I want to write about the magic of the everyday and often this is seen in the slippages between worlds like the worlds of the living and the dead. Ghosts and spirits feature heavily in my work and fascinate me as a reader too. This is not in the realm of fantasy to me, ghosts are real and actual.
The Crystal Messenger is a delicate melancholy tale about a girl who observes from her window the comings and goings of her family and the community around her.
Her sister is the local beauty who is wooed by many but cannot find the poet that she truly loves and she is courted by a dwarf who is a member of the communist party. The prose of this novella is like candy floss, it can melt on your tongue and I aspire to use language this way.
This award winning book has been described as the 'renaissance of Vietnamese literature'. Written by a young woman in her twenties at the end of an era when Vietnam closed itself off from the world, it is widely regarded as one of the most important works of fiction ever to come out of that country. Ostensibly, The Crystal Messenger is a magical and moving story of two sisters' journeys to emotional and sexual maturity. But it is also a powerful allegory about the fate of North and South Vietnam, the struggle with reunification after the war, and the effect of…
One Christmas Eve many years ago when I was a little girl, I was too excited to sleep. I prayed to the baby Jesus whom I’d heard about in carols. I felt wrapped in love and woke up well-rested on Christmas morning.
I’ve always believed life is a spiritual journey: I respect and learn from many religious and secular traditions. After I joined a church, I became a spiritual director. When I was sixty, I earned an MA in pastoral ministry and women’s studies. I have pastored two churches and also became a preacher—something I could not imagine I’d ever be able to do. It’s never too late!
A friend once asked to whom I’d most want to be apprenticed. I thought about it for a while and answered, “Joan Chittister.” She invariably speaks deeply from a spirituality not limited to her Catholic orthodoxy, but inclusive of many other religious traditions. I never stop learning from her wisdom which often arises from her own experience.
In Chittister’s chapter about endurance, I am reminded of my own struggles as a writer and as a minister and how these struggles have deepened my spiritual understanding. Her words always give me hope and help me to persevere.
Everyone goes through times of pain and sorrow, depression and darkness, stress and suffering. It is in the necessary struggles of life, however, that we stretch our souls and gain new insights enabling us to go on.
Building on the biblical story of Jacob wrestling with God and on the story of her own battle with life-changing disappointment, Sister Joan Chittister deftly explores the landscape of suffering and hope, considering along the way such wide-ranging topics as consumerism, technology, grief, the role of women in the Catholic Church, and the events of September 11, 2001. We struggle, she says, against…
I didn’t sit down to write Carried Away with a personal sermon in my back pocket. No buried lessons or hidden curriculum—it was just a story I wanted to tell. But stories have a way of outsmarting you.
So when I chose these books, I wasn’t looking for perfect comparisons—I was looking for echoes. Some of these books will drag you through POW camps or strand you on a lifeboat with a tiger; others will lean in and whisper that you’ve been running a program and calling it personality. A few say the quiet part out loud—about grit, meaning, and purpose. Others ring you up with fable, abstractions, or science, but they leave their mark just the same.
What can you really say about this one—besides the obvious: it’s perfect.
Chuck Palahniuk isn’t like the rest of us. He’s sharper, more cynical, funnier, more original. Calling myself a writer in his presence would be like hanging a finger-painting at the Louvre.
Fight Club digs straight into the restless undercurrent of modern life—that gnawing sense that comfort, convenience, and consumerism have carved a hollow right through your chest. We’re one Amazon delivery away from losing whatever’s left of our humanity. Or our masculinity. It reminds me of that line in Jurassic Park: “A T-rex doesn’t want to be fed, he wants to hunt.” More applicable to us now than we’d like to admit.
I love this book because it doesn’t let up where others might. It doesn’t edit its message to fit some form of Overton window. It laughs in your face while stripping everything down to bone. Less…
Chuck Palahniuk showed himself to be his generation's most visionary satirist in this, his first book. Fight Club's estranged narrator leaves his lackluster job when he comes under the thrall of Tyler Durden, an enigmatic young man who holds secret after-hours boxing matches in the basements of bars. There, two men fight "as long as they have to." This is a gloriously original work that exposes the darkness at the core of our modern world.
At The Financial Diet, I’ve written and produced videos about money, productivity, and work/life balance for the better part of a decade. I’ve come to the conclusion that most of our commonly held beliefs about money and work are incorrect: your job shouldn’t be your main purpose, and money shouldn’t be the end goal in and of itself. I’ve also been a longtime nonfiction reader, and I lead a monthly book club for our Patreon members. This list is composed of my favorite selections from those meetings (a few of which I’d read previously), and I hope they invite you to question your own relationship with work and money!
