Here are 100 books that The Story of Vicente, Who Murdered His Mother, His Father, and His Sister fans have personally recommended if you like
The Story of Vicente, Who Murdered His Mother, His Father, and His Sister.
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I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.
In this masterpiece of historical narrative, Paul Sullivan investigates the 1875 sacking of a sugar plantation (called Xuxub) and the murder of its American manager by Maya rebels. Located on the geographical frontier between “Ladino” and Maya society, Xuxub became a microcosm of all of the conflicts that haunted Mexico as it entered its “Guilded Age”: inter-elite rivalries, international competition in the wake of the U.S.-Mexico War, and the overwhelming fear that the nation’s Indigenous population would rise up against encroaching liberal capitalism. It all comes together in a murder mystery, written more like true crime than an academic text, right down to the final poetic twist. This is an immensely enjoyable read, so much so that I have read it no fewer than fifteen times.
Today, foreigners travel to the Yucatan for ruins, temples, and pyramids, white sand beaches and clear blue water. One hundred years ago, they went for cheap labor, an abundance of land, and the opportunity to make a fortune exporting cattle, henequen fiber, sugarcane, or rum. Sometimes they found death.
In 1875 an American plantation manager named Robert Stephens and a number of his workers were murdered by a band of Maya rebels. To this day, no one knows why. Was it the result of feuding between aristocratic families for greater power and wealth? Was it the foreseeable consequence of years…
It is April 1st, 2038. Day 60 of China's blockade of the rebel island of Taiwan.
The US government has agreed to provide Taiwan with a weapons system so advanced that it can disrupt the balance of power in the region. But what pilot would be crazy enough to run…
I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.
In my opinion, Bill Taylor is the greatest living American historian of Mexico. He has written big books and small books, all brilliant, all canonical, and his latest is no exception. In this labor of love, he traces the lives of two charlatans wandering the Mexican countryside, living and suffering by their wits, usually impersonating priests. The stories, in themselves, go nowhere: our two lowlife protagonists bounce from town to town, jail to jail, and never learn a thing or reach an epiphany; but taken together they paint a picture of Spanish American society as exceptionally mobile, and dysfunctionally unstable. Marked by displacement, dislocation, and immigration, New Spain gave birth to the picaresque novel, rooted in an abiding sense that nothing was ever as it seemed. This is Taylor’s real reward: a glimpse at two unpolished, real-life pícaros in the historical record.
The curious tale of two priest impersonators in late colonial Mexico.
Cut loose from their ancestral communities by wars, natural disasters, and the great systemic changes of an expanding Europe, vagabond strangers and others out of place found their way through the turbulent history of early modern Spain and Spanish America. As shadowy characters inspiring deep suspicion, fascination, and sometimes charity, they prompted a stream of decrees and administrative measures that treated them as nameless threats to good order and public morals. The vagabonds and impostors of colonial Mexico are as elusive in the written record as they were on…
I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.
This is not just the story of José de León Toral – the man who killed President Álvaro Obregón in 1928 – but the story of the world he inhabited. Often dismissed as a religious fanatic, Robert Weis seeks (in a sense) to redeem Toral by contextualizing him in a very peculiar postrevolutionary cultural milieu: Mexico City’s network of lay Catholics, forced underground by the revolutionary state. Weis masterfully reconstructs this clandestine ecosystem of private masses and informal convents, and their cat-and-mouse games with the agents of state repression. I love the layers of detail, the reconstructions of daily life, and the author’s compassion for his subjects. I was skeptical at first, but by the end I was convinced that Toral’s action was political, and not driven (just) by religious zealotry.
Why did Jose de Leon Toral kill Alvaro Obregon, leader of the Mexican Revolution? So far, historians have characterized the motivations of the young Catholic militant as the fruit of fanaticism. This book offers new insights on how diverse sectors experienced the aftermath of the Revolution by exploring the religious, political, and cultural contentions of the 1920s. Far from an isolated fanatic, Leon Toral represented a generation of Mexicans who believed that the revolution had unleashed ancient barbarism, sinful consumerism, and anticlerical tyranny. Facing attacks against the Catholic essence of Mexican nationalism, they emphasized asceticism, sacrifice, and the redemptive potential…
A poisonous maiden, a Daoist sex cult, and a violent insurgency.
The polyandrous Yan family in China's rural Shaanxi Province takes in two carpenter brothers. When one brother is convicted of murder after killing their neighbor in a dispute, a constable threatens to expose the family's rumored polyandry and extorts…
I have always believed in the extraordinary capacity of ordinary people to illuminate the contours of any particular place at any particular time. While the time periods have varied, for me the particular place has always been Mexico. Mexico is my aleph – the daybreak and nightfall of my own personal intellectual and emotional development, consisting of seemingly interminable fits of research and writing and huevoneando, each in equal measures and of equal import. Mexico and its history have become my life’s work. I am a professor at Hobart and William Smith Colleges in New York, and these are my favorite “little” stories to use in teaching, representing five distinct periods in Mexico’s history.
