Books like Wild Milk — picked by fans

Every time I read something by George Saunders, I’m in awe of what, for me, is his trifecta of powers: hilarious writing, fantastically creative situations, and deep compassion for his characters and their choices. This book is no exception, and I was particularly struck by The Semplica Girl Diaries, which shows what lengths a suburban dad goes to—it involves unusual, morally questionable human lawn ornaments—in order to support his daughters’ happiness.

While reading these stories, I found my sympathies shifting and unfolding from character to character, each a person whose beating heart lies just below the surface of their unusual circumstances.

Any time I see a new story by Russell, I drop everything to step into the funny, quirky, and insightful worlds she creates. When I first read the title story of Orange World, about a woman who has made a bargain with a devil to protect her own baby, I wanted to press this book into the hands of any mother struggling with breastfeeding.

I could think of no better way to explain my experience than Russell’s description of trying to nurse a clawed, fanged, insatiable monster—along with the mix of posturing and solidarity I found within new mom’s groups and the way that loving my children connected me with my own parents. 

Most of the books I read with my kids have animals as the main characters, but few books aimed at adults do, so I was thrilled to find these stories where wolves, vultures, and tigers provide nuanced, complex perspectives on a threatened world. I learned about love and deep ocean noise from a young whale and felt the loneliness of a polar bear who is parted from his mother, his twin, and others of his kind.

Through these mythic stories, I realized the deep strangeness that comes from losing my connection to other animals and the true pleasure of returning to my place as a creature of the world—something I felt when I became a mother and again as I read these stories.

I keep returning to this collection of stories when I want to get closer to the feeling that flickers between grief and love, which I’ve felt in both large ways and in the small losses that I feel as my kids get older.

Many of the mothers in Romm’s book are dying, but her unwavering attention and humor make these stories feel like a balm, not a wound. There are stories about a man who carries an egg around to test out fatherhood and about a woman planting a crop of mothers in her garden while she grieves her own.

In my own life, plenty of eggs get broken, and the garden has a mind of its own—so these stories also feel familiar, personal, and comforting.

These stories run deep in my blood! I remember my Mum reading "Cinderella," "Hansel and Gretel," "Rapunzel," and "Snow White," to name a few, and being totally enthralled, captivated, and scared all at once.

Reading this edition as an adult evokes the same feelings, but I also experienced a sense of wonder and intrigue as I read the lesser-known stories such as "The Boy Who Left Home to Find Out About the Shivers," "The Girl with No Hands," "The Nixie of the Millpond," and "Hans-my-Hedgehog." 

I loved discovering these stories, closer to the originally published ones in their first collection, Children's and Household Tales in 1812, as they are much darker and scarier in nature than modern versions, and reading what Philip Pullman says about each one is an unexpected delight!

I adored this book. I loved its clever fairy tale reimagining of Beauty and Beast set in 1940s Germany under the Third Reich. I enjoyed the transformation of this classic fairy tale into a historical novel that was rich in detail and unique characters and revealed much of the hidden voices of resistance within Germany during this time.

Forsyth is a fellow Australian fairytale, fantasy, and historical author who writes fantasy, history, fairy tale, and myth retellings reimagined into new settings that I find inspiring and the power of the fairy tale to be retold and made new and to endure. 

Tobi Ogundiran’s Shirley Jackson Award-winning collection puts new wine into old skins.

Jackal, Jackal is an assured assemblage for the reader prepared to be astonished. The highly-imaginative stories and invented worlds take fairytales that we know and boldly recast them in an African yet universal culture that woos a far-reaching readership. 

Retellings are some of my favorite fantasy stories as they rely on new, inventive ways to spin the same yarn. Little Thieves is a reimagining of the Goose Girl from the perspective of the original villain as our main character. Vanja is the goddaughter of Death and Fortune, two of the goddesses in a pantheon with deities who represent abstract concepts like Time and Justice. 

Vanja has spent her life conning and stealing like when she steals the identity of her former friend, Princess Giselle, and steals from the haughty nobles. She maintains these three identities by using magic pearls that change her appearance. But the story truly begins when Vanja is cursed to either return what she has stolen or be consumed by her greed.

Like most children, I met folklore through the Grimm brothers, even though the Grimms were serious scholars and didn’t publish their book for children.

Still, their complete collection of 248 stories includes Hansel and Gretel, Snow White, and Aschenputtel, "Little Ashes," a Cinderella story. Many other Grimm stories are about animals.

The Bremen Town Musicians tells of a donkey, cat, rooster, and dog, all cruelly treated, who band together to make a life for themselves. Old Sultan is about a toothless old dog who’s outlived his usefulness. His owner means to kill him. But Sultan conspires with "his kinsman," a wolf. The wolf pretends to carry off the farmer’s child, so the ancient dog can stage a rescue, becoming a hero and earning a comfortable retirement.

Because of this book, I crept out of bed and downstairs while my parents slept.

Why? I hoped to catch my mother’s ornaments coming to life as they do in Andersen’s tales. I reasoned that Andersen was an adult and would know about such things. Why did he put it in his book if it wasn’t true?

I never caught the china horse galloping along the shelf, but I still loved these stories. They are full of fantastical imaginings and, at the same time, thoroughly down to earth. I read the account of the mermaids’ gardens beneath the sea again and again. (And Andersen’s Little Mermaid is far better than any film of it.)

If there is a child in your life who reads, they need this book!