100 Books Like Mirrors of Memory

The poet Langston Hughes’s autobiography engagingly recounts his travels to Cuba, Haiti, Japan, and Spain during the Civil War. The book's centerpiece is his 1931-1932 trip to the Soviet Union. He visited as part of a contingent of twenty-two African Americans hired to make a film on race relations in the United States.

The film project never panned out, but Hughes took advantage of the situation to visit Soviet Central Asia. He understood that his hosts tried too hard to convince American visitors of the progress made under the Soviet regime. But his autobiography also conveys the wonderful strangeness of being in a country officially committed to antiracism, where people of color had opportunities for education and advancement.  

Freud’s highly influential essay—reprinted in pamphlet form by bookseller Hugo Heller—argues that the Austrian author Wilhelm Jenson translated his daydreams into aesthetic form. This focus on the internal life of the author became widely influential to interwar modernism. 

I am as interested in Freud’s analysis of Jenson as an author and his central protagonist Norbert Hanold, as he idealizes the memory of a childhood loss of his beloved that he associates to the Gradiva bas-relief as I am with the establishment of Freud the critic, analyst, and writer.

Around the same time Freud first delivered this paper as a lecture at Heller’s bookstore, he provided the bookseller Hugo Heller with his personalized list of the 10 Most Influential Books that Heller used to advertise his authors and sell books.

A meditative look at the inner life and social contexts of Norstein’s film Tale of Tales about a little grey wolf who wades through the realities of postwar culture as the eponymous character of a popular national lullaby. 

Kitson’s recovery of the material and spiritual biography of a Soviet auteur showed me the way to my own work on the Jewish labor force in Soviet animation. 

Morgan illuminates and analyzes the visual culture of religion that scholars have neglected to consider seriously. His lyrical and incisive deep dive into the visual aspects and social contexts of a broad range of case histories, including religious Americana, opens up the “field” of visuality beyond the object itself and to the phenomenology of seeing.

When the Hungarian-French photographer Brassai arrived in Paris in 1924, he taught himself French by reading Proust. As a photographer, he was fascinated by a similarity between his own impulse to make pictures and how the novelist used the photographic process as a metaphor for establishing or obscuring his character’s inner and outer worlds, as if both he and Proust were developing images in their respective darkrooms. Proust, Brassai saw, “used his own body as an ultra-sensitive plate, managing to capture and register thousands of impressions.” He was like a reporter with a camera—sometimes a portraitist, a landscapist, and, “sometimes Proust rivals the paparazzi.”

This is a fun book of photography projects for children (although they would also be good for any adult aspiring photographer). I like the way it has varied practical projects which get you thinking about the process of making photographs based around a theme or idea.

It poses interesting questions to think about when taking a photograph, and as Susan Meilsellas says “whether or not a photograph can change the world, photography can change you. Just open your eyes!”

The Civil War was the first conflict in history to leave a detailed photographic record, and no one did it better than Mathew Brady. More than ten thousand war images are attributed to his studio and he did iconic portraits of Abraham Lincoln, John Wilkes Booth, Walt Whitman, Horace Greeley, and other celebrities.

Today, artificial intelligence, iPhones, and streaming video are remaking our world. But back in the 1850s, photography was the latest technology. It soon became so affordable that soldiers on both sides of the struggle sent a visually accurate memento to loved ones back home before they marched into battle. 

Traveling is a time when you often need to entertain a bored child on a train, plane, or in a car. This book has tons of great games, puzzles, stickers, and even cultural information that will educate your child. Lots of photography and illustrations to entertain, as well. A good mix of education and fun.

Before I began to read this book, I knew it was about the men who raised the stars and stripes atop Mt. Suribachi, a photograph of which became an iconic image of the Battle of Iwo Jima and the Pacific War. Indeed, the book meticulously conveys the story of the six flag raisers, men who were representative of the U.S. Marines and those who fought at Iwo Jima.

Their lives are fascinating in themselves. But as I discovered, the book is much more. It a gripping account of the Battle, where the Americans sustained more casualties than the Japanese, a moving tribute to the courage, valor, and camaraderie of the Marines, and a thorough exploration of myths surrounding the flag raising and its effects on the flag raisers.

Oliver Sack’s forward to this book, which was first published as The Lost Virtues of the Asylum, stopped me cold when I first read it. It was a revelation and started my mind turning. I read the piece dozens of times and then found the source materials Sacks quoted from and read those books, too.

I came of age during the era of One Flew Over the Cuckoo’s Nest, and it was a long unwinding to begin to consider that an institution, a state institution on the order of a large mental health hospital, could do good. But I’d grown up with a mentally ill parent who struggled to survive and bring me up safely. I saw firsthand the toll our life took on her. I began to tamper with my assumption that she’d been better off in the harrying world.

The photographs by Alexander Payne are haunting.… show more.