Maybe not the littlest story, but this is a classic. What begins as a pretty straightforward story of Spanish conquest and conversion takes an (even more) sinister turn in 1562, when Franciscan priests find bones and idols in a clandestine ceremonial center. What follows is a full-blown, informal Inquisition, in which Franciscan priests tortured thousands of innocent Maya, disabled thousands more, and burned 17 Maya codices, creating a “hall of mirrors” in which conquistadores were forced to beg priests to take mercy on the Indigenous peoples. Inga Clendinnen probes the psyche of the Inquisition’s mastermind, Bishop Diego de Landa – a man sent to Yucatán to protect the Maya – and draws some shocking and disturbing conclusions, not only about the man, but about impunity and corruption in the colonial project. I am convinced she is the only historian who could have written this book.
This is both a specific study of conversion in a corner of the Spanish Empire, and a work with implications for the understanding of European domination and native resistance throughout the colonial world. Dr Clendinnen explores the intensifying conflict between competing and increasingly divergent Spanish visions of Yucatan and its destructive outcomes. She seeks to penetrate the ways of thinking and feeling of the Mayan Indians in a detailed reconstruction of their assessment of the intruders.
I’ve been deeply struck by the rise in violence occurring in Mexico because I have seen it evolve before my eyes while living in and out of the Mexican countryside, places where the wealth and power of drug cartels and their collusion with the state and its institutions, can be seen first-hand. I have come to realize that literature has been the most accurate means of capturing this phenomenon, which has become the zeitgeist of the country, an issue that has bicultural and cross-border connotations because the main consumer is the United States of America, while the ravages of violence are felt in Mexico daily
I’m keenly drawn to this novel because it navigates the specter between myth and violence, the grandeur of folkloric myth, and the raw side of violence, which are so descriptive of the Mexican past and present. Melchor blurs the lines between a world of quasi-fantastical superstition and hyper-realism, delving at times into the territory of mystery and crime fiction, all of it contained by the paradigm of the Mexican drug war, accurately rendering the reach and expanse of drug consumption and distribution as much as the ravages they bring about.
Centered around the figure of a murdered witch and alleged healer in the depths of the state of Veracruz, this narrative unmasks the mythical traditions of a locality to uncover the violence that lies at the depths of Mexican communities affected by the war on drugs. Melchor masterfully demystifies and rids exoticism from the Mexican imaginary to denounce the marginalization…
The Witch is dead. And the discovery of her corpse-by a group of children playing near the irrigation canals-propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.
Like Roberto Bolano's 2666 or Faulkner's greatest novels, Hurricane Season takes place in…
I have loved animals my entire life. I know first-hand the calming influence the unconditional love of a dog can bring to a person. In contentious Teams meetings on the computer, I pet my dog to keep calm. If I am sad or anxious, I grab the squeaky toy, and we play tug-of-war. I volunteered at the Animal Welfare Association, a no-kill New Jersey Animal Shelter. Through my work, I gained an understanding of how to assess the non-verbal cues of a dog. I’ve learned that it is essential to understand an animal’s body language more so than the standards and behaviors associated with breeds of dogs.
The first book in the Pampered Pets series features Caro Lamont, who trains humans how to interact with their pets, even if the humans believe her to be training the pets. One of Caro’s clients is murdered, and she becomes a suspect. The story is creative and witty, with a lot of information on why our four-legged friends behave as they do. Caro and my protagonist Lily Dreyfus are self-sufficient and determined women. They will ferret out the killer, no matter the risks to themselves. At the end of the day, their four-legged friends help them deal with grief and fear by providing love and companionship.
When Caro Lamont, former psychologist turned pet therapist makes a house call to help Kevin Blackstone with his two misbehaving German Shepherd dogs, she expects frantic dogs, she expects a frantic dog owner, she even expects frantic neighbors. What she doesn’t expect is that two hours later the police will find Kevin dead, his dogs impounded; and that as the last person to see Kevin alive (well, except for the killer) she is suddenly a person of interest, at least according to Homicide Detective Judd Malone. Sparkle Abbey is the pseudonym of two mystery authors (Mary Lee Woods and Anita…
A wind sorcerer. A dark spirit. An unsolved murder.
On the haunted Draakensky Windmill Estate, sketch artist Charlotte Knight arrives to live on the property, hired to illustrate the poetry of Rainer Maria Rilke—a bright and lucrative opportunity to boost her struggling art career.
I’m a BIG reader of mysteries and thrillers, but I hate it when you read a thriller and guess who did it on page 20, or it turns out it’s a character so obscure you could never have guessed it! But it’s easy to criticize! I’ve wanted to write a young adult thriller since I was young, and over the last few years, I found myself more able to try. For me, writing my book was like running a marathon…I wasn’t sure if I could do it, but now I’m really happy that I did!
The story kicks off with Emma, a kind-hearted foster kid, discovering she has an identical twin sister named Sutton, who was adopted by a wealthy family. When Emma agrees to meet Sutton, she's shocked to learn that Sutton has mysteriously disappeared, and she's expected to step into Sutton’s life until she returns. What starts as a simple case of mistaken identity quickly spirals into a compelling mystery as Emma immerses herself in Sutton’s world, uncovering secrets and lies at every turn.
