Here are 100 books that Rickshaw Beijing fans have personally recommended if you like
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Like many Americans of my generation (boomer) who became China scholars, I witnessed the civil rights and anti-war struggles and concluded that we in the West could learn from the insights of Eastern thought and even Chinese Communism. I ended up specializing in modern political thought—I think of this field as the land of “isms”—nationalism, socialism, liberalism, and the like. I have lived in China and Japan, and spent twelve years as a historical researcher in Taiwan before returning to America to teach at the University of Connecticut. Today, I would not say China has the answers, but I still believe that the two most important world powers have a lot to learn from each other.
This beautifully written book gives a picture of the life and times of one ordinary man. Unusually, he maintained a daily diary throughout his entire life, which was mostly lived in a remote—but certainly not isolated—village. Harrison highlights the tumultuous political, social, and economic changes China was undergoing through the lens of a man who lived from the Qing Empire through the 1911 Revolution and the warlord era and into the rise of the Communist movement.
In this beautifully crafted study of one emblematic life, Harrison addresses large themes in Chinese history while conveying with great immediacy the textures and rhythms of everyday life in the countryside in the late-nineteenth and early-twentieth centuries.
Liu Dapeng was a provincial degree-holder who never held government office. Through the story of his family, the author illustrates the decline of the countryside in relation to the cities as a result of modernization and the transformation of Confucian ideology as a result of these changes. Based on nearly 400 volumes of Liu's diary and other writings, the book illustrates what…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
Like many Americans of my generation (boomer) who became China scholars, I witnessed the civil rights and anti-war struggles and concluded that we in the West could learn from the insights of Eastern thought and even Chinese Communism. I ended up specializing in modern political thought—I think of this field as the land of “isms”—nationalism, socialism, liberalism, and the like. I have lived in China and Japan, and spent twelve years as a historical researcher in Taiwan before returning to America to teach at the University of Connecticut. Today, I would not say China has the answers, but I still believe that the two most important world powers have a lot to learn from each other.
This book is by a man who has done as much as anyone to shape how historians approach the study of modern China. Here he not only looks at the rise and fall of the infamous Boxers (1898-1900) but also what the Boxer movement felt like to its various participants at the time, and finally the many strikingly different ways (myths) later generations have understood the Boxers. I learned how to better think about history from this book.
Like many Americans of my generation (boomer) who became China scholars, I witnessed the civil rights and anti-war struggles and concluded that we in the West could learn from the insights of Eastern thought and even Chinese Communism. I ended up specializing in modern political thought—I think of this field as the land of “isms”—nationalism, socialism, liberalism, and the like. I have lived in China and Japan, and spent twelve years as a historical researcher in Taiwan before returning to America to teach at the University of Connecticut. Today, I would not say China has the answers, but I still believe that the two most important world powers have a lot to learn from each other.
I have long thought that one of the key ingredients of modern Chinese nationalism is a strong sense of ethnic identity for the people labeled “Han Chinese.” To a great extent this Han identity, though having ancient roots, was formed, elaborated, and ideologized around the turn of the twentieth century in opposition to the ruling Manchu Qing dynasty. This book shows how and why this happened.
China's 1911-12 Revolution, which overthrew a 2000-year succession of dynasties, is thought of primarily as a change in governmental style, from imperial to republican, traditional to modern. But given that the dynasty that was overthrown-the Qing-was that of a minority ethnic group that had ruled China's Han majority for nearly three centuries, and that the revolutionaries were overwhelmingly Han, to what extent was the revolution not only anti-monarchical, but also anti-Manchu?
Edward Rhoads explores this provocative and complicated question in Manchus and Han, analyzing the evolution of the Manchus from a hereditary military caste (the "banner…
In 1913, a 15-year-old pregnant girl was found dead of apparent suicide. Dr. James Wilson, a new graduate and the first doctor ever to start a practice in this rural town, feels guilty over her death because of his delayed intervention.
Like many Americans of my generation (boomer) who became China scholars, I witnessed the civil rights and anti-war struggles and concluded that we in the West could learn from the insights of Eastern thought and even Chinese Communism. I ended up specializing in modern political thought—I think of this field as the land of “isms”—nationalism, socialism, liberalism, and the like. I have lived in China and Japan, and spent twelve years as a historical researcher in Taiwan before returning to America to teach at the University of Connecticut. Today, I would not say China has the answers, but I still believe that the two most important world powers have a lot to learn from each other.
A good deal is known about the Westerners who dug up ancient artifacts in Central Asia (China’s Far West) in the late nineteenth and early twentieth centuries, not least because these explorers were great self-promoters. This book tells the story from the Chinese side, and it is a lot more interesting and complicated than you might expect. It is only with the birth of Chinese nationalism that the tens of thousands of artifacts now found in the museums and collections of the West came to be defined as Chinese and their loss defined as imperialist looting. By academic standards, this book is a page-turner.
