Here are 100 books that Within the Whirlwind fans have personally recommended if you like
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As part of Gen X, I was raised by a strong mother and surrounded by steely southern women, transforming their lives from housewives to more liberated women during the turbulent 1970s as women’s rights and civil rights blossomed. I admired second-wave feminists like Gloria Steinem and attended women’s studies courses in college. I was steeped in change, optimism, and hope for a better world for all. But this awareness was rooted in a critical eye to the past injustices and an understanding that the personal is the political, and how women live their lives, what obstacles they face, and how they handle them, is a testament to their power at home and in society.
This book by Jodi Kantor and Megan Twohey is another book I couldn’t put down.
Two dogged journalists publish a report about Harvey Weinstein’s sexual abuses that helps launch the #metoo movement. Not only were the journalists brave in their pursuit of the truth surrounding powerful men, the voices of all the women who came forward when they were subject to danger for doing so were a testament to the power of true stories and women coming together for a greater good.
*SOON TO BE A MAJOR MOTION PICTURE STARRING CAREY MULLIGAN AND ZOE KAZAN*
'Explosive' Margaret Atwood
'Seismic' Observer
'Brilliant' Nigella Lawson
'Gripping' Jon Ronson
A FINANCIAL TIMES, NEW STATESMAN, DAILY TELEGRAPH, METRO AND ELLE BOOK OF THE YEAR
On 5 October 2017, the New York Times published an article by Jodi Kantor and Megan Twohey that helped change the world.
Hollywood was talking as never before. Kantor and Twohey outmanoeuvred Harvey Weinstein, his team of defenders and private investigators, convincing some of the most famous women in the world - and some unknown ones - to go on the record.…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
As part of Gen X, I was raised by a strong mother and surrounded by steely southern women, transforming their lives from housewives to more liberated women during the turbulent 1970s as women’s rights and civil rights blossomed. I admired second-wave feminists like Gloria Steinem and attended women’s studies courses in college. I was steeped in change, optimism, and hope for a better world for all. But this awareness was rooted in a critical eye to the past injustices and an understanding that the personal is the political, and how women live their lives, what obstacles they face, and how they handle them, is a testament to their power at home and in society.
I love The Frozen River by Ariel Lawhon because even though it’s fiction, the main character is based on a real midwife who kept a diary of the happenings in a small town in Maine.
During the time in the 19th century when women’s everyday life was a struggle, I found Martha Ballard inspiring as someone who challenged the patriarchal order of the day by searching for the truth behind a murder despite the serious threats to her safety and well-being.
I was fascinated by the vivid details portraying daily life for women in a harsh physical environment constantly hemmed in by even stricter limitations on what women were allowed to do, to be, and to say.
NATIONAL BESTSELLER • GMA BOOK CLUB PICK • AN NPR BOOK OF THE YEAR • From the New York Times bestselling author of I Was Anastasia and Code Name Hélène comes a gripping historical mystery inspired by the life and diary of Martha Ballard, a renowned 18th-century midwife who defied the legal system and wrote herself into American history.
"Fans of Outlander’s Claire Fraser will enjoy Lawhon’s Martha, who is brave and outspoken when it comes to protecting the innocent. . . impressive."—The Washington Post
"Once again, Lawhon works storytelling magic with a real-life heroine." —People Magazine
As part of Gen X, I was raised by a strong mother and surrounded by steely southern women, transforming their lives from housewives to more liberated women during the turbulent 1970s as women’s rights and civil rights blossomed. I admired second-wave feminists like Gloria Steinem and attended women’s studies courses in college. I was steeped in change, optimism, and hope for a better world for all. But this awareness was rooted in a critical eye to the past injustices and an understanding that the personal is the political, and how women live their lives, what obstacles they face, and how they handle them, is a testament to their power at home and in society.
I was moved to tears reading about how Isabel Allende copes with her daughter’s coma in her memoir, Paula, a series of written letters telling her daughter about her own life and family history.
I was struck by how honest she was about her most vulnerable moments of despair when she was grieving and desperate for her daughter’s healing.
Allende’s reflections on her exile after the 1973 Chilean coup highlight the surreal nature of how we go through our daily lives when the world is literally falling apart around us in a larger political sense, and then she shows us how we cope when, on a much smaller scale, we lose the great loves of our lives.
When Isabel Allende's daughter, Paula, became gravely ill and fell into a coma, the author began to write the story of her family for her unconscious child. In the telling, bizarre ancestors appear before our eyes; we hear both delightful and bitter childhood memories, amazing anecdotes of youthful years, and the most intimate secrets passed along in whispers. With Paula, Allende has written a powerful autobiography whose straightforward acceptance of the magical and spiritual worlds will remind readers of her first book, The House of the Spirits.
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Stealing technology from parallel Earths was supposed to make Declan rich. Instead, it might destroy everything.
