Here are 72 books that Kentucky Justice, Southern Honor, and American Manhood fans have personally recommended if you like
Kentucky Justice, Southern Honor, and American Manhood.
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When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Ever since John Filson wrote the first history of the state in 1784, the Kentucky frontier has captured the public’s imagination. Aron goes beyond heroic accounts and stories of triumph to understand how egalitarian aims and the sense that the West could become a “good poor man’s country” failed to pan out for so many. The west did not become the land of opportunity for Native Americans or slaves, nor did it provide a fresh start for many poor white men and women. Two iconic figures, Boone and Clay, serve as familiar bookends, neatly framing Aron’s story and tying their worlds to the one we recognize today.
Eighteenth-century Kentucky was a place where Indian and European cultures collided-and, surprisingly, coincided. But this mixed world did not last, and it eventually gave way to nineteenth-century commercial and industrial development. How the West Was Lost tracks the overlapping conquest, colonization, and consolidation of the trans-Appalachian frontier. Not a story of paradise lost, this is a book about possibilities lost. It focuses on the common ground between Indians and backcountry settlers which was not found, the frontier customs that were not perpetuated, the lands that were not distributed equally, the slaves who were not emancipated, the agrarian democracy that was…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Following in the footsteps of scholars, such as Kristen Hoganson, who have put a new gender spin on well-chronicled events, Sachs takes a familiar story—the story of America’s first frontier—and tells it in a fresh and compelling way by emphasizing how manliness and mastery shaped public policy and household relationships. Life in the west was risky and chaotic. Settlers coped by celebrating domestic order and by demanding the right for men to rule their own households. This patriarchal ideal, however, often led to violence, both outside the home and within. The individuals Sachs spotlights like, widow and powerful businesswomen Annie Christian, and outcast criminal and murderer Bartholomew Fenton, provide a totally new perspective on frontier life.
On America's western frontier, myths of prosperity concealed the brutal conditions endured by women, slaves, orphans, and the poor. As poverty and unrest took root in eighteenth-century Kentucky, western lawmakers championed ideas about whiteness, manhood, and patriarchal authority to help stabilize a politically fractious frontier. Honor Sachs combines rigorous scholarship with an engaging narrative to examine how conditions in Kentucky facilitated the expansion of rights for white men in ways that would become a model for citizenship in the country as a whole. Endorsed by many prominent western historians, this groundbreaking work is a major contribution to frontier scholarship.
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
As a journalist, Wall reported on horse racing in Kentucky for many years before becoming a serious student of history, which makes her writing really readable. Today, most people classify Kentucky as a southern state, but before and immediately following the Civil War it was considered the west. This book explains the switch, giving horsemen credit for rehabbing the Bluegrass State’s tarnished image, albeit to serve their own financial interests. Besides introducing readers to the post-war history of Kentucky, it provides a useful introduction to horse culture. After reading it, you will understand why the Kentucky Derby is so steeped in tradition and why black jockeys, once so plentiful in the sport, are rare.
The conflicts of the Civil War continued long after the conclusion of the war: jockeys and Thoroughbreds took up the fight on the racetrack. A border state with a shifting identity, Kentucky was scorned for its violence and lawlessness and struggled to keep up with competition from horse breeders and businessmen from New York and New Jersey. As part of this struggle, from 1865 to 1910, the social and physical landscape of Kentucky underwent a remarkable metamorphosis, resulting in the gentile, beautiful, and quintessentially southern Bluegrass region of today. In her debut book, How Kentucky Became Southern: A Tale of…
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
When students ask me if I am from Kentucky, I say “no, but I got here as quickly as I could.” I chose to make the state my home and raise my family here, and I have studied its history for nearly three decades. I am drawn to Kentucky’s story and the paradox it represents: on one hand, you have the Derby, rolling hills and pastures, and fine bourbon, but set against that polished, sophisticated image are the stereotypes of a lawless, illiterate, poor state. As a borderland, not quite north or south, east or west, Kentucky offers a fascinating lens through which to view the nation’s history.
