Here are 100 books that Why Elephants Have Big Ears fans have personally recommended if you like
Why Elephants Have Big Ears .
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I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
This is a pretty exhaustive study of how humans garb themselves, and how function, wealth and technology all influence fashion. Whether you’re telling the a tale of a doughty Georgian lace merchant, or the harrowing adventures of an inter-dimensional jazz band, you’re probably going to put your heroes in some sort of clothing, and this book gives you insight into all the various ways humans have found to do that.
What People Wore When combines the studies of two classic nineteenth-century illustrators Auguste Racinet and Friedrich Hottenroth for the first time. Their works are presented first by chronology and then by subject, so that illustrators, historians, and students alike can choose to follow the path of fashion through the centuries, or study in detail the contrasting styles of individual clothing and accessories. Silhouettes reveal the shape of style through the ages, detailed cross-references draw attention to recurring motifs, and navigation bars help the researcher to travel the complex chronology of costume.
With authoritative narrative from leading experts in the history…
A moving story of love, betrayal, and the enduring power of hope in the face of darkness.
German pianist Hedda Schlagel's world collapsed when her fiancé, Fritz, vanished after being sent to an enemy alien camp in the United States during the Great War. Fifteen years later, in 1932, Hedda…
I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
Clothing isn’t the only residue a culture and its people leave behind. Humans are natural pattern makers, and those patterns often give important insight into what those people value, as well as what fills their natural environment. Materials, dyes, tools… all these things have an influence on how a culture decorates their world and themselves. Patterns are a very subtle way to underscore a moment in a story.
This beautiful, highly influential book, long a classic in its field, remains today one of the most comprehensive and best-organized presentations of historic ornamental design. The original 100 color plates, meticulously reproduced here from the rare original folio edition, present a dazzling spectrum of copyright-free design motifs from both ancient and modern cultures. The Grammar of Ornament features designs from around the world: the West to the Far East and many cultures in between.
Graphic and fine artists will find nearly three thousand designs rendered in fine detail from a variety of sources:
I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
You get a lot of insight into a culture from the maps they create. Not only how they view themselves, but how they view others around them. There have been times in history when cultures weren’t even concerned with their maps being geographically accurate— they were a tool for teaching religion, or indulging a yearning for the fantastic. This book gives an excellent overview as to the many ways humans have used, and designed, maps throughout the centuries.
Mapping the World is a one-of-a-kind collection of cartographic treasures that spans thousands of years and many cultures, from an ancient Babylonian map of the world etched on clay to the latest high-tech maps of the earth, seas, and the skies above. With more than one hundred maps and other illustrations and an introduction and running commentary by Ralph E. Ehrenberg, this book tells a fascinating story of geographic discovery, scientific invention, and the art and technique of mapmaking.
Mapping the World is organized chronologically with a brief introduction that places the maps in their historical context. Special "portfolios" within…
Sine, a professor of creative writing, accompanies Sam, a neuroscientist, on a conference trip to a Hotel Castle. Sam wants to present a new device, the "monitor." Sine hopes to recover from tending to her mother who just passed away.
When they arrive, Sine is in a dream-like state. Real…
I believe stories to be our species’ instinctual tool for discovering our best selves. Sometimes those stories are about real people in the past, sometimes they’re completely imagined people in the future — sometimes we even swap out the humans for animals or aliens, or sassy anthropomorphized objects. Whatever the case, for a story to work its wonders, its details must be believable, or we reject its premise. These books help make a story believable, and, if you get the alchemy just right, those details can even help tell the story themselves.
Nothing angers me more than when a book tries to explain something in words when it can be communicated much more effectively through illustration. That’s the beauty of Eric Sloane. The man visually recorded everything from weather phenomena to architecture to tools of bygone eras. I’m recommending the book A Museum of Early American Tools because its the one I’ve found the most useful, but I recommend checking out any of his books. At the very least, it can help you appreciate how those design decisions we take for granted— the roof of a barn, or the shape of a hammer handle— were honed by a balance of tradition, practicality, and circumstance.
This absorbing and profusely illustrated book describes in detail scores of early American tools and the wooden and metal artifacts made with them. Informally and expressively written, the text covers bulding tools and methods; farm and kitchen implements; and the tools of curriers, wheelwrights, coopers, blacksmiths, coachmakers, loggers, tanners, and many other craftsmen of the pre-industrial age. Scores of pen-and-ink sketches by the author accurately depict "special tools for every job," among them a hollowing gouge, hay fork, cornering chisel, apple butter paddle, boring auger, mortising chisel, a holding dog, hauling sledge, winnowing tray, reaping hooks, splitting wedge, felling axe,…
I grew up in the foothills of the Adirondack Mountains in upstate New York and spent many weekends hiking, camping, and fishing with my parents. Identifying and understanding the plants and animals around me was always interesting, and this love of nature has stayed with me as an adult. I now live near Lake Michigan and am an avid hiker, birdwatcher, and an Indiana Master Naturalist. I take endless inspiration from the natural world in my illustration work and believe that co-existing with, respecting, and preserving the natural world is central not just to the integrity of our planet, but to our very humanity.
