72 Books Like Yuri Norstein and Tale of Tales

The poet Langston Hughes’s autobiography engagingly recounts his travels to Cuba, Haiti, Japan, and Spain during the Civil War. The book's centerpiece is his 1931-1932 trip to the Soviet Union. He visited as part of a contingent of twenty-two African Americans hired to make a film on race relations in the United States.

The film project never panned out, but Hughes took advantage of the situation to visit Soviet Central Asia. He understood that his hosts tried too hard to convince American visitors of the progress made under the Soviet regime. But his autobiography also conveys the wonderful strangeness of being in a country officially committed to antiracism, where people of color had opportunities for education and advancement.  

Freud’s highly influential essay—reprinted in pamphlet form by bookseller Hugo Heller—argues that the Austrian author Wilhelm Jenson translated his daydreams into aesthetic form. This focus on the internal life of the author became widely influential to interwar modernism. 

I am as interested in Freud’s analysis of Jenson as an author and his central protagonist Norbert Hanold, as he idealizes the memory of a childhood loss of his beloved that he associates to the Gradiva bas-relief as I am with the establishment of Freud the critic, analyst, and writer.

Around the same time Freud first delivered this paper as a lecture at Heller’s bookstore, he provided the bookseller Hugo Heller with his personalized list of the 10 Most Influential Books that Heller used to advertise his authors and sell books.

Morgan illuminates and analyzes the visual culture of religion that scholars have neglected to consider seriously. His lyrical and incisive deep dive into the visual aspects and social contexts of a broad range of case histories, including religious Americana, opens up the “field” of visuality beyond the object itself and to the phenomenology of seeing.

A century after German scholars developed art history as a highly conservative meta-theory well suited to the study of the broader categories of “civilization” and “culture,” the Viennese psychoanalytic movement developed a highly radical meta-theory that posited civilization and culture as fictions meant to curb individual desires. 

Art historian Mary Bergstein illuminates photography's rich role in Freud’s thinking. Bergstein deftly reminds us that Freud’s interdisciplinary approach to the history of art and the new science of psychoanalysis was specifically meaningful to his time and place. During the brief period when Vienna would be recognized as the capital of European modernism, psychoanalysis developed as a meta-theory—a radical one—with the cult of individual desires and fears at its heart.

This book enticed me with the audacity of its premise: a quasi-mystical connection between classical music and the feral nature of wolves.

Renowned pianist Hélène Grimaud grew up a rambunctious child in southern France who found meaning in the melodies of long-dead composers. Years later, on a dark Florida night, she has a chance encounter with a wolf. Lupine mythologies permeate her story, and psyche.

No longer content to admire wolves from a distance, she later founds a wolf conservation centre in upstate New York. While this book may not be a literary tour-de-force, I was enthralled by the theme of “rewilding” music.

This is my all-time favorite book! It’s odd, quirky, and unpredictable. While not technically monsters, the wolves are terrifying…at first. You feel the helplessness of the characters, but rest assured, you cheer when they get a handle on the situation. This is a one-of-a-kind story that you’ll want to share with your entire family.

I read this novel some years ago and really loved it. It is incredibly beautifully written. The story has a spell-binding effect, and at other times, I was cracking open to understanding wolves and the wild elements of their nature—and the brutality of hunters.

High suspense drives this plot as does the conflict of trust and fear that keeps propelling the characters. Wolves are amazing creatures; the narrative has you breathing with the wolves as they run. I loved being inside the forests and trees of Scotland. The action brought on an aching as I read it—adventure and intrigue, romance too, and domestic violence and sexual abuse as the underbelly. Powerful images here that don’t fade easily. 

I have loved this book for decades since my parents read it to me out loud when I was a child, because the extraordinary story about the unbreakable bond formed between a man and a formidable wolf in the Canadian wilds has stayed in my heart and mind. Their anecdotes of vulnerability, trust, and love defy all odds.

I hoped that one day, I, too, would find my own soulmate wolf, and I think of their story often.

Wolfwalker launches straight into the action with healer Dion and her bonded wolf Hishn struggling to survive the aftermath of a beastly worlag attack. Hishn proves a stalwart companion with plenty of snark peppered in as they get caught up in a dramatic rescue taking them across the land and sea. Dion’s skills are put to the test as she tries to work out an ancient healing art that has killed everyone who’s attempted it in recent years, and her bond with Hishn proves to be key in solving the puzzle. The sweeping adventure in this novel carried me away. I felt the bond between Dion and Hishn brought a depth to the story that I greatly enjoyed.

I originally picked up this book because it was about wolves and a girl who is captivated by them. I greatly enjoyed the depth of Ms. Stiefvater’s characters.

This story is a young adult paranormal romance with a twist of humor and a dash of adventure. It captivated me until the very end, and I immediately downloaded Book 2. For anyone in search of a sweet, beautiful romance, this book is for you.