I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
This is a collection I have constantly gone back to over the years and is probably my all-time favorite in the history of the counter-culture. I love the blend of rigorous research and easy reading, as well as the breadth of topics and diversity of approaches.
It is replete with thoughtful analyses and eloquent descriptions of the counter-culture, without ever giving in to the nostalgia of era or condemning it for that has gone wrong since. A great starting point if you want a good overview of the history of the American counter-culture.
Amidst the recent flourishing of Sixties scholarship, Imagine Nation is the first collection to focus solely on the counterculture. Its fourteen provocative essays seek to unearth the complexity and rediscover the society-changing power of significant movements and figures.
As someone who lived through the very interesting and tumultuous 1960s and 70s, I am fascinated by details of other’s experiences of the same time frame. I inhabited the early 70s fully, going to so many once-in-a-lifetime cultural events: poetry readings, music performances, avant-garde theater, and ‘be-ins’ or ‘happenings.’ With a Masters degree in Creative Writing, I have been an observer of culture and art for several decades. I am the author of three collections of poetry, a book of short fiction, a novel, and a book for writers.
A nonfiction book that reads like a novel; I loved this book because it gave context to one of San Francisco’s darkest days. On November 27, 1978, California suffered a terrible blow as its beloved mayor, George Moscone, and its first openly gay Supervisor, Harvey Milk, were assassinated.
With its infamous ‘Twinkie defense,” the assailant, Dan White, attempted to convince the city that he was temporarily insane. I loved learning about the behind-the-scenes politics.
The critically acclaimed, San Francisco Chronicle bestseller—a gripping story of the strife and tragedy that led to San Francisco’s ultimate rebirth and triumph.
Salon founder David Talbot chronicles the cultural history of San Francisco and from the late 1960s to the early 1980s when figures such as Harvey Milk, Janis Joplin, Jim Jones, and Bill Walsh helped usher from backwater city to thriving metropolis.
Part coming-of-age summer romance, part thriller, Bomb Island is a funny and fast-paced Southern novel exploring subculture communities, survival, and found family set on an island near an unexploded atomic bomb.
Summer is in full swing on Bomb Island, Georgia. Fifteen-year-old Fish lives in a commune on the three-mile stretch of sand with his chosen family: their "mother-sage" Whistle and her white tiger, Sugar, a young man named Reef, and an old man named Nutzo, who is still missing. Fish and Whistle spend the days leading tours in their glass bottom boat out to the barrier island's namesake, an unexploded…
I was a Brooklyn kid who grew up on Long Island. I started hitting the bars and clubs in NYC when I was still a teenager. I found my way to CBGB in 1975, moved to Bleecker St in 1976, and in a right place/right time moment I found myself working the Mudd Club door in early 1979. That moment was a life changer. The Mudd Club book tells the story.
The best book written about 1960’s Pop-Culture madness and mayhem. As founding member of The Fugs and a unique literary voice, Ed Sanders tells this tale brilliantly. The warning signs, the goosebumps, and knowing when it’s time to stop are all there in The Family.
As a young social worker, I left the world I knew and moved into violent urban centers and traveled the developing world. The suffering and beauty entranced me. Questions reverberated in me: What does it mean to be part of the vast human community? How can I live most fully? When I adopted children, violence and difference confronted me not “out there” but at home. I wrestled, shocked by my own judgment and narrowness—until I accepted in my bones the myriad ways to live a remarkable life. Curiosity became my superpower. Tinderbox, my unflinching memoir, invites readers into my family’s brutal and beautiful transformation through embracing neurodiversity.
Starr infuses her language with lyricism and in-your-face honesty. She opened a window for me into the counterculture of the 1970s as a bright young daughter of nomadic parents, landing in Taos among intellectuals and spiritual seekers.
Death crashes into the story in the opening pages with her child’s death and pervades it throughout. It offered me courage to write my own parenting story: fear, mistakes, devastation included. Starr doesn’t hold taboos, facing death, drugs, abuse, and despair as she unveils her story of unfolding adolescence to motherhood.
I felt like I’d kicked off my shoes and tucked my legs under myself to listen to a new friend’s life story, gaining a wise, quirky, compassionate companion.
On the day her first book came out-a new translation of Dark Night of the Soul by Saint John of the Cross-Mirabai Starr's daughter, Jenny, was killed in a car accident. "My spiritual life began the day my daughter died," writes Mirabai. Even with decades of spiritual practice and a deep immersion in the greatest mystical texts, she found herself utterly unprepared for "my most powerful catalyst for transformation, my fiercest and most compassionate teacher."
With Caravan of No Despair, Mirabai shares an irreverent, uplifting, and intimate memoir of her extraordinary life journey. Through the many twists and turns of…
I’ve always been fascinated by the role of women in war: men may be on the front lines, but women deal with its impact and often struggle to have equal standing. I was inspired by stories told by my mother who was a nurse in World War II and participated in surgery under gunfire and helped liberate a POW camp in Germany. Yet, no one wanted to hear from her because she was “just a nurse.” Fast forward to Vietnam where women were still being marginalized. I wrote The Fourteenth of September to even the playing field by telling a story that was largely based upon my own experience in college during l969-1970.