I loved this no-nonsense take on consumer culture. Listen, I love to shop. I love an outfit. But Aja Barber’s writing was a necessary wake-up call when it came to my spending habits—what’s driving them and how they are impacting the planet.
It’s easy to think the world’s environmental and social issues driven by consumerism can’t be fixed with individual choice, so why bother changing? While that’s true on some level, I feel spiritually (and financially) lighter when I am buying less and caring better for what I already own.
This book helped me finally break some shopping habits I wasn’t proud of and gave me a framework to continue questioning which of my habits are driven by our consumer culture rather than my own genuine desires.
'This powerful, speaking-truth-to-power book is an essential read for everybody who wants to stop feeling clueless and helpless about the impacts of cosumerism, and start doing their part to help create a more sustainable world' - Layla Saad
'A critique on what we buy, how it's made and the systems behind it that make an unfair and broken cycle' - New York Times
'The book is a blueprint for anyone who wants to do better' - VOGUE
'SUCH integrity. Aja is no bullsh*t.' - Florence Given
'Consumed takes us through the hideously complex topic of fashion and sustainability, from…
I am a Chicago-based artist, author, veteran, and teacher. I studied at the American Academy of Art in Chicago before enlisting in the United States Air Force in 1968 during the bloody Tet Offensive during the Vietnam era. Upon my discharge I got my BFA in 1994. I got convicted for a crime I did not commit, and I became a homeless-existential artist on Chicago’s mean streets for six months. I got hired by an Acoustic company, and I married and worked for twenty-seven years while raising a family. I now work as an art teacher. All my nonfiction books chronicle different episodes in my life.
Years ago, I was a janitor. When I would take a shower, it was like I could never get the stench off my body. I like Susan Strasser’s book because it reminds me of the waste I use to clean up daily. She examines the most unprecedented commonplace act of throwing things out and how it has transformed American society.
Her classic book about trash world culture is fascinating to me because, in the last hundred years, the way of life has been replaced by mass consumption, disposable goods, and waste on an unimaginable scale. Her book could easily be used as a metaphor for the ‘homeless,’ whom some view as “disposable’ goods. Her book illustrates that what counts as trash depends on who counts it, and what we throw away defines us as much as we keep it.
Strasser argues that in Western society, popular understanding of cleanliness, gender,…
An unprecedented look at that most commonplace act of everyday life-throwing things out-and how it has transformed American society.
Susan Strasser's pathbreaking histories of housework and the rise of the mass market have become classics in the literature of consumer culture. Here she turns to an essential but neglected part of that culture-the trash it produces-and finds in it an unexpected wealth of meaning.
Before the twentieth century, streets and bodies stank, but trash was nearly nonexistent. With goods and money scarce, almost everything was reused. Strasser paints a vivid picture of an America where scavenger pigs roamed the streets,…
'Human development' indicates an advancement that I would like to find in any kind of progress. Different disciplines define 'human development' in different ways, but my research is to identify the common core in order to link both the individual- with the social dimension, and natural evolution with changes due to personal choices and policies. Through such research, I have been able to take a new perspective on my academic subjects: economic growth and happiness. My belief is that it is possible to make human development, economic growth, and happiness go together. But unfortunately, this is not what is occurring, and understanding why is key.
Are we able to use free time, once secured our livelihood, to make life happier?
The Joyless Economyprovides a negative answer, as the title already suggests.
The book is premonitory because Scitovsky wrote in the 1970s referring to the United States, while today Americans say they are less happy, despite the economic and technological progress since then..
Scitovsky was still original in explaining this puzzle: the pursuit of happiness in the comfort of material goods and social approval has prevailed over the pleasure of learning, as children do when they play, and then over the pursuit of ambitious life goals.
I loved this book because, although drawing on the psychology and neurosciences of the time, it gives valuable insights for understanding today's world, such as consumerism and the education crisis.
When this classic work was first published in 1976, its central tenet--more is not necessarily better--placed it in direct conflict with mainstream thought in economics. Within a few years, however, this apparently paradoxical claim was gaining wide acceptance. Scitovsky's ground-breaking book was the first to apply theories of behaviorist psychology to questions of consumer behavior and to do so in clear, non-technical language. Setting out to analyze the failures of our consumerist lifestyle, Scitovsky concluded that people's need for stimulation is so vital that it can lead to violence if not satisfied by novelty--whether in challenging work, art, fashion, gadgets,…
Since I was four years old, I have been in love with Christmas! I’m the kind of person who starts humming carols in October and puts up their first decorations the moment Halloween ends. I’ve got a Christmas Sweater for every day and a card or a present for every friend I bump into. Without a doubt, the Holiday Season is the best time of the year!
