Here are 88 books that Bran Mak Morn fans have personally recommended if you like
Bran Mak Morn.
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I’ve been obsessed with apocalyptic and dystopian stories for over a decade. For me, they are the books that strike right at the heart of what it means to be human. Reading about characters facing the very worst scenarios possible brings love, resilience, survival, and hope into sharp relief. Not to mention that they are often the most powerful page turners—I have lost so much sleep over these cautionary tales, staying up until the early hours, unable to put them down.
I’ve read this book twice and cried buckets both times.
It is a masterpiece – brutal and unflinching but also maintaining a kernel of hope as the man crosses a devastated landscape with his son, trying to keep him alive against the odds. The prose is stunning and piercing. There are some very disturbing parts of the story, but what shines through for me is human resilience, determination, and love.
I will absolutely read The Road again, but I have to leave a recovery gap between reads!
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
Dr Dee has designs for a British Empire that will dominate the world for ages to come ushering in Revelation, and with the aegis of the Angels, he has the power to make it a reality.
But, two elements are missing, and through blackmail and occult ritual, infamous swordswoman Captain…
I received the Dungeons and Dragons Basic Red Box as a kid, and I have been hooked on all things fantasy fiction since. It has become a part of my life so much that each character takes on a special importance for me. Some characters exist in worlds full of swords and magic, while others live in realms that are dirty, bleak, and on the brink of utter ruin. As a writer, I enjoy seeing the different perspectives these characters bring to fantasy settings. It makes them unique, each in their own way. Some want to right the wrongs of the worlds they reside in, while others don’t care if it all burns down around them.
I never thought I’d cheer for a crippled torturer, but somehow Abercrombie makes me do it.
The characters in The Blade Itself feel raw and jagged, like real people rather than fantasy archetypes. What I loved most was how no one is truly heroic—everyone’s broken, desperate, or scheming, yet still magnetic. The dialogue crackles with wit, and the shifting perspectives kept me hooked.
It’s grimdark, yes, but never bleak for the sake of it. Instead, it reveals how ugly and fascinating people can be when survival and ambition collide.
Inquisitor Glokta, a crippled and increasingly bitter relic of the last war, former fencing champion turned torturer extraordinaire, is trapped in a twisted and broken body - not that he allows it to distract him from his daily routine of torturing smugglers.
Nobleman, dashing officer and would-be fencing champion Captain Jezal dan Luthar is living a life of ease by cheating his friends at cards. Vain, shallow, selfish and self-obsessed, the biggest blot on his horizon is having to get out of bed in the morning to train with obsessive and boring old men.
I’m Scott Drakeford, engineer, former corporate person, long-time reader of fantasy fiction, and current author of epic fantasy books that heavily feature a fight against an unjust empire. I’m also the co-host of the Publishing Rodeo podcast, which explores the business side of traditional publishing. I approve this message.
'The Age of Kings is dead. And I have killed it.' Field Marshal Tamas's coup against his king sends corrupt aristocrats to the guillotine and brings bread to the starving. But it also provokes war in the Nine Nations, internal attacks by royalist fanatics and greedy scrambling for money and power by Tamas's supposed allies: the Church, workers' unions and mercenary forces. Stretched to his limit, Tamas relies heavily on his few remaining powder mages, including the embittered Taniel, a brilliant marksman who also happens to be Tamas's estranged son, and Adamat, a retired police inspector whose loyalty will be…
Imagine yourself in the eerie last days of Atlantis, where political power grabs, evil magic, and pulse-pounding romance all collide in this deeply emotional thriller.
The first of the Highest Light Series, Atlantis Writhing weaves Taoist philosophy and metaphysical concepts like Law of Attraction into a storyline to show ancient…
I received the Dungeons and Dragons Basic Red Box as a kid, and I have been hooked on all things fantasy fiction since. It has become a part of my life so much that each character takes on a special importance for me. Some characters exist in worlds full of swords and magic, while others live in realms that are dirty, bleak, and on the brink of utter ruin. As a writer, I enjoy seeing the different perspectives these characters bring to fantasy settings. It makes them unique, each in their own way. Some want to right the wrongs of the worlds they reside in, while others don’t care if it all burns down around them.
In reading The Black Company, I felt like I was stumbling onto soldiers’ private journals.