Declan is a self-proclaimed interdimensional interloper, travelling to parallel Earths to retrieve futuristic cutting-edge technology for his employer. It's profitable work, and he doesn't ask questions. But when he befriends an amazing humanoid robot,…
As part of Gen X, I was raised by a strong mother and surrounded by steely southern women, transforming their lives from housewives to more liberated women during the turbulent 1970s as women’s rights and civil rights blossomed. I admired second-wave feminists like Gloria Steinem and attended women’s studies courses in college. I was steeped in change, optimism, and hope for a better world for all. But this awareness was rooted in a critical eye to the past injustices and an understanding that the personal is the political, and how women live their lives, what obstacles they face, and how they handle them, is a testament to their power at home and in society.
When I started The Tell, a memoir by Amy Griffith, I couldn’t put it down and read it in a day or so.
I was captivated by the process she went through under her therapist’s supervision, taking psychedelics to unlock a buried trauma she’d been running from her entire life. I believe her story illustrates the fact that strong women are often the radical truth tellers in our society, and when they speak up, like Amy, they are often met with a spectrum of responses, both helpful and harmful.
'What beautiful writing, crafting, and pacing. And what a heart Amy Griffin has. Your own heart will break, and mend, as you read' Susan Cain, #1 New York Times bestselling author
'With this powerful little book, she joins the ranks of women who, like the brilliant Gisele Pelicot in France, are shaking off the stigma of abuse and reattaching it to the perpetrators' The Times
'For such a long time, people discussed my running. It took up so much space in my life. And yet nobody ever thought to ask: What are you running from?'
Lynne Viola is a University Professor of Russian history at the University of Toronto. Educated at Barnard and Princeton, she has carried out research in Russian and Ukrainian archives for over 30 years. Among her books, are two dealing with Stalinist repression: Stalinist Perpetrators on Trial: Scenes from the Great Terror in Soviet Ukraine and The Unknown Gulag: The Lost World of Stalin’s Special Settlements. Both are based on work in previously classified archives, including the archives of the political police.
This is a collection of diaries written by a wide range of individuals during the Stalin era. The diaries address the terror in a variety of surprising ways, demonstrating the diversity of Soviet citizens in this time.
The private lives of a broad section of Russians who lived during Stalin's purge are revealed in this book. The nine diaries here capture the day-to-day thoughts of these people, and represent a vast selection of opinions, from those oblivious to the terror and those deeply affected by it.
Roger Reese has studied, researched, and or taught Soviet history since 1984. He has been on the faculty of Texas A&M University since 1990. He has published five books and numerous articles and book chapters on the military history of Russia and the Soviet Union. He was awarded the Norman B. Tomlinson, Jr. book prize for his most recent book, The Imperial Russian Army in Peace, War, and Revolution, 1856-1917.
This is a great book because it is probably the only truly even-handed treatment of one of the most reviled people in Soviet history, Nikolai Yezhov, head of the NKVD during the great terror. The authors by no means treat him as a sympathetic character, but they convincingly dismiss the many myths about him that have gotten in the way of understanding his relations with Stalin and his true motivations and behavior during the purge. They show that he played a truly significant role in convincing Stalin to let him purge the party and then the whole Soviet population because he believed there was a vast conspiracy to undermine Stalin’s version of Soviet power. Rather than a psychophant who groveled at Stalin’s feet, it is clear that he exercised agency to accomplish a task he believed in. You almost get to know Yezhov as a real human being, which is…
The definitive study of Nikolai Yezhov's rise to become the chief of Stalin's secret police-and the dictator's "iron fist"-during the Great Terror
Head of the secret police from 1937 to 1938, N. I. Yezhov was a foremost Soviet leader during these years, second in power only to Stalin himself. Under Yezhov's orders, millions of arrests, imprisonments, deportations, and executions were carried out. This book, based upon unprecedented access to Communist Party archives and Yezhov's personal archives, looks into the life and career of the enigmatic man who administered Stalin's Great Terror.
Nature writer Sharman Apt Russell tells stories of her experiences tracking wildlife—mostly mammals, from mountain lions to pocket mice—near her home in New Mexico, with lessons that hold true across North America. She guides readers through the basics of identifying tracks and signs, revealing a landscape filled with the marks…
I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.
Akhmatova was one of the most important poets in the city’s history, and here she is brought to life by an exceptionally talented diarist: elusive, but at times extremely frank, hesitant, vulnerable, while at the same time demanding. It is a riveting portrait. Chukovskaya also draws a fraught picture of Leningrad during the Stalinist Great Terror, as evoked in Akhmatova’s famous cycle of memorial poems, Requiem. Look out also for Chukovskaya’s novel about the Terror, Sofia Petrovna.
Even in her own day Anna Akhmatova was ranked as one of the great Russian poets of the century. Yet she suffered scathing attacks from the Soviet establishment, was famously denounced as ""half-nun, half-whore"", and was finally expelled from the Writers' Union. Lydia Chukovskaya, an admirer who became the poet's close friend, kept intimate diaries that reveal the day-to-day life of a passionate artist forced to endure sorrow and oppression, yet still able to create poetry and friendship. This volume contains the journals kept between the years 1938 and 1941.
