Books like Winter — picked by fans

As a college instructor and a student of Western American Literature for many, many years I have read a great number of western novels for my classes and for my literary studies. In addition to my doctoral dissertation on the topic, I have written and published numerous articles and reviews on western writers, and I have given many public presentations as well. I have a long-standing interest in what makes good works good. As a fiction writer, I have published more than thirty traditional western novels with major publishers, and have won several national awards for my western novels and short stories. 

My first introduction to the art of reading and storytelling was my dad’s bedtime stories. Sometimes he’d read a favorite, but most times he made them up; complete with sound effects. He was a journalist and inspired my love of reading and writing. My imagination was developed at an early age and shows no sign of slowing down or disappearing. I still gravitate toward fantasy, but am also a history buff and plan to read and write for the rest of my life.

One of my favorite writers, Ralph Ellison, said art could "transform dismal sociological facts" through "tragi-comic transcendence." For me, finding humor in the horrific is a means of survival. It's a way of embracing life's tragedy and finding beauty. My two novels, Pickard County Atlas and Little Underworld, try to do that.

I am a history-phobe turned history fanatic thanks to a snippet of a family story about my great-grandmother. Casual interest morphed into a focused passion when I learned that she truly had homesteaded-- all by herself and in her late teens-- in eastern Montana in 1917. Her accomplishment inspired four years of research and writing, resulting in my first historical novel, Hattie Big Sky, which earned a Newbery Honor award and spent weeks on the New York Times bestseller list. More importantly, that bit of family lore revealed my purpose as a writer and I have since devoted my career to bringing the past alive for today’s young readers.

In sixth grade, my teacher tried to teach the class how to read line charts – and something fell into place for me. Ever since then, I’ve tried to sort data into forms that we can use to make sense of it. As a researcher at Microsoft, I consulted with teams across the organization – from sales to legal; and from Excel to XBox – to help them understand their data. At Honeycomb, I design tools for software operations teams to diagnose their complex systems. These books each gave me an “ah-hah” moment that made me think differently about the craft of creating visualization. They now sit on my shelf in easy reach – I hope you find them fascinating too.

It has always seemed to me that humans underestimate the abilities—and particularly the conscious lives—of non-human animals. We, humans, are not apart from (and above) but live in a continuum of consciousness with the rest of life. All these books share stories of relationships between human and non-human animals. They make clear that we are connected to and part of all life on Earth. We are all in this together, and we better take good care of our shared natural living world.

I have published seven books, all set in the West, including an anthology, West of 98: Living and Writing the New American West, that features writers from every state west of the Mississippi. For four years now, I have been doing a podcast called Breakfast in Montana, where my partner Aaron Parrett and I discuss Montana books. I also published a book in 2016 called 56 Counties, where I traveled to every county in Montana and interviewed people about what it means to live in this state. So I have a good feel for the people of this region and for the books they love. 

I am a world traveler, who has been blessed to live in many different countries, studying human interactions and culture. People matter. I’m fascinated to see how people react and relate to each other. As a proficient people watcher, it makes sense that when I read or write a book, characters are most important to me. They make or break the story with their quirks and hurts and hang-ups. It always gives me great pleasure to see my own characters grow as the story develops. I enjoy putting them into situations that may not be comfortable for them and then seeing what God does to bring them through. 

I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!  

I’ve been a reader all my life. It started with books like Where the Red Fern Grows, and as I got older, I moved on to books like The Bean Trees by Barbara Kingsolver and Skipped Parts by Tim Sandlin. Whatever I was reading, it was taking place somewhere in the wilds of the mid and western United States. I’m from a small town, and growing up, everybody knew their neighbor’s business. These are the places I love to read and write about. Add some steamy romance, and I’m there! So when the MMC from my first book, Burned, cowboy Jack Cade, showed up in my head, I knew he was from a small town.