From the 1790s until World War I, Western museums filled their shelves with art and antiquities from around the world. These objects are now widely seen as "stolen" or "plundered" from their countries of origin, and demands for their return grow louder by the day. In this pathbreaking study, Justin M. Jacobs challenges the longstanding assumption that coercion, corruption, and deceit were chiefly responsible for the exodus of cultural treasures from northwestern China. Based upon a close analysis of previously neglected archival sources in English, French, and Chinese, Jacobs finds that many local elites in China acquiesced to the removal…
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. Since then, I have published three books about China; my anthology Unsavory Elements was intended as a well-meaning tribute to the expatriate experience, however my own essay – a bawdy account of a visit to a rural brothel – was understandably demonized. The following five books expand on that illicit theme.
Starting out as a serial in an 1890s Shanghainese magazine, yet remaining unpublished until 2005 following the discovery of its English translation among the belongings of the late Eileen Chang, The Sing-Song Girls of Shanghai is an unparalleled historical classic set in the pleasure quarters of the Qing Dynasty. Unlike the hyper-erotic writings of Li Yu and Lanling Xiaoxiao Sheng, the author, Bangqing Han, opted for a tempered realism unique for its period. Clocking in at 600 pages, and densely layered with multiple character arcs that are a bit difficult to keep track of, Sing-Song Girls may require more than one reading.
Desire, virtue, courtesans (also known as sing-song girls), and the denizens of Shanghai's pleasure quarters are just some of the elements that constitute Han Bangqing's extraordinary novel of late imperial China. Han's richly textured, panoramic view of late-nineteenth-century Shanghai follows a range of characters from beautiful sing-song girls to lower-class prostitutes and from men in positions of social authority to criminals and ambitious young men recently arrived from the country. Considered one of the greatest works of Chinese fiction, The Sing-song Girls of Shanghai is now available for the first time in English. Neither sentimental nor sensationalistic in its portrayal…
Having lived in China for three decades, I am naturally interested in the expat writing scene, from the nineteenth century up through the present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of four novels, one short story collection, and three essay collections on China, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
Also set during the Taiping Rebellion, Lande’s engrossing story begins as a sea adventure which drew me in like a Chinese version of Moby Dick, with swashbuckling characters who yell and curse in the eloquent twang of Shakespearean lowlifes.
The action shifts inland along the Yangtze River as protagonist Fletcher Thorson Wood (based on historical figure Frederick Townsend Ward) organizes a mercenary force with Western weaponry to fight off the Taiping.
There is no love story—the central characters are too busy for that—but it’s the texture of the prose, the sheer scintillating, rhythmic mastery of language, and the huge panoply of disparate voices, all superbly wrought by the author, that kept me gripping the helm of this epic narrative.
Only one man dared fight to defend Shanghai from rebel hordes - the American adventurer who called up a ragtag band of deserters to defeat armies of thousands. "A master in hell before a minion in Heaven. I'll be a prince in China, and lord over these heathen beggars, or I'll make a great many of them wish they'd better joss - better luck - than to cross my bow." Arriving in the midst of the bloodiest civil war in human history, Fletcher Thorson Wood takes up the imperial cause against the "Christian" rebels, trains and fights beside native Chinese…
Voyager 1 was launched on September 5, 1977, and Voyager 2 was launched on August 20, 1977. Both began a historic journey with unique 'time capsules' on board intended to communicate a story of our world to extraterrestrials. The Voyager message is carried by a phonograph record 12-inch gold-plated disk…
Having lived in China for three decades, I am naturally interested in the expat writing scene, from the nineteenth century up through the present. One constant in this country is change, and that requires keeping up with the latest publications by writers who have lived here and know it well. As an author of four novels, one short story collection, and three essay collections on China, I believe I have something of my own to contribute, although I tend to hew to gritty, offbeat themes to capture a contemporary China unknown to the West.
I adored this partly fictionalized, richly realized novel, which fleshes out the life of China’s greatest female painter, Pan Yuliang (1895–1977).
Rescued from a brothel by a wealthy government official, she fled to where the action was—1920s Paris—after graduating from art school in Shanghai. Boldly specializing in paintings of female nudes, including of herself, Pan was invited by high-profile artists to return to Shanghai and display her art, only to become embroiled in a series of widely publicized scandals over her nudes, leading her to quit China for good and resettle in Paris.
Her uncompromising devotion to her independence and her art marginalized her into a life of poverty and posthumous fame. It’s precisely these noble qualities that endeared me to Epstein’s treatment of the artist.
