Here are 100 books that Women of Blaxploitation fans have personally recommended if you like
Women of Blaxploitation.
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I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
This book has been central to my research on women in Science Fiction although I am not a Horror fan.
Given how often women are thrown through gendered-based violence in different genres, Clover’s study brings many useful points for not only Horror itself, but also thrillers, action films, and Fantasy.
It investigates different facets of women’s representation and their fight against sexualized trials. My favorite chapters are those on the body in the slasher film, the discussion on women’s stories versus men’s stories, and the revenge narrative.
From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented--notably the slasher movie's "final girls"--as they endure fear and degradation before rising to save themselves. The lesson was not lost on the…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
LaSalle’s book made me fall in love with Pre-Code Hollywood despite having been in film and media studies for 20 years.
His in-depth study of many famous actresses during this era such as Greta Garbo, Norma Shearer, and Jean Harlow, shows how freer women could be on screen for their life choices.
The later chapters address the lasting impact of the Code era on the representation of women and their agency, even on contemporary movies. As he discusses it, the Code caused the decline of “socially responsive women’s pictures.”
Between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality and led unapologetic careers. Before then, women on screen had come in two varieties - sweet ingenue or vamp. Then two stars came along and blasted away those stereotypes. Greta Garbo turned the femme fatale into a woman whose capacity for love and sacrifice made all other human emotions seem pale. Meanwhile, Norma Shearer succeeded in taking the ingenue to a place she'd never been: the bedroom. These complicated women paved the way for a deluge of…
I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
To say I had high expectations of this book would be an understatement and it certainly delivered!
Although quite niche, this book gives us a detailed look into professional women and women scientists, among other roles, in 1950s Science Fiction B movies.
Although we often believe that more recent films are more progressive, Noonan shows how even gender limitations in the 1950s still provided room for qualified women to shine in different scientific fields, both in traditional and pioneering roles. She also studies how women could have important roles at the periphery of science like computer operators or darkroom technicians.
This book proposes that the social ideology of the 1950s, which was partly concerned with gender issues, saturated the ""B"" science fiction films of that era and inspired a new appreciation for the role of women in scientific advancements and other social achievements. Drawing on feminist literary and cultural theory, the author offers detailed, historically situated readings of 10 films and compares cinematic representations with real female professionals of the time.
At five years old, Kasiel was found with the pointed ends of his ears cut off. Despite that brutal start, he’s lived twelve peaceful years with the man who took him in. Keeping his hair long over his mutilated ears helps him hide the fact that he is Vanrian, a…
I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
This is a must-read if you are interested in women investigators in mainstream film, B movies, niche genres, or television.
Gates studies over 300 films and goes back to not only early cinema but even to 19th-century fiction that brought certain figures such as the sleuth, to the screen several decades later.
By exploring the evolution of women detectives, Gates addresses various topics such as women in the workforce, intellectual women, age, race, and sexuality. This historical analysis played a key role in my research on Scully beyond the chapter on women criminalists such as Clarice Starling in The Silence of the Lambs.
I am a lifelong lover of books. As a child, one of my most prized possessions was my library card. It gave me entrance to a world of untold wonders from the past, present, and future. My love of reading sparked my imagination and led me to my own fledgling writing efforts. I come from a family of storytellers, my mother being the chief example. She delighted us with stories from her childhood and her maturation in the rural South. She was an excellent mimic, which added realism and humor to every tale.
This book brilliantly tells the story of the guerilla warfare that Black people waged against the purveyors of slavery in the antebellum South. It belies the White establishment’s portrayal of the compliant, intellectually challenged Negro who was content to live under the necessary guidance and protection of his or her master.
In fact, a sprawling network of underground freedom fighters developed secret codes, signs, and escape routes that enabled them to thwart the system that strove to keep them in chains. The book’s protagonist, Liz Spocott, is a “dreamer” who is able to see the future.
This book helped me understand that fiction writers are also dreamers, capable of seeing worlds that do not yet exist, and pushed me to join their ranks.
From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, Five-Carat Soul, and Kill 'Em and Leave
In the days before the Civil War, a runaway slave named Liz Spocott breaks free from her captors and escapes into the labyrinthine swamps of Maryland’s eastern shore, setting loose a drama of violence and hope among slave catchers, plantation owners, watermen, runaway slaves, and free blacks. Liz is near death, wracked by disturbing visions of the future, and armed with “the Code,” a fiercely guarded cryptic means of…
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
Featuring an Introduction by artist Linda Tillery, the book offers a timely critique of white-centered women’s music events and the possibility of Black women’s music festivals. The author looks at the different experiences of Black audiences in primarily white feminist festival spaces and the role of Black lesbian artists across several generations.
