Here are 100 books that I Heard the Owl Call My Name fans have personally recommended if you like
I Heard the Owl Call My Name.
Book DNA is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I'm passionate about nature, our impact on it and the people who best know how to be its companion – Indigenous peoples. I grew up on B.C.'s west coast, swimming with seals and otters. That inspires me to protect the land and to write and draw about it.
As the author/illustrator of over 70 books I've been lucky to be able to present my thoughts on many topics. I learned early on to do my research and work with rigorous editors. With P'eska, I relied on members of the community I wrote about. I know I'm speaking to young kids so honesty is paramount.
I wanted to include a board book in my recommendations because finding books that speak to pre-schoolers is a real gift.
Roy Henry Vickers, a well-known First Nations artist, employs warm colours and clear simple shapes to convey his love for animals, the land, and his culture. Words are used sparingly which makes us enjoy their sound. The story reads like in a poem, it's a sensory experience. Every page is a new setting, often with Indigenous imagery worked in.
Raven Squawk, Orca Squeak feels like an invitation to come and visit.
With bright and bold illustrations by celebrated Indigenous artist Roy Henry Vickers, this sturdy board book introduces iconic sounds of the West Coast and supports the language development of babies and toddlers. From the “geek geek” of the eagle, to the creak and rustle of cedar branches in the wind, to the sacred drumming of a potlatch and the crashing waves of the Pacific Ocean, the rhythmic text, vibrant illustrations and glossy tactile finish of Raven Squawk, Orca Squeak will delight the very youngest readers.
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
As a transplant to the west coast of North America, I’m always on the lookout for books that capture aspects of the history of this region and help me understand my new home. For me, the books on this list have shed light on different communities, worldviews, and a complicated past. Besides, I am a pushover for epic stories that span generations and geographies and teach me new ways of thinking and looking at the world.
Coupled with Celia’s Song which extends this family saga, this story painted a picture for me about Indigenous history and the interconnected issues on the coast such as the environment, colonization, justice, and transformation. Maracle’s prose reads like poetry, and yet what I found most remarkable was the storytelling. She effortlessly twines together past and present, human and non-human worlds, breaking many rules of Western narrative tradition. Rarely do you run across a book where equal attention is paid to both form and theme. This one does, and it encouraged me to reflect on literary conventions deeply embedded into my subconscious and then ask myself why and, most importantly, how we tell stories.
Set along the Pacific Northwest Coast in the 1950s, Ravensong tells the story of an urban Native community devastated by an influenza epidemic. Stacey, a 17-year-old Native girl, struggles with the clash between white society's values and her family's traditional ways, knowing that her future lies somewhere in between. Celia, her sister, has visions from the past, while Raven warns of an impending catastrophe before there is any reconciliation between the two cultures. In this passionate story about a young woman's quest for answers, author Lee Maracle speaks unflinchingly of the gulf between two cultures: a gulf that Raven says…
I’m a reporter, author of nine books, and the host and producer of the Cold Case Canada podcast. I fell in love with my city’s murky underbelly on a trip to the Vancouver Police Museum in the 1990s. Axe murders, murder by milkshake, Vancouver’s first triple murder—it was all there. I’ve tried to give those true crime exhibits new life by talking to law enforcement, relatives, and friends, digging up never-seen-before photos and documents, and wherever possible, giving the victims back their voice. I run the Facebook group Cold Case Canada where people share their thoughts, and in a best-case scenario, find leads that could help solve a murder.
While Janet Smith was Vancouver’s shame in the 1920s, Willy Pickton was our boogeyman in the ‘90s. How did this pig farmer get away with murdering up to 50 women?—he was convicted of only six—because the women were sex workers and drug addicts that he picked up in Vancouver’s notorious Downtown Eastside and the police really didn’t give a shit. An investigative journalist, Cameron does a great job of outlining the botched police investigation and the department’s reluctance to believe it was a serial killer. Pickton is pure evil, and what I loved about Cameron’s work is how she not only gets into his head, but tells the stories of the victims, and in doing so, helps give them back a voice.
Verteran investigative journalist Stevie Cameron first began following the story of missing women in 1998, when the odd newspaper piece appeared chronicling the disappearances of drug-addicted sex trade workers from Vancouver's notorious Downtown Eastside. It was not until February 2002 that pig farmer Robert William Pickton would be arrested, and 2008 before he was found guilty, on six counts of second-degree murder. These counts were appealed and in 2010, the Supreme Court of Canada rendered its conclusion. The guilty verdict was upheld, and finally this unprecedented tale of true crime could be told.