No shining heroes, no noble speeches—just tired men doing dirty jobs for dirtier employers. What hooked me wasn’t the battles but the banter, the sense of weary camaraderie. Croaker’s perspective makes war almost intimate, showing us the quiet boredom between bursts of chaos. I loved how Cook doesn’t romanticize anything. Instead, he captures the confusion, cruelty, and humor of being part of something too big to fully grasp.
It’s fantasy that smells like mud, sweat, and campfire smoke.
Some feel the Lady, newly risen from centuries in thrall, stands between humankind and evil. Some feel she is evil itself. The hard-bitten men of the Black Company take their pay and do what they must, burying their doubts with their dead.
Until the prophesy: The White Rose has been reborn, somewhere, to embody good once more. There must be a way for the Black Company to find her...
So begins one of the greatest fantasy epics of our age―Glen Cook's Chronicles of the Black Company.
I am a Professor of Early Medieval English History at the University of Cambridge. I also work on relations with the rest of Britain, and between Britain and its European neighbours, especially from an economic and social point of view. My interest in early medieval history arose from the jigsaw puzzle approach that it requires: even more so than for other periods, sources are few and often challenging, so need to be seen together and interpreted imaginatively.
This book is not just about Scotland, despite the title. It is a very rich and imaginative study that is both helped and hindered by its remit being modern Scotland, which was never a single political or cultural entity in the early Middle Ages. That means the author has to look at several distinct groups: the English of Northumbria, the Britons of Strathclyde in the southwest, and the Vikings of the north and west, as well as the ‘Scots’ themselves of central Scotland (whose collective identity as Scots was taking shape at this time). All of this is done with insight, imagination, and command of the complicated sources. It is a lesson in how wide-ranging histories of Britain should be written.
In the 780s northern Britain was dominated by two great kingdoms; Pictavia, centred in north-eastern Scotland and Northumbria which straddled the modern Anglo-Scottish border. Within a hundred years both of these kingdoms had been thrown into chaos by the onslaught of the Vikings and within two hundred years they had become distant memories. This book charts the transformation of the political landscape of northern Britain between the eighth and the eleventh centuries. Central to this narrative is the mysterious disappearance of the Picts and their language and the sudden rise to prominence of the Gaelic-speaking Scots who would replace them…
I love second-chance romances and I am not in my twenties anymore; so I wrote what I wanted to read. Now, I've found other authors who write 35+, characters who have lived, been hurt, and moved on in life. I do read New Adult or younger than 35 characters and often, really smutty, erotic books as I need to get out of my head sometimes. I love Nora Roberts, Claudia Burgoa, Catharina Maura, Jolie Vines and I'll one-click quite a few indies.
Hard Nox is set in Scotland and is brilliantly
written. It's the start of series two and I fell in love with the world that
Jolie had built. I did put this book down a few chapters in to find the first
book of the first series. I wanted to read them in order and I'm so glad I did.
It was hard at the time to find books showing the Scots dialect and Jolie does
it well. So much so, I'm one of her ARC readers and I have started collecting the
paperback copies. This is my favourite of all her books.
Isobel: Lennox is one hot Highlander. Muscles bulging on thick arms. A smirk and a bossy swagger. In a kilt, he's devastating. To everyone but me. As teenagers, he crashed my car, stole my first kiss, then walked away with another woman. I'll be damned if my brother's best friend is getting an easy ride back into my life.
Nox: Isobel is a menace. She races cars and has tattoos in places I can't even imagine. I shouldn’t want her. But I can't forget the one kiss we shared as teenagers. Fresh…
I am a Scottish writer and have long loved books from and about Scotland. But I would love to see more written about the working-class Scottish experience from women’s perspective as I think that would lead to less focus on the violence and poverty that is featured in so many contemporary Scottish books from male authors. There is so much joy in the Scottish working-class experience – a pot of soup always on the stove in someone’s kitchen, the stories, the laughter, a community that cares for their own. Let’s see more of that, and more stories from and about Scottish working-class women.
This magnificent book made me realize perhaps more than any other by a Scottish female writer that the lives of working-class Scottish women are unique, important, and worth writing/reading about.
The book tells the story of Joy, a woman whose mental health is slowly crumbling before our eyes. Galloway masterfully tells this story in the first person so that we are right inside Joy’s mind. We discover a background of abuse and recent bereavement, leading to issues with alcohol abuse and anorexia.
