Books like Why Elephants Have Big Ears

I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.

I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.

I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.

I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.

I grew up in the foothills of the Adirondack Mountains in upstate New York and spent many weekends hiking, camping, and fishing with my parents. Identifying and understanding the plants and animals around me was always interesting, and this love of nature has stayed with me as an adult. I now live near Lake Michigan and am an avid hiker, birdwatcher, and an Indiana Master Naturalist. I take endless inspiration from the natural world in my illustration work and believe that co-existing with, respecting, and preserving the natural world is central not just to the integrity of our planet, but to our very humanity.

Like most children, I adored baby animals from an early age. I bonded deeply with a pet kitten; I campaigned (unsuccessfully but perennially) for a puppy; I delighted in caterpillars. In college, my biology classes introduced me to a profusion of marine larval forms, and a fascination with the true diversity of animal babies fully gripped me. I eventually earned a PhD in the biology of squid babies and, shortly afterward, produced two human babies of my own. I now live with my human family, a cat, and a garden full of grubs, caterpillars, maggots, and innumerable other babies. I read and write about science and nature, especially the intersection of the weird and the adorable.

I live in a small town in rural Maine. My land has a farm pond, big pine trees, fields, and a crabapple orchard that blooms every spring. The air smells wonderful, and the night sky is big and mysterious. It is also less than five miles from the biggest commercial landfill in Maine, owned by the largest waste management company in the world. This landfill takes garbage not only from Maine but from many other states. In 1989, it was the site of a catastrophic landfill collapse. This has made me appreciate books that address the complexities of environmental activism and that remind me how we are all living on this same fragile planet.

Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (N.G. Children’s Books, 2015) and Construction People (Wordsong, 2020) as well as Highlights for Children magazine.

Free time is precious and in short supply, so when I can lose myself in a story, following it from beginning to end in just one sitting, I find it satisfying. Each of these books is a miniature masterpiece whose very length demands that the author pay attention to word choice, chapter structure, characterization, and plot. Readers must also pay attention because the pleasure of following these small gems is immediate and fierce. I’ve written two novellas so far, and I like to picture my readers—and the readers of the books listed here—lazing back against some squishy pillows, savoring their relaxation beverage, and losing themselves in other worlds.

When I was a child, I saw a grasshopper doing the sidestroke in the ocean and it sparked my interest in animal behavior. Though I still don’t know if all grasshoppers do the sidestroke, I’ve learned a lot about animal adaptations since then. And I’ve learned a lot about what motivates young readers from my years as a reading specialist and a classroom teacher. I’ve put that knowledge to work in my two popular books: Who Has These Feet? and Who Has This Tail?