Down the muddy waters of the Yangtze River and into the seedy backrooms of "The Hall of Eternal Splendor," through the raucous glamour of prewar Shanghai and the bohemian splendor of 1920s Paris, and back to a China ripped apart by civil war and teetering on the brink of revolution: this novel tells the story of Pan Yuliang, one of the most talented-and provocative-Chinese artists of the twentieth century.Jennifer Cody Epstein's epic brings to life the woman behind the lush, Cezannesque nude self-portraits, capturing with lavish detail her life in the brothel and then as a concubine to a Republican…
A tiny mention of the legendary ‘fragrant concubine’ in a travelogue had me search out more information… and more and more until I’d researched and written the stories of four imperial concubines in the Qing era (18th century China). Some rose to power, while others fell to madness. Their extraordinary lives within the high red walls of the Forbidden City fascinated me. Along the way I found a banished empress and a real woman who had endless myths grow up around her, as well as secondary characters like the Italian Jesuit turned court painter. An irresistible era and way of life to explore, in all its shades of light and darkness.
An extraordinary tale of a chokingly claustrophobic household in historical China, in which four women (wives and concubines) jealously vie for attention and privilege. As the stakes grow higher, so do the dangers inherent in their choices. Made into the film Raise the Red Lanternby Zhang Yimou, for me, this is the gold standard on this theme.
The brutal realities of the dark places Su Tong depicts in this collection of novellas set in 1930s provincial China -- worlds of prostitution, poverty, and drug addiction -- belie his prose of stunning and simplebeauty. The title novella, "Raise the Red Lantern," which became a critically acclaimed film, tells the story of Lotus, a young woman whose father's suicide forces her to become the concubine of a wealthy merchant. Crushed by loneliness, despair, and cruel treatment, Lotus finds her descent into insanity both a weapon and a refuge.
"Nineteen Thirty-Four Escapes" is an account of a family's struggles during…
I am a Professor Emeritus of Comparative Literature at the University of California, Riverside. I was brought up in the family of a Chinese poetry scholar. Arriving in the States for my graduate studies at Harvard in 1982, I have engaged myself in academia here ever since. Acutely aware of, and deeply fascinated by, the cultural similarities and differences of China and the West, I have continued my learning experience, in my thirty years of college teaching, often from direct exchanges with my students. The books on my list of recommendations include both required texts chosen for my courses, and those I want to share with what Virginia Woolf called the Common Reader.
This is a singular anthology of pre-modern Chinese travel writing from the first century A.D. to the 19th century, copiously illustrated with paintings, portraits, maps, and drawings. It offers a unique resource for Western travelers to China and for students of Chinese art, culture, history, and literature.
Alongside the scores of travel books about China written by foreign visitors, Chinese travelers' impressions of their own country rarely appear in translation. This anthology is the only comprehensive collection in English of Chinese travel writing from the first century A.D. through the nineteenth. Early examples of the genre describe sites important for their geography, history, and role in cultural mythology, but by the T'ang dynasty in the mid-eighth century certain historiographical and poetic discourses converged to form the 'travel account' (yu-chi) and later the 'travel diary' (jih-chi) as vehicles of personal expression and autobiography. These first-person narratives provide rich…
Deputy Jenna Hart has only been working in her sleepy hometown of Pearl Springs for seven months when city officials begin to be targeted by a killer. Twenty years ago, the construction of a dam caused people to lose their land to eminent domain. That wound has not healed with…
I am a translator specializing in Chinese historical novels, and also an academic researching marginalized groups in Chinese history—ethnic minorities, the disabled, people with mental health issues, and so on. The treatment of marginalized people tells you a lot about what is going on within mainstream society. I’ve always been interested in stories about people from distant times and places, and I have a particular love of long sagas, something that you can really get your teeth into. Kingdoms in Peril covers five hundred years of history: I translated this for my own enjoyment and was surprised when I realized that I’d managed to write 850,000 words for fun!
Moment in Peking is an elegy to a lost world and a past way of life.
The main character, Yao Mulan, falls victim to human traffickers in 1900 as her family flees from Beijing. Although she is soon rescued, this experience turns her life in new and unexpected directions. We follow Yao Mulan through war, famine, and revolution, the fall of the Qing dynasty, the tumultuous Republican era, the rise of warlords, and the Japanese invasion in 1936, facing every challenge with indomitable courage.
This is a great evocation of early twentieth century Chinese history, from the perspective of someone who lived through terrible events.
The English Works of Lin Yutang collected and published this time lists more than 10 influential original works including A Leaf in the Storm, The Wisdom of Laotse and Lady Wu besides My Country and My People, Moment in Peking, The Art of Living published by our press. It is the first time for such a collection to be published in China and also for some of them to appear in original English. In addition, in order to better introduce and display Lin Yutang and his works, we have collected precious photos from his former residence in Taipei and his…