Here are 100 books that Yang Shen fans have personally recommended if you like
Yang Shen.
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Having lived in China for three decades, I am naturally interested in the expat writing scene, from the nineteenth century up through the present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of four novels, one short story collection, and three essay collections on China, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
I’ve long been interested in China’s Taiping Rebellion (1850-64), the bloodiest civil war in history, with an estimated 20 to 100 million casualties.
Lofthouse’s substantial novel is one of the few in English to take on this topic and successfully forge a love story out of it, and a shocking one at that. Englishman Robert Hart, a real historical figure who would later become inspector-general of China's Imperial Maritime Custom Service and a Qing Dynasty official, is known to have purchased young concubines for sexual purposes.
Lofthouse builds on this to create the most fraught, tortuous, and fascinating love triangle I’ve ever encountered in literature, as Hart is caught in a tug of war between the jealous desires of sixteen-year-old Ayaou, her fourteen-year-old sister Shao-mei, and his own Victorian morality.
An outcast foreigner. A quiet lover. The fate of the Far East.China, 1854. Robert Hart is on the run. Fleeing Ireland to escape a promiscuity scandal, the syphilitic nineteen-year-old arrives in the Middle Kingdom at the height of the Qing Dynasty. And though he buys a woman to share his bed, the libidinous Westerner has no idea she will help him shape the course of a nation.With the insight into the culture and language his beautiful concubine provides, Hart helps the emperor put down the bloody Taiping Rebellion. And as he fights against scheming Brits and Americans during the Opium…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
Having lived in China for three decades, I am naturally interested in the expat writing scene, from the nineteenth century up through the present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of four novels, one short story collection, and three essay collections on China, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
Disguised as a long-lost memoir, this compact Taiping Rebellion tale surprised me by its stately prose, exquisitely controlled by Barre from the first page to the last.
When the fictionalized Rowley is separated from (the historical) Frederick Townsend Ward’s battalion, he is captured by a beautiful but fierce Taiping rebel, Sweet Little Sister. Rowley’s simple, unironic first-person voice is perfectly suited to his worshipful love for his captress, as she leads him around the rebel camp on a leash, alternately teasing and sexually tormenting him.
The full-blown sadomasochism of Leopold von Sacher-Masoch’s Venus in Furs and Pauline Réage’s The Story of O both come to mind, but it requires a special purity of delivery to pull it off, which is why I found Barre’s telling just as exciting and erotic.
China's Taiping Rebellion (1850-1864) was one of the bloodiest conflicts in human history; somewhere between twenty and forty million people lost their lives, in battle, or to starvation and disease. With the exception of World War II, more lives were lost in this conflict than in any conflict in history. The Taiping rebels fought to spread their own bizarre form of evangelical Christianity throughout China, and to overthrow the Manchus who in 1644 had defeated the Chinese and established the Ch'ing Dynasty. The Taipings were opposed not only by Ch'ing forces but by various western adventurers and professional soldiers who…
Having lived in China for three decades, I am naturally interested in the expat writing scene, from the nineteenth century up through the present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of four novels, one short story collection, and three essay collections on China, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
I adored this partly fictionalized, richly realized novel, which fleshes out the life of China’s greatest female painter, Pan Yuliang (1895–1977).
Rescued from a brothel by a wealthy government official, she fled to where the action was—1920s Paris—after graduating from art school in Shanghai. Boldly specializing in paintings of female nudes, including of herself, Pan was invited by high-profile artists to return to Shanghai and display her art, only to become embroiled in a series of widely publicized scandals over her nudes, leading her to quit China for good and resettle in Paris.
Her uncompromising devotion to her independence and her art marginalized her into a life of poverty and posthumous fame. It’s precisely these noble qualities that endeared me to Epstein’s treatment of the artist.
Down the muddy waters of the Yangtze River and into the seedy backrooms of "The Hall of Eternal Splendor," through the raucous glamour of prewar Shanghai and the bohemian splendor of 1920s Paris, and back to a China ripped apart by civil war and teetering on the brink of revolution: this novel tells the story of Pan Yuliang, one of the most talented-and provocative-Chinese artists of the twentieth century.Jennifer Cody Epstein's epic brings to life the woman behind the lush, Cezannesque nude self-portraits, capturing with lavish detail her life in the brothel and then as a concubine to a Republican…
Cleo Cooper is living the dream with ocean-dipping weekends, a good job, good friends, fair boyfriend, and a good dog. But, paradise is shaken when the body of a young woman is dragged onto a university research vessel during a class outing in Hilo Bay.
Having lived in China for three decades, I am naturally interested in the expat writing scene, from the nineteenth century up through the present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of four novels, one short story collection, and three essay collections on China, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
Hong Ying’s first novel, Summer of Love, was banned for depicting a sex orgy amidst the backdrop of the Tiananmen Square protests. Almost as provocative, to me, is K: The Art of Love, which plays on the old theme of a wealthy man’s spurned wife, Lin Cheng, with the twist that it’s not the young lover she takes on who liberates her but Lin herself, steeped in Taoist sexual practices, who liberates him with her ferocious passion.