This book is probably my favorite among natural history reading I’ve come across. A chance encounter at the library, I ended up buying a copy for myself as well as gifting it to several friends. Barnes weaves together short vignettes about science, observation, and personal encounters with nature organized from the tiniest life forms to some of the largest. Biologist JBS Haldane once said, “The universe is not only stranger than we imagine; it is stranger than we can imagine.” This book proves it with memorable anecdotes and a wonderful sense of kinship and compassion for life both like us and completely unlike us.
Life on Planet Earth is not weirder than we imagine. It's weirder than we are capable of imagining. Ten Million Aliens opens your eyes to the real marvels of the planet we live on.
Like most children, I adored baby animals from an early age. I bonded deeply with a pet kitten; I campaigned (unsuccessfully but perennially) for a puppy; I delighted in caterpillars. In college, my biology classes introduced me to a profusion of marine larval forms, and a fascination with the true diversity of animal babies fully gripped me. I eventually earned a PhD in the biology of squid babies and, shortly afterward, produced two human babies of my own. I now live with my human family, a cat, and a garden full of grubs, caterpillars, maggots, and innumerable other babies. I read and write about science and nature, especially the intersection of the weird and the adorable.
I laughed so hard and learned so much from this collection of science-based answers to fictional letters from animals.
The author uses an “agony aunt” advice column format to describe bizarre reproductive acts and the evolutionary history behind them. I found the structure incredibly easy to read, and I kept wanting to share snippets with my friends and family.
Compared to reading newspaper advice columns, this book provides all the schadenfreude and none of the guilt since these animals didn’t actually write in for advice and don’t care whether or not you judge them for cannibalizing their mates.
If you have ever wondered why women always bite your head off or why one guy gets all the girls, if you have ever pondered why some men bring you balloons while others leave you their genitals, then Dr Tatiana's Sex Advice to All Creation is the book for you. It explains all this and much more. It discloses the best time to have a sex change, how to have a virgin birth, when to seduce your sisters or eat your lover. Quirky and brilliant, it takes as its starting point all creatures great and small worried about their bizarre…
In an age of splendor, a heretic king strips Egypt bare—forcing his queen to quell rebellion and plunging his children into a conspiracy against the crown.
Salvation in the Sun follows Nefertiti as she ascends the throne beside Pharaoh Amenhotep—soon to become Akhenaten—just as he declares war on Egypt’s ancient…
I live in a small town in rural Maine. My land has a farm pond, big pine trees, fields, and a crabapple orchard that blooms every spring. The air smells wonderful, and the night sky is big and mysterious. It is also less than five miles from the biggest commercial landfill in Maine, owned by the largest waste management company in the world. This landfill takes garbage not only from Maine but from many other states. In 1989, it was the site of a catastrophic landfill collapse. This has made me appreciate books that address the complexities of environmental activism and that remind me how we are all living on this same fragile planet.
This book about a robot named Roz surprised me in the best way.
It had adventure, interactions between nature and technology, and made me think about what makes us human and how we live in the natural world. And the illustrations are just wonderful!
'An engaging tale that explores many important themes. We can only hope that Roz serves as the template for all future robots. Peter Brown's illustrations are as marvellous as ever!' Coralie Bickford-Smith, author of THE FOX AND THE STAR
When robot Roz opens her eyes for the first time, she discovers that she is alone on a remote, wild island. She has no idea how she got there or what her purpose is - but she knows she needs to survive. After battling a fierce storm and escaping a vicious bear attack, she realises that her only hope for survival…
Ever since my parents gave me a copy of Dorothy Aldis’ The Secret Place and Other Poems, I have enjoyed a lifelong love of poetry. Now, as a traditionally-published children’s author, I have had numerous books and poems published over the years, including books that began as poems, like Flashlight Night (Astra Young Readers, 2017) and Once Upon Another Time (Beaming Books, 2021). My poems can be found in various anthologies including The National Geographic Book of Nature Poetry (N.G. Children’s Books, 2015) and Construction People (Wordsong, 2020) as well as Highlights for Children magazine.