A great story about the dark side of trying to do the right thing:
A radical, anti-Vietnam War protestor is involved in an incident where someone is inadvertently killed and is forced to go underground, where she builds a new identity and law-abiding life. Thirty years later she is recognized by a former classmate and, facing a long-delayed jail sentence, must find a way to explain it all to her family, friends, and above all, her daughter.
While reluctantly accompanying her husband and daughter to freshman orientation at Indiana University, Nora Quillen hears someone call her name, a name she has not heard in more than 25 years. Not even her husband knows that back in the '60s she was Jane Barth, a student deeply involved in the antiwar movement. An American Tune moves back and forth in time, telling the story of Jane, a girl from a working-class family who fled town after she was complicit in a deadly bombing, and Nora, the woman she became, a wife and mother living a quiet life in northern…
Franzen captures naturalistic feelings and thought processes, and is unafraid of how much darkness is in the human mind. He portrays that darkness in an appreciative way and makes flawed humans beautiful.
Jonathan Franzen’s gift for wedding depth and vividness of character with breadth of social vision has never been more dazzlingly evident than in Crossroads.
It’s December 23, 1971, and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless—unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem’s sister, Becky, long the social…
I read this book because I enjoyed Bushnell’s two previous novels. What surprised me about this new book was the exploration of the passage of time and human aging through a supernatural crime spree.
The young woman, the main character, is driven by two motivations: how to become a detective and how to be a woman in a world in which she doesn’t exactly fit. Her friend, a young man developing his skills as a magician, accompanies her on an investigation of the mysteries of aging-gone-wild and police corruption.
It’s a good story that verges into territory held by young adult fiction. The true climax is vivid and exciting, the whole adventure ready-made for a cable series. The writer treats the improbable as probable with a very real gift for story-telling.
"A supernatural mystery—part Stranger Things, part Enola Homes, but very much itself... This book is way, way over the top—and is sure to delight its intended audience." -- firstCLUE
Stranger Things meets the Golden Age of Detective fiction in a rollicking supernatural detective thriller that introduces Artie Quick, a sales assistant at Filene’s in Boston, who moonlights as an amateur detective.
The year is 1909, and Artie Quick—an ambitious, unorthodox and inquisitive young Bostonian—wants to learn about crime. By day she holds down a job as a salesgirl in women’s accessories at Filene’s; by night she disguises herself as a…
I was a happy child until I went to school. When my teacher turned her back, I ran home. My mom sent me back. The umbilical cord broken, I held a grudge. That enmity remained until my ninth-grade English teacher read us Richard Brautigan’s post-apocalyptic, proto-hippie fantasy In Watermelon Sugar. There was much to imagine: a multicolored sun, an infinite garbage dump, and mathematical, parent-eating tigers. Like the narrator, I wanted to live in a shack, not have a regular name, and hook up with a proto-hippie, hot cake-making artist girlfriend who made “a long and slow love” possible. Since then, I have devoured fiction, poetry, art, film, you name it.
I was fourteen when I was introduced to my next pick. Our teacher read aloud The Kool-Aid Wino and The Cleveland Wrecking Yard, and I was lucky enough to find a copy at the mall as I read, bang! Trout Fishing in America Terrorists, bang! The Hunchback Trout, and bang! Sandbox Minus John Dillinger Equals What?
Brautigan grew up neglected and received involuntary electroshock treatments because he was hungry and threw a rock through a police station window. He never went to college but taught college classes. His imagination gave him a reason to live. It gave me one, too.
Three counterculture classics by Richard Brautigan, literary icon of the 1960s, together in a single volume, including the unforgettable Trout Fishing in America.
Trout Fishing in America is by turns a hilarious, playful, and melancholy novel that wanders from San Francisco through America's rural waterways.
In Watermelon Sugar expresses the mood of a new generation, revealing death as a place where people travel the length of their dreams, rejecting violence and hate.
The Pill Versus the Springhill Mine Disaster is a collection of nearly one hundred poems, first published in 1968.
I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
I love this book if only for McMillan’s hilarious chapter on the “Great Banana Hoax,” describing how the underground press convinced so many drug users to indulge in dried banana peel smoking to achieve what turned out to be a placebo high.
Much like Joshua Clark Davies’ From Head Shops to Whole Foods, this book is great at reminding us that the counter-culture was not just about self-indulgence but also about implementing new ways of living with tangible results. The underground press of the 1960s is a perfect example of stoners and radicals pooling their energy to disseminate information around the country through interstate networks.
How did the New Left uprising of the 1960s happen? What caused millions of young people--many of them affluent and college educated--to suddenly decide that American society needed to be completely overhauled? In Smoking Typewriters, historian John McMillian shows that one answer to these questions can be found in the emergence of a dynamic underground press in the 1960s. Following the lead of papers like the Los Angeles Free Press, the East Village Other, and the Berkeley Barb, young people across the country launched hundreds of mimeographed pamphlets and flyers, small press magazines, and underground newspapers. New and cheap printing…