Her lover happens to be historical Julian Bell, son of Vanessa Bell, the sister of Virginia Woolf and member of the polyamorous Bloomsbury Group; Lin is modeled after Julian’s real Chinese lover, Ling Shuhua. What I find most refreshing about Hong Ying’s novels is her frank and fearless sexuality, clearly stemming from her own experiences, thinly disguised.
China, 1930s. Julian Bell, son of the Bloomsbury set's Vanessa, is newly arrived in Peking. In search of fresh experiences, he encounters the beautiful, intelligent and deeply erotic Lin Cheng. Though Lin is wife to a university professor, their passionate assignations blossom into an affair.
Schooled in the ancient Taoist arts of love, Lin instructs Julian in the ways of the East. But if society won't tolerate this union between Occidental and Oriental can their love possibly survive?
Based on a true story this is a tragic tale of romance, betrayal and sexual desire set against a backdrop of conflict…
Like many Americans of my generation (boomer) who became China scholars, I witnessed the civil rights and anti-war struggles and concluded that we in the West could learn from the insights of Eastern thought and even Chinese Communism. I ended up specializing in modern political thought—I think of this field as the land of “isms”—nationalism, socialism, liberalism, and the like. I have lived in China and Japan, and spent twelve years as a historical researcher in Taiwan before returning to America to teach at the University of Connecticut. Today, I would not say China has the answers, but I still believe that the two most important world powers have a lot to learn from each other.
Another beautifully written book, this one about how Beijing residents of all backgrounds found their identities in a tumultuously changing environment and how they fought with and against each other for political agency. Readers see into the lives of policemen, rickshaw-pullers, tram conductors, and the middle classes. It reminds me of how history is made brick by individual brick.
In the 1920s, revolution, war, and imperialist aggression brought chaos to China. Many of the dramatic events associated with this upheaval took place in or near China's cities. Bound together by rail, telegraph, and a shared urban mentality, cities like Guangzhou, Shanghai, and Beijing formed an arena in which the great issues of the day--the quest for social and civil peace, the defense of popular and national sovereignty, and the search for a distinctively modern Chinese society--were debated and fought over. People were drawn into this conflicts because they knew that the passage of armies, the marching of protesters, the…
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. Since then, I have published three books about China; my anthology Unsavory Elements was intended as a well-meaning tribute to the expatriate experience, however my own essay – a bawdy account of a visit to a rural brothel – was understandably demonized. The following five books expand on that illicit theme.
Starting out as a serial in an 1890s Shanghainese magazine, yet remaining unpublished until 2005 following the discovery of its English translation among the belongings of the late Eileen Chang, The Sing-Song Girls of Shanghai is an unparalleled historical classic set in the pleasure quarters of the Qing Dynasty. Unlike the hyper-erotic writings of Li Yu and Lanling Xiaoxiao Sheng, the author, Bangqing Han, opted for a tempered realism unique for its period. Clocking in at 600 pages, and densely layered with multiple character arcs that are a bit difficult to keep track of, Sing-Song Girls may require more than one reading.
Desire, virtue, courtesans (also known as sing-song girls), and the denizens of Shanghai's pleasure quarters are just some of the elements that constitute Han Bangqing's extraordinary novel of late imperial China. Han's richly textured, panoramic view of late-nineteenth-century Shanghai follows a range of characters from beautiful sing-song girls to lower-class prostitutes and from men in positions of social authority to criminals and ambitious young men recently arrived from the country. Considered one of the greatest works of Chinese fiction, The Sing-song Girls of Shanghai is now available for the first time in English. Neither sentimental nor sensationalistic in its portrayal…
A runaway finds sisterhood, love, and danger in a mountain town.
On the run from her abusive husband, Kyra Smith hits the road. Destination unknown. With a dog she rescued in tow, she lands in the peaceful California mountain town of Gold Creek and is immediately befriended by an openhearted…
I have been working on China as a student, teacher, diplomat, business person, and academic since 1991.
Currently, professor of Chinese Studies and Director of the Lau China Institute at King’s College London, my work involves trying to understand how the country’s deer and more recent history has created the remarkable country that we see today. I have written over 20 books on modern China, and lived there in total 5 and a half years. I have visited every single province and autonomous region, and have lectured on China in over 40 countries, across four continents.
To understand where China is now, and where it has been travelling from since 1949 when the People’s Republic was established, you need to grapple with the complex history that preceded that. German sinologist Klaus Muhlhahn expertly does this, succinctly drawing out the key theme of institution-building and showing how this provides the link between the final imperial period of the Qing to its collapse in 1911, and then the slow rise to power of the Communists over the 1920s to the 1940s when China was fragmented and beset by war. Accessible, authoritative, and ambitious.
