100 Books Like Women of Blaxploitation

This book has been central to my research on women in Science Fiction although I am not a Horror fan.

Given how often women are thrown through gendered-based violence in different genres, Clover’s study brings many useful points for not only Horror itself, but also thrillers, action films, and Fantasy.

It investigates different facets of women’s representation and their fight against sexualized trials. My favorite chapters are those on the body in the slasher film, the discussion on women’s stories versus men’s stories, and the revenge narrative.

LaSalle’s book made me fall in love with Pre-Code Hollywood despite having been in film and media studies for 20 years.

His in-depth study of many famous actresses during this era such as Greta Garbo, Norma Shearer, and Jean Harlow, shows how freer women could be on screen for their life choices. 

The later chapters address the lasting impact of the Code era on the representation of women and their agency, even on contemporary movies. As he discusses it, the Code caused the decline of “socially responsive women’s pictures.”

To say I had high expectations of this book would be an understatement and it certainly delivered!

Although quite niche, this book gives us a detailed look into professional women and women scientists, among other roles, in 1950s Science Fiction B movies. 

Although we often believe that more recent films are more progressive, Noonan shows how even gender limitations in the 1950s still provided room for qualified women to shine in different scientific fields, both in traditional and pioneering roles. She also studies how women could have important roles at the periphery of science like computer operators or darkroom technicians.

This is a must-read if you are interested in women investigators in mainstream film, B movies, niche genres, or television.

Gates studies over 300 films and goes back to not only early cinema but even to 19th-century fiction that brought certain figures such as the sleuth, to the screen several decades later. 

By exploring the evolution of women detectives, Gates addresses various topics such as women in the workforce, intellectual women, age, race, and sexuality. This historical analysis played a key role in my research on Scully beyond the chapter on women criminalists such as Clarice Starling in The Silence of the Lambs.

Although Sula is my favorite Toni Morrison protagonist, I’ve found the most profound revelation of power in the four women I consider the collective protagonist of A Mercy. Florens is the primary protagonist, but the communal self she forms with the others leaps off the page.

In a society where men value independence, I rooted for these women as they leaned into interdependence: Rebekka, white Mistress of the house; Lina, the Native American servant; Sorrow, the servant suspected of being mixed-race and feeble-minded; and Florens, the enslaved black girl taken as payment for a debt.

This multiracial cast pools their skills to survive in a society suspicious of any woman sans man. A Mercy seems timely to me as America still struggles to accept women and minorities as partners.

Lorene Cary tells her own story of attending an elite boarding school through a talent-search program for low-income students of color. Lorene’s experience shows vividly the costs of being a token in a setting of privilege.

This vivid memoir was dismaying to me as someone who wants students to have opportunities to realize their potential by having access to top-quality schools. 

Part coming-of-age story, part slice of adult drama and misbehavior, this book impressed itself on my memory with its deceptive sweetness and heart-wrenching likability. It touches on teenaged pregnancy while examining infidelity stemming from a faulty marriage between a likable man and a bitter woman. I loved its honest examination of problematic, complex relationships—husband to wife, and child to adult. It is beautifully drawn, complex, and definitely on my "Books I can Re-Read Endlessly” list.

This book brilliantly tells the story of the guerilla warfare that Black people waged against the purveyors of slavery in the antebellum South. It belies the White establishment’s portrayal of the compliant, intellectually challenged Negro who was content to live under the necessary guidance and protection of his or her master.

In fact, a sprawling network of underground freedom fighters developed secret codes, signs, and escape routes that enabled them to thwart the system that strove to keep them in chains. The book’s protagonist, Liz Spocott, is a “dreamer” who is able to see the future.

This book helped me understand that fiction writers are also dreamers, capable of seeing worlds that do not yet exist, and pushed me to join their ranks.

This historical novel takes place in 1963 Los Angeles. Harry Ingram is an African American Korean War veteran, news/forensic photographer, and process server. Ingram arrives at a scene to photograph a deadly automobile accident. He recognizes the vehicle. It belongs to an old army buddy. Ingram sees evidence of foul play when he develops his photos of the accident. He is compelled to investigate. With Martin Luther King Jr’s Freedom Rally just around the corner, racial tensions are running high. Ingram dives headlong into the sordid underbelly of LA. Armed primarily with his camera and wits Ingram tangles with gangsters, fanatics, racists, and blackmailers in an effort to weed out justice for his friend. The captivating content, distinctive characters, and crisp dialogue kept me on the edge of my seat. 

I found this book while researching my own history book. I purchased a used copy complete with the underlined text and notes of other people that I always find interesting. It’s an old book, first published more than fifty years ago. I see it as the perfect companion piece to King’s book. 

Here, late author/editor Dorothy Sterling (quite an agitator herself) includes African American leaders' letters, speeches, songs, and news articles. Sterling covers heavyweights such as Frederick Douglass, Sojourner Truth, and Henry Highland Garnet, along with overlooked figures Ira Aldridge (Shakespearean actor), poet Phillis Wheatley, merchant Paul Cuffe, and opera singer Elizabeth Greenfield, the Black Swan. Reading Speak Out expanded my knowledge of the breadth and scope of the early Civil Rights Movement.