My two passions in life have always been music and reading. I was a punk rock girl, with wildly colored hair and a plethora of tattoos, who has never missed a chance to lose herself in a romance novel. I love it when my two favorite things collide in wonderful ways. I still read whatever I can get my hands on, but now I write some of those beloved books as well. Several of them have been bestsellers and many are published in various languages. My mosh-pit days are long gone, but you can still find me at a Social Distortion concert whenever they come to town. If you’ve got a rebellious heart and an ear for music that isn’t as mainstream, I’m sure you will love these books I recommended as much as I do.
Freefall deals with some really heavy issues facing a lot of young adults, and because this is one of the few books I’ve ever picked up where the hero is into rockabilly and physcobilly. He even plays a standup bass in a garage band. This book is also very age-appropriate, so it can be enjoyed by a wider audience than my books and some of my more grown-up recommendations.
I loved it because I felt like it dealt with the subject of depression and self-harm in a really relatable and compassionate way. I could feel the struggle of these kids through the pages. I also liked how it relayed that music can be healing no matter what genre the music may be.
I read this book as an adult and remember thinking that I wish I had something similar to read when I was younger. And as an adult, I…
Seth McCoy was the last person to see his best friend, Isaac, alive, and the first to find him dead. It was just another night, just another party, just another time when Isaac drank too much and passed out on the lawn. Only this time, Isaac didn't wake up.
Convinced that his own actions led to his friend's death, Seth is torn between turning his life around . . . or losing himself completely.
Then he meets Rosetta: so beautiful and so different from everything and everyone he's ever…
I’ve loved the fantasy genre for as long as I can remember. From playing Warhammer with my father as a child to first reading The Lord of the Rings, The Magician, and countless other unforgettable novels, I was hooked. The Orc was always my favorite bad guy, with their incredible strength and bloodlust. I have spent many a long hour trying to put myself in the mindset of a being so dark, so brutal, and so lovable. Reading the books on this list, and many more, have helped me develop a foundation in the Orc race that almost makes them real.
This was the first book I ever read that had me rooting for the Orc. With their lack of discipline, drug, and alcohol use, and loyalty to their comrades it’s easy to imagine them standing at the bar having a pint. Along with the action, there are some deeper issues delved into, including religious fanaticism and racism. For me personally, this really spoke of how exciting it can be to throw character roles in reverse.
The international bestselling trilogy now repackaged and complete with new material
Combining the acclaimed trilogy of books, BODYGUARD OF LIGHTNING, LEGION OF THUNDER and WARRIORS OF THE TEMPEST, plus a new short story previously only available in a small press anthology, this is the entire story of Stryke and his band of Orcs.
Fantasy's bad guys finally get their own say in this fast-moving, action-packed, tongue-in-cheek tale of Orc valour and human treachery.
I come from a family of “functional” alcoholics, where feelings were never discussed and drinking was the way to solve (or more likely avoid or cause) problems. After 25 years of abusing alcohol (and drugs), I finally got sober. And for the first time ever, I started writing, because all those feelings I pushed down wanted a voice. All that childhood trauma needed more than AA and talk therapy to heal. So I gifted those feelings with written words, as did the writers I mention in my list. Recovery is something to pass on and telling our stories is another healing way to do it.
I remember when I first saw this title, I wished I had thought of it myself. Though mine may have been, Girl Walks Into a Bar and Stays Way Too Long. Another memoir by a woman who excelled professionally, as she hid her alcohol and coke addictions from herself and others, until it got so bad she couldn’t hide it anymore.
"Lisa Smith gives us a darkly comic, honest, and completely relatable inside look at high-functioning addiction in the world of corporate law-a sort of 'Sex and the Psych Ward.' It's inspiring, informative, and impossible to put down."
--Jennifer Belle, best-selling author of High Maintenance and The Seven Year Bitch
"Whether she's telling the town car driver to turn around so she can ditch showing up for her niece's birth and meet her coke dealer, or staging her own semi-intervention, Smith takes us into the mind of someone who's completely in control while being radically out of control. This girl may…
I’m a professor at Northland College (WI) and an American environmental historian with specialties in wine, food, and horticulture. I mostly write on alcohol, garden history, botany, and orchids. The history of alcohol is wild, fraught, and charged with power—I’ll never tire of learning about it.
Rorabaugh argues convincingly that alcohol of several types—but mostly rum and whisky—were part and parcel of, and at times even drove, early national American culture. Solo and group binges increased from 1790 to 1820 as the population tried to adapt to anxious and uncertain changes in their lives. Drinking became aligned with liberty—taverns were the “seedbeds of the revolution” and the “nurseries of freedom.” And although boozing came to be an early element in what was defined as the American character, the temperance movement was not far off.
Recreating America's first fifty intemperate years, when, from 1790 to 1840, Americans drank more alcoholic beverages per capita than at any other time in history, Rorabaugh examines some of the reasons why Americans drank so much
As a writer, artist, and actor throughout my life, I’ve explored and enjoyed many artistic forms. While I appreciate books across many genres, I elevate to the highest level those works that manage to break conventional boundaries and create something original. In my own work, I have always challenged myself to create something unique with a medium that has never been done before. At the same time, I have sought to discover a process and resulting work that inspires readers’ own creativity and challenges them to expand their imagination.
Grossman achieves something remarkable in The Alphabet Man. The work manages to weave together visual, avant-garde graphic design, literary poetry, and a suspenseful thrilling plot. The book itself is gorgeous to look at it, and the text layout is designed as a work of art. Grossman seamlessly blends these disparate elements into a unified, unique creation that breaks the boundaries of what a novel can be.
