89 Books Like Written in Bone

It takes real guts to prove all the naysayers wrong, and become a hero.

Raassay is a remote Scottish island, site of the Rona lighthouse, which Calum MacLeod tended full time until 1967 when he was 56, and the lighthouse was semi-automated.  As the only man living in northern Raasay, he had some more time on his hands.

To bring more people to the area, he decided to build a road, nearly two miles long, using just a pick, a shovel, a wheelbarrow, multiple pairs of wellington boots, and his bare hands.  It took him ten years. Today on Calum’s Road or “Rathad Chaluim” (in Gaelic) drivers are in awe of one man’s determination to do what he believed was needed, despite the cost.

I picked up this book for its Scottish setting and gothic vibes (which did not disappoint!), but I devoured the book because of the characters who I was rooting for from page one.

It’s such a surprise and pleasure to read a large cast of (queer) women, each uniquely-drawn and with their own distinct desires and personalities. The setting of the book is brilliant as well–I cannot resist a book set in a Scottish forest. The story is threaded through with folklore, adding another layer to the gothic atmosphere. 

Ludington’s book is exciting because it disproves pervasive ideas about wine consumption. One of the big assumptions in the history of commodities is that middle-class people want to imitate elites, and that taste trickles down the social ladder.

Ludington shows that the opposite was true 250 years ago in England and Scotland: aristocrats started changing their wine-buying habits to appear more sympathetic to the middling sort. This trickle-up is an eighteenth-century equivalent of affluent hipsters drinking Pabst Blue Ribbon or fashionistas buying $400 jeans.

I’m the type of reader who finishes each sentence thinking yeah, but how do we know that?, so I find Ludington’s generous footnotes and detailed cellar inventories to be deeply satisfying. This is not an easy read, but it’s a thoroughly enriching one.   

I love finding new authors! Which is why I’m recommending another debut novel—this time from Marion Todd. It won the Bloody Scotland Scottish Crime Debut Novel of the Year 2020. Since then she has published (at the time of writing) a further 4 novels in her series about detective inspector Clare Mackay. I wish I could write that fast! Her serial killer haunts St Andrews, Scotland by luring victims to a stretch of road and then running them over—simple but effective. It can be difficult to write a pacey thriller and develop interesting characters at the same time but Todd manages this admirably. As soon as I finished this novel, I went straight on to the second in the series which is equally as good and I look forward to reading the rest.

The beauty of this novel is that it takes sweeping historical change – the Highland Clearances of Scotland – and manages to make history intimate, showing the impact of events on one vulnerable old woman. In the nineteenth century, much of rural Scotland was forcibly "cleared" of people to make room for sheep grazing. Outside of Scotland, this great tragedy of Scottish history is not as well known as it should be, and neither is Smith’s book.

I love its deliberately naïve style, as we see the world through the old woman’s eyes and feel her pain as history crashes down on her. It’s full of the beauty of the natural world, but it’s also chilling, as it demonstrates the indifference of outsiders to a long-established way of life. 

A doomed king, the last of his kind: a final shepherd of a race fallen into such depravity and barbarity that most no longer see the Picts as human; a man driven to deliver his kin from Roman oppression, to lift his people out of squalor. I was floored by Howard’s iron-hard writing in this all-too-brief sequence of heroic stories. The razor descriptions cut to the core of a man willing to give his all in a doomed quest. I read and re-read the few tales of Bran, but I always find something new and ferocious in the brooding king’s tragedy and bitter triumph. These tales rekindled my love of sword and sorcery, and helped me hone the edge in my own stories. I recommend them to any fantasy fan!

Tom English has produced a series of oral histories (latterly with Peter Burns) which any fan would be advised to read.

The Grudge tells the story of Scotland v England 1990, a game for the Five Nations title that stood for so much more: politics, nationalism, class warfare. It’s a glorious re-telling of an epic game, an upset Scotland win. But I love it for its portrayal of respect between players, of warriors bound by the violent game they play, of friendships across the lines of battle.

Brian Moore emerges a hero: the fearsome “Pitbull” of the England pack, yet a man who fronted up and went drinking with Scots after a crushing defeat. That, to me, is the true spirit of rugby, and the brotherhood it inspires.

Keith is another talented and hard-working artist with a fascination for nature. He paints from life, travelling miles over the rugged country of Scotland recording, birds, animals, landscape, and life. Often accompanied by at least one of his dogs, sometimes by bike as well as the essential 4 wheel drive. 

Kieth’s ability to find wildlife in spectacular surroundings is extraordinary, his valuable work shows us the beauty of a stunning landscape and the charm of the life within.

Meeting Keith is a pleasure, a man who imparts knowledge lightly and gives constant encouragement to enjoy the environment he knows.

I loved this book because I was able to find out more about this lynchpin of the indie music World of the 80s and 90s that I grew up in. Primal Scream was responsible for some iconic tunes, and learning more about Bobby was insightful and entertaining. I discovered so much that I didn’t know about the band’s musical journey and Bobby's influences.