100 Books Like You're Never Weird on the Internet (Almost)

Of course, I have to recommend Davis’s book; we have similar titles! But in all seriousness, Davis takes a much different approach to the “gamer memoir” by focusing more on the games themselves. He reminisces about his favorite childhood games and/or games that were culturally important and does a great job highlighting what made them work (or not work) without letting modern-day feelings get in the way. Occasionally, Davis will tie the game into some real-world lesson he learned. It’s that aspect that I appreciate the most. I also try to reflect on certain games as being more than just “something fun at the time.”

This one’s an intentionally short read, fast-forwarding through Leith’s life at breakneck speed, only stopping to check in every few years to see what game he was into then. The whole thing feels like a strange fever dream or stream of consciousness, particularly in the first few chapters when his childhood memories are probably as fuzzy as the TV he played Planetoid on. Still, it’s a fascinating look at how certain games stick with you over the years. I have my own collection of games that don’t necessarily reflect my favorites of all time but certainly define key moments in my life.

David Sudnow’s Breakout: Pilgrim in the Microworld is perhaps the earliest account of a person’s obsession with a video game.

Sudnow’s diary-like approach to his relationship with the 1976 arcade game Breakout is captivating. It reads like improv jazz (which isn’t surprising considering Sudnow himself was an accomplished jazz pianist).

For example, here’s Sudnow describing the moments before starting the final phase of his longest game so far: “I feel the attempted seduction of the long lobbing interim, a calm before the storm, the action so laid back that I’m consciously elaborating a rhythm to be ready, set, go for a slam.”

Sudnow shows us that what might seem like simple bleeps and bloops to most people can instead be a life-affirming awakening to others. And how can something so powerful not warrant respect?

Tell your non-gaming friends: video games are poetry!

Where David Sudnow’s Breakout: Pilgrim in the Microworld focused on the flamboyant poetry of gaming, Michael W. Clune’s Gamelife opts for minimalism.

Clune himself describes the book as a memoir about computer games, which is true, and that description alone warrants inclusion in my list. Why? Any topic that can be a lens through which to reflect on one’s own life is noteworthy.

Clune isn’t a game developer recounting a life spent developing games. Clune isn’t a games industry executive doling out business advice. Clune is a gamer with a childhood he’s able to better understand when filtered through video games.

Tell your non-gaming friends: video games are therapy!

What appeals to me most is Sir David Jason telling how playing characters such as Derek Trotter, Granville, Pop Larkin, and Frost changed his life in all sorts of ways. I like his quote that: “With any luck, some of these thoughts and observations will chime with episodes and challenges you have faced, or are facing, in your own life. And if they don't... well, hopefully, at the very least you'll get to have a good old laugh at my expense.”

I love bad-ass women who take the world by storm. I love it when they’re funny. I love it when they share their journey. Amy Poehler, badass writer/comedian, wrote her memoir in the form of a self-help book. The self-help aspect is in disguise, though. You’re supposed to think it’s a memoir/fun celebrity tell-all, but it’s way more than that. It’s a bossy bitchy blueprint on how to get through life with humor and honesty and loads of funny stories. 

Some of her advice: Talk To Yourself Like You’re Ninety and Treat Your Career Like A Bad Boyfriend. Amy’s snarky, smart, and silly stories about her successes and failures inspire me to be a badass, too. Humor and snark and advice. Yes, please!

With a codependent mother relationship that feeds into various forms of abuse (CW: eating disorders being one of them) and Hollywood as the backdrop for this coming-of-age story, this is an important, unforgettable memoir.

It’s a gift to be so darkly funny and honest as a nonfiction writer, particularly when your own deep vulnerability is in service of something larger. Written in short numbered passages that span McCurdy’s life from early childhood into adulthood, this true story is a perfect rollercoaster.

Both laugh-out-loud funny and deliriously sad, there’s never a moment you won’t feel held by this book and this writer.

Woody made fun of movie novelizations in Manhattan, but they have a special charm, especially when written by the director.* Tarantino’s gripping novel captures the changing of the guard in Hollywood ’69 as only a native son could, with special attention paid to Manson’s floppo music career.

The book also features some intense scenes that aren’t in the flick. For instance, in one chapter, Manson Family acolyte “Pussycat” creepy crawls into an elderly couple’s home at midnight and strips naked in their bedroom while they sleep and then…yeah, well, try not turning the pages, I dare ya. 

*(Another fine example is The Last Days of Disco, With Cocktails at Petrossian Afterward by Whit Stillman.)

Olivia Dade is the queen of romcoms with twists, and this may be her best work, IMO! Marcus is so sexy and such a golden retriever MMC, and I loved April just as much. This is a perfect example of two main characters who are both great but somehow even better together.

And Olivia Dade is truly hilarious–I especially loved the interlude chapters with the awful scripts Marcus had encountered over the years. This is one of the easiest romances for me to recommend to people because there’s something for everybody!

To read about the life of Diahann Carroll, a true diva, sets the record straight on her beauty and humanity. Her many marriages, a tribute to her daddy issues, and her support of civil rights show the true sides of a diva. She was political, she was insecure, she failed, and she succeeded. That is a life well lived. Diahann as a mother, by her own account, had a mixed track record. But, she clearly was a good enough mother and grandmother.