Here are 81 books that Wild Harmonies fans have personally recommended if you like
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I took piano lessons as a kid, but my teacher was imperious and boring. In my mid-30s I started thinking about it again, and my partner bought me a state-of-the-art Yamaha keyboard as a Valentine’s Day present. I found a wonderful teacher, Rafael Cortés, who worked at a community music school a few blocks from my office. Every piece we worked on began with a conversation about the composer, the period in which she/he wrote the piece, and the other artists–painters, sculptors, poets–who were working then. I fell in love with both playing and learning about music, and more than 30 years later, I’m still taking weekly lessons with Rafael.
I was struck by the ease with which Hodges moves from her own experience learning the violin to the scientific underpinnings of her subject: from math, physics, and neurology to quantum mechanics, biology, and entanglement theory, always in search of a clue to how music informs our experience of time.
Complex topics are suddenly eased by an anecdote from her personal life and practice: a bow dropping during Paganini or the story of her mother buying her “a red dress, bright as D major.” There’s a quality of searching that runs through these essays, both for scientific meaning in music as well a deeper understanding of the dynamics of her own life.
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A virtuosic debut from a gifted violinist searching for a new mode of artistic becoming
How does time shape consciousness and consciousness, time? Do we live in time, or does time live in us? And how does music, with its patterns of rhythm and harmony, inform our experience of time?
Uncommon Measure explores these questions from the perspective of a young Korean American who dedicated herself to perfecting her art until performance anxiety forced her to give up the dream of becoming a concert…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.
Like most readers, I like my science sandwiched between stories.
Tim Falconer delivers a winsome tale of a writer diagnosed with “amusia"—the clinical term for “tone deafness”—who nevertheless longs to sing. Bashful yet determined, he delves into the science of auditory deficits and musicality on a quest to uncover why he can’t sing in tune, and whether anything can be done about it.
I couldn’t help but cheer him on as he endures remedial singing lessons and a nail-biting buildup to a public performance. Will he pull it off? And is there hope for other bad singers out there? I loved how Falconer used himself as Exhibit A to prove that even extreme tone deficits needn’t keep us from the joys of making music.
In the tradition of Daniel Levitin's This Is Your Brain on Music and Oliver Sacks' Musicophilia, Bad Singer follows the delightful journey of Tim Falconer as he tries to overcome tone deafness - and along the way discovers what we're really hearing when we listen to music.
Tim Falconer, a self-confessed "bad singer," always wanted to make music, but soon after he starts singing lessons, he discovers that he's part of only 2.5 percent of the population afflicted with amusia - in other words, he is scientifically tone-deaf.
Bad Singer chronicles his quest to understand human evolution and music, the…
Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.
In the words of Joni Mitchell, you “don’t know what you got till it’s gone.” Only a person who has gone deaf partway through life knows what it means to live with and without sound. And music.
In this evocative book, British journalist Bella Bathurst chronicles her profound loss of hearing starting at age 27—and twelve years later, its dramatic return. The health reporter in me gave a thumbs-up to her skillful exploration of the lesser-known science of hearing.
She introduces expert lip readers, soldiers who accept deafness as an occupational hazard, and the copper “ear trumpets” used by Beethoven as his greatest joy ebbed. When Bathurst regains her hearing, I was awed by her description of hearing music anew: “It was a thousand volts of birdsong.”
In 1997, Bella Bathurst began to go deaf. Within a few months, she had lost half her hearing, and the rest was slipping away. She wasn't just missing punchlines, she was missing most of the conversation - and all of the jokes. For the next twelve years deafness shaped her life, until, in 2009, everything changed again.
Sound draws on this extraordinary experience, exploring what it is like to lose your hearing and - as Bella eventually did - to get it back, and what that teaches you about listening and silence, music and noise. She investigates the science behind…
Katie's Gamble is an unexpected, unique story about a young woman who's trying to support her younger siblings by keeping her family's confectionery shop open.
In order to do that, she has to take on her older brother, who's a notorious gambler in Louisiana. Additionally, she has to outsmart Rowdy…
Music has been a passion ever since I joined my mother’s hippie jam sessions as a toddler. During my 17 years as a professional cellist-in-training, I tried Yo-Yo Ma’s Stradivarius and played Pachelbel’s Canon at a gazillion weddings. I even made it to Carnegie Hall, performing in a university orchestra on the gilded stage. But injuries, both physical and psychological, put an end to my classical music career. Trying to forget my cello years, I entered journalism, eventually becoming a staff health reporter at Canada’s national newspaper, The Globe and Mail. Later, when a percussion workshop triggered a dramatic shift in my perspective, I answered the call to explore music in a more expansive way.
Baroque in prose and unabashedly erudite, this scholarly memoir by a Pulitzer Prize-winning arts critic may not be for everyone.
But I adored his uncanny descriptions of musical interpretation (such as Glenn Gould’s “flinty” recording of Bach) along with Kennicott’s prickly asides—“I hate the word ‘healing.’” Following the death of his beloved yet cantankerous mother, Kennicott channels his grief into learning to play Bach’s masterwork, the Goldberg Variations.