When Annie Thornton, midwife and apprentice witch, falls through time to a 15th-century Yorkshire village with her telepathic cat, Rosamund, she befriends Will and Jack, two soldiers returning from the French Wars. Mistress Meg, Annie’s ancestral aunt living in the 15th century, is…
As a young person I loved to read history novels, but each book had to be about either British monarchs or American generals. Then I watched the movie Bye Bye Blues, a Canadian prairie story by Anne Wheeler, and realized for the first time that the story was about me, about us. It was such a heady feeling that I decided to study Western Canadian history at university. Three weeks after I got my M.A. from the University of Victoria I was offered the chance to write about Vancouver Island coal miners and the rest, as they say, is quite literally history.
A mule-drawn wagon train moves precariously along a narrow road carved out of a steep rock wall—this book lives up to the promise of its cover. The book jacket blurb entices lovers of history like me: “British Columbia is regularly described in superlatives both positive and negative—the most spectacular scenery, the strangest political campaigns, the mildest winters, the most rain, the most aggressive resource developers, the biggest peace and environmental movements, the closest Canadian ties to Japan and China, and the richest native culture.” The author, Jean Barman, is one of my mentors and an inspiration to everyone who is interested in British Columbia history.
British Columbia is regularly described in superlatives both positive and negative - most spectacular scenery, strangest politics, greatest environmental sensitivity, richest Aboriginal cultures, most aggressive resource exploitation, closest ties to Asia. Jean Barman's The West beyond the West presents the history of the province in all its diversity and apparent contradictions. This critically acclaimed work is the premiere book on British Columbian history, with a narrative beginning at the point of contact between Native peoples and Europeans and continuing into the twenty-first century. Barman tells the story by focusing not only on the history made by leaders in government but…
When I was a kid growing up in Vancouver my parents had a collection of books arranged on shelves around the living room. The only one I remember taking down and actually reading was an early history of the city. I recalled being impressed by the simple fact that someone had thought my hometown was interesting enough to write about, not something that was self-evident to a cocky teenager. Many years later, some two dozen books of my own under my belt, I decided maybe I’d earned the right to take a crack at the city myself.
Stanley Park occupies such a giant place in the city’s imagination. Most Vancouverites well remember the devastating windstorm that blew through the city in 2006 – it tore down several trees in my own neighbourhood and scared me witless – leveling great swathes of the park. Historian Sean Kheraj uses the storm as a jumping-off point to reflect on the park’s history and its complicated relationship with the citizens of the city.
In early December 2006, a powerful windstorm ripped through Vancouver's Stanley Park. The storm transformed the city's most treasured landmark into a tangle of splintered trees and shattered a decades-old vision of the park as timeless virgin wilderness. In Inventing Stanley Park, Sean Kheraj traces how the tension between popular expectations of idealized nature and the volatility of complex ecosystems helped transform the landscape of one of the world's most famous urban parks. This beautifully illustrated book not only depicts the natural and cultural forces that shaped the park's landscape, it also examines the roots of our complex relationship with…
I discovered birds rather late in life, almost by accident, as a Peace Corps volunteer teaching in a small western Ethiopian town, an experience that stimulated my passion to know all kinds of birds and, in the process, to know the people and places where they lived. My ultimate career choice of ethnobiology, combining cognitive and environmental analysis, was a perfect synthesis of my various scholarly passions. My subsequent studies of Mayan and Zapotec Indian communities in Mexico and Native North American communities in the Pacific Northwest broadened the scope of my research to include all kinds of animals, plants, and fungi, all the living things we share with Indigenous people.
I embarked on my ethnobiological career as a graduate student and shortly learned I was not alone. My fellow student north of the border, Nancy Turner, was likewise passionately engaged with ethnobotany for her thesis. Turner was trained as a botanist but then devoted her decades-long academic career to documenting how her Indigenous neighbors and friends in British Columbia recognize, name, cultivate, and respect the botanical riches of their millennial homeland.
A key principle clearly articulated by her Indigenous teachers is that plants are our kin and that “everything is one,” so we must all live together in a harmonious balance. People must “look after” the land and support its many “persons.” This Indigenous wisdom is never abstract, but in Turner’s telling, it is always exemplified by real people, specific plants, and particular places.
This is a thought-provoking look at Native American stories, cultural institutions, and ways of knowing, and what they can teach us about living sustainably.
Chasing Light is a lyrical meditation on grief, memory, and the fragile beauty of everyday life. At its core, it is a story of resilience, forgiveness, and the transformational power of human connection. It sheds light on the overlooked realities of homelessness and addiction, while emphasizing the importance of compassion…
Why Vancouver? Yes, it's my hometown, but I've lived in other places for about 20 years of my life, and I'm anything but a thoughtless booster. Vancouver is a beautiful city, but it's a conflicted one between dreamers of its potential greatness, people wanting a laid-back West Coast lifestyle, and those for whom it's the end of the poverty road with the mildest climate in Canada. Thinking about it, painting it, and writing about it—it's an itch I have to scratch.
