58 Books Like The Wake

If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.

If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.

If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.

If there was ever one word that seems to have changed the foundations of modern Britain it is the word 'Brexit': something that had seemed so antediluvian shifted from being impossible to becoming reality. I could not believe this was happening and I wanted to explore the influence of language in creating this reality. I decided to apply the approach I had originally authored known as Critical Metaphor Analysis to unravel the metaphors through which the arguments of Leavers and Remainers were articulated. In doing so I tried to tell the story of Brexit through its metaphors because the role of language itself is often overlooked in accounts of persuasion.

I’m a Canadian writer who has always had a love for fantasy books. Particularly fantasy books with badass female characters who aren’t afraid to get their hands dirty, which is why my first published novel, It Ends With Her, is just that. I hate reading books, fantasy or otherwise, where the female lead simply waits around for someone else to fix her problems. Or even worse, lets someone else run her life entirely. No thank you, I’d much rather read about someone taking matters into her own hands and doing what’s right, no matter the cost.

I have been in various militaries for over 17 years and am proud of my service. Troubled Zen is my first foray into the publishing world and I’m proud of what I’ve achieved. I enjoy the ex-military hero-style action/ thriller novels because I find that I can understand their mindset and relate well with their characters. I found most were male, ex-special forces so I chose a female Explosive Ordnance Disposal member as I believe that there are plenty of aspects to investigate that can show how a woman can be equally tough, stubborn, ingenious, brave, and determined.

Oh, Dragons. They have invaded my life. They’re in every room in my house – it gets crowded in the bathroom but there are a couple in there. They feature in my meditations and once I started reading fantasy, they feature in many of my books. I’m always happy to look at a book with dragons in it. If I could turn into a dragon – I would. 

Since I was a child, my imagination would run rampant with ideas and fantasies I had no idea how to channel. Then, when I was fifteen, I joined my high school’s creative writing class, and suddenly, every fantasy I’d ever concocted in my head had somewhere to develop. Sweet romance books have always fulfilled me, and I love it when, from the first page, you can feel the sparks between the main characters. They have a wholesomeness that leaves me feeling refreshed and hopeful, and I love that, for a few hundred pages, I can dive into another world and experience love through someone else’s eyes. 

As a longtime lover of Gothic literature, I wrote my doctoral dissertation on it, which became my book The Gothic Wanderer: From Transgression to Redemption. My second book on the Gothic, Vampire Grooms and Spectre Brides, explored how French and British Gothic authors influenced each other. The City Mysteries novels were part of that influence, as evidenced by how British author Reynolds borrowed the idea to write The Mysteries of London from French author Sue’s The Mysteries of Paris. After reading so many City Mysteries novels, I decided to write my own, complete with crossdressers, prostitutes, criminals, innocents, and the genre’s many other signature elements.

For people who know something about a technical field, there is nothing that can ruin a book or movie faster than inaccuracies about that field. I’ve worked as an armored car driver, police officer, and private investigator in and around Detroit, and have been writing for outdoor magazines for close to twenty years, so not only do I know a lot about the featured subjects/characters of most thrillers, I care about how accurately they’re portrayed, and have brought that passion to my writing. I’ve written five thrillers set in Detroit, many of them featuring a private investigator, and when writing Bestiarii and its sequels did extensive research on dinosaurs.