Book cover of Men, Women, and Chain Saws: Gender in the Modern Horror Film

Book description

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been…

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Why read it?

2 authors picked Men, Women, and Chain Saws as one of their favorite books. Why do they recommend it?

This book has been central to my research on women in Science Fiction although I am not a Horror fan.

Given how often women are thrown through gendered-based violence in different genres, Clover’s study brings many useful points for not only Horror itself, but also thrillers, action films, and Fantasy.

It investigates different facets of women’s representation and their fight against sexualized trials. My favorite chapters are those on the body in the slasher film, the discussion on women’s stories versus men’s stories, and the revenge narrative.

From Natacha's list on women in American film.

Clover’s book is a cult classic, but Clover is also one of the leading saga scholars of the past half-century and as she notes her insights into and reads of these horror films owes an incalculable debt to her knowledge of the sagas. 

I cannot refrain from recommending an article by Heather O'Donoghue--"What has Baldr to do with Lamech?" The lethal shot of a blind man in Old Norse myth and Jewish exegetical traditions Medium Aevum 72 (2003, 82-107). I loved it when I first read it. It is wonderfully learned and for those who are equally captivated by the…

From William's list on the Icelandic and Norse sagas.

If you love Men, Women, and Chain Saws...

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The Rosewood Penny by J.S. Fields,

2023 Queer Indie Award Nominee!

The dragons of Yuro have been hunted to extinction.

On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…

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Book cover of The Growth of the Medieval Icelandic Sagas (1180–1280)

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