"America loves a murder, and I am a murderous American," observes Clyde Wayne Franklin, who is considered by many to be the foremost poet in America. No ordinary killer, he is equal parts writer, obsessive lover, alcoholic, moralist, ex-con, clown, and butcher. The Alphabet Man is the story of his ruthless search for carnal love and spiritual redemption as he moves through the underworld of Washington, D.C., a sadistic landscape peopled by drug dealers, prostitutes, and assassins-for-hire. Part thriller, part psychological and linguistic masterpiece, Grossman's explosive fiction convinces us that if there is a pure poetry in the modern world,…
I have been writing and publishing memoirs since I was in my twenties and working at The New York Times, where I learned the power of sharing what it is we know after what we’ve been through. What I now know is that memoir is the single greatest portal to self-discovery. I do not know how I feel about anything until I write it down. Teaching memoir for thirty years has allowed me to witness people reoccupy themselves after they take back the power of their stories from oppressors, abusers, medical trauma, and the other deep influences of life. Getting one’s story in one’s hands is the road to change. Memoir allows for that change, both for the reader and the writer.
This is the only book I put in the hands of new memoir writers who want to understand the difference between memoir and autobiography, who are endeavoring to learn structure and who need to understand how to write a book that takes on one single aspect of their lives at a time.
Fifteen million Americans a year are plagued with alcoholism. Five million of them are women. Many of them, like Caroline Knapp, started in their early teens and began to use alcohol as "liquid armor," a way to protect themselves against the difficult realities of life. In this extraordinarily candid and revealing memoir, Knapp offers important insights not only about alcoholism, but about life itself and how we learn to cope with it.
It was love at first sight. The beads of moisture on a chilled bottle. The way the glasses clinked and the conversation flowed. Then it became obsession. The…
"Hell House is the scariest haunted house novel ever written. It looms over the rest the way the mountains loom over the foothills." -- Stephen King
From the author of I Am Legend comes Richard Matheson's Hell House, the basis for the supernatural horror film starring Pamela Franklin, Roddy McDowall, Clive Revill.
Rolf Rudolph Deutsch is going die. But when Deutsch, a wealthy magazine and newspaper publisher, starts thinking seriously about his impending death, he offers to pay a physicist and two mediums, one physical and one mental, $100,000 each to establish the facts of life after death.
I was drawn to this book because it is set on the beautiful coast of British Columbia.
It isa powerful evocation of a dying way of life. Never mawkish and never cold, the story is engrossing. It confronts mortality in the most lyrical and indirect way. I suppose I identified with the main character, Mark Brian, as he tries to establish himself in a remote village.
He is a flawed and naïve character but he has a steely quality. He just keeps going. When I had a climbing accident and broke my back in three places, I was determined to get back into the hills. Less than six months after my accident, I stood on the ledge from which I fell. I was determined to live a better life. I’m trying! Mark keeps trying and wins the respect of those he seeks to serve in the process.
When Mark Brian, a young priest, is sent to the Indian village of Kingcome in British Columbia, he finds himself in an astonishing place of salmon runs and ancient totems. Yet amidst the beauty, the old culture is under attack, slowly being replaced by prefab houses and alcoholism. Mark has not long to live, and so he sets about sharing the hunting and fishing, the festivals and funerals, the joys and sorrows of a once proud tribe. Perhaps here he will learn enough of life to be ready to die.
I'm the author of the best-selling books How to Tell Depression to Piss Off: 40 Ways to Get Your Life Back, How to Tell Anxiety to Sod Off: 40 Ways to Get Your Life Back, The Recovery Letters, and What I Do to Get Through. My sixth book will be, How to Smash Stress: 40 Ways to Manage the Unmanageable.
He describes the death of his partner from alcoholism and the events leading up to it in an unflinchingly honest and moving way. It's raw and personal but that's what grief is. It's beautiful and respectful and shows how grief is both a shared experience and so completely individual at the same time.
'Immensely moving and disarmingly witty' Nigella Lawson 'Such a moving, tough, funny, raw, honest read' Matt Haig 'Beautifully written, moving and gut-wrenching, but also at times very funny' Ian Rankin 'Captures brilliantly, beautifully, bravely the comedy as well as the tragedy of bereavement' The Times 'Will strike a chord with anyone who has grieved' Independent
Whether it is pastoral care for the bereaved, discussions about the afterlife, or being called out to perform the last rites, death is part of the Reverend Richard Coles's life and work. But when his partner the Reverend David Coles died,…
I teach literature, Labor Studies, and writing at San Diego City College and have written three San Diego-based novels: Drift, Flash, and Last Days in Ocean Beach, along with Under the Perfect Sun: The San Diego Tourists Never See, a radical history of San Diego that I co-wrote with Mike Davis and Kelly Mayhew. Both as a writer and as a daily wanderer on the streets of San Diego, I have a passion for the psychogeography of the city space and a deep curiosity for and love of the people I encounter there.
Jim Thompson’s novel is arguably San Diego’s greatest classic noir work.
While not a crime novel, it captures wartime San Diego through the glass darkly, and I was moved and unsettled by Thompson’s unsparing forays into the alienation of those who were the most exploited in the city.
San Diego in the years before World War II. James Dillon is barely scraping by working a menial job in manufacturing, trying to raise a family and support his elderly mother and sister Frankie at the same time. He drinks too hard -- just like his father and nearly everyone in his extended family. With so many people crammed into one home, sometimes there's so much fighting he can barely stand it. But if James can survive the chaos of everyday life long enough, maybe -- just maybe -- there's a chance it'll all get better.