A crash course in how the city's evolution has been shaped by its buildings old and new, their architects and developers, and touching on the campaigns to make the city "world class" while others try to hang on to its historic areas. Presented in an engaging tour format with excellent colour photos.
This new edition of the classic urban guidebook brings the city’s architectural story up to date.
Harold Kalman and Robin Ward, long-time chroniclers of Vancouver, offer an authoritative and highly readable book about Vancouver’s most interesting places and explain how, why and by whom the city’s urban environment was created.
Containing more than four hundred entries, ten self-guided tours highlight significant buildings from all eras in the city and its metro region, and feature new projects that transform the skyline more radically than ever before. The tours―organized by neighbourhood and planned variously for walking, cycling, car and transit―reveal Vancouver in…
I grew up in a rural community and have lived most of my adult life in a small city in the Southern Interior of British Columbia. I’m fascinated with West Coast culture, particularly the Canadian version of it, which is connected to the environment and outdoors, shaped by more recent immigration and its sense of distance and disconnect from the country’s capital and economic and social centres, and informed by a more gentle climate. Rural west coast culture is especially rich in iconoclasts, those who live outside the norm, and I’ve explored these sorts of characters in all four of my novels and my short story collection.
There’s so much to love about this book: the language, the location, the history, the characters. Anna, a young woman who is creating an exhibit on textiles from 19th-century Interior BC, discovers a box of the personal effects of a woman who lived decades before. Margaret is the daughter of an Aboriginal mother and a settler father. Kishkan recreates the unique beauty of the South Cariboo/Nicola valley landscape as a backdrop to this intricately woven story of family, friendship, love—and train robbers.
In her vibrant first novel, Sisters of Grass, Theresa Kishkan weaves a tapestry of the senses through the touchstones of a young woman's life. Anna is preparing an exhibit of textiles reflecting life in central British Columbia a century ago. In a forgotten corner of a museum, she discovers a dusty cardboard box containing the century-old personal effects of a Nicola valley woman. Fascinated by the artifacts, she reconstructs the story of their owner, Margaret Stuart. Margaret, the daughter of a Native mother and a Scottish-American father, she tries to fit into both worlds. She's taught photography by a visiting…
I grew up in a rural community and have lived most of my adult life in a small city in the Southern Interior of British Columbia. I’m fascinated with West Coast culture, particularly the Canadian version of it, which is connected to the environment and outdoors, shaped by more recent immigration and its sense of distance and disconnect from the country’s capital and economic and social centres, and informed by a more gentle climate. Rural west coast culture is especially rich in iconoclasts, those who live outside the norm, and I’ve explored these sorts of characters in all four of my novels and my short story collection.
I loved this book for the beauty of the prose and for Harold Rhenisch’s inimitable voice, his language, his wit, his eye for detail. Rhenisch has published many books of poetry and non-fiction about the BC Interior, and it’s difficult to choose just one. I liked this, a study of the apple and the rose, of pruning trees, of BC Interior orcharding, of a unique lifestyle and culture, and of life and living. Rhenisch is one of the best Canadian writers and should be more well-known.
Portrait of an Artist as a Young Woman
by
Alexis Krasilovsky,
Kate from Jules et Jim meets I Love Dick.
A young woman filmmaker’s journey of self-discovery, set against a backdrop of the sexual liberation movement of the 1970s and 1980s. In Portrait of an Artist as a Young Woman, we follow Ana Fried as she faces the ultimate…
I have a B.S. degree in Medical Technology and connect my stories with science. The more I began researching problematic issues in our society for the subject matter of my trilogy, the more I began to empathize with the different kinds of suffering that people endure. I’ve incorporated traumas in all of my Euphoria trilogy stories, from illicit drugs, illnesses, loss, burns, skin regeneration, and human trafficking. Societal awareness is my passion; presenting issues to people who don’t realize these problems are as widespread as they actually are.
I like how
Twisted Lies addressed a young woman’s trauma and loss using fiction. C.B.
Clark’s writing style flows smoothly and has a lot of description. Clark brings
realistic problems like alcohol as a focus in the character’s life, but also
intertwines romance and mystery in the characters. I laughed and cried as I
read Twisted Lies. The case behind the story had me guessing up until the end.
Athena Cooper's tragic past drives her to seek solace in a bottle. The addiction threatens her legal career, and she risks spiraling out of control. When her dog engineers a meeting with an all-too-handsome hunk, it's lust at first sight…until she discovers his identity.
Businessman Russell Crawford is desperate to find the woman who cheated him out of his inheritance. His shock when she's the gorgeous redhead he'd met briefly is only intensified when she claims his father was a murderer.
Athena and Russ declare a truce and join forces to investigate the mystery of her parents' disappearance from an…
