Books like Would You Rather... — picked by fans

Unwed, broke, and over thirty, Mississippi native Sarah Booth Delaney may live on the family plantation, but take it from me; she’s no Scarlett O’Hara. And if the not-so-Southern Belle didn’t already have enough to contend with, she’s being haunted by the wise-cracking ghost of her great-great-grandmother’s nanny, who never misses an opportunity to remind her of the mess her life has become.

I burst out laughing when the irreverent ghost scolded Sarah Booth, saying her biological clock was ticking and she better start birthing babies before her eggs got too old and dried up! If you’re like me and love a sassy ghost poking fun at an unladylike sleuth, then this is the book for you.

Maybe it was fond memories of my own dearly-departed wise Nana that made me fall in love with Meemaw, Texas fashion designer Harlow Jane Cassidy’s ghostly granny as she worked from the Great Beyond to help her granddaughter solve a murder and clear her as the number one suspect. Give me a gal who inherits magical power and has to think on her feet when a crisis comes calling, and she has to use it. 

Part paranormal, part mystery, part second chance at life and love, this is a woo-woo-infused fun trip to Never-neverland.  

Nothing tickles my funny bone more than the antics of a pampered princess who has to work like the rest of us if she wants to eat when the family fortune dries up. Pepper Martin takes the only job available as a cemetery tour guide–who knew such a creepy job existed?

After hitting her noggin on a gravestone, suddenly she sees dead people. I laughed out loud when a whacked Mafia Don “makes her an offer she can’t refuse” and threatens to haunt her until she hunts down his killers. If you’re like me and the image of Lucy Ricardo on the hunt for a mobster’s killer gets you giggling, this is the story for you. 

This book sends the perennial issue of teenage bullying to another plane. A bullied high school student encounters a female student ghost who encourages him to stand up to his bully. The bullied boy takes her advice, which takes a tragic turn when the boy’s tormentor kills him. He becomes a trapped ghost who haunts his school for decades.

The descriptions of the ghosts and their experiences are so vivid that if you didn’t believe in ghosts before, you’d become a true believer. This is a triumph of fantasy colliding with reality. It is an unforgettable story of hope and redemption and the inner strength one must summon to face adversity created by human fallibility and fate that both YA and adult readers will enjoy and relate to.

While there are haunted house-like novels before James’s 1898 classic, this in many ways is a granddaddy of modern haunted tales. An isolated country estate? Check. A creepy housekeeper? Check. Two even creepier children, possibly possessed? Check, check! When the unnamed narrator is hired as the new governess in a remote country home in England, she arrives to find that her two young wards are already nearly corrupted by the ghosts of the former governess and groundskeeper. As she works to save them, the narrator herself is threatened, both by the ghosts and by the children she’s meant to save. The psychological possibilities of this book, however, linger at the edges of the text, threatening to undermine the whole notion of what this haunting really is.

Oscar Wilde gave us a genuinely chilling gothic tale in The Picture of Dorian Gray, but in this short story, the supernatural is a source of fun.

The Otis family, pleasant, sensible, and up-to-date Americans, move into a haunted English manor and immediately antagonize Sir Simon de Canterville, the house’s resident spectre. Sir Simon has a theatrical flair for haunting, pulling out all the stops to terrify his victims into gibbering wrecks, but it’s all wasted on the Otis family, who are hilariously unbothered by the spookiness.

If you’re staying in a haunted house, I highly recommend channeling your inner Otis.

I originally found this book used, for a buck, read a few pages, and decided to chance it. I have now read it multiple times, loving the notion of ghostly beings among us, and of time shifts, in a context that really makes sense in a story. (It helps that I’m also a sucker for old spooky houses.) I quickly imagined myself in these pages, part of the fabric of risk, intrigue, and danger, never guessing where it all might end up. Let’s see if you do.

We all think we know "A Christmas Carol" but after the Muppet version, I find myself thinking of it as simply comical.

Until I re-read it, I forget just how chilling the ghosts who visit Scrooge are. And I love "Captain Murderer," Dickens’ account of how his nursemaid terrified him with scary tales, because it takes me back to my own childhood love of terrors.

Then there are stories like "The Signalman," which is not at all funny, darkened with the signalman’s dreadful loneliness and apprehension.

Dickens was a Master. Even his humorous ghost stories have an edge of fear.

This book is surrounded by a shroud of mystery from the start. Laryssa Mitchell reclaims her life after the death of her abusive husband. She starts taking back what was lost – her independence and her old job. But she finds herself in a living nightmare when she meets her new boss. Who is the man standing in front of her with her dead husband’s face? Alexander Richards is the spitting image of Laryssa’s ex, but instead of darkness, she finds light in this caring man in the midst of danger. The passion is hot and there are plenty of thrills in this novel.

I can never get enough ghost and haunted house stories that have social commentary themes. This is one of the books that helped inspire my own book. Trevor Riddell’s parents are separated, and Trevor and his father move to his lumber-robber-baron grandfather’s mansion in the woods of the northwest, where Trevor’s father and aunt hope to talk their ailing father into a big-money real estate deal involving the house and land.

This book has everything I love: ghosts, intrigue, mystery, history, emotionally-complex antagonists, and epistolary story-telling through letters and journals. Woven into all that, Stein manages to insert a moral about conservation and trees (and other things I’ll let you discover on your own). Ghost stories have a history of being morality tales, and this is a modern version—true to the tradition—that I really enjoyed.