Here are 100 books that Cardboard Gods fans have personally recommended if you like
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I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
Over 40 years after he left office, when he was replaced by Ronald Reagan, Carter remains an underrated and undervalued president. Alter doesn’t skimp on Carter’s shortcomings, from his sometimes rigid thinking to a nastiness that could be unleashed; the Iran-hostage debacle is also detailed in full. But using interviews with Carter and many of his associates and family members, he also makes the case, without being heavy-handed, that Carter was ahead of the curve on the ecology, voting rights, and other issues that remain frustratingly unfulfilled.
From one of America's most-respected journalists and modern historians comes the first full-length biography of Jimmy Carter, the thirty-ninth president of the United States and Nobel Prize-winning humanitarian.
Jonathan Alter tells the epic story of an enigmatic man of faith and his improbable journey from barefoot boy to global icon. Alter paints an intimate and surprising portrait of the only president since Thomas Jefferson who can fairly be called a Renaissance Man, a complex figure-ridiculed and later revered-with a piercing intelligence, prickly intensity, and biting wit beneath the patented smile. Here is a moral exemplar for our times, a flawed…
The dragons of Yuro have been hunted to extinction.
On a small, isolated island, in a reclusive forest, lives bandit leader Marani and her brother Jacks. With their outlaw band they rob from the rich to feed themselves, raiding carriages and dodging the occasional vindictive…
I was old (or young) enough to have only seen two Kubrick films in the cinema: Full Metal Jacket and Eyes Wide Shut. I began teaching film studies and Hollywood in 1998, and I have been teaching and researching Kubrick intensively since 2007, visiting his archive in London on numerous occasions. At one point, I held the record for the researcher who had spent the most hours in the Archive. I also met Christiane and Jan and spoke to many others who knew and worked with Kubrick. Having been familiar with Robert Kolker’s work, it became clear that collaborating with an international authority on film was a necessity as well as a pleasure.
Peter Biskind chronicles the rise of New Hollywood in the 1970s, featuring such "movie brat" directors as Martin Scorsese, Francis Ford Coppola, and Steven Spielberg. But he also refers to such older directors as Stanley Kubrick.
It’s written in a chatty and easy-to-read style and is full of useful tidbits of information about Kubrick and especially his new backers at Warner Brothers.
When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the '70s -- an unabashed celebration of sex, drugs, and rock 'n' roll (both onscreen and off) and a climate where innovation and…
I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
Even though they weren’t musicians, the original cast members of Saturday Night Live were among the biggest rock stars of the Seventies. Their journey from underground comics and performers to crossover superstardom, via TV, albums, and movies, is the story of the rise of the counterculture in the Seventies. And, sadly, Belushi’s flameout was the dark side of that tale.
I read this book not long after I had graduated from NYU with a degree in journalism, and Woodward’s peerless reporting—including a chilling, nearly hour-by-hour chronicle of Belushi’s last few weeks before his death in 1982—made me realize the power of narrative, research, and detail. If I were stymied while writing a story of my own in the early days of my career, I’d grab my increasingly beaten-up Wired paperback and be inspired anew.
This reissue of Bob Woodword’s classic book about John Belushi—one of the most interesting performers and personalities in show business history—“is told with the same narrative style that Woodward employed so effectively in All the President’s Men and The Final Days” (Chicago Tribune).
John Belushi was found dead of a drug overdose March 5, 1982, in a seedy hotel bungalow off Sunset Boulevard in Hollywood. Belushi’s death was the beginning of a trail that led Washington Post reporter Bob Woodward on an investigation that examines the dark side of American show business—TV, rock and roll, and the movie industry. From…
Jake Sledge, a rugged ex-cop turned private eye, teams up with his colossal partner Bobo to navigate the gritty streets of River City.
A murdered lawyer drags them into a web of political intrigue, neo-Nazi thugs, and bloody showdowns. With sharp wit and hard-hitting action, Jake tackles scumbags the only…
I’m a senior writer at Rolling Stone, where I cover a wide range of music-related topics. But as a child of the Seventies, I was shaped by the defining and enthralling pop culture of that era, from singer-songwriters, Southern rock, and disco records to Norman Lear sitcoms. In some of my work, I’ve chronicled the highs and lows of that era, perhaps as a way to answer a question that haunted me during my youth: Why did my older sisters and their friends keep telling me that the Sixties were the most incredible decade ever and the Seventies were awful? What did I miss? And how and where did it all go wrong?
What happened to the individual members of the Beatles in the years after the group dissolved? Many books have been devoted to that part of their saga, but few gripped me as much as this detailed, well-researched story of McCartney and his band Wings. Written with the cooperation of Macca—who gave several interviews to Doyle—Man on the Run makes you realize how chaotic, unstable, and (to use a period phrase) wild and crazy Wings were, despite the banality of some of their music. In that regard, it’s a perfect Seventies story: Beneath the seemingly mellow vibes and image lie a far more turbulent saga, reflecting the way McCartney himself repeatedly grappled with redefining himself after his tenure in arguably the greatest pop group of all time.