What really draws me to this book is its layered storytelling. As Emma digs deeper into the life of her sister, she encounters the dangerous game that Sutton and her friends played—a game all about deceit and cruel pranks. Shepard masterfully intertwines the suspense of the investigation with the drama of high school life, making each character’s motives murky and adding to the…
From the author of the New York Times bestselling PRETTY LITTLE LIARS comes a killer new series, THE LYING GAME.
Sutton Mercer had a life anyone would kill for - and someone did. But thanks to a view from the afterlife and Emma Paxton, her long-lost twin sister, Sutton has a chance to solve her own murder. Emma slips into Sutton's old life to piece together her disappearance. But can Emma keep up the charade long enough to discover what really happened to Sutton...or will she become the next victim?
I write fantasy novels, including A College of Magics, River Rats, and When the King Comes Home. With Patricia C. Wrede, I wrote half of the Kate and Cecy series: Sorcery and Cecelia, The Grand Tour, and The Mislaid Magician.
Agent of the Ministry of Alchemy, Enchantments, and Supernatural Entities, Fatma el-Sha'arawi is the spectacularly well-dressed protagonist tasked with saving the world (again) in an alternate 1912 Cairo. This award-winning novel awed me with its detail and invention. What I loved most was the way the world building relegated the British Empire to relative unimportance. Come to think of it, I loved the Ministry library almost as much.
Included in NPR’s Favorite Sci-Fi And Fantasy Books Of The Past Decade (2011-2021) A Nebula Award Winner A Ignyte Award Winner A Compton Crook Award for Best New Novel Winner A Locus First Novel Award Winner A RUSA Reading List: Fantasy Winner A Hugo Award Finalist A World Fantasy Award Finalist A NEIBA Book Award Finalist A Mythopoeic Award Finalist A Dragon Award Finalist A Best of 2021 Pick in SFF for Amazon A Best of 2021 Pick in SFF for Kobo
Nebula, Locus, and Alex Award-winner P. Djèlí Clark goes full-length for the first time in his dazzling debut…
I’ve been fascinated with the macabre since childhood and have always been drawn to the darker sides of humanity. In nearly every story, the villain is my favorite character, and I’m most intrigued with their motives. From The Magic Tree House to Artemis Fowl to The Hunger Games to The Purge, I’ve consumed as much sci-fi, dystopian, thriller fiction as possible my entire life. I’ve written several thriller novels and dystopian books and have worked with Bradley Fuller, the producer of The Purge and A Quiet Place, on the possible movie adaptation of my debut novel. If you also like dystopian thrillers, feel free to check out my recommendations!
I loved this book because it was equally gripping and thrilling as it was funny. It’s impressive when a book so seamlessly weaves real-world experiences and pop culture references with the sci-fi aspects of a dystopian world.
I loved the main character, Frankie, and how she was relatable yet completely unique. Her humor and love of movies, I also loved how it was thought-provoking without feeling like a soap-box political book.
This book was like a quirky Black Mirror-esque cautionary tale of where our society could easily be heading, with plenty of laugh-out-loud moments. I liked how Bryan Johnston took reality TV and made it extreme.
Frankie Percival is cashing in her chips. To save her brother from financial ruin, Frankie—a single stage performer and mentalist who never made it big—agrees to be assassinated on the most popular television show on the planet: Death Warrant. Once she signs her life away, her memory is wiped clean of the agreement, leaving her with no idea she will soon be killed spectacularly for global entertainment.
After years of working in low-rent theaters, Frankie prepares for the biggest performance of her life as her Death Warrant assassin closes in on her. Every person she encounters…
The epic saga continues. Jarnland is in a frenzy of excitement. After the eccentric demise of Old King Wyllard, his co-Majesty, young Queen Esmeralda, announces a Royal Tournament to celebrate the return of our heroes from their perilous quest. The Main Event will be a duel between the legendary warrior…
I adore suspense, mystery, and romance, but more so, I love books that inspire me and also aren’t necessarily easy to figure out. I’m a published and Christy award-winning author in this genre myself, but I have been reading this genre for over thirty-three years. I would definitely have to say my qualifications as a reader of suspense and mystery far outweigh those of an author. When I read suspense and romance, I look for two key elements: hard-to-figure out suspense and believable romance. I’m not out for bells and whistles as a reader, but instead look for well-crafted stories that are more like a puzzle that must be solved.
This was the first book I read from Natalie Walters and it was fabulous! She is an auto-buy for me with a riveting story that is not only crime-centric but with relatable and real characters! Her romance is light and expertly woven through a story that will keep you guessing, biting your fingernails, and skipping dinner!
In the little town of Walton, Georgia, everybody knows your name--but no one knows your secret. At least that's what Lane Kent is counting on when she returns to her hometown with her five-year-old son. Dangerously depressed after the death of her husband, Lane is looking for hope. What she finds instead is a dead body.
Lane must work with Walton's newest deputy, Charlie Lynch, to uncover the truth behind the murder. But when that truth hits too close to home, she'll have to decide if saving the life of another is worth the cost of revealing her darkest secret.