Here are 100 books that The Scarlet Thread fans have personally recommended if you like
The Scarlet Thread.
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I love to cheer for underdogs, and young women who are in this category have my special devotion. As a child of the 1960s, I remember a time when women didn’t have the same rights and opportunities as men, and we still seem to be fighting it today. Coming from a trauma-based childhood myself, I find myself comparing and contrasting coping mechanisms. Luckily, I haven’t found it necessary to kill anyone with dragon stone or jacked-up hornets so far. It delights me when these girls win, whether they game the system or fight their way with guns and knives.
I loved these books. The mystery of this society and its strict divisions fascinated me. I related to Tris immediately and her need for more excitement than her Abnegation family could provide. The detachment felt by so many of the characters in their daily roles resonated in my soul as something I have felt as well when confined by societal definition.
As I reflected in our own society, those at the top scheme to gain power for themselves, regardless of the effect on the rest of the people. I was proud of Tris and her colleagues, who joined together to create a better, more just society.
The explosive debut by No. 1 New York Times bestselling author Veronica Roth.
DIVERGENT - a major motion picture series.
For sixteen-year-old Tris, the world changes in a heartbeat when she is forced to make a terrible choice. Turning her back on her family, Tris ventures out, alone, determined to find out where she truly belongs.
Shocked by the brutality of her new life, Tris can trust no one. And yet she is drawn to a boy who seems to both threaten and protect her. The hardest choices may yet lie ahead....
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I write about aloneness and individuals, what it takes to connect to family and community, and how to hang on to the people we hold dear. This means I think a lot about points of view and personal perception. We often wonder: Have I got this right? Did they get my meaning? Does everybody feel this? And more often than not, everybody does. These interpretations are both personal and universal at the same time. We all fear loss; we all have to be brave to hold onto people we love and principles we value.
This book is about being brave. You know when a problem grows into a huge scary monster,right? It’s got you cornered and you don't think you'll ever get out alive, but with the rightattitude, you can. Our hero Phoenix is braver than his years, but in some ways he’s moregrown-up than his dad. In this retelling of the ancient Greek story of the minotaur, who crushesmortals and eats them for breakfast, we step into a monstrous virtual world created byPhoenix’s dad. I wanted to run, but most of all I wanted to stay and see what happened next.Will the minotaur eat Phoenix alive? I related to Phoenix trying to survive and trying to work outhis issues with his dad, because every one of us has to face the same difficult world and becourageous about…
'Real life' or the death defying adventures of the Greek myths, with their heroes and monsters, daring deeds and narrow escapes - which would you choose?
For Phoenix it's easy. He hates his new home and the new school where he is bullied. He's embarrassed by his computer geek dad. But when he logs on to The Legendeer, the game his dad is working on, he can be a hero. He is Theseus fighting the terrifying Minotaur, or Perseus battling with snake-haired Medusa. It feels as though he's really there ? The Legendeer is more than just a game. Play…
I write about aloneness and individuals, what it takes to connect to family and community, and how to hang on to the people we hold dear. This means I think a lot about points of view and personal perception. We often wonder: Have I got this right? Did they get my meaning? Does everybody feel this? And more often than not, everybody does. These interpretations are both personal and universal at the same time. We all fear loss; we all have to be brave to hold onto people we love and principles we value.
I absolutely love this book. I read it years ago and it stays with me. I love it because the characters are completely batty and the story is so quirky, yet somehow it’s the truth and I wonder, are we Scots really like that? I fell for 13-year-old Justin quicker than falling off a slippery log over a stream when you're trying to fish out your soggy hat which you just dropped in the water. The world Justin inhabits is so crazy and yet he somehow manages to keep his head when his family and servants are losing theirs. It's another form of being brave, in this timeless world where time carries a curse, and of course, the story is really about saving people that we realize are precious to us.
Justin Thyme is a self-made billionaire living in a castle overlooking Loch Ness. The day he turns thirteen, he receives an anonymous gift: a fabulous watch with a puzzling message hidden on it. When he tells his father of his plans to build a time machine, the Laird of Thyme reveals tantalising fragments of past espionage and warns his son of a ruthless enemy keeping him under constant surveillance. At first, Justin fails to take Sir Willoughby seriously, but when a stranger arrives claiming to be his long-lost grandfather, Justin is wary - especially after his beloved Nanny insists the…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
I write about aloneness and individuals, what it takes to connect to family and community, and how to hang on to the people we hold dear. This means I think a lot about points of view and personal perception. We often wonder: Have I got this right? Did they get my meaning? Does everybody feel this? And more often than not, everybody does. These interpretations are both personal and universal at the same time. We all fear loss; we all have to be brave to hold onto people we love and principles we value.
