100 Books Like Women Talking

What intrigues me about this book is the way the author, Margaret Atwood, took the (Genesis 30) story of Jacob, who impregnated his wife's handmaiden to produce the children which his wife could not conceive.

She then puts herself in the place of that handmaiden and asks some serious questions. Was that handmaid even given a choice in the matter? What would have happened to her if she had refused? She then rolls the same idea forward 4,000 years to a pseudo religious society in which the sole purpose of handmaidens is to use their bodies to conceive and gestate the next generation for those whom they serve.

I have never read a novel so close to prophecy.

Published in 1995, Parable starts in July 2024 amidst the election of an autocrat who, by the sequel Parable of the Talents, literally pledges to “make America great again.” I started my platform in 2015 in the same context.

This novel pulled me into its harrowing tale of how to survive civilizational collapse: the dismantling of systems, norms, and climate change that we are all currently going through.

The lesson is ultimately about embracing change, caring for and trusting each other in community, and coming up with our own ways of being together. So many of our ancestors have survived periods of collapse by the same principles. These ancestral lessons still guide me, and I believe are critical to surviving AI dystopia.

People kept telling me to read it, so I finally did–just in time to include it on this list. Rotating narrators–a White missionary’s wife and four daughters from the American South–represent disparate points of view concerning their family’s move to the Belgian Congo in 1959.

One thing I loved is the attention to historical detail and Kingsolver’s ability to include multiple, complex subplots to better frame the colonial history of this particular time/place and to better demonstrate the insidious ongoing brutality of colonization in terms of inequitable global wealth.

Language and religion play a major role in the plundering resource extraction industries, as do political and military interference, apartheid, and so much more. I loved her exploration of language(s): the power held in naming and misnaming. The youngest daughter sums it up best. “My life: what I stole from history, and how I live with it.” Characters are primarily White… show more.

This novel is a masterclass in unreliable narration. It follows Will, a young man estranged from his family and religion, as he attends college and falls in love with Phoebe.

As Will takes over and narrates his recollections of their relationship, Phoebe’s friendship with a man named John Leal, and her inculcation into a religious cult, he becomes increasingly untrustworthy. Will rails against John Leal, his lies, and the damage he has done to Phoebe, revealing his complicity in toxic masculinity and his own harmful actions.

Kwon renders her characters as entirely believable, frightening people, in lyrical and considered prose.

I love novels that really spark the imagination and transport you into another world, and this is one of the best I’ve read. The characters are so intricately crafted you feel like you could be them as you’re reading, even though the setting is quite literally thousands of miles away from where you’ll likely be reading it. You truly walk the line between pure wonder and mortal danger in this novel, and you’ll never forget it. 

I liked the subtlety of the storytelling here and the way the whole tragic plot develops. Events develop as much out of boredom and lack of engagement rather than from evil intent.

The false messiah here doesn’t offer a great path and is not particularly charismatic. He just offers something slightly more interesting than all the others around. The outcome depends on accident more than any evil intention. Emma Cline finds an engaging way to explore a piece of history without exploitation.

This one’s actually the middle book of Attwood’s Maddaddam trilogy, which deals with the results of “the waterless flood,” a viral pandemic which has wiped out most of civilisation.

The Year of the Flood focuses on the lower classes, which again interests me in terms of the effect on “ordinary” people. There’s a dystopian element here, as Attwood explores the religious sect in which the protagonists find themselves.

It begins with Vern, a Black, Albino teen escaping from Cainland, the cult compound she’s raised in, and giving birth (to twins!) alone in the woods. A refuge for Black American activists in the 1950s, Cainland became a religious stronghold controlled by Reverend Sherman, Vern’s much older husband.

Vern begins to question the anti-queer propaganda, the oppression of girls and women and unearths treachery beneath the compound’s revolutionary surface. Plus her body is changing, growing stronger, monstrous, becoming something altogether new. Hauntings—full-scale hallucinations, or so she thinks—chip away at her sanity and sense of self. Vern is all fight, but must learn to trust, connect, possibly even love or depend on others in order to survive unimaginable hardships, while raising her infants on the land.

A fever dream of alien transformation, as anti-authoritarian as can be imagined, and a truly original queer BIPOC love song, Solomon has written a trippy,… show more.

A dear friend gave me this book when I started writing – it’s precious to me because he knew it would encourage me to find my voice.

It is the ultimate companion text for a female writer. I have been inspired by Virginia Woolf’s work to become a writer myself, to find a room of my own. Spanning decades, Woolf sent the message that a woman will battle the externally imposed silence on her imagination and her choices, and, with her own physical and metaphorical room, she can create literary greatness. 

Or not – she may simply create her own story. But it will be hers.

This book spoke to me.

A group of women who seemingly had it all discover that there is more to life than the imposed dream of home, family, and a well-appointed kitchen. I really enjoyed the premise that a book club can become a place where one doesn’t just offer polite reviews of the text but a space for the exploration of ideas.

These women were on the periphery of social upheaval and could have very easily submerged themselves into suburban obscurity. But a book awakens them, shakes them up, spurs them on, and ultimately shows them the way to voice a more genuine version of themselves. I love the humour, the realism, the connection, and the growing realisation that together, women can really change the world.