For a lapsed pianist in midlife, it’s a Herculean task. Unanswerable questions absorb him along the way: What does it mean to know a piece of music? What does it mean to know another human being? Throughout his musings and often comical childhood memories, Kennicott’s devotion to his Baroque master shines clear: “If Bach’s Goldberg Variations are not great, then nothing is.”
As his mother was dying, Philip Kennicott began to listen to the music of Bach obsessively. It was the only music that didn't seem trivial or irrelevant, and it enabled him to both experience her death and remove himself from it. For him, Bach's music held the elements of both joy and despair, life and its inevitable end. He spent the next five years trying to learn one of the composer's greatest keyboard masterpieces, the Goldberg Variations. In Counterpoint, he recounts his efforts to rise to the challenge, and to fight through his grief by coming to terms with his…
I love the mystery and wisdom of wolves. When I began researching wolves to write my own wolf stories, I discovered they had not only keen instincts but shocking intuition. I read stacks of nonfiction books on wolves and wolf stories, too. I toured a wolf conservation. One of the wolves, a white wolf, looked me straight in the eye and held me there. A wolf’s eyes do more than see you. Her communication was almost a prayer. I went home and wrote a short story about a white wolf—"Sky Wolf, A Fairy Tale." And then I wrote a wolf novel. I’m in love with wild wolf spirit.
A pack of wolves is terrorizing Paris. This is after the Hundred Years’ War, so historical fiction (and based on historical accounts).
Courtaud, the alpha male, is a mixed wolf-dog breed who leads his pack of wolves into the streets of Paris to survive on adventurous killing sprees. The loyalty of the pack, their family, all that aggressive protection is the star quality here, revealing the true spirit of wolf.
Courtaud stole my heart, no matter the savage attacks to survive or his wicked head-grip that he used masterfully to subdue his victims. Declared to be a monster and a wolf king, Courtaud falls in love with Silver, his wolf mate, with rich white fur. A love story to match Romeo and Juliet. I cried at the end.
The award-winning author of The Way of the Gladiator brings to life medieval Paris and the wolves who held it hostage, in a novel based on real events. Praised as "nature writing at its best," The Wolves of Paris takes readers to fifteenth-century France, a country so decimated by the Hundred Years' War that its people became prey for marauding wolf packs (Hartford Courant). With France split among the English, the Burgundians, and the forces of the weak Charles VII, a wolf-dog rises to ensure the existence of his pack by any means necessary . . . Courtaud begins his…
I got hooked on mystery novels as a kid reading the Encyclopedia Brown stories. Something about the combination of a great story and a puzzle to solve is irresistible to me. As a historian, I’m interested in communities, and especially how people understood themselves as being part of the new kinds of economic, political, and cultural communities that emerged in the first half of the twentieth century. When I learned about Dorothy L. Sayers’ lifelong writing group, the wryly named ‘Mutual Admiration Society’, I was thrilled at the chance to combine my professional interests with my personal passion for detective fiction.
If any contemporary detective writer is the heir to Dorothy L. Sayers, it has to be Fred Vargas.
Trained as a historian and archaelogist, she writes well-plotted mysteries with complex, flawed characters. But most of all, her books are bristling with fascinating, arcane facts. In this novel, the inhabitants of a rural, mountainous region of France are being terrorized by what seems to be a huge wolf – or is it a werewolf?
The resolution is entertaining, but what I really loved was learning about everything from medieval legends to the contemporary politics of reintroducing wild wolves in Europe – not to mention sheep-farming, wildlife photography, and plumbing.
For anyone who loved Sayers’ deep dives on bell-ringing or the advertising business, Vargas is for you.
In this frightening and surprising novel, the eccentric,wayward genius of Commissaire Adamsberg is pitted against the deep-rooted mysteries of one Alpine village's history, and a very present problem: wolves. Disturbing things have been happening up in the French mountains; more and more sheep are being found with their throats torn-out. The evidence points to a wolf of unnatural size and strength. However Suzanne Rosselin thinks it is the work of a werewolf. Then Suzanne is found slaughtered in the same manner. Her friend Camille attempts, with Suzanne's son Soliman and her shepherd, Watchee, to find out who, or what is…
Papyrologist Lisa Emmer's world flips when the Sûreté detains her at her Metro station with news of the savage murder of the esteemed Paris historian Dr. Raimond Foix, her friend and mentor in the study of ancient documents.
Horrified, Lisa finds clues at the crime scene left behind for her…
I’ve always been fascinated by monsters. Growing up I saw television shows and read books about famous ones like Bigfoot and Nessie, and always wanted to search for them and discover the truth. That led me to a degree in psychology to learn about human cognition and perception, and a career in folklore to understand how legends and rumors spread. But I also wanted field experience, and spent time at Loch Ness, in Canadian woods said to house Sasquatch, to the Amazon, Sahara, and the jungles of Central America looking for the chupacabra. Along the way became an author, writing books including Tracking the Chupacabra, Lake Monster Mysteries, Big—If True, and Investigating Ghosts.