I've just discovered Fae Urban Fantasy and I'm absolutely hooked. I love this world and this writing partnership sparkles like endless glitter showers of fairy dust. I connected with student Noelle like a sister, and – you guessed it – by a quirk of fate, she finds herself in the land of the fae, and they are Bad People. Well, they're not all bad, but they can be every bit as mean and spiteful as mortals, even though they look pretty. I've read both books and I believe there's a third one coming out. Again, it's about being brave, confronting your problems, and holding on to people you love. I can't wait to see how the story turns out.
Abducted by a cruel Fae. Condemned to fight, or die. "My heart is still racing...an adrenaline filled gem." "Purchased this book on the off chance and so glad I did."
All college student Noelle Fidelis wants is a chance to be normal. To blend in at a party, without the crippling social anxieties that come from a history of abuse and insecurity. Instead, a chance encounter with a dark-alley creep turns into a terrifying prison sentence, after she's abducted by a royal Fae and condemned to fight against other supernatural inmates in a battle for survival. Her only allies are…
I had a lot of troubles as a kid, and my favorite escape was getting lost in fairy tales and mythology. For me, those stories were a window into ancient worlds full of strange rules and powers, where magic was real and nothing was outside the bounds of possibility. As an author, I get to build my own stories and worlds inspired by the tales I loved so much as a kid, and I’ve loved reading about new heroes and heroines whose tales are rooted in the powerful traditions of peoples from all over the globe. I’m happy to be sharing some of my recent favorite mythology-inspired books!
An absolutely unique story that takes the mythology of the Greek underworld and gives it a twist (or two). Clo only has her Dad. He’s always been a little different—as has she—but when he disappears and leaves her a ticket for half-passage across the sea, Clo finds herself stranded on a mysterious island with a weaver, a cat, and an odd little boy—Cary, who has secrets of his own.
I loved the stunning and strange machinations of Clo’s days on the island and working to unravel its hidden truths alongside her. She feels like a friend, and her dawning need to protect Cary is touching and relatable. The writing is beautiful, the imagery haunting, and Clo’s need to understand—and escape, is somehow both urgent and dream-like. Deep thinkers will love this book.
A spellbinding middle grade fantasy inspired by Greek mythology, for fans of The Girl Who Drank the Moon and The Book of Boy.
Clothilde has lived her whole life in the shadows with her (sometimes) thieving and (always) ailing father. But when he fails to meet her one morning, sending her instead a mysterious ticket of "half-paffage," Clo finds herself journeying across the sea to reunite with him. The ticket, however, leaves her on a sunless island populated only by creaking fishermen, a rumpled old woman, a piggish cat, and a moon-cheeked boy named Cary.
Since I retired from lecturing in Classical Studies I’ve been writing more pieces on women in the ancient world, and also some plays. One of them, 189 Pieces, is about the Portland Vase, a beautiful example of Roman glass whose label in the British Museum tells us that it was owned by the Duke of Portland. This is true—he’d inherited it—but it was bought at great expense by his grandmother, the wonderful Duchessof Portland. Giving women their place in history has been my aim in much of my work. Nowadays I’m obsessed with female footwear, and Cinderella, Goody Two-Shoes, and Carrie Bradshaw take up a lot of my time.
In this witty and intelligent book, broadcaster and novelist Natalie Haynes applies a woman’s mind to stories that in the past have been told to us mostly by men. She presents us with ten female characters who not only feature in ancient myths, but also have starring roles in later paintings, plays, novels, films, operas, and musicals. They include Pandora, Helen, Medusa, Eurydice, and Penelope: whether traditionally seen as victims or villains, all these women are explored in their ‘difficult, messy, murderous’ complexity.
'Funny, sharp explications of what these sometimes not-very-nice women were up to!' - Margaret Atwood, author of The Handmaid's Tale
The Greek myths are among the world's most important cultural building blocks and they have been retold many times, but rarely do they focus on the remarkable women at the heart of these ancient stories.
Stories of gods and monsters are the mainstay of epic poetry and Greek tragedy, from Homer to Aeschylus, Sophocles and Euripides, from the Trojan War to Jason and the Argonauts. And still, today, a wealth of novels, plays and films draw their inspiration from stories…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
Stephanie Storm is a talented young adult fantasy author whose writing is reminiscent of classic fantasy novels with a modern twist. Her imaginative storytelling and richly developed characters draw readers into immersive worlds filled with magic, adventure, and breathtaking landscapes. Her writing style is enchanting, capturing the hearts of readers of all ages and leaving them eagerly turning pages late into the night. Growing up with her nose buried in a book, she found solace and inspiration in the escapism and limitless possibilities of the genre. Her imagination was sparked by the enchanting stories she devoured, which fuelled her passion for writing and creating her own fantastical tales.
