Here are 100 books that Why Elephants Have Big Ears fans have personally recommended if you like
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I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
This is a pretty exhaustive study of how humans garb themselves, and how function, wealth and technology all influence fashion. Whether you’re telling the a tale of a doughty Georgian lace merchant, or the harrowing adventures of an inter-dimensional jazz band, you’re probably going to put your heroes in some sort of clothing, and this book gives you insight into all the various ways humans have found to do that.
What People Wore When combines the studies of two classic nineteenth-century illustrators Auguste Racinet and Friedrich Hottenroth for the first time. Their works are presented first by chronology and then by subject, so that illustrators, historians, and students alike can choose to follow the path of fashion through the centuries, or study in detail the contrasting styles of individual clothing and accessories. Silhouettes reveal the shape of style through the ages, detailed cross-references draw attention to recurring motifs, and navigation bars help the researcher to travel the complex chronology of costume.
With authoritative narrative from leading experts in the history…
The Victorian mansion, Evenmere, is the mechanism that runs the universe.
The lamps must be lit, or the stars die. The clocks must be wound, or Time ceases. The Balance between Order and Chaos must be preserved, or Existence crumbles.
Appointed the Steward of Evenmere, Carter Anderson must learn the…
I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
Clothing isn’t the only residue a culture and its people leave behind. Humans are natural pattern makers, and those patterns often give important insight into what those people value, as well as what fills their natural environment. Materials, dyes, tools… all these things have an influence on how a culture decorates their world and themselves. Patterns are a very subtle way to underscore a moment in a story.
This beautiful, highly influential book, long a classic in its field, remains today one of the most comprehensive and best-organized presentations of historic ornamental design. The original 100 color plates, meticulously reproduced here from the rare original folio edition, present a dazzling spectrum of copyright-free design motifs from both ancient and modern cultures. The Grammar of Ornament features designs from around the world: the West to the Far East and many cultures in between.
Graphic and fine artists will find nearly three thousand designs rendered in fine detail from a variety of sources:
I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
You get a lot of insight into a culture from the maps they create. Not only how they view themselves, but how they view others around them. There have been times in history when cultures weren’t even concerned with their maps being geographically accurate— they were a tool for teaching religion, or indulging a yearning for the fantastic. This book gives an excellent overview as to the many ways humans have used, and designed, maps throughout the centuries.
Mapping the World is a one-of-a-kind collection of cartographic treasures that spans thousands of years and many cultures, from an ancient Babylonian map of the world etched on clay to the latest high-tech maps of the earth, seas, and the skies above. With more than one hundred maps and other illustrations and an introduction and running commentary by Ralph E. Ehrenberg, this book tells a fascinating story of geographic discovery, scientific invention, and the art and technique of mapmaking.
Mapping the World is organized chronologically with a brief introduction that places the maps in their historical context. Special "portfolios" within…
The Guardian of the Palace is the first novel in a modern fantasy series set in a New York City where magic is real—but hidden, suppressed, and dangerous when exposed.
When an ancient magic begins to leak into the world, a small group of unlikely allies is forced to act…
I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
Nothing angers me more than when a book tries to explain something in words when it can be communicated much more effectively through illustration. That’s the beauty of Eric Sloane. The man visually recorded everything from weather phenomena to architecture to tools of bygone eras. I’m recommending the book A Museum of Early American Tools because its the one I’ve found the most useful, but I recommend checking out any of his books. At the very least, it can help you appreciate how those design decisions we take for granted— the roof of a barn, or the shape of a hammer handle— were honed by a balance of tradition, practicality, and circumstance.
This absorbing and profusely illustrated book describes in detail scores of early American tools and the wooden and metal artifacts made with them. Informally and expressively written, the text covers bulding tools and methods; farm and kitchen implements; and the tools of curriers, wheelwrights, coopers, blacksmiths, coachmakers, loggers, tanners, and many other craftsmen of the pre-industrial age. Scores of pen-and-ink sketches by the author accurately depict "special tools for every job," among them a hollowing gouge, hay fork, cornering chisel, apple butter paddle, boring auger, mortising chisel, a holding dog, hauling sledge, winnowing tray, reaping hooks, splitting wedge, felling axe,…
I grew up in the foothills of the Adirondack Mountains in upstate New York and spent many weekends hiking, camping, and fishing with my parents. Identifying and understanding the plants and animals around me was always interesting, and this love of nature has stayed with me as an adult. I now live near Lake Michigan and am an avid hiker, birdwatcher, and an Indiana Master Naturalist. I take endless inspiration from the natural world in my illustration work and believe that co-existing with, respecting, and preserving the natural world is central not just to the integrity of our planet, but to our very humanity.