There are many terrifying monsters, but few were as feared as the beast of Gévaudan, which terrorized the French countryside in the 1760s.
Said to be, variously, a werewolf, a dog-hybrid, a hyena, or some unknown beast, it was blamed for killing many dozens of villagers. The French government sent top hunters to kill the beast, and conspiracy theories ran rampant. I recommend Monsters of the Gevaudan because I love the way it blends history, folklore, and investigation into a compelling mystery.
Don’t believe the mystery-mongering TV shows offering wild theories: the truth is in this book—and it’s stranger than fiction.
In a brilliant, original rendition, Monsters of the Gevaudan revisits a spellbinding French tale that has captivated imaginations for over two hundred years, and offers the definitive explanation of the strange events that underlie this timeless story.
In 1764 a peasant girl was killed and partially eaten while tending a flock of sheep. Eventually, over a hundred victims fell prey to a mysterious creature, or creatures, whose cunning and deadly efficiency terrorized the region and mesmerized Europe. The fearsome aggressor quickly took on mythic status, and the beast of the Gevaudan passed into French folklore.
I love books that keep me up at night. I'm constantly trying to get into a good, healthy bedtime routine—but I am also constantly sabotaging that effort by finding books that I simply can’t put down. The feeling of being drawn so deep into a story that the hours slip away is easily one of my favorite feelings in the world. I also love books that make me wake up in the middle of the night, books that slide into my brain and plant new ideas there. As an author, I am always striving to write those books. I can think of no higher compliment than “I stayed up all night reading it.”
When I was a kid I was very excited about wolves. Not in the sense that I knew a lot about wolves—I didn’t study them and learn about them—so much as I felt certain, in my heart of hearts, that if I met a wolf, we would understand each other in a way no two creatures ever have. Feed Them Silence is a book that returned me to that sense of certainty, but with a more fundamentally realistic understanding of the nature of animals as existing outside of human understanding. I couldn’t put it down, and the hours slipped right past me.
Lee Mandelo dives into the minds of wolves in Feed Them Silence, a novella of the near future.
What does it mean to "be-in-kind" with a nonhuman animal? Or in Dr. Sean Kell-Luddon’s case, to be in-kind with one of the last remaining wild wolves? Using a neurological interface to translate her animal subject’s perception through her own mind, Sean intends to chase both her scientific curiosity and her secret, lifelong desire to experience the intimacy and freedom of wolfishness. To see the world through animal eyes; smell the forest, thick with olfactory messages; even taste the blood and viscera…
I have a thing about bunnies! My first plush toy was a rabbit named Boing Boing and I had a pet lop-eared bunny named Br’er. The first book I wrote in my series was The Night Before Easter because I wanted to write a story for kids who love bunnies and Easter - like me! When I was a child I also liked to read books by Beatrix Potter and hope to one day visit her house in England.
It’s a silly rabbit book! Kids will love that the bunnies are trying to disguise themselves from what they think is a hungry wolf. But it turns out the wolf isn’t looking for bunnies to eat. The lone wolf wants friends. Great read-aloud story! The illustrations – part art and part cartoon – are bursting with energy and saturated color. Don’t forget to read the funny signs in the artwork as well.
A laugh-filled, bunny-filled new picture book from author-illustrator dream team Tammi Sauer and Ross Burach, just in time for Easter baskets and spring celebrations.
From the author of Wordy Birdy and the illustrator of The Very Impatient Caterpillar comes a hilarious picture book about a super-sassy bunny who tries to save himself and his cotton-tailed pals from a wolf by conning him into thinking they are not bunnies, despite the fact that a.) they are very clearly bunnies and b.) more and more (and more!) bunnies keep showing up. How many bunnies are in this book? A LOT!
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’m a former independent publisher and current writer of memoir and fiction. My degree was in zoology (animal biology), which got me my first job in educational publishing. After a solid career in textbooks, I switched over to trade publishing and finally writing. I may have left the "hard science" behind, but I continue to be fascinated by human and animal behavior, which shows up in my reading and writing.
The animal is a wild pack of gray wolves. Also a dog. The human is a capable and complex fifty-year-old divorcee who is determined not to let politics defeat the wilderness in her state of Maine. A vibrant and educational novel. Though I live in Maine part-time, I’m an indoorsy type. Author Neily is an outdoorsy type, and she proves it with her plots, settings, and characters.
Winner: Mystery Writers of America McCloy Award. National finalist: Women’s Fiction Writers Association “Rising Star” contest.
Cassandra Patton Conover is about to become an outlaw. Searching for her wayward dog in Maine’s dense woods, she finds her best friend Shannon crushed under a tree. Then she finds tracks larger than any animal she knows and a mystery only wild animals can help her solve.
Before she can absorb the loss of her friend, Patton is hired to guide a surly reporter who suspects extinct wolves have returned to Maine, but the forest has too many agendas. A billionaire hopes wolves…
