As a writer and journalist in Iran, I knew many activists and journalists who spent time in solitary confinement. I noticed that this part of their prison experience was the hardest one for them to put to words, even those keen on sharing their experiences have a much easier time talking about the interrogation room but remain strangely reticent about the solitary cell. When I set out to write a novel about a bus driver who ends up in jail, I decided to dedicate several chapters of the book to his time in solitary confinement. That research sent me down the rabbit hole of interviewing former prisoners and reading widely about the solitary experience.
Charles Dickens the novelist needs no introduction, but not many people appreciate how fine a nonfiction writer he was. The American Notes is a testament to this, especially the famous solitary confinement chapter. Dickens traveled widely in the US, and he visited the first solitary confinement compound in Philadelphia. The people in charge, excited by the arrival of such an esteemed visitor, took him around the premises and allowed him to speak with a few prisoners. After that, Dickens wrote a passionate, brutal attack on solitary confinement as a barbaric form of torture, interspersing his indictment with heart-wrenching accounts of his meetings with the demoralized inmates.
American Notes for General Circulation is a travelogue by Charles Dickens detailing his trip to North America from January to June 1842. While there he acted as a critical observer of North American society, almost as if returning a status report on their progress. This can be compared to the style of his Pictures from Italy written four years later, where he wrote far more like a tourist. His American journey was also an inspiration for his novel Martin Chuzzlewit. Having arrived in Boston, he visited Lowell, New York, and Philadelphia, and travelled as far south as Richmond, as far…
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Jim Klotter, Kentucky’s preeminent historian, takes an obscure nineteenth-century Kentucky Superior Court Judge, Richard Reid, and uses his life and death to understand the tragic ways southern honor forced men to prove themselves. John Jay Cornelison attacked Reid at his law Mount Sterling law office in 1884, setting off an unexpected series of events. Reid’s story reveals the conflicts between old, traditional southern ways, and the new urban, industrial order, and Klotter tells it masterfully. The book is filled with suspense and sharp analysis, but it is also a quick read.
When attorney John Jay Cornelison severely beat Kentucky Superior Court judge Richard Reid in public on April 16, 1884, for allegedly injuring his< honor, the event became front-page news. Would Reid react as a Christian gentleman, a man of the law, and let the legal system take its course, or would he follow the manly dictates of the code of honor and challenge his assailant?
James C. Klotter crafts a detective story, using historical, medical, legal, and psychological clues to piece together answers to the tragedy that followed.
""This book is a gem. . . . Klotter's astute organisation and…
This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus atUW-Milwaukee, booking thousands of…
I am a retired sociology professor with many academic publications. At Home and At Sea is my first trade book. The couple in the book are my parents. Reading the letters they wrote to one another during the war inspired me to tell their story. I realized the larger significance of this time in their lives and the importance of social history, which examines the lived experience of the past. The vast literature of war and naval history focuses on major battles and the actions of a few “great men”—admirals, generals, presidents. But these accounts omit the everyday lives of millions of “ordinary people,” like my parents, caught in the sweep of history.
This book is about the author’s brother, Elden: life in his hometown of Vega, Texas, and his experience as a Navy seaman aboard the USS Franklin. Elden’s letters provide the framework for the story but consist almost entirely of small talk and gossip. Yet as Rogers expands on the letters, I learned how life in Vega differed from today’s world and how it was affected by the war. Rogers’ reconstruction of Elden’s almost daily experience during the year he served in the Navy was also enlightening.
The Franklin was the most heavily damaged aircraft carrier to survive the war, and Rogers provides gripping accounts of a kamikaze attack at Leyte and a horrific bombing near mainland Japan in March 1945 that killed over 800 seamen, including his brother Elden.
Elden Duane Rogers died on March 19, 1945, one of the eight hundred who perished on the aircraft carrier USS Franklin that day. It was his nineteenth birthday.
Write home often, the navy told sailors like Elden, thinking it would keep up morale among sailors and those waiting for them stateside. But they were told not to write anything about where they were, where they had been, where they were going, what they were doing, or even what the weather was like. Spies were presumed everywhere, and loose lips could sink ships. Before a sailor's letter could be sealed and…
Rich Weiner co-edited this featured volume with Francesca Forno. He is a political sociologist with a strong foundation in the history of political and social thought. He has served for twenty-two years as dean of the faculty of arts and sciences. His focus has been on non-statist political organizations and social movements with a perspective of middle-range theorizing enriched by three generations of Frankfurt School critical theory of society.
A collection of exceptional scholars explore what replaced the New Deal Order’s focus on economic justice at the end of the 1970s with a regime that came to be known as neoliberalism.
This very accessible book approaches the possibility of new forms of life known as solidarity economies and with it a turn toward social-economics.
