOST POWERFUL RETELLING OF 2025: A STORY OF AMBITION, FEMALE OPPRESSION AND UNSTOPPABLE HUNGER . . .
'Rich and daring. This is everything I dream of in a novel' Ava Reid 'Ravenous, righteous and utterly sublime' Bea Fitzgerald 'Intoxicating and vivid . . . Sensual and vicious' Hannah Kaner 'An extraordinary book' Jennifer Saint 'Phenomenal' Samantha Shannon 'A true feast for all the senses' Cosmopolitan 'A beguiling and spellbinding story of female repression and appetite' Heat
FOR WHAT DO YOU HUNGER . . . ?
Lenore is the wife of steel magnate Henry, but ten years into their…
Masks have been fascinating to me for a long time, in both the literal and metaphorical sense. Whether by choice or not, the masks we wear say a lot about us. It’s also interesting to me how they can represent freedom or captivity, depending on context. At a masquerade, that anonymity provides a sense of freedom, a chance to act like someone you’re not, or the courage to act braver. But when forced into a role or status that comes with certain masks, you can be trapped, forced to act a certain way. The range gives us so much to work with.
Set in 1882 England, These Vicious Masks has so many tropes I love in a book. Evelyn’s dry wit and sarcasm are exactly my sense of humor and she’s an intelligent character I enjoyed following. She travels to London to find her missing sister, discovers a society of individuals with X-Men-like abilities, and must use both literal and metaphorical masks to achieve her goals. It’s these metaphorical masks that interest me, how we act differently in different situations, and how we remove them as we grow closer to one another.
Jane Austen meets X-Men in this thrilling Victorian adventure full of magic and mysticism, perfect for anyone who loves a confident, rebellious heroine, snappy dialogue, and a hint of romance.
England, 1882. Evelyn is bored with society and its expectations. So when her beloved sister, Rose, mysteriously vanishes, she ignores her parents and travels to London to find her, accompanied by the dashing Mr. Kent. But they're not the only ones looking for Rose. The reclusive, young gentleman Sebastian Braddock is also searching for her, claiming that both sisters have special healing powers. Evelyn is convinced that Sebastian must be…
I don’t read much science fiction these days, but this (if it really is SciFi) drew me in and hooked me almost immediately with its alternate universe and truly original storyline.
I’ve been obsessed with stories and storytelling ever since I learned to read, which is probably why fairy tales, some of the oldest stories around, play a huge role in Unwritten. What I love most about fairy tales is how exciting they are: they have magic, wicked witches, abandoned children, magical transformations…. And yet, the original fairy tales are often simply “story skeletons” –some are only a few pages (or even paragraphs) long. Still, they have endured over hundreds of years and are constantly evolving. I love studying what makes these tales continue to resonate with readers and thinking about how I can use these elements in my own work.
This book is not a fairy tale, per se, but it shares many of the elements of fairy tales. Set in 19th century Europe, the novel is filled with starving orphans, a child transformed into a doll, a wicked puppet master, an evil witch, and a magic necklace. This book combines two of my favorite genres, historical fiction and fantasy, and includes mystery and magic at every turn. I could read this book again and again!
“A brooding, Dickensian novel with a touch of fantasy and a glimmer of hope. . . . As mysterious and timeless as a fairy tale.” — Booklist (starred review)
Laura Amy Schlitz’s Newbery Honor–winning Victorian gothic is a rich banquet of dark comedy, scorching magic, and bewitching storytelling. Clara Wintermute, the only child of a wealthy doctor, invites master puppeteer Grisini to entertain at her birthday party. When Clara vanishes that night, suspicion falls upon the puppeteer and his orphaned assistants. The three children — two penniless waifs and one pampered heiress — have been caught in a trap set…
