Here are 100 books that Letters on Cezanne fans have personally recommended if you like
Letters on Cezanne.
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I’ve been fascinated by architecture and landscape architecture since discovering the work of Le Corbusier at the age of sixteen. Most of my life has been spent teaching and writing about it - fifteen books and numerous articles - with occasional forays into designing and building. I took early retirement as a Professor of Architecture in 2013, the year after enjoying ‘Fifteen Minutes of Fame’ on a BBC TV series featuring the development of my ‘mineral scarves’ for Liberty of London. This led to a creative app and website for children called Molly’s World (to be launched in 2024) and on my seventieth birthday in 2023 I launched an architectural and garden design studio.
I was introduced to this at the end of my first year as an architecture student and it introduced me to looking at history through a designer’s eyes.
The original and best edition was in a small format, packed with postage-stamp-sized illustrations. Venturi’s target was the reductive, less-is-more strand of Modern architecture. ‘Less is a bore’, Venturi declared, and he opened my eyes to Mannerism and the Baroque and offered new insights into modern masters such as Aalto and Le Corbusier.
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
I’ve been fascinated by architecture and landscape architecture since discovering the work of Le Corbusier at the age of sixteen. Most of my life has been spent teaching and writing about it - fifteen books and numerous articles - with occasional forays into designing and building. I took early retirement as a Professor of Architecture in 2013, the year after enjoying ‘Fifteen Minutes of Fame’ on a BBC TV series featuring the development of my ‘mineral scarves’ for Liberty of London. This led to a creative app and website for children called Molly’s World (to be launched in 2024) and on my seventieth birthday in 2023 I launched an architectural and garden design studio.
I bought My Work when I was sixteen and it was the catalyst for a lifetime devoted to architecture.
Written shortly before he died, it is a passionate, personal account of Le Corbusier’s work. Profusely illustrated and beautifully designed, it covers his work as draughtsman and painter, sculptor and writer - and, of course, as - in my view - the greatest architect ever to pick up a tee-square.
At the opening of his exquisite pilgrimage chapel at Ronchamp, Le Corbusier was asked if he had to believe in God to create such a building. ‘No,’ he replied, ‘I had to believe in architecture.’ This is a book by a believer to convert newcomers to the greatest of the arts.
From the He does not have the open expression and the easy smile of those who readily inspire sympathy; animation and grace are lacking; the eyes are dull, the voice is flat and uneven. But candour and strength reinforce an impressive demeanour seemingly built for defence, behind which he appears to withdraw, to watch and to observe. It is very hard not to feel respect and curiosity! He has known (and still knows) incomprehension, hostility, betrayal and, worse still, gross injustice. For more than forty years he has had to wage war-on his own ground of architecture and planning-against the…
I’ve been fascinated by architecture and landscape architecture since discovering the work of Le Corbusier at the age of sixteen. Most of my life has been spent teaching and writing about it - fifteen books and numerous articles - with occasional forays into designing and building. I took early retirement as a Professor of Architecture in 2013, the year after enjoying ‘Fifteen Minutes of Fame’ on a BBC TV series featuring the development of my ‘mineral scarves’ for Liberty of London. This led to a creative app and website for children called Molly’s World (to be launched in 2024) and on my seventieth birthday in 2023 I launched an architectural and garden design studio.
Extracted from Ruskin’s three-volume account of ‘The Stones of Venice’, this was published with an introduction by William Morris, Ruskin’s greatest disciple and founder of the Arts and Crafts movement.
Ruskin’s High Victorian writing style is a barrier to some, but he is the greatest English writer on architecture whose ideas about the importance of craftsmanship and moral value of authentic architecture are an antidote to our present condition.
Extolling the virtues of ‘Savageness’, ‘Changefulness’ and ‘Love of Nature’ his ideas are newly relevant as we address the environmental and social consequences of the Industrial Revolution he detested for its impact on our humanity.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I’ve been fascinated by architecture and landscape architecture since discovering the work of Le Corbusier at the age of sixteen. Most of my life has been spent teaching and writing about it - fifteen books and numerous articles - with occasional forays into designing and building. I took early retirement as a Professor of Architecture in 2013, the year after enjoying ‘Fifteen Minutes of Fame’ on a BBC TV series featuring the development of my ‘mineral scarves’ for Liberty of London. This led to a creative app and website for children called Molly’s World (to be launched in 2024) and on my seventieth birthday in 2023 I launched an architectural and garden design studio.
This book opened my eyes to a neglected strand of Early Renaissance architecture.
Stokes was a supreme stylist and his elegant, idiosyncratic prose is a delight to read. His insights into what he called the ‘carving tradition’ of art and architecture are posited as a counterpoint to the mainstream ‘modelling’ tradition.