"Thoughtful, probing...a worthy successor to the famous histories of Fairbank and Spence [that] will be read by all students and scholars of modern China." -William C. Kirby, coauthor of Can China Lead?
It is tempting to attribute the rise of China to Deng Xiaoping and to recent changes in economic policy. But China has a long history of creative adaptation. In the eighteenth century, the Qing Empire dominated a third of the world's population. Then, as the Opium Wars and the Taiping Rebellion ripped the country apart, China found itself verging on free fall. More recently, after Mao, China managed…
Having lived in China for almost three decades, I am naturally interested in the expat writing scene. I am a voracious reader of fiction and nonfiction on China, past and present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of three novels, one short story collection, and three essay collections on China myself, I believe I have something of my own to contribute of documentary value, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
Emily Hahn, prolific author and New Yorker correspondent whose sojourns in Shanghai (1935-39), Chungking (1939-40), and Hong Kong (1941-43) coincided with the Japanese invasions of these cities, fictionalizes the life of Canadian Lorraine Murray, turned high-class prostitute in Shanghai after living as a foreign geisha in Japan. Hahn was fascinated by sex workers and hung out with them (Hahn and Murray were roommates), but the novel later morphs into the autobiographical as the beautiful Hahn ingratiates herself with Japanese military officials until she’s forced into a Hong Kong internment camp for several years. Hahn is more reporter than novelist, but her flair for detail and eyewitness authenticity brings Shanghai to life in a way the historical novelist cannot. Especially hilarious is Jill’s hotel scene with the British john who thought he was getting a freebie.
A novel about an enterprising Shanghai streetwalker from the “American literary treasure” and author of the memoir China to Me (The New Yorker).
Meet Miss Jill, a young woman pursuing the oldest profession in prewar Shanghai. Fifteen, blonde, and full of personality, Jill begins her career as a Japanese banker’s mistress. Soon after, she becomes a European prostitute in the house of Annette, and believes that any day now she’ll be married to a nobleman. But none of her adventures prepare Miss Jill for the war and her subsequent internment.
An early feminist and an American journalist who traveled to…
Paul de Mann once wrote that any book with a cover page was always, in part, autobiographical. The same could also be said of this book list. It captures the way my work sits between China Studies, social theory, culture, and area studies. The two China area studies texts (Schoenhals and Wakeman) reflect my interest in Chinese policing, the texts by Pashukanis and Foucault represent something of a personal transition from Marxism to postmodern concerns, while the Schmitt book signals my ongoing focus and fascination with the concept of the political.
Beautifully written and amazingly erudite, Wakeman’s book takes you back to pre-revolutionary Shanghai with its vivid account of gangs, prostitutes, and police.
The work offers a magisterial account of what Shanghai was like under non-communist rule, moving beyond the actual issues of police procedures and administration to offer an engrossing account that is more like a novel than the usual dry and sometimes staid academic works that populate the China studies field.
Prewar Shanghai: casinos, brothels, Green Gang racketeers, narcotics syndicates, gun-runners, underground Communist assassins, Comitern secret agents. Frederic Wakeman's masterful study of the most colorful and corrupt city in the world at the time provides a panoramic view of the confrontation and collaboration between the Nationalist secret police and the Shanghai underworld. In detailing the life and politics of China's largest urban center during the Guomindang era, Wakeman covers an array of topics: the puritanical social controls implemented by the police; the regional differences that surfaced among Shanghai's Chinese, the influence of imperialism and Western-trained officials. Parts of this book read…
Memory's Eyes: A New York Oedipus Novel
by
Cordelia Schmidt-Hellerau,
Memory's Eyes is a contemporary New York Oedipus novel. It is written for readers who enjoy playing with concepts and storylines, here namely the classical Oedipus myth, Sophocles' three Theban plays, the psychoanalytic concept of the Oedipus complex, and its pop-cultural adaptations in movies, cartoons, and jokes.
A Seattle-based author, I have written eight books, including When the Red Gates Opened: A Memoir of China’s Reawakening, about the eight years I spent as Business Week’s reporter covering China, 1982-1990. In it, I give readers an inside look at China’s transformation from Maoism to modernity. A fluent speaker of Mandarin, I have traveled widely in China for over forty years and befriended Chinese people at many levels of society, leading me to a strong belief in the importance of direct cross-cultural communication and deepened mutual understanding.
Also formerly a public radio reporter based in Shanghai, Scott Tong takes us inside his own extended family, scattered across China. Personal stories of the relatives he found reveal not just their troubled histories but also the unvarnished stories of their varying ability to adapt to the opportunities of a modernizing China.
When journalist Scott Tong moved to Shanghai, his assignment was to start the first full-time China bureau for "Marketplace," the daily business and economics program on public radio stations across the United States. But for Tong the move became much more--it offered the opportunity to reconnect with members of his extended family who had remained in China after his parents fled the communists six decades prior. By uncovering the stories of his family's history, Tong discovered a new way to understand the defining moments of modern China and its long, interrupted quest to go global.