That should all make for a depressing read, and it is of course heart-breaking at times but it is also ultimately about one woman’s search for what it takes ‘to keep breathing’. Utterly spellbinding writing from one of Scotland’s greatest writers.
From the corner of a darkened room Joy Stone watches herself. As memories of the deaths of her lover and mother surface unbidden, life for Joy narrows - to negotiating each day, each encounter, each second; to finding the trick to keep living. Told with shattering clarity and wry wit, this is a Scottish classic fit for our time.
I’m an Australian author passionate about history. Alas, not Australian history. That would make my life so much easier. As a child, I loved tales of ancient Greece. That love took me in two directions—Ancient Egypt and Ancient Rome—Ancient Rome introduced me to Roman Britain, and the Roman Britain novels of Rosemary Sutcliff. My love of history probably explains why a childhood friend gave me a child’s book of English history for my tenth birthday. One of the book’s chapters told the story of Elizabeth I. As she wont to do in her own times, Elizabeth hooked me, keeping me captured ever since, and enslaved to writing and learning more about Tudors.
This novel reminds the reader that humans have carried certain truths from the dawn of time. It tells the story of Phaedrus, a slave from birth. When he gains his wooden-foil of freedom in the gladiatorial arena, he finds his life suddenly empty, and without purpose. This results in him agreeing to assume another’s identity. Not simply ‘another’s identity’ but to become a ‘king’ of the Dal Riada people of Scotland. Phaedrus, to his surprise, discovers leadership gives his life true purpose, friendship, and love. But the time comes when he must show himself worthy of the Mark of the Horse Lord. Beautifully told, the novel speaks of how sacredness and self-sacrifice intertwine for those who truly rule.
'Take my place, Phaedrus, and with it, take my vengeance . . .'
Phaedrus the gladiator wins his freedom after years of bloody battles in the arena. Soon he finds himself riding north towards the wilds of Caledonia on a strange mission. He is to assume the identity of Midir, Lord of the Horse People, to seek vengeance against the treacherous Liadhan, who has usurped the throne.
Ahead of him lies more adventure and more danger than he had ever known in the arena . . .
I am an award-winning author and journalist, specialising in social history and gardening. I have an M.A. in Modern History from Cambridge University and a Diploma of Horticulture from the Royal Botanic Gardens, Kew. I have written for many British newspapers and magazines, most notablyThe Spectator, The Observer, The Independent, The Sunday Telegraph, The Daily Telegraph, and The Garden.
Witch Wood tells the story of a high-minded, ardent and scholarly young Presbyterian minister, David Sempill, who is called to a benighted Tweeddale parish in 1645 at the time of the War of Three Kingdoms, and how his desire to root out covert witchcraft amongst some of his most ‘devout’ parishioners at a time of civil war and plague leads to tragedy and exile. The Marquis of Montrose, on whose biography John Buchan was working at the same time, has a walk-on part in the story. John Buchan considered this his best work of fiction, and I agree.
Buchan's favourite of all his novels, Witch Wood deals with the hypocrisy that can lie beneath god-fearing respectability.
The book is set in the terrifying times of the first half of the seventeenth century when the Church of Scotland unleashed a wave of cruelty and intolerance. Minister Sempill witnesses devil worship in the 'Witch Wood' and is persecuted. It comes with an introduction by Allan Massie.
Like many others, I had an early fascination for pop music, which moved on to rock music as I grew older. I would love to know more about the artists or music figures who made such emotional and stunning music that made the world better and more exciting. British rock and roll music has made a massive impact on the Western life that we all know and love. These five books are the best ones for me, and while all are unique, they have humor and interesting details and let me gain knowledge about these iconic figures.
I loved this book because I was able to find out more about this lynchpin of the indie music World of the 80s and 90s that I grew up in. Primal Scream was responsible for some iconic tunes, and learning more about Bobby was insightful and entertaining. I discovered so much that I didn’t know about the band’s musical journey and Bobby's influences.
'Gillespie is rock and roll's Oliver Twist. A punk rock fairytale, razor sharp on class struggle, music, style, and a singular view of the world resulting in one of the world's great bands. Couldn't put down' Courtney Love
Born into a working-class Glaswegian family in the summer of 1961, TENEMENT KID begins in the district of Springburn, soon to be evacuated in Edward Heath's brutal slum clearances. Leaving school at 16 and going to work as a printers' apprentice, Bobby's rock n roll epiphany arrives like a bolt of lightning shining from Phil Lynott's…