Given poet David L. Harrison’s background and interests (he holds science degrees from both Drury and Emory Universities), it should not be surprising to see his books show up on two of my lists. While he has published numerous poetry collections about animals, A Place to Start a Family stands out because of its tight focus – poems about animals that build nests, hives, and other types of homes – and the writer’s incredible talent for wordplay.
From ingenious internal rhyme to intriguing back matter to Giles Laroche’s masterful cut-paper illustrations, this work of creative nonfiction is equally at home in libraries and classrooms as it is on children’s bookshelves.
A poetry collection introducing animal architects that build remarkable structures in order to attract a mate and have babies.
Many animals build something--a nest, tunnel, or web--in order to pair up, lay eggs, give birth, and otherwise perpetuate their species. Organized based on where creatures live--underground, in the water, on land, or in the air--twelve poems bring fish, insects, reptiles, mammals, and birds to life. Back matter includes more information about each animal.
"A fine synthesis of poetry and science" — Kirkus Reviews
"An inviting introduction to a dozen industrious creatures" — Publishers Weekly
Growing up near the outskirts of a lush Honduran cloud forest, I remember searching for magic in the woods, a fairy behind the waterfall, and an emerald quetzal bird in the canopy. I have always been a lover of nature, ecology, and wildlife, and I appreciate how each of these five books speaks to the passion that I have for ecology in a unique way. From fantastical rabbits to hidden systems we all rely on, to turtles and whales and the entire animal kingdom, these books will resonate with those of us who believe that we each have a place in our interconnected planet.
I was that kid who liked grabbing the encyclopedia and reading it for fun. My husband did the same thing.
This gorgeous “encyclopedia-like” anthology is filled with beautiful illustrations and funny writing. I love grabbing it and reading a page here and there to learn a new fact or to simply appreciate a creature I might never have read anything about!
Did you know that some parrotfish make a sleeping bag out of slime to spend the night in? Or that sloths are surprisingly good swimmers who cross fast-moving rivers doing the doggy paddle? Ben Hoare’s writing is simple, informative, and fun! I appreciate the graphic design and colorful images that “pop” off the page.
Reveal the stories behind your favourite creatures with this awe-inspiring animal book for curious kids aged 6-8.
The animal kingdom is so much bigger than young minds can fathom and there is always more to learn. An Anthology of Intriguing Animals is a stunning animal encyclopedia for young readers to explore, with reference pages packed with fascinating information, little learners will be captivated as they discover the facts, stories and myths behind their favourite animals. Whether it's where the slow-motion sloth lives, how the plodding pangolin protects itself from predators, or which animal the Ancient Egyptians thought rolled the Sun…
Born the heir of a master woodcutter in a queendom defined by guilds and matrilineal inheritance, nonbinary Sorin can’t quite seem to find their place. At seventeen, an opportunity to attend an alchemical guild fair and secure an apprenticeship with the…
I’ve always enjoyed books that introduce me to faraway places, cultural narratives, and the writers behind the stories. After retiring from college teaching, I decided to write one myself. I’m a Mark Twain scholar, so I followed Twain’s lecture tour through Australasia, India, and South Africa. One of my goals was to expose my research methods to my readers, and writing in the first person made that easy. What I hadn’t foreseen was how much the process would force me to confront my own past—exposing the radical differences between Mark Twain and Me.
I love what Young is doing—breaking out of her “college prof” shell and talking directly to us about her life with animals—dead and alive. She starts with her dog Frankie’s cancer diagnosis and wraps her own reactions to his treatments into her study of 19th-century fiction that focuses on animals—like the famous horse narrative Black Beautyand the equally-famous-but-now-forgotten dog narrative Beautiful Joe.Her travels take her through both physical and imaginative time and place—from Beautiful Joe’s origins in Nova Scotia to her meditations on the art of animal taxidermy. I learned a lot about the history of animal/human relations from this book, and I really enjoyed Young’s voice and puns. It’s a great addition to our goal to bring academic knowledge out into the public sphere.
In Pet Projects, Elizabeth Young joins an analysis of the representation of animals in nineteenth-century fiction, taxidermy, and the visual arts with a first-person reflection on her own scholarly journey. Centering on Margaret Marshall Saunders, a Canadian woman writer once famous for her animal novels, and incorporating Young's own experience of a beloved animal's illness, this study highlights the personal and intellectual stakes of a "pet project" of cultural criticism.
Young assembles a broad archive of materials, beginning with Saunders's novels and widening outward to include fiction, nonfiction, photography, and taxidermy. She coins the term "first-dog voice" to describe the…