Uneven Ground is a book about Appalachia, but it is also a story of American economic development and a cautionary tale about the failures of capitalism. Eastern Kentucky lies in the heart of central Appalachia, an area rich in resources but home to some of the nation’s poorest people. Eller knows more about the region’s challenges than anyone and he provides a compelling indictment of development narratives that emphasize industrialization and false promises of “progress.” His book offers hope that out-of-the-box thinking and a new definition of “the good life” can lead to healthy and more equitable communities in the mountains.
Appalachia has played a complex and often contradictory role in the unfolding of American history. Created by urban journalists in the years following the Civil War, the idea of Appalachia provided a counterpoint to emerging definitions of progress. Early-twentieth-century critics of modernity saw the region as a remnant of frontier life, a reflection of simpler times that should be preserved and protected. However, supporters of development and of the growth of material production, consumption, and technology decried what they perceived as the isolation and backwardness of the place and sought to "uplift" the mountain people through education and industrialization. Ronald…
I grew up in a house filled with books as a son of educated, well-read parents. My mother was an English/French/Spanish teacher, and my father was an encyclopedia editor. Among all the books in our downstairs, there was a custom-built coffin bookcase my father kept stocked with his favorite horror novels. He died when I was eleven and in an effort to get to know him better, I started reading the books in that coffin. I was very quickly turned into a horror fan, and a few years later started writing horror stories myself. Every time I start writing another horror story, I know I’m my father’s son.
Not a dread-inducing house this time but a lighthouse—in the middle of the woods. This book is so original in its elements—a haunted lighthouse, a sheriff in love with the woman who shot him, and a big-cat sanctuary—that it is completely awe-inspiring how Koryta is able to weave together a complex, creepy ghost narrative. Koryta (and his pseudonym, Scott Carson) is always a guaranteed purchase when a new book publishes.
Discover a brilliant thriller set in a remote big-cat sanctuary: "one of the scariest and most touching horror tales in years" (James Patterson).
In an isolated stretch of eastern Kentucky, on a hilltop known as Blade Ridge, stands a lighthouse that illuminates nothing but the surrounding woods. For years the lighthouse has been considered no more than an eccentric local landmark -- until its builder is found dead at the top of the light, and his belongings reveal a troubling local history.
For deputy sheriff Kevin Kimble, the lighthouse-keeper's death is disturbing and personal. Years ago, Kimble was shot while…
I am passionate about little-told stories of women’s lives. Too often, women have been either minimized or silenced, and in so doing, we have ignored the experience of half of humanity. I grew up in the 1950s and ’60s in the South, where girls and women were not listened to. For this reason, among others, it was hard for me to speak up for myself, hard for me to write. I found the stories of strong, courageous women—bad-ass women—whether fictional or real, to be life-affirming and inspirational in my own journey as a writer. These stories have helped me to say, “It’s my turn. I’m talking now.”
OK, I’m a pioneer junkie, and here’s the scene: Kentucky frontier, 1700s. Daniel Boone country, but he’s a minor character. I love the star of this show: Hannah, a large, strong woman who holds her own in this time and place. I love how she seizes upon her limited choices. As one of the few women in the settlement, all the unattached dudes want to marry her, yet she proposes to the one who’s too shy to ask.
I love that she values her own survival skills: plowing and hunting, chopping wood, weaving cloth, working until the moment she goes into labor. This is the type of woman who settled the American wilderness. She made me wonder about all those like her whose stories I’d never heard.
In the novel Hannah Fowler, Janice Holt Giles created a pioneer woman who would, In Giles's words, "endow her own physical seed with her strength and courage, and her own tenderness and love." First published in 1956, this work is the second in Giles's series of historical novels on Kentucky, which includes The Kentuckians and The Believers.
Samuel Moore and his daughter Hannah set out for the border country with a party led by George Rogers Clark but left to follow the Kentucky River to Boones' Fort. As the story opens, Hannah is nursing her father, injured when an axe…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
I have been a journalist for over a decade, most frequently writing on the subjects of spirits, cocktails, and drinking culture for such publications as the New York Times, Wall Street Journal, Esquire, Playboy, and VinePair. I have written 12 books—6 of them on booze—my latest of which is Dusty Booze: In Search of Vintage Spirits.
Booze books need not only to be filed all the way in the back of the bookstore in the “Food/Drink” section; the best deserve to be mainstream—and bestseller Pappyland proved that.
