Books like The Scarlet Thread — picked by fans

I loved these books. The mystery of this society and its strict divisions fascinated me. I related to Tris immediately and her need for more excitement than her Abnegation family could provide. The detachment felt by so many of the characters in their daily roles resonated in my soul as something I have felt as well when confined by societal definition.

As I reflected in our own society, those at the top scheme to gain power for themselves, regardless of the effect on the rest of the people. I was proud of Tris and her colleagues, who joined together to create a better, more just society.

This book is about being brave. You know when a problem grows into a huge scary monster, right? It’s got you cornered and you don't think you'll ever get out alive, but with the right attitude, you can. Our hero Phoenix is braver than his years, but in some ways he’s more grown-up than his dad. In this retelling of the ancient Greek story of the minotaur, who crushes mortals and eats them for breakfast, we step into a monstrous virtual world created by Phoenix’s dad. I wanted to run, but most of all I wanted to stay and see what happened next. Will the minotaur eat Phoenix alive? I related to Phoenix trying to survive and trying to work out his issues with his dad, because every one of us has to face the same difficult world and be courageous about it.

I absolutely love this book. I read it years ago and it stays with me. I love it because the characters are completely batty and the story is so quirky, yet somehow it’s the truth and I wonder, are we Scots really like that? I fell for 13-year-old Justin quicker than falling off a slippery log over a stream when you're trying to fish out your soggy hat which you just dropped in the water. The world Justin inhabits is so crazy and yet he somehow manages to keep his head when his family and servants are losing theirs. It's another form of being brave, in this timeless world where time carries a curse, and of course, the story is really about saving people that we realize are precious to us. 

I've just discovered Fae Urban Fantasy and I'm absolutely hooked. I love this world and this writing partnership sparkles like endless glitter showers of fairy dust. I connected with student Noelle like a sister, and – you guessed it – by a quirk of fate, she finds herself in the land of the fae, and they are Bad People. Well, they're not all bad, but they can be every bit as mean and spiteful as mortals, even though they look pretty. I've read both books and I believe there's a third one coming out. Again, it's about being brave, confronting your problems, and holding on to people you love. I can't wait to see how the story turns out. 

An absolutely unique story that takes the mythology of the Greek underworld and gives it a twist (or two). Clo only has her Dad. He’s always been a little different—as has she—but when he disappears and leaves her a ticket for half-passage across the sea, Clo finds herself stranded on a mysterious island with a weaver, a cat, and an odd little boy—Cary, who has secrets of his own. 

I loved the stunning and strange machinations of Clo’s days on the island and working to unravel its hidden truths alongside her. She feels like a friend, and her dawning need to protect Cary is touching and relatable. The writing is beautiful, the imagery haunting, and Clo’s need to understand—and escape, is somehow both urgent and dream-like. Deep thinkers will love this book.

As someone who’s moved around a LOT and lived far from family most of my life, I’m a sucker for found family of any kind.

This story is one of the best. I loved reading about all these demi-god children working together and finding their connection through loyalty and depth of friendship.

As someone very familiar with Greek mythology, I really enjoyed the fresh and enjoyably new story with familiar players. 

Greek Gods and Godesses are usually a very over done genre, but Josephine nails her take on a retelling.

This series is hands down one of my top series even after all this time and I squealed with joy when I saw that she continued the series when we thought it was done!

Set against a beautiful, violent landscape, The Door in the Mountain is the story of Ariadne, a young princess navigating her culture’s customs and her personal responsibilities. In Ariadne’s world, the course of one’s life is determined by whether one has a “godmark” – a special gift or ability granted by the heavens. Ariadne desperately wants to be godmarked like her brother and parents. That desperation fuels a mean streak that, at times, turns to downright cruelty. Caitlin Sweet is a master of characterization, and as a reader, I can’t help but sympathize with Ariadne’s longing to fit in with her family – to be considered their equal in all aspects – even when her words and actions are despicable to those around her. 

This graphic novel is an absolute gift to anyone interested in both many of the lesser-known but no less fascinating narrative digressions of the Trojan War cycle and the visual exploration of what the late bronze age might have truly looked like. Shanower has given so much attention to period details and clothing, to the settings and backgrounds of palace, ship, and landscape. If you’re like me and you struggle to really see what the archaeological record has presented to us in rough floor plans and surviving artworks as a whole picture of life and living, this is an absolute must-read as a gorgeously illustrated narrative of the Trojan War—and the people who existed in the period we often refer to as Mycenean.

In this witty and intelligent book, broadcaster and novelist Natalie Haynes applies a woman’s mind to stories that in the past have been told to us mostly by men. She presents us with ten female characters who not only feature in ancient myths, but also have starring roles in later paintings, plays, novels, films, operas, and musicals. They include Pandora, Helen, Medusa, Eurydice, and Penelope: whether traditionally seen as victims or villains, all these women are explored in their ‘difficult, messy, murderous’ complexity.