95 Books Like Women, Method Acting, and the Hollywood Film

When I first read this book over twenty years ago, I thought, finally, someone who sees what I see in classic Hollywood films—dynamic and exciting women. She traces American women onscreen: from the flappers of the 1920s (It girl Clara Bow) to the European goddesses Greta Garbo and Marlene Dietrich to the sultry Mae West in the 1930s, to the fast-talking Dames Barbara Stanwyck, Katharine Hepburn, Carole Lombard, and to Marilyn Monroe and her postwar millionaire-seeking pals.

Her multi-decade analysis contemplates what changed in the 1970s-80s; as American women earned greater equity in real life, their onscreen representation paled compared to their pre-WWII sisters. A quarter into the twenty-first century, female star-driven Hollywood films remain an anomaly. Read this book to find out why it was the inverse more than ninety years ago.

When I read this book, I was relieved—at long last, a book that underscored the behind-the-scenes contributions of working women in the 1930s and 1940s. J.E. Smyth’s fascinating study brings to light new dimensions to screen legends Bette Davis, Katharine Hepburn, and fashion designer Edith Head, but also women less known to the greater public—the intrepid editors like Barbara McLean and Margaret Booth, three-time Screenwriter Guild president Mary J. McCall, and producers like Joan Harrison and Virginia Van Upp.

I like how this book provides a counter-history to the male-dominated narratives of Hollywood. Smyth shows that women found other ways outside of directing to leave their mark on Hollywood in the twentieth century.

In my teen years, I was a voracious reader of star biographies. I still love them, and the late Cari Beauchamp’s book is a page-turning, spellbinding biography that details the life of pioneering screenwriter Frances Marion, the highest-paid screenwriter in Hollywood for nearly three decades. 

Beauchamp also introduces readers to the early Hollywood sisterhood network that furnished Marion and other powerful women in American film at the time (Mary Pickford, Adela Rogers St. John, Hedda Hopper). I recommend this book as a historical backdrop for understanding the current gender parity issues plaguing Hollywood.

I love this book’s blend of author self-reflection and fandom of the late great Bette Davis’s star persona and career alongside her civil rights advocacy and onscreen acting with African American actors in the 1930s and 1940s. Julia Stern contextualizes Hollywood’s troubling representation of African Americans onscreen that often accompanied Davis’ own proto-feminist iconic performances in films like Jezebel, The Little Foxes, and What Ever Happened to Baby Jane.

At the same time, she devotes analysis to the forgotten but riveting anti-racist film, This Our Life, directed by John Huston. With powerful performances from Black actors Hattie McDaniel and Ernest Anderson that stand apart in the Davis oeuvre, Stern effectively brings a twenty-first-century understanding of this Classic Hollywood legend. Be sure to read her footnotes—they are equally fascinating!

As someone who adores all things Pickford (and has written about Mary’s sister-in-law, Olive Thomas), there’s no way I couldn’t include this book, which covers the association between silent star Mary Pickford and her scenarist Frances Marion. 

I love the dynamic between these two powerful women, and Benjamin does a good job of establishing their relationship. There is a lot to love about this book: the writing, the dialog, and the detail. I love this book!

My only quibble is the picture they used for the front cover. I’d have picked it up long before I did if they’d actually used a picture of Mary and Frances because I would have recognized instantly who it was about.  

If this beautifully illustrated collection of Hollywood tragedies were only kink, only lurid scandal like so many cheap TV potshots, it wouldn’t be the iconic masterpiece it has become. Kenneth Anger’s take on the faded and fallen Hollywood differs because he loves the place and its people with all his heart.

A child starling and renegade director in his own right (Scorpio Rising, Kustom Kar Kommandoes), he oozes child-like wonder and horror on every page. As he puts it in the book’s equally stark sequel, Hollywood Babylon II, the movies “promise immortality, but don’t really deliver.”   

First of all, Nia Vardalos is just hilarious. She could write an Ikea assembly brochure and it would probably be side-splitting. But in the book, she tells about being a rising star (a great story on its own) who had it all – except a baby. After a grueling battle with infertility, she eventually came around to the idea of adoption, and started to learn more about the fost-adopt process of taking an older child who is unlikely to reunite with their original family. With great heart, she tells the roller-coaster story of bringing a 3-year-old with attachment challenges into her life—and the inevitable universality of motherhood. “Nothing prepared me for the life I would feel for my child. Nothing prepared me for how quickly it happened for me. And here’s what I just figure out now: no one is ever prepared. In a way, we’re all instant moms.” She’s… show more.

McClintick makes the Hollywood boardroom scandal that began with David Begelman’s forgery of Cliff Robertson’s name on a $10,000 check, into a compulsively readable account of power run amok amongst  Hollywood-Wall Street executives. An expose of theft, cover-up, and blackmail, it is also a beautifully written, incisive portrait of men and women seduced by the glamor and power of Hollywood fame.

Anything to do with Jim Carrey, I’m in. In fact, when teachers would ask me what I wanted to be when I grew up, I’d reply “Be Jim Carrey.” As a longtime fan, I was excited to learn that he would finally be charting his life in an autobiography. As it turns out, the book was mostly wild fiction. What’s so engaging about this book is how he blends real-life occurrences like his body of film work and relationship with Renee Zellweger with completely off-the-wall fantasy like mentor Rodney Dangerfield returning as a Rhino, Kelsey Grammar leading a cult, and Carrey struggling with his career as his entire essence goes virtual. It’s extremely experimental, but the inclusion of celebrities will leave you grinning.     

Okay, I am totally cheating here. Harpo Speaks! is not specifically a kid’s book at all (although it would be wonderful to read with and to upper primary and older), but it is my favourite book of all time, and I couldn’t not include it here. Harpo Speaks! is the autobiography of Harpo Marx. I have read it at least ten times, and every time I learn something new. 

The Marx Brothers show how life can and should be fun, but that the fun comes after and while you are working incredibly hard towards a dream. And of all of them, Harpo’s attitude to and joy of life is a lesson to us all. I can’t recommend this highly enough.