This is a dual memoir in some ways, following the rise, fall, and incredible rise again of the Van Winkle family and their grandfather Pappy’s vaunted and eponymous spirit, along with the story of Thompson reckoning with his own family lore and fatherhood.
“A warm and loving reflection that, like good bourbon, will stand the test of time.” —Eric Asimov, The New York Times
The story of how Julian Van Winkle III, the caretaker of the most coveted cult Kentucky Bourbon whiskey in the world, fought to protect his family's heritage and preserve the taste of his forebears, in a world where authenticity, like his product, is in very short supply.
Following his father’s death decades ago, Julian Van Winkle stepped in to try to save the bourbon business his grandfather had founded on the mission statement: “We…
Schoolteacher turned writer. With the encouragement of my old college friend, the great Michael Crichton I began writing detective novels—paperback originals at first, then a hardback thriller called Target of Opportunity, which was a detective novel but included a long section of historical background about the Resistance in southern France. From there I moved to biographical fiction: novels about Thomas Jefferson, Andrew Jackson, Ulysses S. Grant. Then straight historical fiction, often with a Parisian background, because I’ve lived and worked in that marvelous city and can’t get enough of it.
The appealing heroine Diony Hall moves with her new husband into the Kentucky wilderness. A beautiful variation on the archetypal plot, “Someone Goes on a Journey,” written in gorgeous prose and featuring many perfectly rendered actual characters such as Thomas Jefferson and Daniel Boone. The story shows determined human nature struggling against hostile nature, the earliest of the great American themes.
Set at the time of the western migration from Piedmont Virginia to her native Kentucky, Ms. RobertsAIs novel recounts the heroism of the Kentucky pioneer. Roberts was that rare thing, a true artist...She was one of the indispensables.O-Robert Penn Warren. Southern Classics Series.
1995 - “Write what you know,” Mark Twain advised. I’d been married three times. I wrote romances. 2012 - “Write what you know.” I’d been divorced three times and fantasized about murdering my ex. Only massive doses of chocolate kept my finger off the trigger. Hence…Death by Chocolate.
Death by a HoneyBee is humorous and suspenseful, and I love the heroine.
Josiah Reynolds is a snarky, fifty-year-old beekeeper in the southern town of Lexington, Kentucky. The story is intriguing and the quirky characters fascinating. The author inserts interesting details of beekeeping without interrupting the story. I later learned that the author is a beekeeper and hence was able to provide authentic details.
When Josiah finds her rival beekeeper dead with his head in one of her bee hives, she is thrown into a world of suspense and mystery…and humor! Josiah is a strong southern woman who greets problems with southern wit and wisdom!
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I’ve always loved reading memoirs, especially about a hero’s journey—whether it’s a teacher figuring out a tough group of students or a kid figuring out how to change the story they’ve been written into. I love nothing more than the triumphant ending that makes me cheer and cry happy tears. As an English teacher and debut author of my own memoir, I’ve found that honest storytelling opens a door for others to walk through and tell their own stories. I love seeing my students connect with stories like theirs because it shows them they’re not alone in their struggles and that living happily ever after is possible.
Bobi Conn’s story of growing up in poverty was too familiar: the cheap food, a car they push to start, a motel they move into when her father hits her mother, and the frustration of watching our mothers go back because they don’t have the courage to stay gone. Bobi also found refuge at school, which I related to because this was where life was predictable—and we were fed.
The author’s voice is powerful and honest as she shares her trauma, humiliation, and loss. Bobi Conn comes from the holler, deep in Appalachia, and her story is a beautiful testament to the resilience and bravery children are forced to have—and the childhood too many lose along the way.
A clear-eyed and compassionate memoir of the Appalachian experience by a woman who embraced its astonishing beauty, narrowly escaped its violence, and struggles to call it home.
Bobi Conn was raised in a remote Kentucky holler in 1980s Appalachia. She remembers her tin-roofed house tucked away in a vast forest paradise; the sparkling creeks, with their frogs and crawdads; the sweet blackberries growing along the road to her granny's; and her abusive father, an underemployed alcoholic whose untethered rage and violence against Bobi and her mother were frighteningly typical of a community marginalized, desperate, and ignored. Bobi's rule of survival:…