The most famous living rock musician on the planet, Paul McCartney is now regarded as a slightly cosy figure, an (inter)national treasure. Back in the 1970s, however, McCartney cut a very different figure. He was, literally, a man on the run. Desperately trying to escape the shadow of the Beatles, he became an outlaw hippy millionaire, hiding out on his Scottish farmhouse in Kintyre before travelling the world with makeshift bands and barefoot children. It was a time of numerous drug busts and brilliant, banned and occasionally baffling records. For McCartney, it was an edgy, liberating and sometimes frightening period…
As an experienced teacher I was fascinated by how writing personal stories helped to develop confidence as well as oral and written self-expression at different levels of complexity in children across the primary school age range. This encouraged me to embark on a MA in creative writing where I wrote an extended autobiographical piece that focused on how the relationship between my father and myself affected my childhood. I continued this research into my doctoral studies in Irish autobiography. I explored the history of Irish autobiography, memory, and identity formation. This research provided the context to write my own childhood memoir I Am Patrick.
McGinley’s 2011 autobiography That Unearthly Valley: A Donegal Childhood is a carbon copy of my own upbringing in a small rural, Irish and narrow-minded community in County Donegal in the mid-twentieth century where the dominance and hypocrisy of the Catholic priest and school instilled fear and religious compliance in daily life.
McGinley’s clearly narrated memories reveal a young man’s frustration at the silent and secret practices of those in authority from which his only escape was education and by disowning his birthplace. His descriptions of feeling like an outcast hhelpme to question the traumatic impact of our childhoods upon our adult lives. Like myself, it was only by distancing himself from home that he was able to lay bare a disturbing existence of repression.
A canny, loving portrait of a 1940s and 50s rural Irish upbringing, a moving homage to the folk imagination, and a heartfelt valedictory for a traditional way of life 'subsistence farming, sheep-rearing, hand-weaving, fiddle-playing and story-telling' that has largely vanished from our shores. Born in Glencolmcille in 1937, McGinley tells of growing up in the back of beyond, an isolated, seaside village marked by a generosity of spirit and a true sense of community, wherein he first encountered such mysteries as crab toes, family, sex, death, and school, along with a larger-than-life local curate, Fr James McDyer, a radical socialist…
When I drafted the pieces which eventually comprised Melancholic Parables, I had no plan. Only upon arranging them into a collection did I discover that, surprisingly, they shared emotional moods and thematic elements. In other words, I had stumbled into a linked collection. Writing a single big story is no small feat, as is writing small stories which each intrigue and delight in their own right—but to create and arrange multiple small stories so that they aggregate into a big story, one greater than the sum of its parts (in ways sometimes counterintuitive, sometimes virtuosic) is a special storytelling skill which I think these five authors’ work exemplifies.
Miriam Cohen gives us a series of stories loosely linked by recurring characters and contiguous themes.
In the world of these stories, childhood is bewildering and dreadful, while adults fail grotesquely to be adults—some never manage to stop being children, yet they never quite lose our sympathy.
If you love modern literary fiction, you will take as much delight in Cohen’s ruthless humour as you do in the exquisite prose and razor-keen insights which lurk on every page.
An “acute portrayal of failed relationships and struggles to transcend social norms,”―New York Times Book Review (editor's choice)
“Readers can detect deadpan realism influences of Lorrie Moore and the feminism of Angela Carter in these stories, but the work is distinctly and originally Cohen's voice. . . . [The] plots and these characters will stay for a while. Make room for them."―PopMatters
"These shockingly insightful stories, riddled with breathtaking observation, are also, frequently, laugh out loud funny. Wisdom and hilarity are such a gorgeous couple, and Miriam Cohen makes the absolute most of this pairing. Evocative of Lorrie Moore at…
Caroline Herschel has always lived in the shadows. Beholden to her wildly popular older brother, William, who rescued her from servitude, she's worked hard to build a life for herself – one where she can go unnoticed and repay the debt she believes she owes him. But when her brother…
As a primary head teacher, then literacy consultant, I wrote many books about education but at the age of 50 I changed tack. A meeting with a researcher who’d discovered an alarming decline in young children’s listening skills led to eight years’ research on the effects of modern lifestyles on children’s development. It involved many interviews with experts on diet, sleep, play, language, family life, childcare, education, screen-time, marketing influences and parenting styles – and a great deal of reading. By the time Toxic Childhood was first published in 2006 I’d realised that, in a 21st century culture, society should be paying far more attention to child development, especially in the early years. I hope to go on spreading that message until my dying breath.
Postman was a hugely erudite and witty writer. When I discovered this book in the 1990s, I was immediately convinced by his argument that our modern conception of ‘childhood’ is connected with the invention of the printing press … and with human progress over succeeding centuries. I was just as convinced by his concern that the recent explosion of screen-based culture would have profound effects on childhood and, indeed, on the quality of human thought. I’m therefore deeply honoured that Toxic Childhood is now on an ‘A’ Level Sociology syllabus alongside The Disappearance of Childhood – can’t believe that we’re sitting on the same shelf!