I appreciate the attempt this history book makes to both take a long view and to create a conceptual framework regarding empirical cases.
Ever since introducing the concept in the late 1980s, historians have been debating the origins, nature, scope, and limitations of the New Deal order-the combination of ideas, electoral and governing strategies, redistributive social policies, and full employment economics that became the standard-bearer for political liberalism in the wake of the Great Depression and commanded Democratic majorities for decades. In the decline and break-up of the New Deal coalition historians found keys to understanding the transformations that, by the late twentieth century, were shifting American politics to the right.
In Beyond the New Deal Order, contributors bring fresh perspective to the…
As a child, I was fascinated with astronomy but discouraged from investigating the UFO phenomenon due to religious reasons. Not until I was in my forties, did I begin to see the strange Biblical hints of what ended up in my writing my book UFOs In The Bible. Along the way, my research led me to diverse related topics including Sumerian mythology and astrobiology which have resulted in a few more books (and more to come). I see logic as a fundamental tool for this line of investigation, and so, I embrace books that engage with the evidence logically. I firmly believe we must all make room for experiencers to tell their stories without recrimination.
Lieutenant Colonel Philip J. Corso was a decorated military intelligence officer and Chief of the Pentagon's Foreign Technology desk in Army Research and Development. In this role he was tasked with managing numerous artifacts from the Roswell crash, and getting them safely into the hands of hand-selected private R&D firms for analysis, reverse engineering, and technology development. This book details not only his involvement, but the chain of evidence behind these artifacts, as well as technical details on at least a few of the items themselves, and what human technologies were adapted from these alien technologies.
A breathtaking exposé that reads like a thriller, The Day After Roswell is a stunning depiction of just what happened in Roswell, New Mexico all those years ago and how the effects of this mysterious unidentified aircraft crash are still relevant today.
Former member of President Eisenhower’s National Security Council and the Foreign Technology Desk in the United States Army, Colonel Philip J. Corso was assigned to work at a strange crash site in Roswell in 1947. He had no idea that his work there would change his life and the course of history forever. Only in his fascinating memoir…
I am a history professor at Ohio State, where I have taught for most of my career. I have always been fascinated by how people in different regions define their own identities, how other Americans perceive them, and how these ideas change over time. Having lived through several wars (as a civilian), I have observed that social and political conflicts on the homefront can be intense in their own right and that non-military events and military events are often connected. In my work, I have published on gender, race, slavery, family, material culture, legal history, and environmental history, from the Revolution through the Civil War.
The first scholarly biography of an unusual white woman who had a long career as a planter and agricultural innovator.
Pinckney was comfortable in wielding power, and she mixed with some of the most famous men and women in the Revolutionary Era. This book is also a page turner. I believe readers will enjoy the way it sheds light on the complexity of human behavior.
The award-winning biography of Eliza Lucas Pinckney, an innovative, highly regarded, and successful woman plantation owner during the Revolutionary era
"Glover not only recovers the life of a remarkable eighteenth-century woman, she also issues a challenge to the gendered narrative of the Age of Revolution. Eliza Lucas Pinckney would undoubtedly approve!"-Carol Berkin, author of Revolutionary Mothers: Women in the Struggle for America's Independence
Winner of the Society for Historians of the Early American Republic's James Bradford Biography Prize and the South Carolina Historical Society's George C. Rogers Jr. Book Award
Eliza Lucas Pinckney (1722-1793) reshaped the colonial South Carolina economy…
American Panic explores questions unanswered in other books about political panics from our nation’s past and turbulent present. The overall question being: Why do some people panic when others don’t? Political panic has traditionally been associated with lack of education, lack of wealth, or other demographics – none of which…
By the time I was a high-school junior I knew I wanted to be a physicist. As a graduate student in 1950, as the Cold War was heating up, I joined the relatively small team that designed the first hydrogen bomb and got to work with some of the giants of 20th-century physics. It’s been a pleasure to read about this subject as well as to write about it.
This follow-up to his definitive The Making of the Atomic Bomb covers it all—the people, the physics, and the politics. Richard Rhodes does his research, no question.
The book’s very breadth makes it less engrossing than some books with a narrower focus. Nevertheless, it’s a must for an “H-bomb library.”
Here, for the first time, in a brilliant, panoramic portrait by the Pulitzer Prize-winning author of The Making of the Atomic Bomb, is the definitive, often shocking story of the politics and the science behind the development of the hydrogen bomb and the birth of the Cold War.
Based on secret files in the United States and the former Soviet Union, this monumental work of history discloses how and why the United States decided to create the bomb that would dominate world politics for more than forty years.