For Stokes, the architecture and art he loved grew out of reverence for the inner life of stone, of marble above all. He described the results as ‘stone blossom’ and buildings as being ‘in bloom’. If this sounds obscure, please don’t be put off: The Quattro Cento is a revelation.
Adrian Stokes (1902-1972) was a British painter and author whose writings on art have been allowed to go out of print despite their impact on modernism and ongoing acclaim. Tow of his most influential books, "The Quattro Cento" (1932) and "Stones of Rimini" (1934), are bought together in this volume, which includes all their original illustrations. The forward and introduction place Stokes's works in the context of early 20th-century culture and discuss their structure and relevance to today's experience of art and architecture. The books reproduced here mark a crossroads in the transition from late Victorian to modernist conceptions of…
Photography has always been more than just images for me. I love capturing the moments that define a movement. I started out photographing punk bands, drawn to their raw creativity. Later, I shot Hollywood legends, but at the core, it was always about the same thing: artists fighting to make something that lasts. These stories feel like snapshots of a life I know well, and they bring me back to the packed punk club where everything started.
I love a good story about artists who refuse to play by the rules, and Kiki Man Ray was exactly that. Her story hit me because it’s all about pushing boundaries, no matter who tries to shut the door.
What I loved most was how alive this book made that era feel. It’s like I could almost hear the jazz, feel the cigarette smoke in the air, and get lost in the chaos of Montparnasse. It’s the kind of energy that makes you want to create and exist loudly and I love it!
In freewheeling 1920s Paris, Kiki de Montparnasse captivated as a nightclub performer, sold out gallery showings of her paintings, starred in Surrealist films, and shared drinks and ideas with the likes of Jean Cocteau and Marcel Duchamp. Her best-selling memoir-featuring an introduction by Ernest Hemingway-made front-page news in France and was immediately banned in America. All before she turned thirty.
Kiki was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Why has Man Ray's…
I’ve been obsessed with art since I was a kid. When I look at art, I see stories, not just about what I’m seeing, but about what it was like when the painting was created: was the artist tired, grumpy, frustrated? Why’d they paint it the way they did? Sadly, my artistic talent is limited, but fortunately, I can tell stories. After visiting William Orpen’s painting of Mona Dunn at the Beaverbrook Art Gallery, I couldn’t help wondering why he made her look so pensive. The only way I could answer that question was by writing my own story about Mona and the other paintings in the gallery!
This book is a modern classic and no wonder – delightful characters, a twisty-turny mystery, and best of all: art. The way Balliett introduces kids to the world of art through puzzles, codes, wordplay, is clever and thrilling and had me completely entranced. The world of art theft is both thrilling and chilling, and this book takes us both places.
This bewitching first novel is a puzzle, wrapped in a mystery, disguised as an adventure and delivered as a work of art. When a book of inexplicable occurences bring Petra Andalee and Calder Pillay together, strange things start to happen- seemingly unrelated events connect, an eccentric old woman seeks their company, and an invaluable Vermeer painting disappears. Before they know it, the two find themselves at the centre of an international art scandal. As Petra and Calder are drawn clue by clue into a mysterious labyrinth they must draw on their powers of intuition, their skills at problem solving, and…
Big Ideas... For Small Businesses
by
John Lamerton,
Big Ideas… for Small Businesses is a straight-talking, no-nonsense guide to growing a small business without sacrificing your lifestyle. Written by a former civil servant turned entrepreneur, the book challenges hustle culture and instead champions the idea of an "ambitious lifestyle business" - one that provides freedom and financial stability,…
As a teenager, I found the layered poetry of Sylvia Plath as riveting as an impasto-layered canvas by Vincent Van Gogh. A love for the rhythm of words and paint, as well as the power of art to tell stories and critique history led me to study art history. Influential college professors opened my eyes to the systematic exclusion of women from art and history. Today, I’m a professor at the University of San Francisco, where I specialize in modern, contemporary, and African art, with an emphasis upon issues of gender, race, ethnicity, and class. I’m particularly interested in women artists and artists who cross cultural boundaries.
Before reading this book, I had never heard of Mary Sully. I’m thrilled that I now know about her stunning “personality prints,” abstract designs arranged in horizontal triptychs. Sully, who was born on the Standing Rock reservation in 1896, was largely a self-taught artist who never achieved wide recognition. Philip Deloria, a professor of history and a relative of Sully’s, delves into the complexities of what it meant to be a Dakota Sioux woman artist working with an innovative style of abstract art that didn’t fit into neat categories. This mirrors, Deloria says, the “scramble for survival” that an “Indian” woman had to navigate in a “difficult world.” That difficult world is still with us today, making this story a throughline to the present and a must-read.