From the vogue for nubile models to the explosion in the juvenile crime rate, this modern classic of social history and media traces the precipitous decline of childhood in America today−and the corresponding threat to the notion of adulthood.
Deftly marshaling a vast array of historical and demographic research, Neil Postman, author of Technopoly, suggests that childhood is a relatively recent invention, which came into being as the new medium of print imposed divisions between children and adults. But now these divisions are eroding under the barrage of television, which turns the adult secrets of sex and violence into popular…
I’ve probably been a naturalist since I was a child. I vividly recall having conversations with snow-capped mountains at the age of five. The most alive moments of my childhood were spent outside, and in that sense, not much has changed. I no longer live in the foothills of the Himalayas. Instead, I live in the high desert in New Mexico. But nature is as strongly present in my life now as it was then—what is new is the awareness of how swiftly nature is changing. While I read widely, books rooted in the natural world have a way of making their way to me—and it’s a joy to recommend them to passionate readers.
I sank into the book’s languid mood—Merwin’s early peripatetic and poetic life sometimes seems to have no beginning and no end. There is a lot of wandering in the book, but Merwin’s sensibility gets you through to the last page.
You come away with a strong sense of what it means to engage with poetry, mythology, and nature.
America today is a mobile society. Many of us travel abroad, and few of us live in the towns or cities where we were born. It wasn't always so. "Travel from America to Europe became a commonplace, an ordinary commodity, some time ago, but when I first went such departure was still surrounded with an atmosphere of adventure and improvisation, and my youth and inexperience and my all but complete lack of money heightened that vertiginous sensation," writes W. S. Merwin. Twenty–one, married and graduated from Princeton, the poet embarked on his first visit to Europe in 1948 when life…
Peace has been my passion for more than half a century. In 1970, I refused to carry a weapon while serving in Viet Nam as a combat medic in an infantry battalion commanded by Colonel George Armstrong Custer III. I have witnessed enormous violence inflicted upon human beings, primarily civilians, and the earth which sustains us all. My knowledge of war comes from treating wounds. I have read numerous books about Palestine and Israel through a medic’s eyes. The books I’ve highlighted here will contribute to peace if they are read with care, with love. Never underestimate the power of words.
I admire every detail in this beautifully written family saga that reaches from Lithuania to Jerusalem.
When Amos Oz’s family escapes the antisemitism of Europe in the 1940s and resettles in Palestine, they seem to construct their new home of books rather than mortar. And beyond the towering bookcases, the volumes in twelve languages, lies a city of ancient stone torn by history and religion and competing claims.
Oz’s profound and personal understanding of the Holocaust leads him to conclude that Israel will be stronger by ending the occupation and forging paths that help to unite Jews and Palestinians.
I love the truth, the fact that empathy and compassion have the potential to heal the deepest wounds.
Tragic, comic, and utterly honest, this bestselling and critically acclaimed work is at once a family saga and a magical self-portrait of a writer who witnessed the birth of a nation and lived through its turbulent history. It is the story of a boy growing up in the war-torn Jerusalem of the forties and fifties, in a small apartment crowded with books in twelve languages and relatives speaking nearly as many. The story of an adolescent whose life has been changed forever by his mother's suicide when he was twelve years old. The story of a man who leaves the…
Rodney Bradford comes into Lindsay's restaurant, offers to buy her small house for double its value, eats her brownies, and drops dead on the sidewalk in front. Next, her almost-ex-husband offers to sign the divorce papers, but only if she'll give him her small,…
Growing up in a Kentucky coal-mining community, I enjoyed reading about the lives of other people and how their experiences differed from mine. I read biographies of famous people, such as Paul Revere or Stephen Foster, and an occasional memoir, such as Harlan Ellison writing about infiltrating a juvenile gang or David Gerrold revealing how he came to write forStar Trek. Fiction also took me to places that I had never seen. But something about a coming-of-age tale especially resonated with me and I hope these recommendations will help you make that same connection with how others have navigated the magic and miseries of childhood.
I was a huge bookworm as a boy, so I identified greatly with Ann Hood’s memoir that focuses on her own love of reading, which she developed as a child growing up in Rhode Island. While I still enjoy reading as an adult, nothing matches the way I could lose myself in a Hardy Boys adventure or a Doctor Dolittle tale as a youngster. Hood captures this total-book-immersion experience as she recalls readingLittle Women, one of the first books to whisk her away to a different world. The title of this memoir refers to another of Hood’s beloved books, Marjorie Morningstar by Herman Wouk.
In her admired works of fiction, Ann Hood explores the transformative power of literature. Now, with warmth and honesty, Hood reveals the personal story behind these works of fiction.
Growing up in a household that didn't foster the love of literature, Hood channelled her imagination and curiosity by devouring The Bell Jar, Marjorie Morningstar, The Harrad Experiment and other works. These titles introduced her to topics that could not be discussed at home: desire, fear, sexuality and madness. Later, Johnny Got His Gun and The Grapes of Wrath influenced her political thinking and Dr. Zhivago and Les Miserables stoked her…