This book is probably my favorite among natural history reading I’ve come across. A chance encounter at the library, I ended up buying a copy for myself as well as gifting it to several friends. Barnes weaves together short vignettes about science, observation, and personal encounters with nature organized from the tiniest life forms to some of the largest. Biologist JBS Haldane once said, “The universe is not only stranger than we imagine; it is stranger than we can imagine.” This book proves it with memorable anecdotes and a wonderful sense of kinship and compassion for life both like us and completely unlike us.
Life on Planet Earth is not weirder than we imagine. It's weirder than we are capable of imagining. Ten Million Aliens opens your eyes to the real marvels of the planet we live on.
Like most children, I adored baby animals from an early age. I bonded deeply with a pet kitten; I campaigned (unsuccessfully but perennially) for a puppy; I delighted in caterpillars. In college, my biology classes introduced me to a profusion of marine larval forms, and a fascination with the true diversity of animal babies fully gripped me. I eventually earned a PhD in the biology of squid babies and, shortly afterward, produced two human babies of my own. I now live with my human family, a cat, and a garden full of grubs, caterpillars, maggots, and innumerable other babies. I read and write about science and nature, especially the intersection of the weird and the adorable.
I laughed so hard and learned so much from this collection of science-based answers to fictional letters from animals.
The author uses an “agony aunt” advice column format to describe bizarre reproductive acts and the evolutionary history behind them. I found the structure incredibly easy to read, and I kept wanting to share snippets with my friends and family.
Compared to reading newspaper advice columns, this book provides all the schadenfreude and none of the guilt since these animals didn’t actually write in for advice and don’t care whether or not you judge them for cannibalizing their mates.
If you have ever wondered why women always bite your head off or why one guy gets all the girls, if you have ever pondered why some men bring you balloons while others leave you their genitals, then Dr Tatiana's Sex Advice to All Creation is the book for you. It explains all this and much more. It discloses the best time to have a sex change, how to have a virgin birth, when to seduce your sisters or eat your lover. Quirky and brilliant, it takes as its starting point all creatures great and small worried about their bizarre…
Aury and Scott travel to the Finger Lakes in New York’s wine country to get to the bottom of the mysterious happenings at the Songscape Winery. Disturbed furniture and curious noises are one thing, but when a customer winds up dead, it’s time to dig into the details and see…
Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (N.G. Children’s Books, 2015) and Construction People (Wordsong, 2020) as well as Highlights for Children magazine.
Given poet David L. Harrison’s background and interests (he holds science degrees from both Drury and Emory Universities), it should not be surprising to see his books show up on two of my lists. While he has published numerous poetry collections about animals, A Place to Start a Family stands out because of its tight focus – poems about animals that build nests, hives, and other types of homes – and the writer’s incredible talent for wordplay.
From ingenious internal rhyme to intriguing back matter to Giles Laroche’s masterful cut-paper illustrations, this work of creative nonfiction is equally at home in libraries and classrooms as it is on children’s bookshelves.
A poetry collection introducing animal architects that build remarkable structures in order to attract a mate and have babies.
Many animals build something--a nest, tunnel, or web--in order to pair up, lay eggs, give birth, and otherwise perpetuate their species. Organized based on where creatures live--underground, in the water, on land, or in the air--twelve poems bring fish, insects, reptiles, mammals, and birds to life. Back matter includes more information about each animal.
"A fine synthesis of poetry and science" — Kirkus Reviews
"An inviting introduction to a dozen industrious creatures" — Publishers Weekly
Growing up near the outskirts of a lush Honduran cloud forest, I remember searching for magic in the woods, a fairy behind the waterfall, and an emerald quetzal bird in the canopy. I have always been a lover of nature, ecology, and wildlife, and I appreciate how each of these five books speaks to the passion that I have for ecology in a unique way. From fantastical rabbits to hidden systems we all rely on, to turtles and whales and the entire animal kingdom, these books will resonate with those of us who believe that we each have a place in our interconnected planet.
I was that kid who liked grabbing the encyclopedia and reading it for fun. My husband did the same thing.
This gorgeous “encyclopedia-like” anthology is filled with beautiful illustrations and funny writing. I love grabbing it and reading a page here and there to learn a new fact or to simply appreciate a creature I might never have read anything about!