Greek Gods and Godesses are usually a very over done genre, but Josephine nails her take on a retelling.
This series is hands down one of my top series even after all this time and I squealed with joy when I saw that she continued the series when we thought it was done!
When shy, awkward Helen Hamilton sees Lucas Delos for the first time she thinks two things: the first, that he is the most ridiculously beautiful boy she has seen in her life; the second, that she wants to kill him with her bare hands.
With an ancient curse making them loathe one another, Lucas and Helen have to keep their distance. But sometimes love is stronger than hate, and not even the gods themselves can prevent what will happen . . .
The first book in Josephine Angelini's thrilling series, Starcrossed is a passionate love story that began thousands of…
I’ve been fascinated by Greek Mythology since I read a book about it in childhood. There was a popular graphic novel series about Greek and Roman Mythology in Korea, and I was one of many kids obsessed with these books. That passion continued and became stronger when I moved to New York. It had various mythology books, including novels and picture books, and there were tons of references, such as paintings, sculptures, and authentic vases. I hope you enjoy the books on the list and feel the same thrill I felt!
I can see that I tend to choose books with nice illustrations that emphasize the story more. This was the most recent reading I did. These dreamy, whimsical illustrations caught my eye when I browsed in the local bookstore.
I’m glad I came across this book at the beginning of summer when it is much easier for our minds to fall in love. Before the weather gets colder, I plan to bring this book to a picnic and enjoy it fully outside.
A landmark illustrated anthology of queer Greek and Roman love stories that reclaim and celebrate homosexual love and sensuality, from artist Luke Edward Hall and award-winning poet Seán Hewitt.
For centuries, evidence of queer love in the ancient world has either been ignored or suppressed. Even today, only a few narratives are widely known: the wild romance of Achilles and Patroclus; the yearning love of Sappho's lyrics; and the three genders introduced in Plato's Symposium. Yet there is a rich literary tradition of queer Greek and Roman love that extends far beyond the prudish translations of these familiar handful of…
Since I retired from lecturing in Classical Studies I’ve been writing more pieces on women in the ancient world, and also some plays. One of them, 189 Pieces, is about the Portland Vase, a beautiful example of Roman glass whose label in the British Museum tells us that it was owned by the Duke of Portland. This is true—he’d inherited it—but it was bought at great expense by his grandmother, the wonderful Duchessof Portland. Giving women their place in history has been my aim in much of my work. Nowadays I’m obsessed with female footwear, and Cinderella, Goody Two-Shoes, and Carrie Bradshaw take up a lot of my time.
Vernant was an influential scholar when I began writing about women in ancient Greece in the 1990s. His discussions of the social, political and religious institutions of the time, and their relationship with popular mythology, were informed by French structuralist theory. For me his analysis of the role of marriage in a society devoted to virgin goddesses was particularly stimulating.
In this groundbreaking study, Jean-Pierre Vernant delineates a compelling new vision of ancient Greece. Myth and Society in Ancient Greece takes us far from the calm and familiar images of Polykleitos and the Parthenon to reveal a fundamentally other culture ― one of slavery, of masks and death, of scapegoats, of ritual hunting, and of ecstasies.
Vernant’s provocative discussions of various institutions and practices (including war, marriage, and sacrifice) detail the complex intersection of the religious, social, and political structures of ancient Greece. The book concludes with Vernant’s authoritative genealogy of the study of myth from Antiquity to structuralism and…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I find “difficult” characters fascinating because their humanity isn’t easily discerned. They’re often complex and richly drawn and show us aspects of ourselves we may not want to admit to others. Examining the ugly, the hidden, can be exhilarating.
Set against a beautiful, violent landscape, The Door in the Mountain is the story of Ariadne, a young princess navigating her culture’s customs and her personal responsibilities. In Ariadne’s world, the course of one’s life is determined by whether one has a “godmark” – a special gift or ability granted by the heavens. Ariadne desperately wants to be godmarked like her brother and parents. That desperation fuels a mean streak that, at times, turns to downright cruelty. Caitlin Sweet is a master of characterization, and as a reader, I can’t help but sympathize with Ariadne’s longing to fit in with her family – to be considered their equal in all aspects – even when her words and actions are despicable to those around her.
Ancient Crete: a place where a beautiful, bitter young princess named Ariadne schemes to imprison her godmarked half-brother deep in the heart of a mountain maze, where a boy named Icarus tries, and fails, to fly--and where a slave girl changes the paths of all their lives forever.