As a longtime reader of Christmas histories, I thought I knew most of what there was to know about the holiday, but Nissenbaum’s book continually and consistently surprised me! While reading, I found myself taking notes and jotting down instances of forgotten customs and traditions, determined to work some of them into my own celebrations of the holiday going forward!
It is truly inspirational to know that my favorite holiday has been a part of the American fabric for hundreds of years now and has continued to evolve to meet the needs of those who love it so much.
PULITZER PRIZE FINALIST • Drawing on a wealth of research, this "fascinating" book (The New York Times Book Review) charts the invention of our current Yuletide traditions, from St. Nicholas to the Christmas tree and, perhaps most radically, the practice of giving gifts to children.
Anyone who laments the excesses of Christmas might consider the Puritans of colonial Massachusetts: they simply outlawed the holiday. The Puritans had their reasons, since Christmas was once an occasion for drunkenness and riot, when poor "wassailers extorted food and drink from the well-to-do. In this intriguing and innovative work of social history, Stephen Nissenbaum…
An astonishing book that thoroughly deserves its cult/classic status. Truly horrible, yet eminently readable from start to finish. I wish I hadn't read this book, though only because I'd love to experience it again for the first time.
I grew up around a lot of suffering over status. I didn’t want to suffer, so I kept trying to understand why everyone plays a game that they insist they don’t want to play. I found my answer when I studied evolutionary psychology. This answer really hit home when I watched David Attenborough’s wildlife documentaries. I saw the social rivalry among our mammalian ancestors, and it motivated me to research the biology behind it. I took early retirement from a career as a Professor of Management and started writing books about the brain chemistry we share with earlier mammals. I’m so glad I found my power over my inner mammal!
Bourgeois Bohemians sneer at expensive cars, but they spend much more renovating their bathrooms. They are eager to make a statement against consumerism, but they are also eager to let you know how successful they are. I grew up around this thinking, so I love to hear the forbidden thoughts expressed publicly.
Brooks explains the inner conflict of bobos. They feel guilty about their success, so they call attention to their solidarity with the common man. They want to keep achieving, but don’t want to appear that way.
Brooks misses the deeper engine of this inner conflict: all mammals seek status in their herd or pack or troop because it promotes “reproductive success.” Natural selection built a brain that rewards you with serotonin when you raise your status.
It used to be pretty easy to distinguish between the bourgeois world of capitalism and the bohemian counterculture. The bourgeois worked for corporations, wore grey, and went to church. The bohemians were the artists and intellectuals. Bohemians championed the values of the radical 1960's; bourgeois were the enterprising yuppies of the 1980's. Now the 'bo's' are all mixed up and it is impossible to tell an expresso sipping artist from a cappuccino-gulping banker. In attitudes toward sex, morality, leisure time and work, it is hard to separate the renegade from the company man. The new establishment has combined the countercultural…
I’ve always been fascinated by the American counter-culture and its promise to change society, be it with radical lifestyles, drugs, or creating new cultural settings. I was going to study this from a more sociological approach until I discovered the history of the psychedelic movement and its promise to create a new society by reforming American individuals from within. Although I wound up becoming more interested in what the counter-culture actually achieved rather than dwelling on its excesses, I am currently working on a new book project that will shed light on an organization that managed to achieve both.
I had always been interested in the contradictions of the American counter-culture, so I loved how Frank underscored how rebellion and dissent had such a surprisingly positive impact on the corporate world.
Far from seeing counter-cultural messages as threats to American capitalism, marketing, and advertising executives welcomed these non-conformist ideals as a fantastic way of commercializing their mundane products by connecting them with hipness and authenticity. Frank’s contrarian position jibes well with my own thoughts on the topic, and I really enjoyed how he takes the reader through the genesis of hip advertising.
An evocative symbol of the 1960s was its youth counterculture. This study reveals that the youthful revolutionaries were augmented by such unlikely allies as the advertising industry and the men's clothing business. The ad industry celebrated irrepressible youth and promoted defiance and revolt. In the 1950s, Madison Avenue deluged the country with images of junior executives, happy housewives and idealized families in tail-finned American cars. But the author of this study seeks to show how, during the "creative revolution" of the 60s, the ad industry turned savagely on the very icons it had created, using brands as signifiers of rule-breaking,…