As a child I found the history and biography books in our school library, and was enthralled. When I got older and discovered historical archives, the tension between public history in books and the secret or forgotten histories tucked away was irresistible. Writing books has taken me to five continents on journeys into everything from medicinal black markets to the traces of a wartime commercial spy network. For my latest book, digging through classified OSS files showed me what amazing stories still lie waiting for us.
McIntosh takes a fresh approach to espionage, putting aside the trench coats and Mata Haris for the real "Code-room Mata Hari" and other little-known heroines of the war. A veteran of CIA and OSS operations herself, McIntosh knows what she's writing about, and draws from more than 100 interviews with other women operatives. She portrays several dozen here, including the China escapades of Julia McWilliams (known today as Julia Child). It also features the Musac project, with broadcasts targeted at Wehrmacht troops with fake German news and music sung by agent Marlene Dietrichn designed to infiltrate their sympathies.
The daring missions and cloak-and-dagger skullduggery of America's World War II intelligence agency, the Office of Strategic Services (OSS), are well documented and have become the stuff of legend. Yet the contributions of the four thousand women who made up one-fifth of the OSS staff have gone largely unheralded. Here for the first time are their fascinating stories, told by one of their own.
A seasoned journalist and veteran of sensitive OSS and CIA operations, Elizabeth McIntosh draws on her own experiences and in-depth interviews with more than one hundred OSS women to uncover some of the most tantalizing stories…
I write historical fiction about real-life characters, some relatively obscure, some very well known. One of my main goals is to avoid the stereotypes, myths, and misconceptions that have gathered around historical figures. At the same time, I strive to remain true to known historical facts and to the mores of the times in which my characters lived. I use both primary sources—letters, newspapers, diaries, wills, and so forth—and modern historical research to bring my characters to life.
While Mary Lincoln (although we often call her "Mary Todd Lincoln," she preferred "Mary Lincoln," "Mrs. Abraham Lincoln," or the unassuming "Mrs. A. Lincoln") has been the subject of several biographies, this is my favorite, and one which I always used as my first resource when checking a fact or looking for a reference about Mary Lincoln. It's readable, well-sourced, and sympathetic toward its subject without veering into hagiography or being overly indulgent of Mary's foibles.
“This engaging, wonderfully written narrative provides fresh insight into this complex woman. It is a triumph.” —Doris Kearns Goodwin
Catherine Clinton, author of the award-winning Harriet Tubman: The Road to Freedom, returns with Mrs. Lincoln, the first new biography in almost 20 years of Mary Todd Lincoln, one of the most enigmatic First Ladies in American history. Called “fascinating” by Ken Burns and “spirited and fast-paced” by the Boston Globe, Mrs. Lincoln is a meticulously researched and long overdue addition to the historical record. In the words of Pulitzer-Prize winning historian Joseph Ellis, Mrs. Lincoln “is distinctive for its abiding…
The Real Boys of the Civil War
by
J. Arthur Moore,
The Real Boys of the Civil War is a research about the real boys who served during the war, opening with a historiography research paper about their history along with its 7-page source document. It then evolves into a series of collections of their stories by topic, concluding with a…
I’ve always been fascinated by the everyday lives of people from early New England; I want to understand how they experienced their world, made choices, and participated in changing history. Most of these people left no memoirs, so I’ve spent years in all manner of archives, piecing together clues to individual lives. I’ve found extraordinary insights on how and why people farmed in tax valuations, deeper knowledge of their material world in probate court inventories, evidence of neighborly interdependence in old account books, etc. I’ve spent my career as a public historian sharing these stories through museum research and exhibits, public programs, lectures, and writing. I love the hunt – and the story!
Joseph Wood creatively uses landscape, settlement patterns, and the built environment to challenge a fabled view of the Currier and Ives New England village. The compact village center, with a steepled church, tidy white homes, and quaint shops surrounding the village green has too long colored our historical imaginings about an idealized New England past. But these forms, Wood convincingly argues, do not describe our colonial past. They are a 19th c invention that both romanticizes and obscures the actual colonial landscape of scattered farmsteads, meadows, and pastures. Early New England was shaped by a land-hungry people who sought competency & security in an expansive countryside. Richly illustrated with maps and images, this book is a model of how to use unusual evidence to recover the past.
The New England village, with its white-painted, black-shuttered, classical-revival buildings surrounding a tree-shaded green, is one of the enduring icons of the American historical imagination. Associated in the popular mind with a time of strong community values, discipline, and economic stability, the village of New England is for many the archetypal "city on a hill." Yet in The New England Village, Joseph S. Wood argues that this village is a nineteenth-century place and its association with the colonial past a nineteenth-century romantic invention.
New England colonists brought with them a cultural predisposition toward dispersed settlements within agricultural spaces called "towns"…