Chriselda is a multi-genre, prolific author, and speaker, with a background in Business Administration and Chemistry/Microbiology. She speaks 5 languages & has published over 50 books. Her expansive writing covers poetry, horror, thriller, romance, children’s illustration, educational... but she enjoys telling a story in narrative poetry the most. Currently, she is working on her next dark poetry book Me and Him, where she will invoke one of the greatest poets – EA Poe. In her effort to promote more learning, she is also wrapping up the fourth book in her - Sigils, Symbols and Alchemy Series. Her passion for writing, lifelong learning, creativity, and her curiosity all help spark her innovative mindset.
One of the most significant Russian poets of the 20th century, Anna was shortlisted for the Nobel Prize in 1965. Her distinctive work ranging from short lyric poems to intricately structured pieces set her apart from her contemporaries. Her work deals heavily with the struggles of living and writing under the Stalinist era.
In this elegy, written over three decades, between 1935 and 1961, Anna relates details of her personal struggles together with the reflection of other voices during the "Great Purge". In an emotional call to help, she offers empathy to others faced with the same, dire predicament. Feel the gravity of suffering, pain, and mourning, ultimately teaching you one of the most important lessons in healing, which is acceptance and letting go.
With this edition Swallow Press presents two of Anna Akhmatova’s best-known works that represent the poet at full maturity, and that most trenchantly process the trauma she and others experienced living under Stalin’s regime.
Akhmatova began the three-decade process of writing “Requiem” in 1935 after the arrests of her son, Lev Gumilev, and her third husband. The autobiographical fifteen-poem cycle primarily chronicles a mother’s wait—lining up outside Leningrad Prison every day for seventeen months—for news of her son’s fate. But from this limbo, Akhmatova expresses and elevates the collective grief for all the thousands vanished under the regime, and for…
I am a writer and a filmmaker who has lived in New York City since 1982. In 1986 I started my own independent film production company, Starfish Productions, through which I produced and directed documentary films that won multiple awards, including an American Film Institute grant, a Rockefeller Fellowship, and an Emmy Award in 1997. I started writing fiction full-time in 2010. My debut novel, We Shall See the Sky Sparkling (Kensington Books) was published in 2/2019; my second novel The Weight of the Heart (Kensington Books) came out in 5/2020.
I love Akhmatova for her talent and her immense courage. Considered to be the ‘Soul of the Silver Age,’ the greatest modernist Russian woman poet, Akhmatova was a brilliant master of conveying raw emotion in her portrayals of everyday situations. She began to write poetry at age eleven and was first published in her late teens. Her father considered this to be an unsuitable and even shameful occupation and forbade her to write using the family name so she chose the surname of her great-grandmother, Akhmatova. Her works range from short lyric love poetry to longer, more complex poems, such as Requiem, a tragic depiction of the Stalinist terror, and written as a testament to the hardship and suffering of the people during this time, particularly women whose husbands and sons were imprisoned and executed.
Initially published in 1990, when the New York Times Book Review named it one of fourteen "Best Books of the Year," Judith Hemschemeyer's translation of The Complete Poems of Anna Akhmatova is the definitive edition, and has sold over 13,000 copies, making it one of the most successful poetry titles of recent years.This reissued and revised printing features a new biographical essay as well as expanded notes to the poems, both by Roberta Reeder, project editor and author of Anna Akhmatova: Poet and Prophet (St. Martin's Press, 1994). Encyclopedic in scope, with more than 800 poems, 100 photographs, a historical…
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
At the age of 16, I briefly joined the International Socialists, a small British Trotskyist party. Though I soon became disillusioned, it was a formative experience that left me with a lifelong fascination with communism and the Soviet Union. Over the following decades, I read everything I could about the subject, both fiction and non-fiction. In the years after the fall of communism, the ideas that eventually culminated in the writing of this book began to form in my head.
A brilliant evocation of the paranoia of the Stalin regime and the extraordinary extent of its surveillance of members of the Communist elite. We follow the story of a young girl as her family is destroyed and she is sent to the GULAG. Although it delves deep into the horrors of Stalinist persecution, this book is also an uplifting tale of love, courage, and survival.
In the dangerous time of Russia’s Great Terror, a knock on the door late at night could mean only one thing!
Moscow, 1937. As mortal fear engulfs the capital city, a singular man cements his lethal grip of absolute power over an entire nation. Accusations, mass arrests, executions, and deportations become de rigueur. Stalin’s cult of personality is so fearsome, that even a simple question could get you killed—or worse. Stalin’s dreaded secret police, the NKVD, would pit neighbor against neighbor in the insatiable hunt for the spies and saboteurs which threaten the supreme leader’s tyranny. The crisis will irrecoverably…