Did you know that some parrotfish make a sleeping bag out of slime to spend the night in? Or that sloths are surprisingly good swimmers who cross fast-moving rivers doing the doggy paddle? Ben Hoare’s writing is simple, informative, and fun! I appreciate the graphic design and colorful images that “pop” off the page.
Reveal the stories behind your favourite creatures with this awe-inspiring animal book for curious kids aged 6-8.
The animal kingdom is so much bigger than young minds can fathom and there is always more to learn. An Anthology of Intriguing Animals is a stunning animal encyclopedia for young readers to explore, with reference pages packed with fascinating information, little learners will be captivated as they discover the facts, stories and myths behind their favourite animals. Whether it's where the slow-motion sloth lives, how the plodding pangolin protects itself from predators, or which animal the Ancient Egyptians thought rolled the Sun…
I’ve always enjoyed books that introduce me to faraway places, cultural narratives, and the writers behind the stories. After retiring from college teaching, I decided to write one myself. I’m a Mark Twain scholar, so I followed Twain’s lecture tour through Australasia, India, and South Africa. One of my goals was to expose my research methods to my readers, and writing in the first person made that easy. What I hadn’t foreseen was how much the process would force me to confront my own past—exposing the radical differences between Mark Twain and Me.
I love what Young is doing—breaking out of her “college prof” shell and talking directly to us about her life with animals—dead and alive. She starts with her dog Frankie’s cancer diagnosis and wraps her own reactions to his treatments into her study of 19th-century fiction that focuses on animals—like the famous horse narrative Black Beautyand the equally-famous-but-now-forgotten dog narrative Beautiful Joe.Her travels take her through both physical and imaginative time and place—from Beautiful Joe’s origins in Nova Scotia to her meditations on the art of animal taxidermy. I learned a lot about the history of animal/human relations from this book, and I really enjoyed Young’s voice and puns. It’s a great addition to our goal to bring academic knowledge out into the public sphere.
In Pet Projects, Elizabeth Young joins an analysis of the representation of animals in nineteenth-century fiction, taxidermy, and the visual arts with a first-person reflection on her own scholarly journey. Centering on Margaret Marshall Saunders, a Canadian woman writer once famous for her animal novels, and incorporating Young's own experience of a beloved animal's illness, this study highlights the personal and intellectual stakes of a "pet project" of cultural criticism.
Young assembles a broad archive of materials, beginning with Saunders's novels and widening outward to include fiction, nonfiction, photography, and taxidermy. She coins the term "first-dog voice" to describe the…
Magical realism meets the magic of Christmas in this mix of Jewish, New Testament, and Santa stories–all reenacted in an urban psychiatric hospital!
On locked ward 5C4, Josh, a patient with many similarities to Jesus, is hospitalized concurrently with Nick, a patient with many similarities to Santa. The two argue…
Like many who carry over childish curiosity into adulthood, I'm attracted to forbidden places. I trespass. When I heard that a portion of South Africa’s coast was owned by the De Beers conglomerate and closed to the public for nearly 80 years, plunging the local communities into mysterious isolation, I became obsessed with visiting the place. Afterward, I began studying carrier pigeons—the amazing flying things that folks use to smuggle diamonds out of the mines. I wrote a book about this, Flight of the Diamond Smugglers. I'm also the author of nonfiction books about the first-ever photograph of the giant squid, working on a medical marijuana farm, and American food culture.
There’s this rumor that poets look longer and harder at the ornaments of the world than do anyone else. They keep looking, and looking, and looking, after most everyone else has long ago looked away, moved on. Here, in the wonderful world of poet Aimee Nezhukumatathil’s first book of nonfiction, whimsy and reverence twine like the DNA helices of the flora and fauna she examines. In her essay on the firefly, I adore the part when the insects “…lose their light rhythm for a few minutes after a single car’s headlights pass. Sometimes it takes hours for them to recalibrate their blinking patterns.”
"Hands-down one of the most beautiful books of the year." -NPR
From beloved, award-winning poet Aimee Nezhukumatathil comes a debut work of nonfiction-a collection of essays about the natural world, and the way its inhabitants can teach, support, and inspire us.
As a child, Nezhukumatathil called many places home: the grounds of a Kansas mental institution, where her Filipina mother was a doctor; the open skies and tall mountains of Arizona, where she hiked with her Indian father; and the chillier climes of western New York and Ohio. But no matter where she was transplanted-no matter how awkward the fit…