Drawing on fieldwork conducted at eight women's music festivals, Eileen M. Hayes shows how studying these festivals--attended by predominately white lesbians--provides critical insight into the role of music and lesbian community formation. She argues that the women's music festival is a significant institutional site for the emergence of black feminist consciousness in the contemporary period. Hayes also offers sage perspectives on black women's involvement in the women's music festival scene, the ramifications of their performances as drag kings in those environments, and the challenges and joys of a black lesbian retreat based on the feminist festival model. With acuity and…
Resonant Blue and Other Stories
by
Mary Vensel White,
The first collection of award-winning short fiction from the author of Bellflower and Things to See in Arizona, whose writing reflects “how we can endure and overcome our personal histories, better understand our ancestral ones, and accept the unknown future ahead.”
As a kid, I devoured books with any magical element, especially those somehow linked to nature. As I grew older and discovered that my emotional struggles were a signal of mental health issues, I turned to books again to make sense of my shattered world. I've found that magical realism is an incredible vehicle to explore the deep truths and questions behind mental health, healing, and grief, providing a way to make sense of the unexplainable. I slowly found my way to my own healing and wrote the book I needed as a young adult. I'm forever grateful to the authors of these books for providing a haven for souls like mine.
A novel in verse with a thrilling magical bent, this book defied all my expectations while somehow exceeding them.
Out of all the books on my list, this one is the most blatantly magical, but the wild happenings are so woven into the contemporary setting that they feel believable. I also love how this book deals with two protagonists who struggle with depression and grief in different ways and find ways to support each other without belittling the intensity of each other’s suffering. Add in a satisfying plot twist, and this book is a soulful, brilliant ride.
They Both Die at the End meets The Bell Jar in this haunting, beautiful young adult novel-in-verse about clinical depression and healing from trauma, from National Book Award Finalist Amber McBride.
Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before.
They are both terrified of the forest at the end of Marsh…
I have always been interested in family stories, the history of women’s lives, and history in general. Discovering new (at least it was at the time!) work in social and women’s history at university in the 1980s opened up new vistas for me and showed me it was possible to do academic work in the discipline in creative and challenging ways. These books were crucial to my development as a historian, both because of their subject matter and because they are so beautifully written. They brought the past “to life” for me and showed that historians could care about their subjects without sacrificing academic rigor.
I knew about the history of enslaved people and the institution of slavery in the Americas. Still, until I read Jones’ book, I did not appreciate how slavery affected African-American women’s lives in so many different ways, even after the institution itself formally ended.
I also gained a new understanding of their bravery, ingenuity, persistence, and contributions to their communities and American society more generally. Jones tells their stories with empathy and great wisdom, shattering stereotypes and insisting that we pay attention to these women and their lives.
The forces that shaped the institution of slavery in the American South endured, albeit in altered form, long after slavery was abolished. Toiling in sweltering Virginia tobacco factories or in the kitchens of white families in Chicago, black women felt a stultifying combination of racial discrimination and sexual prejudice. And yet, in their efforts to sustain family ties, they shared a common purpose with wives and mothers of all classes. In labour of Love, labour of Sorrow , historian Jacqueline Jones offers a powerful account of the changing role of black women, lending a voice to an unsung struggle from…
Before I’m a scholar, author, or policy wonk, I’m a Christian who believes that God has shown us that our highest and greatest call after loving God is to love each other—and thus we are to value people’s and communities’ well-being above profit, wealth, and status. Thus, I come to sociology with a sense of mission: to use the tools of social science to understand the mechanisms creating inequitable resource access and, with that insight, to imagine and work alongside like-minded others to build economic and political systems that foster communal and individual prosperity. By studying the Black middle class, specifically, I gain traction for understanding how racial status distorts our economic and political systems.
It helped me to hold two truths in tension—on the one hand, that there is increasing class and geographic variation among African Americans that leads to multiple, sometimes competing agendas, and on the other hand, Black Americans still express significant political solidarity, irrespective of their other social statuses. Dawson identifies the social conditions leading to shared political goals among African Americans—what he calls “linked fate.”
While his and others’ subsequent research shows that political solidarity among African Americans is waning to some extent, Behind the Mule is still important for understanding why racial status, notwithstanding African Americans’ other statuses, continues to be a core driver of Black Americans’ political behavior.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken…
I’m a children’s book author-illustrator who loves picture books that can tackle difficult topics in a unique way. Along with Where Is Poppy?, I’ve also illustrated The Remember Balloons, written by Jessie Oliveros, which helps to gently explain Alzheimer’s and memory loss to kids without sugarcoating the realities of the illness. I think books can be a great tool for helping kids understand and process ideas that can be a little heavy or overwhelming, even for adults.
This book is a quiet and moving book about the loss of a father, which is also a lovely ode to nature.
It feels even more special knowing that Brian Pinkney finished the final art of this book after his father, Jerry, passed away, mirroring the boy in the story whose father leaves behind a final page in his sketchbook for him to finish.
In this moving account of loss, a boy takes a walk in the woods and makes a discovery that changes his understanding of his father.
A week after the funeral I stare in the morning mirror Angry that my father’s eyes Stare back at me.
Confused and distraught after the death of his father, a boy opens an envelope he left behind and is surprised to find a map of the woods beyond their house, with one spot marked in bright red. But why? The woods had been something they shared together, why would his father want him to go…