Dakota Sioux artist Mary Sully was the great-granddaughter of respected nineteenth-century portraitist Thomas Sully, who captured the personalities of America's first generation of celebrities (including the figure of Andrew Jackson immortalized on the twenty-dollar bill). Born on the Standing Rock reservation in South Dakota in 1896, she was largely self-taught. Steeped in the visual traditions of beadwork, quilling, and hide painting, she also engaged with the experiments in time, space, symbolism, and representation characteristic of early twentieth-century modernist art. And like her great-grandfather Sully was fascinated by celebrity: over two decades, she produced hundreds of colorful and dynamic abstract triptychs,…
I’m an art historian, author, and the former curator of modern and contemporary art at the North Carolina Museum of Art in Raleigh, North Carolina—so art is my thing! I’m the host of the independent podcast ArtCurious, which I started in 2016 and which was named one of the best podcasts by O, The Oprah Magazine and PC Magazine, among other outlets. I’m also the author of a book called ArtCurious, which was lauded in Publisher’s Weekly, BookPage, and Booklist. I’ve got advanced degrees in art history and love to share all my enthusiasm for art whenever I can (also: travel!).
This one is a little bit headier. Gombrich is one of the big names in art history (take any graduate level course in art history methodology, and he’s one of the first names mentioned). But there’s a reason that’s he’s one of the biggies: his information is thorough. For the bookish newbie, this one is a real win.
The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.
For the first time in many years the book has been completely redesigned. The illustrations, now in colour throughout, have all been improved and reoriginated, and include six fold-outs. The text has been…
For me, art is a journey of relentless questioning, exploring, and introspection. As an artist, author, and educator, I have relied on each book in this collection to further my creative journey. The titles that I've selected offer unique perspectives on the transformative power of art and have had the biggest effect on my students, my peers, and my own artistic growth. I believe that art is a language that is and should be for everyone, providing a conduit for individual expression, problem-solving, and innovation. Each of these titles has offered pivotal "aha" moments while igniting my passion, and I hope they allow you to unlock your creative potential.
Sarah Urist Green's You Are an Artist is a beacon of inspiration filled with engaging and thought-provoking assignments that push the boundaries of conventional art-making.
Each challenge in this book compels you to explore uncharted territories, urging you to experiment with novel ideas and mediums. Far more than just prompts, Urist Green guides you on a journey into the heart of contemporary art, inspiring a renaissance of thought and technique in every artist willing to embrace its teachings.
The book instantly transported me back to art school, with assignments that truly spawn productive growth. I found myself eagerly anticipating each new page, propelled Green’s warm, encouraging, yet daringly innovative approach. This book is a must-have for anyone seeking to break free from creative blocks and embark on a journey of artistic discovery.
“There are more than 50 creative prompts for the artist (or artist at heart) to explore. Take the title of this book as affirmation, and get started.” —Fast Company
More than 50 assignments, ideas, and prompts to expand your world and help you make outstanding new things to put into it
Curator Sarah Urist Green left her office in the basement of an art museum to travel and visit a diverse range of artists, asking them to share prompts that relate to their own ways of working. The result is You Are an Artist, a journey of creation through which…
The problem is not with the actions young women take but with the toxic, sexist conditions they are responding to.
Tanenbaum found, based on six years of interviews with young people ages 14-30, that young women are navigating a culture littered with gendered dress codes, revenge porn, and sexually explicit…
I’m an art historian, author, and the former curator of modern and contemporary art at the North Carolina Museum of Art in Raleigh, North Carolina—so art is my thing! I’m the host of the independent podcast ArtCurious, which I started in 2016 and which was named one of the best podcasts by O, The Oprah Magazine and PC Magazine, among other outlets. I’m also the author of a book called ArtCurious, which was lauded in Publisher’s Weekly, BookPage, and Booklist. I’ve got advanced degrees in art history and love to share all my enthusiasm for art whenever I can (also: travel!).
This book is my top recommendation for any art newbie that comes to me asking for book ideas. Where should I start if I want to learn about art history? Start right here! The Annotated Mona Lisa is easy to read, and educational yet entertaining, and it'll help you discover everything from what cave paintings actually mean, to the difference between Expressionism and Abstract Expressionism (hint: it's right there in the name), and even how contemporary artists make work out of miscellaneous objects. Great for preteens on up.
An illustrated tutorial of prehistoric to contemporary world art, from cave paintings to video art installations to digital and Internet media in an easy-to-understand format.
This heavily illustrated crash course in art history is revised and updated from the second edition published in 2007, including a new chapter about recent artists and movements. Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to the Present takes art education out of the realm of dreary textbooks, demystifies jargon and theory, and makes the history of art movements…
