100 Books Like State of Wonder

I found the author's gorgeous writing and deep reflection to be irresistible. Harris is a true explorer of the world and the self as well as a brilliant writer.

This book showcases the curiosity and awe that drove Harris and her best friend to bicycle across the Silk Road. While pedaling out of bounds on her bicycle, she effortlessly led me to new territories of thought and imagination. Her descriptions are vivid, and I identified fully with her love of wildness.

I first read this memoir as a young teenager and was completely captivated by the idea of a girl not much older than myself simply raising a sail and setting off into the vast ocean. In 1985, Tania Aebi was eighteen and aimless, and her father gave her an ultimatum: either go to college or sail solo around the world. She chose the latter. Sailing is hard work, and Aebi has plenty of hard days, but her unusual coming-of-age story is romantic (sometimes literally) and exciting and opened my eyes to the possibilities of adventure and courage.

This book helped me release shame after a colleague of mine told me my work wasn’t “science.”

Here’s the truth: to create a healing platform, I needed to tap into ways of thinking that academia sees as “woo woo” and “savage.” I looked to the stars. I meditated. I did rituals and read myths.

Dr. Kimmerer, trained as a traditional botanist, realized that the Indigenous myths and stories she was told as a child contained scientific knowledge passed down for generations by her tribe.

She realized there were scientific truths her community knew for millennia that traditional scientists only discovered within the last 100 years. This is the power of Ancestral Intelligence, disregarded by the same science that ultimately created AI.

What stories, fables, and myths have taught you valuable lessons about the world?

I love this book because it changes the way I see the world every single time.

Powers writes with a patience that feels almost radical. I found myself slowing my breathing as I read, realizing how little I notice in the rush of daily life. I love how he blurs the line between human and nature, reminding me that we’re never outside the system—we are the system.

The Overstory humbles me, and because humility, to me, is where clarity begins.

This book has been criticized for ignoring the brutal aspects of the Bolshevik revolution and giving us only old-world elegance and luxury. Hello? It’s historical FICTION! Instead of facts, the author gives us atmosphere, a charming main character who is being gradually revealed to us.

It made me ask: Did time change him, or was he always that way, and the events brought out his “true” self? It’s a story told in a polished style or, as one reviewer put it, with “a permanently arched eyebrow.” 

I think more than anything, I loved the way she described everything. Her language is as if her words were first sent to her heart and then to her soul before they came onto the page. The warmth and the power are overwhelming in her style. It is obvious she loved grandly Africa and its denizens, and as a reader, I couldn’t help but feel the same.  

I love heroines in exotic places and situations, especially if it is much of their own makings or seemingly destiny. This book is a memoir of a tomboy girl in East Africa, so even though it is all true, it feels epic.  

I could really relate to Beryl as a girl with her animals. (Growing up, I loved and collected animals from nature, too.)  Beryl grew up with a zebra for a pet, horses for friends, and, of course, the most loyal dog.… show more.

Tracing the thread of mystery and meaning through our lives can be so hard! Here’s a trick of the memoir trade: The world has a tendency to give us the metaphors we most need.

When I first read Terry Tempest Williams’ book, I was amazed by the parallels she drew between threats to her beloved Bear River Migratory Bird Refuge, her family history of breast cancer, and her soul’s experiences in the Mormon church. Now, I know the perfect images to illustrate our inner world are always in plain sight. This is beautiful and enduring.

I almost didn’t include this Newbery Medal winner book by Louis Sachar on my list of magical middle-grade books set in the real world. Is it really magical? Is it set in the real world? With a fourteen-year-old protagonist, Stanley Yelnats, is it even middle-grade?

Here’s why my love for this book won out. Sachar weaves together a quirky, complex story, just interconnected enough to qualify as “magical.” The setting, a juvenile prison camp with a sadistic warden, is “real-world” enough. And Stanley, though emotionally young for fourteen, is a kind, thoughtful kid well worth rooting for.

About halfway through reading, its darkness almost prompted me to lay this book aside. I’m so glad I didn’t. In the end, its themes of perseverance, hope, and redemption shone through.

I am always grateful when a book introduces me to a place completely unknown to me. Janisse Ray’s gorgeous memoir does exactly that: southern Georgia's disappearing longleaf pine forests. Her introduction to this landscape is a gift to readers, who will yearn, as she does, for its regeneration after a century of exploitation.

Raised in a junkyard along a busy highway, this writer learned the land’s history through the stories of her parents and others; she learned the intricate ecology of the pines and their companion flora and fauna, almost lost to industry and greed. Lyrical and beautifully written, Ray’s evocations of complex plant communities linger in the mind long after you’ve finished the book.

This novel is a masterclass in unreliable narration. It follows Will, a young man estranged from his family and religion, as he attends college and falls in love with Phoebe.

As Will takes over and narrates his recollections of their relationship, Phoebe’s friendship with a man named John Leal, and her inculcation into a religious cult, he becomes increasingly untrustworthy. Will rails against John Leal, his lies, and the damage he has done to Phoebe, revealing his complicity in toxic masculinity and his own harmful actions.

Kwon renders her characters as entirely believable, frightening people, in lyrical and considered prose.